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The image shows a program for a musical event held at the Busch-Reisinger Museum, Harvard University, on Friday, August 3 at 12:15. The event features Walter Spalding, who plays the vihuela, lute, and classical and flamenco guitars, and Carolyn Kingston, who sings soprano. The program is titled "Music for Guitar and Voice" and includes the following pieces:

1. "Tant que Vivray" by Sermisy-Attaignant (1553) with lyrics about serving the god of love in deeds, words, and songs.
2. "Fantasia" by Luis Milan (1500-1561).
3. "Come Heavy Sleep" by John Dowland (1562-1626).
4. "Kemp's Jig" by an anonymous 16th-century English composer.
5. "It Fell on a Summer's Night" by Thomas Campion (1567-1620).
6. "Nacht und Träume" by Franz Schubert (1797-1828) with German lyrics about night and dreams.
7. "Study in Lavender (Expliego)" by Walter F. Spalding (1943- ).
8. "Recuerdos de la Alhambra" by Francisco Tárrega (1854-1909).
9. "Modinha" by Heitor Villa-Lobos (1887-1959) with lyrics about solitude and unrequited love.
10. "Prelude #4" by Heitor Villa-Lobos.
11. "Bachianas Brasileiras #5 (Aria)" by Heitor Villa-Lobos with lyrics about evening clouds, the moon, and bitter dejection.
12. "Three Flamenco Andaluz: Peteneras, Granadinas, El Vito" traditional pieces.

The image shows a page from a program or sheet music for a musical performance at the Busch-Reisinger Museum at Harvard University, scheduled for Friday, August 3 at 12:15.

The performance is titled "Music for Guitar and Voice," featuring:

• Walter Spalding, playing the vihuela and lute, along with classical and flamenco guitars.
• Carolyn Kingston, a soprano.

The program lists several pieces to be performed with their composers and approximate time frames:

1. "Tant que Vivray" with words by Sermisy-Attaignant (1553).
2. "Fantasia" by Luis Milan (1500-1561).
3. "Come Heavy Sleep" by John Dowland (1562-1625).
4. "Kemp's Jig" by an Anonymous (16th-century English).
5. "It Fell on a Summer's Night" by Thomas Campion (1567-1620).
6. "Nacht und Träume" (Night and Dreams) by Franz Schubert (1797-1828).
7. "Study in Lavender (Expliquo)" by Walter F. Spalding (1943-).
8. "Recuerdos de la Alhambra" by Francisco E. Tarrega (1854-1909).
9. "Modinha" by Heitor Villa-Lobos (1887-1959).
10. "Prelude #4" by Heitor Villa-Lobos.
11. "Bachianas Brasileiras #5 (Aria)" by Heitor Villa-Lobos.
12. Traditional pieces including "Three Flamenco Andaluz" which includes "Peteneras," "Granadinas," and "El Vito."

The lyrics for some of the pieces are partially visible, indicating the vocal nature of the performance.

The image depicts a page from a program for a musical performance held at the Busch-Reisinger Museum at Harvard University. The event took place on Friday, August 3, at 12:15 PM.

The performance featured Walter Spalding on vihuela, lute, classical, and flamenco guitars, accompanied by Carolyn Kingston on soprano. The program was titled "Music for Guitar and Voice."

The setlist included the following pieces:

1. "Tant que Vivray" by Sermisy-Attaignant (1553) with lyrics: "I will serve the god of love in my deeds, words, and songs."
2. "Fantasia" by Luis Milan (1500-1561)
3. "Come Heavy Sleep" by John Dowland (1562-1625)
4. "Kemp's Jig" by an Anonymous 16th-century English composer
5. "It Fell on a Summer's Night" by Thomas Campion (1567-1620)
6. "Nacht und Träume" (Night and Dreams) by Franz Schubert (1797-1828) with lyrics: "Night descends, with dreams, like the moon’s rays through space, into the hearts of men. Men joyfully listen to these dreams; and when day wakes, call them back again."
7. "Study in Lavender (Expliego)" by Walter F. Spalding (1943-)
8. "Recuerdos de la Alhambra" by Francisco Tárrega (1852-1909)
9. "Modinha" by Heitor Villa-Lobos (1887-1959) with lyrics: "The solitude of my life: I will die, my love, because of your lack of love for me. In spite of that, I shall always love you."
10. "Prelude #4" by Heitor Villa-Lobos
11. "Bachianas Brasileiras #5 (aria)" by Heitor Villa-Lobos with lyrics: "At evening, the rosy clouds pass by, the moon rises from the sea like a beautiful maiden. Her reflection wakes the soul to cruel tears and bitter dejection."
12. Three Flamenco Andaluz pieces:
    • Peteneras
    • Granadinas
    • El Vito (Traditional)

The page also shows some annotations and markings, likely indicating notes or directions for the performers.

