Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2013.5.16, Rendition: 799468
The image is a page from a newsletter, specifically Volume 10, Number 6, dated September 1973, from the Fogg Art Museum at Harvard University in Cambridge, Massachusetts. The newsletter discusses an upcoming exhibition titled "The Courtly Tradition in Japanese Literature and Art," which is scheduled to run from November 7 to December 17, 1973.
The exhibition focuses on the cultural and artistic traditions of Japan from the eighth to the nineteenth century, particularly the influence of the elite on Japanese civilization. It highlights the development of Japanese literature and art, and their connections to Chinese aesthetics and Buddhist traditions. The exhibition is curated by John M. Rosenfield, Professor of Fine Arts, and features a variety of artifacts including paintings, calligraphy, and literary works.
A significant piece mentioned is a passage from "The Tale of Genji" (Genji Monogatari), attributed to the monk Jien (1155-1225), which is an example of Heian calligraphic work. The text also mentions contributions from various scholars and curators, including Fumiko E. Cranston and Philip Hofer.
Additionally, the newsletter announces that the exhibition will travel to the Japan House Gallery in New York from January 14 to March 10, 1974, and to the Art Institute of Chicago from May 4 to June 22, 1974. A catalog for the exhibition, written and compiled by Professor Rosenfield and Edwin Cranston, will be available in both soft and hard cover.
The image also includes a photograph of a piece of calligraphy, which is a passage from "The Tale of Genji," showcasing the intricate and artistic style of Japanese calligraphy.
The image shows the cover page of a newsletter from the Fogg Art Museum at Harvard University, specifically Volume 10, Number 6, dated September 1973.
The newsletter features an exhibition announcement titled "The Courtly Tradition in Japanese Art and Literature," which focuses on the art and literature of the Japanese court from the eighth to the ninth centuries. This exhibition is part of the Nihon Koten Bungei (Traditional Japanese Literature) display, highlighting the elegance and sophistication of Japanese culture during this period.
The exhibition highlights works that span various art forms, such as painting and calligraphy, which are noted for their literary, documentary, and artistic significance. The text mentions that the exhibition is curated by Donald Hyde and Samuel Johnson, and it will be available at the Fogg Art Museum from November 1973 to March 1974.
Additionally, there is an image of a sumi ink page from the Suma Chapter of The Tale of Genji, attributed to the monk Jien (1155-1225), showcasing detailed Japanese calligraphy. The page is described as having a marbled background, typical of Heian period calligraphy, and it is part of the collection of Mr. Donald F. Hyde.
The exhibition catalog is available in both soft and hard cover, and the Fogg Art Museum plans to host it at Japan House Gallery in New York from January 25 to March 17, 1974, and at the Art Institute of Chicago from May 4 to June 22, 1974.
The image shows a newsletter from the Fogg Art Museum at Harvard University, dated September 1973, Volume 10, Number 6. The main article features an exhibition titled "Nihon Koten Bungei: The Courtly Tradition in Japanese Art and Literature," which was on display from November 7 to December 17, 1973. The exhibition focused on the refined culture of the Japanese imperial court from the 9th to the 12th century, showcasing literary, documentary, and artistic treasures that highlight the Japanese elite's ability to blend foreign cultural elements with their own artistic, religious, and political forms.
The exhibition included around 130 works of art, selected by Professor Rosenfield and Tomiko E. Watanabe, and was drawn from various collections, including those of Donald F. Hyde. The newsletter also features an image of a calligraphic work attributed to the monk Jien (1155-1225), titled "Passage from the Suma Chapter of The Tale of Genji," created in the 13th century. The exhibition was accompanied by a handsome catalog and was scheduled to travel to other venues, including the Japan House Gallery in New York and the Art Institute of Chicago.
The image shows a newsletter from the Fogg Art Museum at Harvard University, dated September 1973. This particular issue is Volume 10, Number 6.
The newsletter highlights an upcoming exhibition titled "Nihon Koten Bungei: The Courty Tradition in Japanese Art and Literature." The exhibition aims to explore the origins and development of Japanese civilization from its elite aristocratic roots to the broader societal influence during the Heian period (794-1185).
