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The image shows an open yellow booklet with text on both pages. The left page appears to be discussing musical instruments, specifically harpsichords, and mentions various historical details and restorations. It includes notes on specific instruments, such as an 18th-century French harpsichord by Claude Jacquet and a double harpsichord by William Dowd.

The right page is titled "THE ANNUAL BODKY COMPETITION" and describes an event held in January 1973 for young musicians interested in early music. It details the audition process, the types of instruments expected (like viola da gamba, baroque oboe, recorder, etc.), and the selection criteria. The text also mentions that the competition is supported by the Cambridge Society for Early Music and lists the Bodky Award Committee members and sponsors. It provides contact information for those seeking more details about the competition or the Endowment.

The image is a page from a document, which appears to be a newsletter or an informational pamphlet related to music, specifically focusing on harpsichords and early music.

Main Sections and Content:

1. Instrument Description:

   • The text describes the evolution and variations of Flemish harpsichords, starting from the 17th century.
   • It highlights the 17th-century French harpsichord made by William Buckingham and a notable instrument built by Claude Jacquet in 1652, which is an early model with two registers, a 4' register, and a manual coupler.
   • It mentions the 18th-century French harpsichord built by William Dowd, known for its construction style and its connection to the Flemish tradition.
   • The document notes the historical significance of these instruments and their contributions to harpsichord design.

2. Annual Bodky Competition:

   • Announces the Bodky Award Competition for early music in January 1973.
   • The competition is open to young musicians interested in performing early music instruments, specifically harpsichords.
   • The competition includes performances by six young artists, who will be judged by a committee.
   • Winners will receive an honorarium and perform at the annual Spring Concert Reception for the Cambridge Society for Early Music.
   • The competition was established by the Cambridge Society for Early Music and is supported by various sponsors.

3. About the Performers:

   • Jane Burten, Soprano:

     • She holds a Bachelor’s and Master’s degree with honors from the New England Conservatory and is currently studying with Jan DeGaetani.
     • She has performed in numerous prestigious venues and has won several awards, including the Boston Symphony Orchestra’s chamber music award.

   • Jana C. Gawthrop, Harpsichord:

     • She is a graduate of Brown and Harvard Universities.
     • She has studied harpsichord with Nadia Boulanger and has been on the faculty of Brandeis University.
     • She received the Erwin Bodky Award in 1972 and is a recipient of the Harvard University Fellowship.

4. Bodky Award Sponsors:

   • The sponsors listed include:
     • Leo L. Block
     • David Rockefeller, Jr.
     • John N. B. Clark Memorial Fund
     • William M. Cowan, Jr.
     • Frank T. Hubbard
     • Various other individual and institutional names.

The document also provides contact information for further details about the Bodky Award Competition for 1974 and the Cambridge Society for Early Music.

The image contains a page from a document related to the Bodky Award Competition for early music performance. Here is a detailed summary of the contents:

Main Text

The document appears to be a page from a program or booklet about early music instruments and the annual Bodky Competition.

1. Instrument Description:

   • The text discusses a 17th-century French harpsichord, noting that it is unaltered from its original state.
   • It mentions a harpsichord by Claude Jacquet (1652) with a double register and a manual coupler.
   • The harpsichord has a unique disposition of registers, with the bass registers having shorter string scales, similar to Flemish tradition.
   • The 18th-century French harpsichord by William Duckett (1791) is also discussed, highlighting its similarities and differences from the 17th-century model.

2. About the Performers:

   • Jane Burton, a harpsichordist with a Master's Degree, is highlighted. She is currently studying with Jan Decoster in New York City and has won several awards, including the Boston Symphony Orchestra's Young Artists Competition and the Waverly Consort Award.

   • Burton has performed in various prestigious locations, including Carnegie Hall and the Library of Congress.

   • William G. Carraway, Jr., is also mentioned, who is a graduate of Brown and Harvard Universities and is a Fellow of the Radcliffe Institute.

The Annual Bodky Competition

• Competition Overview:

  • The competition is for young musicians interested in performing early music.
  • It is organized by the Cambridge Society for Early Music.
  • The competition includes auditions and performances on various early instruments, such as the viola da gamba, baroque oboe, harpsichord, and organ.

• 2017 Competition:

  • The competition in January 1973 was the first of its kind.
  • The winners from the 1972 competition were announced and included performers like Susan Davidson, Robert Spencer, and others.
  • The winners received honoraria and performed at the annual Spring Concert Reception.

Contact Information

• Contact for Further Information:
  • The Cambridge Society for Early Music is mentioned for more information about the Bodky Competition for 1974.
  • Contact details for the Cambridge Society for Early Music are provided, including a phone number and address.

Bodky Award Sponsors

• The sponsors of the Bodky Award are listed, including:
  • Leo L. Bickel
  • Henry L. Bodky, in Memory
  • John N. Burk Memorial Fund
  • William M. Cowen, in Memory
  • The Harvard Club of Boston
  • Frank T. Hubbard

The page is a blend of historical information on early musical instruments and details about a competition dedicated to preserving and promoting early music.

