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The image appears to be a page from a newsletter or an exhibition brochure. It features information about an art exhibition and related events at the Fogg Art Museum, which is part of Harvard University. Here is a detailed summary of the content:

Exhibition: A Life in Sculpture

• Artist: Jacques Lipchitz
• Dates: September 17 to October 21, 1973
• Curator: Mrs. Jeanne L. Wasserman, Honorary Curator of Nineteenth- and Twentieth-Century Sculpture
• Description: The exhibition highlights the development and breadth of Lipchitz's style, focusing on the early cubist period through the more expressive works of his later years. It emphasizes the energy, vitality, and deep feeling that characterize his work.
• Works on Display:
  • Life in Sculpture (bronze, 1973)
  • Ulysses (bronze, 1924)
  • Ulysses: Victory (bronze, 1954)
  • Miracle II (bronze, 1948)
  • Three Sketches for Miracle II (bronze, 1948)
  • Portrait of Gertrude Stein (bronze, 1920)
  • Mother and Child (bronze, 1919)
  • Cubist Head (bronze, 1918)
  • Seated Figure (cubist drawing, 1918)

New American Graphic Art

• Description: The third in a series of annual shows at the Fogg, focusing on current trends in American art. The exhibition includes works from the New York area, Boston, and the West Coast.
• Artists Featured: Earl Powell, Vitali Alpery, Ed Ruscha, Vija Celmins, Michael Herr, Ken Price, and William Wiley.
• Objective: To create a show that will introduce the Harvard community to contemporary American art.

Rental Program

• Description: The Fogg Art Museum offers a rental program where students and faculty can rent original prints and drawings for their homes. The program aims to make art accessible and affordable.
• Cost: $25 per year, with a $5 deposit.
• Collection: Includes works by William Blake, Francisco Goya, Honoré Daumier, and others.

Additional Information

• Newsletter Staff:

  • Editor: Kathleen Tiernan
  • Layout: Cynthia von Thena
  • Photographers: James Upham, Michael Gross
  • Designer: Malcolm Grear Designers

• Image: There is an image of a sculpture titled "Mother and Child" by Jacques Lipchitz, created in 1924, made of bronze, measuring 26 inches in height.

This brochure provides a comprehensive overview of the exhibitions and programs offered by the Fogg Art Museum, highlighting the works of Jacques Lipchitz and contemporary American artists.

The image is a page from a magazine or a newspaper featuring an article about a retrospective exhibition of the works of the sculptor Jacques Lipchitz. Here are the detailed elements visible in the image:

1. Exhibition Description:

   • The exhibition is titled "A Life in Sculpture: Jacques Lipchitz (1891-1973)" and is organized by the Fogg Art Museum.
   • The show spans from September 23 and highlights the evolution and breadth of Lipchitz’s style, showing his work from his early cubist period through to his later phases.
   • The event honors Lipchitz’s legacy and reflects his profound influence on modern art.

2. Highlights and Artworks:

   • The article mentions several pieces from the exhibition, including:
     • L’Innocent Victime (bronze, 1954)
     • Mirage II (bronze, 1948)
     • Sketches for Miracle II
     • Pierrot with Clarinet (1919)
     • Lady with Cannellias and Galapagos (bronze, 1966)
     • Seated Figure (cubist drawing, 1918)

3. Additional Information:

   • The exhibition runs from September 23 until unspecified future dates, emphasizing its significance in the context of contemporary art.
   • The piece Bather (1924, bronze, 26.4 inches) is shown prominently.

4. New American Graphic Art:

   • There is also an announcement about a show titled "New American Graphic Art" that centers on current trends in American art, with a selection of prints and drawings from the late 60s and early 70s.
   • This exhibition includes artists such as Ed Ruscha, Vija Celmins, Michael Heizer, Ken Price, and William W. Wilson.

5. Logistical Details:

   • The Fogg Art Museum’s rental program offers prints for viewing, with prices ranging from $25 to $55.
   • The opening hours and dates are mentioned, with a specific focus on the weekend and specific days for the rental of prints.

6. Newsletter Staff and Exhibitions:

   • The magazine includes a brief section on the Fogg’s newsletter staff, including the editor and photographers.

7. General Context:

   • The article and accompanying visuals are aimed at engaging readers with the historical and artistic significance of the exhibitions, emphasizing the importance of these shows in the broader context of art history and contemporary art practices.

Overall, the image provides a snapshot of a cultural event celebrating the legacy of Jacques Lipchitz and introducing a contemporary graphic art show.