The image shows a handwritten program or schedule for a musical performance held at the Busch-Reisinger Museum at Harvard University on Friday, August 3, at 12:15.

The performance features Walter Spalding on vihuela, lute, classical, and flamenco guitars, and Carolyn Kingston on soprano. The program is titled "Music for Guitar and Voice."

The pieces to be performed include:

1. Tant que Vivray by Sermisy-Attaignant (1553)

   • Text: "I will serve the god of love in my deeds, words, and songs."

2. Fantasia by Luis Milan (1500-1561)

3. Come Heavy Sleep by John Dowland (1562-1625)

4. Kemp's Jig (Anonymous, 16th century English)

5. It Fell on a Summer's Night by Thomas Campion (1567-1620)

6. Nacht und Träume (Night and Dreams) by Franz Schubert (1797-1828)

   • Text: "Night descends, with dreams, like the moon's rays through space, into the hearts of men. Men joyfully listen to these dreams and when day wakes, call them back again."

7. Study in Lavender (Explegio) by Walter F. Spalding (1943- )

8. Recuerdos de la Alhambra by Francisco E. Tarrega (1854-1909)

9. Modinha by Heitor Villa-Lobos (1887-1959)

   • Text: "The solitude of my life: I will die, my love, because of your lack of love for me. In spite of that, I shall always love you."

10. Prelude #4 by Heitor Villa-Lobos

11. Bachianas Brasileiras #5 (aria) by Heitor Villa-Lobos

    • Text: "At evening as the rosy clouds pass by, the moon rises from the sea like a beautiful maiden. Her reflection wakes the soul to cruel tears and bitter dejection."

12. Three Flamenco Andaluz (Traditional)

    • Peteneras, Granadinas, El Vito

The program appears to be a mix of classical, traditional, and contemporary pieces, showcasing a blend of historical and modern musical influences.

The image shows a concert program from a performance at the Busch-Reisinger Museum at Harvard University, held on Friday, August 3, at 12:15 PM. The event is titled "Music for Guitar and Voice."

Performers:

• Walter Spalding on vihuela, lute, classical, and flamenco guitars
• Carolyn Kingston, soprano

The program features a mix of vocal and guitar pieces from various composers spanning several centuries:

1. Tant que Vivray - Claudin de Sermisy / Pierre Attaingnant (1553)
2. Fantasia - Luis Milan (1500-1561)
3. Come Heavy Sleep - John Dowland (1562-1625)
4. Kemp's Jig - Anonymous (16th century English)
5. It Fell on a Summer's Night - Thomas Campion (1567-1620)
6. Nacht und Träume - Franz Schubert (1797-1828)
   • Lyrics describe night descending with dreams like the moon's rays through space and the joy of listening to dreams as day wakes.
7. Study in Lavender (Expliego) - Walter F. Spalding (1943- )
8. Recuerdos de la Alhambra - Francisco E. Tárrega (1854-1909)
9. Modinha - Heitor Villa-Lobos (1887-1959)
   • Lyrics speak of the solitude of life, impending death due to unrequired love, and an enduring love despite this.
10. Prelude #4 - Heitor Villa-Lobos
11. Bachianas Brasileiras #5 (aria) - Heitor Villa-Lobos
    • Lyrics describe the evening with rosy clouds passing by and the moon rising like a beautiful maiden, causing the soul to wake with tears and bitterness.
12. Three Flamenco Andaluz (Traditional)
    • Peteneras
    • Granadinas
    • El Vito

The program showcases a rich variety of musical styles and periods, from Renaissance and Baroque to Romantic and modern compositions.

The image is a program for a music performance at the Busch-Reisinger Museum, Harvard University, held on Friday, August 3 at 12:15 PM. The performers are Walter Spalding, who plays the vihuela, lute, and classical and flamenco guitars, and Carolyn Kingston, a soprano.