The image shows a document that appears to be a program or informational sheet for an event related to harpsichord music, specifically the Bodky Competition and Bodky Award. Here are the detailed points from the document:

Main Sections:

About the Harpsichord:

• Historical Context:

  • The harpsichord has undergone alterations since the 17th century, but it remains unaltered from its original state in terms of sound and construction.
  • The earliest known French instrument, built by Claude Jacquet (1652), has two 8' registers, a 4' register, and a manual coupler.
  • The French harpsichord is characterized by its single stringing, use of gut strings, and a more heavily built case with shorter string scales.

• 18th Century French Harpsichord:

  • Built by Jean-François Ruckers (1730), this harpsichord has a heavier disposition of registers.
  • The 18th-century French harpsichord is more heavily built and has a different sound compared to the 17th-century model.

• Specific Instruments:

  • A 17th-century French double harpsichord lent by Paul Guglietti.
  • Notes on the instruments by W.R. Dowd.

About the Performers:

• Jane Batten:

  • A Bachelor of Arts and Master of Arts with honors from the New England Conservatory.
  • Currently studying with Jan DeGaetani at the Boston Symphony Orchestra's Tanglewood Music Center.
  • Has performed with the Boston Camerata, the Waverly Consort, and the Handel-Haydn Society.
  • Has traveled extensively, performing in Prague, Czechoslovakia, and the United States.

• Joel Cohen:

  • A graduate of Brown and Harvard Universities.
  • Studied harpsichord with Nadia Boulanger at the Fontainebleau International Festival.
  • Has performed with the Boston Baroque, the Boston Early Music Festival, and the Boston Chamber Music Society.
  • Currently a professor of harpsichord at the Oberlin Conservatory in Oberlin, Ohio.

The Annual Bodky Competition:

• Competition Details:

  • Held in January 1973 for young musicians with a specific interest in performing early music.
  • Participants are selected to audition on the viola da gamba, baroque oboe, recorder, harpsichord, and organ.
  • They play early music composed prior to 1750.
  • The competition is sponsored by the Cambridge Society for Early Music.

• Award and Recognition:

  • Winners receive an honorarium and perform at the Cambridge Spring Concert Reception for the Patrons and Associates of the Cambridge Society for Early Music.
  • Winners from 1972 included Susan Davidson, the recipient of the Bodky Award, and other honorees.

• Sponsorship:

  • The Bodky Award is sponsored by several individuals and organizations including Leo L. Beranek, David Rockefeller, Jr., and others.

Additional Information:

• The document also includes contact information for further details about the Bodky Competition and the Cambridge Society for Early Music.

The image is a detailed informational document about the evolution of the bassoon and the Bodky Competition.

Left Side: Historical Evolution of the Bassoon

1. Changes in the 18th Century:

   • The bassoon underwent several modifications in the latter half of the 18th century.
   • The classical French instrument, built by Claude Jacques (1653), had two keys, four registers, a conical copper crook, and a bell close to the body.
   • By the mid-18th century, the bassoon had evolved with more keys, a lighter build, and a differently shaped reed, moving towards a more light-hearted sound.

2. 18th Century Developments:

   • The bassoon was further modified by William Milhouse around 1790, featuring a short, very light reed.
   • By the 19th century, the French bassoon was mainly used in Paris theaters, while the German system became more popular.

3. 19th Century:

   • The French bassoon saw more changes, becoming heavier.
   • The 19th-century French bassoon, like the one made by Buffet, had a narrower bore compared to the German Heckel bassoon.

4. 20th Century:

   • The double bassoon lost popularity by the 20th century.
   • New instruments were introduced by W. R. Dowd.

Notable Performers

• Jane Beament Sygrove:

  • Holds a Master's Degree from the New England Conservatory and performs with the Boston Symphony Orchestra.
  • She has won several awards, including the Naumburg Chamber Music Award and the Boston Woodwind Society's Outstanding Woodwind Artist Award.

• John Corigliano:

  • A graduate of Bowdoin and Harvard Universities.
  • Currently teaches at the University of Massachusetts, Boston.

• Lisa Goode Crawford:

  • Specializes in harpsichord and early music.
  • She has studied at Radcliffe College and Harvard University and has received a Fulbright grant for study in France.

Right Side: The Annual Bodky Competition

1. Background:

   • In January 1973, the music committee of the Cambridge Society of Early Music started organizing the Bodky Award to honor outstanding early music performers.
   • The competition initially involved various instruments but was later focused on solo performance.

2. Competition Details:

   • The event has been hosted by the Longy School of Music in Cambridge.
   • The 1974 competition encouraged participants to perform on early instruments if possible.

3. Awards:

   • Winners receive a cash award and perform at the annual Spring Concert of the Patron and Associate Members of the Society.
   • The 1973 winners included Paul Berkowitz, John Burk, William M. Cowden, Ira Drapkin, and others.