The image displays a page from what appears to be a catalog or a newsletter. The page is divided into two main articles, each with accompanying images and text.

On the left side, there is an article titled "A LIFE IN SCULPTURE: JACQUES LIPCHITZ (1891-1973)," organized by Mrs. Jeanne L. Wasserman, Honorary Curator of Twentieth-Century Sculpture. The article discusses an exhibition at the Fogg Museum, which includes several significant works by Jacques Lipchitz, such as "Bather, 1924," "Maquette for 'Bellerophon,' 1954," "L'Innocence, 1943," and others. The text highlights the development of Lipchitz's style from his early cubist period to his later, more expressive phases. The exhibition aims to present Lipchitz as a pioneer of modern sculpture, emphasizing his optimism and affirmation despite personal and political hardships.

The right side of the page features an article titled "NEW AMERICAN GRAPHIC ART," which is the third in a series of annual shows at the Fogg focusing on current trends in American art. This particular show, organized by Daniel Robbins, Assistant Curator of Prints and Photographs, includes a selection of prints and drawings from the late 1960s and early 1970s. It features works by artists such as Earl Powell, Natalie Alper, Ed Ruscha, Vija Celmins, Michael Heizer, Ken Price, and William Wiley. The exhibition aims to introduce new artists to the Harvard community and runs from September 12 to October 28, with a reception on September 22 and 23.

The page also includes a list of the newsletter staff, such as Emily L. Tierney, Editor, and details about the rental collection, which includes prints by Rembrandt, Picasso, and others, available for loan with specific conditions and fees.

The image shows a page from an exhibition brochure or newsletter related to the art of Jacques Lipchitz, a prominent sculptor. Here's a detailed summary of its contents:

1. Introduction and Background:

   • The text begins with a reflection on the death of Jacques Lipchitz, highlighting his significant contributions to modern art over a career spanning 60 years.
   • Lipchitz is described as one of the major sculptors of the modern era, whose work was deeply affected by political catastrophes and personal misfortunes but maintained an extraordinary spirit of optimism.

2. Exhibition Details:

   • The Fogg Art Museum is hosting an exhibition titled "LIFE IN SCULPTURE: JACQUES LIPCHITZ," which runs from September 23 to November 3.
   • The exhibition features works spanning Lipchitz's entire career, including notable pieces such as "Life in Sculpture," "Acrobats on a Ball" (1913), and "Mother and Child II" (1941-1945).
   • The exhibition includes loans from notable collectors and institutions, such as Mr. and Mrs. Irving W. Rabb, the Whitney Museum of American Art, and the Wellesley College Art Museum.

3. New American Graphic Art:

   • This section discusses the third in a series of annual exhibitions at the Fogg Art Museum, focusing on contemporary American printmaking.
   • The exhibition "New American Graphic Art" showcases prints and drawings from the late 1960s and early 1970s, curated by Daniel Robbins with assistance from the Department of Prints and Photographs.
   • It features works by artists like Richard Florsheim, Jasper Johns, Louise Nevelson, and others.
   • The exhibition will run from September 12 to October 28, with a checklist available.

4. Miscellaneous Information:

   • The newsletter mentions the staff involved, including Editor Emily L. Tipperas and contributors like Cynthia von Thuna and Michael Wentworth.
   • There is an announcement about a rental program for original prints by artists, available to Harvard affiliates.
   • The back of the page details an upcoming exhibition of recent acquisitions by the Busch-Reisinger Museum, running from September 29 to November 4, including works by artists like Max Beckmann, Ernst Ludwig Kirchner, and others.

5. Photograph:

   • The page includes a photograph of one of Lipchitz's sculptures, specifically "Bather" from 1924, made of bronze and measuring H. 26 1/2 inches.

Overall, the image provides a comprehensive overview of an art exhibition dedicated to Jacques Lipchitz and an additional exhibition of contemporary American graphic art at the Fogg Art Museum.

The image is a page from a publication, likely a catalog or a newspaper, detailing an exhibition of artworks by Jacques Lipchitz. Here is a detailed summary:

Main Article: Jacques Lipchitz Exhibition

1. Death of Jacques Lipchitz:

   • The article begins with a reference to the death of Jacques Lipchitz and a quote from Hilton Kramer of the New York Times, praising Lipchitz as one of the major sculptors of the modern era.