The program includes a variety of musical pieces for guitar and voice, listed as follows:

1. Tant que Vivray by Sermisy-Attaingnant (1553)

   • "I will serve the god of love in my deeds, words and songs."

2. Fantasia by Luis Milan (1500-1561)

3. Come Heavy Sleep by John Dowland (1562-1625)

4. Kemp's Jig by Anonymous (16th century English)

5. It Fell on a Summer's Night by Thomas Campion (1567-1620)

6. Nacht und Träume by Franz Schubert (1797-1828)

   • "Night descends, with dreams, like the moon's rays through space, into the hearts of men. Men joyfully listen to these dreams; and when day wakes, call them back again."

7. Study in Lavender (Expliego) by Walter F. Spalding (1943-)

8. Recuerdos de la Alhambra by Francisco Tárrega (1854-1909)

9. Nodinha by Heitor Villa-Lobos (1887-1959)

   • "The solitude of my life: I will die, my love, because of your lack of love for me. In spite of that, I shall always love you."

10. Prelude №4 by Heitor Villa-Lobos

11. Bachianas Brasileiras №5 (aria) by Heitor Villa-Lobos

    • "In evening the rosy clouds pass by, the moon rises from the sea like a beauteous maiden. Her reflection wakes the soul to cruel tears and bitter dejection."

12. Three Flamenco Andaluz

    • Peteneras
    • Granadinas
    • El Vito
    • Traditional

The program indicates a diverse selection of classical and traditional pieces from various composers and eras.

The image shows a printed music program from the Busch-Reisinger Museum at Harvard University. The event took place on Friday, August 3, at 12:15 PM. The performers listed are Walter Spalding on vihuela and lute, and classical & flamenco guitars; and Carolyn Kingston as soprano.

The program lists several pieces of music, categorized as "Music for Guitar and Voice," including works by various composers:

• "Tant que Vivray" by Sermisy-Attaingnant (1553)
• "Fantasia" by Luis Milan (1500-1561)
• "Come Heavy Sleep" by John Dowland (1562-1625)
• "Kemp's Jig" by Anonymous (16th century English)
• "It Fell on a Summer's Night" by Thomas Campion (1567-1620)
• "Nacht und Träume" by Franz Schubert (1797-1828)
• "Study in Lavender (Epilogue)" by Walter F. Spalding (1943- )
• "Recuerdos de la Alhambra" by Francisco Tárrega (1854-1909)
• "Modinha" by Heitor Villa-Lobos (1887-1959)
• "Prelude #4" by Heitor Villa-Lobos
• "Bachianas Brasileiras #5 (aria)" by Heitor Villa-Lobos
• "Three Flamenco Andaluz" which are traditional pieces including "Peteneras," "Granadinas," and "El Vito."

The printed text provides information about the music, including the title, composer, and date ranges attributed to each composer's lifetime. The page is part of a multi-page folded program, and there are additional pages visible on the right side of the photo. The paper looks aged and slightly yellowed, suggesting the program may be rather old or is made to look that way.

The image shows a typed program or flyer from a musical event held at the Busch-Reisinger Museum, Harvard University. The event took place on Friday, August 3, at 12:15. The performers listed are Walter Spalding on vihuela, lute, and classical & flamenco guitars, and Carolyn Kingston, a soprano.

The title of the program is "Music for Guitar and Voice," and it includes a list of musical pieces along with their composers and some brief descriptions:

1. "Tant que Vivray" by Sermisy-Attaignant (1553), with the note "I will serve the god of love in my deeds, words and songs."
2. "Fantasia" by Luis Milan (1500-1561).
3. "Come Heavy Sleep" by John Dowland (1562-1625).
4. "Kemp's Jig" - Anonymous (16th century English).
5. "It Fell on a Summer's Night" by Thomas Campion (1567-1620).
6. "Nacht und Träume" by Franz Schubert (1797-1828), with a poetic description about night, dreams, and the moon.
7. "Study in Lavender (Expleo)" by Walter F. Spalding (1943-).
8. "Recuerdos de la Alhambra" by Francisco E. Tarrega (1854-1909).
9. "Modinha" by Heitor Villa-Lobos (1887-1959), accompanied by a poetic text about solitude and love.
10. "Prelude #4" by Heitor Villa-Lobos.
11. "Bachianas Brasileiras #5 (aria)" by Heitor Villa-Lobos, with a poetic description of the moon rising and reflections awakening the soul to cruel tears and bitter dejection.
12. "Three Flamenco Andaluz" (Traditional), listing the pieces "Peteneras," "Granadinas," and "El Vito."