Key points include:
Overall, the newsletter provides an in-depth look at the cultural significance and details of the upcoming exhibition on Japanese art and literature from the Heian period.
The image shows a page from a newsletter published by the Fogg Art Museum at Harvard University in Cambridge, Massachusetts. The specific issue is Volume 10, Number 6, dated September 1973.
The page is dedicated to announcing an upcoming exhibition titled "Nihon Koten Bungei: The Courtly Tradition in Japanese Art and Literature." The exhibition is scheduled to take place between November 13 and December 31, 1973. The text describes the exhibition as focusing on the Japanese civilization's unique ability to absorb foreign cultural elements while maintaining its own artistic and cultural traditions. It highlights the artistic and literary themes of the period, which spanned roughly a thousand years, from the eighth to the nineteenth centuries.
The exhibition aims to showcase the striking originality of Japanese civilization and culture during this period, particularly under the guidance of a small but influential aristocratic elite. The literature, documents, and artistic treasures from this civilization will be displayed, providing insights into its historical, religious, and literary ideas.
The page also includes a detailed description of an artwork attributed to the monk Jien (1155-1225), specifically a passage from the Suma Chapter of The Tale of Genji, written in sumi ink on decorated paper with a marbled pattern. This artwork is noted for its intricate style and is part of the collection of Mr. Donald F. Hyde.
Additionally, the page mentions that a handwritten exhibition catalog will be available in both soft and hardcover formats, written by Professor Rosenfield, Mrs. Cranston, and Professor Edwin Cranston, with contributions from the staff members of the Fogg and Fine Arts graduate students.
The exhibition is scheduled to be shown at the Japan House Gallery in New York from January 25 to March 17, 1974, and at the Art Institute of Chicago from May 4 to June 23, 1974.
The image shows a page from the Fogg Art Museum Newsletter, Volume 10, Number 6, dated September 1973. The museum is part of Harvard University in Cambridge, Massachusetts.
The page includes an article titled "EXHIBITION NEWS," detailing an upcoming exhibition at the Fogg Art Museum. The exhibition is scheduled from November 16 to December 29, 1973, and is titled "NIHON KOTEN BUNGEI: THE COURTLY TRADITION IN JAPANESE ART AND LITERATURE." The exhibit aims to showcase the striking originality of the Japanese civilization and culture during the Heian period, highlighting the ability of the elite to adopt and synthesize foreign cultural elements while maintaining traditional Japanese artistic, religious, and political forms.
The exhibition will feature works of art from the impressive collections of Mrs. Donald F. Hyde of Somerville, New Jersey, and other contributors including Samuel Johnson and Philip Hofer. The curators, Rosemiko E. Cranston and Research Assistant, have selected over a hundred works of art to display.
The image includes a photograph of a calligraphic piece attributed to the monk Jien (1155-1225) from the Suma Chapter of The Tale of Genji (Genji Monogatari), dated from the Kamakura period, mid-13th century. The calligraphy is on decorated paper with a marbled background pattern (suminagashi).
The exhibition catalog will be available in soft and hard cover, and the exhibition is planned to be shown at the Japan House Gallery in New York from January 25 to March 17, 1974, and at the Art Institute of Chicago from May 4 to June 22, 1974. The catalog was written and compiled by Professor Rosenfield, Mrs. Cranston, and Professor Edwin Cranston, with contributions from staff members of the Fogg and Fine Arts graduate students.
The image displays an open newsletter or magazine article featuring the Fogg Art Museum, associated with Harvard University in Cambridge, Massachusetts. The document is entitled "Newsletter Volume 10, Number 6, September, 1973." The content includes a section titled "EXHIBITION NEWS" that discusses an exhibition of Japanese civilization and culture, from the eighth to the nineteenth centuries, with a focus on the Japanese aristocratic elite and the Buddhist orders. It mentions an exhibition that took place between November 7 and December 17 in a major exhibition of painting and calligraphy called "THE COURTLY TRADITION IN JAPANESE ART AND LITERATURE."