2. Exhibition Overview:

   • The exhibition, titled "A Life in Sculpture: Jacques Lipchitz (1891-1973)," is organized by Mrs. Jeanne L. Wasserman and the Honorary Curator of Twentieth-Century Sculpture at the Fogg Art Museum.
   • The exhibition includes a variety of works spanning Lipchitz's career, such as:
     • The Joiner (stone, 1924)
     • L’Innocent Victime (bronze, 1954)
     • David and Goliath (bronze, 1948)
     • Miracle II (bronze, 1948)
     • Seated Figure (cubist drawing from 1918)
   • The show highlights Lipchitz's development and breadth of style, from his early cubist period through his later years, characterized by vitality and deep feeling.

3. Exhibition Details:

   • The exhibition runs from September 17 to October 28, 1973.
   • It is open on weekdays from 10 AM to 5 PM and Saturdays and Sundays from 2 PM to 5 PM.

4. Loaned Artworks:

   • Several artworks are loaned from private collections, including:
     • Pierrot with Clarinet (1919) from the Fitchbach Gallery, New York.
     • Lady with Camelias and Galapagos from an anonymous loan.
     • Don Quixote (bronze, 1966) from the Wellesley College Art Museum.

New American Graphic Art

1. Exhibition Overview:

   • This exhibition is the third in a series focusing on current trends in American graphic art.
   • It features works by artists such as:
     • Robert Motherwell
     • Larry Rivers
     • William Bailey
     • Jim Dine
     • Robert Rauschenberg
     • and others.

2. Exhibition Details:

   • The exhibition runs from September 12 to October 28, 1973.
   • It coincides with the opening of the school year and includes works from recent New York exhibitions.

Additional Information

1. Publication Details:

   • The publication includes a small black-and-white photo of Jacques Lipchitz's sculpture Bather (1924, bronze, 26.4 inches).
   • A photograph of a collage by Joe Brainard is also featured.

2. Staff and Contributors:

   • The publication lists the following staff:
     • Editor: Emily L. Tiperman
     • Layout: Cynthia von Thüna
     • Photographers: James Ufford, Michael Nedelman, and Malcolm Greer Designers.

3. Rental Program:

   • Information about a rental program is provided, indicating that prints may be rented from $5 to $25, with the rental fee extending to Harvard students and faculty.

Visual Elements

• The page includes a collage by Joe Brainard titled Graphic Art, dated 1972.
• A small image of Jacques Lipchitz’s Bather (1924) is included.

This page serves as a comprehensive guide to the exhibitions, providing historical context, details on the artists, and practical information for visitors.

The image contains pages from a publication, likely a magazine or a newspaper, featuring articles and advertisements related to art exhibitions.

Left Page:

• Article on Jacques Lipchitz Exhibition:

  • The article discusses an exhibition at the Fogg Museum, honoring the late sculptor Jacques Lipchitz. The exhibition spans his entire career and includes works such as "L'Homme au Manteau" (1924), "L'Innocent Victime" (1954), and "Lady with Camelias and Galapagos" (1966).
  • The exhibition, titled "A LIFE IN SCULPTURE: JACQUES LIPCHITZ (1891-1973)," includes loans from various institutions and private collectors, such as the Brooklyn Museum, the Art Institute of Chicago, and private individuals.
  • The show highlights Lipchitz's development from early Cubist works to later expressive phases, emphasizing his enduring vitality and optimism.
  • The article mentions Hilton Kramer's comment from the New York Times about Lipchitz's impact on modern sculpture.

• Image:

  • A photograph of Lipchitz's sculpture "Bather" from 1924, a bronze piece, is shown.

Right Page:

• Article on New American Graphic Art:

  • This article introduces the third annual show of New American Graphic Art, curated by Daniel Robbins. The exhibition features drawings and prints by contemporary artists, including Earl Powell, Natalie Alper, Ed Ruscha, Vija Celmins, and others.
  • The exhibition includes works from the late 1960s and early 1970s, and a checklist with an introduction by Robbins and an essay by Coles Baxter is available.
  • The exhibition runs from September 12 to October 28 and coincides with the opening of the school year at Harvard.

• Advertisements:

  • A sidebar mentions a rental program for the Fogg's collections, including prints and drawings, available from September 17 to October 28.
  • Another sidebar discusses the "New American Graphic Art" exhibition and the involvement of Harvard students and faculty.

• Image:

  • A black-and-white image of Joe Brainard's "Interior, 1972," a collage on paper.

The overall content revolves around art exhibitions and related activities at the Fogg Museum, showcasing significant works and artists.