The program is neatly typed and appears to be part of a bound collection or book. There is a faint watermark or background text reading "Griff."

The image is of a page from a music program. The program is from a performance by Walter Spalding, a guitarist, and Carolyn Kingston, a soprano. The performance took place at the Busch-Reisinger Museum at Harvard University on Friday, August 3, 1979, at 12:15 PM. The program lists the songs that were performed, including "Tant que Vivray" by Sermisy-Attagnant, "Fantasia" by Luis Milan, "Come Heavy Sleep" by John Dowland, "Kemp's Jig" by an anonymous composer, "It Fell on a Summer's Night" by Thomas Campion, "Nacht und Träume" by Franz Schubert, "Study in Lavender (Expliego)" by Walter Spalding, "Recuerdos de la Alhambra" by Francisco E. Tarrega, "Nodinha" by Heitor Villa-Lobos, "Prelude #4" by Heitor Villa-Lobos, "Bachianas Brasileiras #5 (aria)" by Heitor Villa-Lobos, and "Three Flamenco Andaluzz" by traditional composers. The program also includes brief descriptions of the songs and the composers.

The image depicts the interior of a program or booklet from the Busch-Reisinger Museum at Harvard University. The document is dated Friday, August 3 and lists a musical performance scheduled for 12:15. The performers are Walter Spalding, who plays the vihuela, lute, classical, and flamenco guitars, and Carolyn Kingston, a soprano. The program is titled "Music for Guitar and Voice."

Program Details:

The performance features a diverse selection of pieces spanning various composers and time periods, including:

1. Tant que Vivray

   • Composer: Sermisy-Attaignant (1553)
   • Description: "I will serve the god of love in my deeds, words and songs."

2. Fantasia

   • Composer: Luis Milan (1500–1561)

3. Come Heavy Sleep

   • Composer: John Dowland (1562–1625)

4. Kemp's Jig

   • Composer: Anonymous (16th century English)

5. It Fell on a Summer's Night

   • Composer: Thomas Campion (1567–1620)

6. Nacht und Träume

   • Composer: Franz Schubert (1797–1828)
   • Description: "Night descends, with dreams, like the moon's rays through space, into the hearts of men. Men joyfully listen to these dreams; and when day wakes, call them back again."

7. Study in Lavender (Explicgo)

   • Composer: Walter F. Spalding (1943–)

8. Recuerdos de la Alhambra

   • Composer: Francisco E. Tarrega (1854–1909)

9. Modinha

   • Composer: Heitor Villa-Lobos (1887–1959)
   • Description: "The solitude of my life! I will die, my love, because of your lack of love for me. In spite of that, I shall always love you."

10. Prelude #4

    • Composer: Heitor Villa-Lobos

11. Bachianas Brasileiras #5 (aria)

    • Composer: Heitor Villa-Lobos
    • Description: "At evening the rosy clouds pass by, the moon rises from the sea like a beauteous maiden. Her reflection wakes the soul to cruel tears and bitter dejection."

12. Three Flamenco Andaluz

    • Traditional
    • Includes: Peteneras, Granadinas, El Vito

Visual Elements:

• The document is printed on a clean, white page with a structured layout.
• The text is typed in a formal, serif font, typical of concert programs.
• A faint watermark or logo is visible in the center of the page, partially obscured but identifiable as part of the museum's branding.
• The booklet appears to be part of an archive or collection, as indicated by the text at the top: "BUSCH-REISINGER MUSEUM, HARVARD UNIVERSITY."
• The edges of the booklet show signs of wear, suggesting it may be part of an older collection or archive.

Context:

This program reflects a concert featuring a blend of classical and flamenco music, showcasing a variety of composers from the Renaissance to the 20th century. The inclusion of both traditional and contemporary pieces highlights the diversity of the performance. The Busch-Reisinger Museum is known for its focus on European art and culture, and this program aligns with its mission to present and preserve musical heritage.