The page shown also includes a black and white image of calligraphy artwork. It is attributed to the monk Jien (1155-1225), from the Suma Chapter of The Tale of Genji (Genji Monogatari), a Kamakura period, mid 13th Century work, created with brush and ink on decorated paper. Below the description, credit is given to Mr. and Mrs. Donald F. Hyde for the contribution of this particular piece.
There is mention of Professor Rosenfield and Funmie E. Cranston, who worked on research assistance and have curated from an impressive collection. Names including Mrs. Donald F. Hyde, Samuel Johnson, and Philip Hofer are also acknowledged for their participation.
Additionally, at the bottom of the page, there is a reference to a hardcover, illustrated exhibition catalogue, which includes works compiled by Professor Rosenfield and Mrs. Cranston, with contributions from staff members of the Fogg and Fine Arts graduate students. It indicates that the catalogue is available in soft and hard cover, and details an upcoming exhibition schedule for the Arthur M. Sackler Museum in New York from January 22 to March 17, 1974, and at the Fogg Art Museum from May 4 to June 22, 1974.
The image depicts a page from the Fogg Art Museum Newsletter, Volume 10, Number 6, dated September 1973. The newsletter is published by the Fogg Art Museum at Harvard University in Cambridge, Massachusetts. The page is titled "EXHIBITION NEWS" and discusses an upcoming exhibition titled "NIHON KOTEN BUNGA: THE COURTLY TRADITION IN JAPANESE ART AND LITERATURE."
Exhibition Overview:
Exhibition Dates:
Exhibition Content:
Exhibition Highlights:
Exhibition Organization:
Exhibition Catalogue:
Exhibition Travel:
Visual Element:
This newsletter page serves as an announcement and preview of a significant exhibition, highlighting the rich cultural heritage of Japan and the Fogg Art Museum's commitment to showcasing it.
The image is a page from the "FOGG ART MUSEUM" newsletter, Volume 10, Number 6, dated September 1973. The newsletter is from Harvard University in Cambridge, Massachusetts. The page features a large, detailed illustration of Japanese calligraphy, attributed to the monk Genji (1135-1225), from the 13th century. The calligraphy is on a marbled background and is part of a collection donated by Mrs. Donald F. Hyde. The text describes the exhibition of this piece, which will be on display from November 7 to December 17, 1973, at the Fogg Art Museum. The exhibition, curated by John M. Rosenfield, focuses on the Nihon Koten Bungei, the courtly tradition in Japanese art and literature. The newsletter also mentions an exhibition of the one hundred works of art selected from the Hyde collection, curated by Professor Edwin Cranston and others, to be shown at the Fogg and later in New York and Chicago.
The image is a page from the newsletter of the Fogg Art Museum, Volume 10, Number 6, dated September 1973. The newsletter is published by Harvard University in Cambridge, Massachusetts. The page contains text and an image.
The text on the left side of the page is a paragraph that provides information about an upcoming exhibition titled "The Courtly Tradition in Japanese Art and Literature." The exhibition, curated by John M. Rosenfield, Professor of Fine Arts at Harvard, will display Japanese art and literature from the 8th to the 16th century. It aims to explore the connection between Japanese religious and literary ideas and their influence on traditional Japanese culture. The exhibition features works from the collections of Mrs. Donald F. Hyde of Somerville, NJ, and Philip Hofer, Curator Emeritus of Printing and Graphic Arts at Harvard, along with contributions from museum staff.
The text on the right side of the page describes a specific artwork, a scroll attributed to the monk Genji from the 13th century. The scroll features a water surface decorated with a marbled background pattern, produced by Donald F. Hyde. The text describes the process of creating the water surface and the calligraphy on the scroll, which is executed in the brilliant style of the master calligrapher.
The image on the page is a photograph of the scroll, showing the marbled background and calligraphy. The scroll is titled "Tale of Genji," and it is attributed to the monk Genji from the 13th century. The scroll is 16.4 x 15.3 centimeters and is a collection of Mrs. Donald F. Hyde.
The newsletter also mentions that fine arts graduate students will be available in soft and hard cover after the exhibition at the Fogg. The exhibition is scheduled to be shown at the Japan House Gallery in New York from January 25 to March 17, 1974, and at the Art Institute of Chicago from May 4 to June 22, 1974.