The image shows an open printed publication, likely a museum newsletter or exhibition brochure. The left page features an article discussing the sculpture exhibition of Jacques Lipchitz, mentioning the curator of the exhibition, and highlighting various works on display, including a sculpture named "Bather" from 1924. The right page continues with the article and introduces a new section about "NEW AMERICAN GRAPHIC ART," discussing an exhibition of contemporary American graphic artists. There is an illustration on the right page depicting what appears to be a portion of an interior setting with a chair and a doorway, which includes a penetrating view into what looks like another room. The text also contains details about the materials and artists featured in the exhibition.

The image shows an open book or magazine with printed text and black-and-white images on the visible pages. The left page contains an article discussing Jacques Lipchitz and an exhibition titled "A Life in Sculpture: Jacques Lipchitz (1891-1973)." It includes a black-and-white photograph of a sculpture called "Bather" made of bronze in 1924 by Jacques Lipchitz. The sculpture depicts a stylized human figure, somewhat abstract in form.

Also on the left page, there is a mention of other sculptures and works in the exhibit and a discussion on an exhibition series called "New American Graphic Art" centered at the Fogg.

On the upper right side of the left page, there is a small illustration or artwork titled "Green Interior," created in 1972 by Joe Brainard using collage, watercolor, and graphite on bond paper. This illustration shows part of a room with the corner of a chair and framed picture on the wall.

The right page has more text and seems to continue the article or provide additional information about exhibitions and art programs, but much of the text is cropped or partially hidden. There is also a small box listing the newsletter staff involved in this publication on the right page.

The image shows an open book with two visible pages, likely from an art catalog or exhibition brochure. The left page contains text and an illustration, while the right page is mostly filled with text.

Left Page:

• Illustration: A black-and-white image of a sculptural figure is prominently displayed in the center. The sculpture is abstract, featuring a stylized human form with a simplified, angular design. The figure has a head with a helmet-like structure and a body that appears to be elongated and angular. The sculpture is labeled at the bottom as "Jacques Lipchitz, Bather, 1924, bronze, H. 26¼ inches."
• Text: The text on the left page discusses the life and work of Jacques Lipchitz, a prominent sculptor. It highlights his death and the impact of his work, noting his optimism and resilience despite personal and political challenges. The text also mentions an exhibition organized by the Fogg Art Museum to honor Lipchitz, showcasing his entire career. It references specific works, including Miracle II, Miracle II (Victime), and other sculptures and drawings. The page also includes details about the materials and origins of the displayed works, such as loans from various collectors and institutions.

Right Page:

• Text: The right page continues with additional information, focusing on an exhibition titled "NEW AMERICAN GRAPHIC ART." It describes the exhibition as the third in a series of annual shows at the Fogg Art Museum, highlighting trends in American graphic art from the late 1960s and early 1970s. The text mentions the selection of artists, including Young Bascan Artists, and provides details about the exhibition's curators, Assistant in the Department of Prints and Photographs. It also includes logistical information, such as the exhibition dates (September 22 to October 28), the venue (Harvard University), and a checklist with an introduction by Daniel Robbins.

Overall Context:

The book appears to be a catalog or program for an art exhibition, likely from the 1970s, given the references to dates and artists. It combines textual descriptions of Lipchitz's work with details about a contemporary graphic art exhibition, suggesting a focus on modern and contemporary art. The layout is typical of art exhibition catalogs, with a mix of textual analysis and visual representation of artworks.

The image appears to be a page from a book or catalog describing an art exhibition. The text on the page provides details about the exhibition, including:

• The exhibition is titled "JACQUES LIPCHITZ (1891-1973)" and is being held in honor of the sculptor Jacques Lipchitz, who passed away earlier that year.

• The exhibition includes works spanning Lipchitz's career, from his early cubist period to his later expressionist phase. It aims to highlight the development of his style and bring out the "tenacious energy, vitality, and deep feeling that characterize his work."

• The exhibition is organized by the Fogg Art Museum and is being held from September 17 to September 29, 1973. Prints and drawings from the exhibition will be available for rent from September 29 to October 28, 1973.

• The exhibition includes a selection of sculptures, drawings, and prints by Lipchitz, as well as works by other artists like William Wainwright, Don Quixote, and others.

• The exhibition is being held in conjunction with another exhibition titled "New American Graphic Art," which features prints and drawings by contemporary American artists.

• The exhibition will be open to Harvard students and faculty, with prints and drawings available for rent from September 29 to October 28, 1973.

The image also includes a photograph of one of Lipchitz's sculptures, titled "Bather," and provides details about the dimensions and materials of the sculpture.