4. Sponsorship:

   • The Bodky Competition is sponsored by various individuals and businesses, including David Rockefeller, Jr., and Amati Strings.

5. Contact Information:

   • The Cambridge Society for Early Music provides a contact for further information, located at 11 Garden Street, Cambridge, Massachusetts 02138.

This document serves as both a historical account of the bassoon and a promotional piece for the Bodky Competition, emphasizing its significance in the early music community.

The image shows an open book with a yellow page containing text about harpsichords and a competition. Here is a detailed summary of the text:

1. Historical Context of Harpsichords:

   • The text discusses the evolution of harpsichord design, noting that the instrument underwent significant changes in the latter half of the 17th century.
   • It mentions that modern harpsichords are modeled after historical instruments, such as those by Ruckers (1646) and Blanchet (1731).
   • The text highlights the contributions of various harpsichord makers, including Pascal Taskin, who made alterations to harpsichords, and the influence of French, Flemish, and Italian harpsichord designs.
   • It also mentions the impact of modern harpsichord makers like Frank Hubbard and William Dowd, who have contributed to the revival of historical harpsichord designs.

2. About the Performers:

   • The text introduces Janos Sebestyen, a Hungarian harpsichordist and fortepianist, who has performed with various orchestras and ensembles, including the New York City Opera and the Handel-Haydn Society.
   • It mentions his recordings and performances, including his work with the Cambridge Consort and his upcoming tour to Europe.
   • The text also introduces Lisa Goode Crawford, an American harpsichordist who has performed extensively in the United States and Europe, and has recorded with various ensembles.
   • It highlights her awards and performances, including her work with the Handel and Haydn Society and her upcoming performances in the United States.

3. The Annual Bokky Competition:

   • The text announces the Annual Bokky Competition for the Erwin Bodky Award, which is open to harpsichordists under the age of 30.
   • It provides details about the competition, including the repertoire requirements, the judging criteria, and the prizes.
   • The text mentions that the competition is sponsored by the Cambridge Society for Early Music and the Erwin Bodky Award Endowment Fund.
   • It lists the committee members and sponsors of the competition.

The text is printed on a yellow page, and the book appears to be open to this specific section, with the pages held open by a bookmark or a similar object.

The image shows two pages of an open book or booklet. The left page is almost entirely filled with text on yellow paper, except for a small white margin to the right and bottom. There's a greenish page marker or piece of tape at the lower corner of the yellow page, partially extending onto the white page below.

On the right side, we see a smaller section of yellow paper with text attached to the top of an otherwise blank white page. The text on both yellow sections appears to be typed and formatted with headings, indicating a structured document, which might be informational in nature, such as an article, program, or historical document.

There is no visible text or identifiable information regarding the context or content of the writing, as the resolution is not high enough to read the text. The book's pages are clean and flat, apart from the marker or tape, suggesting it has been well-maintained. There are several additional white pages beneath the visible ones, indicating the book's thickness and that it may contain more content.

The image features an open book with yellow pages, likely a program or booklet, placed on top of another open book. The yellow pages have text in black font, with some sections highlighted in blue. The text appears to be about a musical competition, possibly related to the Erwin Body Award, and includes details about the performers, their backgrounds, and the competition itself. The background is a plain, light-colored surface, possibly a table or shelf, with the open book on the right side of the image.

The image shows the interior pages of a book, specifically a program or booklet related to a musical event or competition. The pages are predominantly yellow with black text, and the content appears to be informational, detailing various aspects of the event. Here's a breakdown of the visible elements:

Left Page:

• Header: The page begins with a section titled "ABOUT THE PERFORMERS", which introduces two musicians:

  1. Jane Beyrer, Soprano:

     • Holds a Bachelor of Music and a Master of Music degree from the New England Conservatory.
     • Currently studies with Jan DeGiacomo in New York City.
     • Has performed with the Boston Symphony Orchestra, the Boston Chamber Music Society, and other ensembles.
     • Has toured with the Handel Haydn Society and has received awards, including the Erwin Bodky Award.
     • Currently a recipient of the Danforth Fellowship and teaches at the University of Massachusetts, Boston.
     • Has recorded for CRI, Turnabout, and Advent labels.

  2. Joel Cohen, Conductor:

     • Graduated from Brown and Harvard Universities.
     • Director of the Cambridge Bach Society.
     • Has conducted the Boston Symphony Orchestra, the Boston Chamber Music Society, and other ensembles.
     • Has received awards, including the Erwin Bodky Award.
     • Currently a faculty member at the Longy School of Music in Cambridge and will become a professor at the Oberlin Conservatory in Oberlin, Ohio.

• Additional Notes:

  • The page includes a brief historical note about the French double harpischord, mentioning its construction by William Dowd in 1789 and its significance in the early 18th century.

Right Page:

• Header: The page is titled "THE ANNUAL BODKY COMPETITION".

• Content:

  • Describes the Erwin Bodky Award, an annual competition for young musicians established in 1973.
  • Highlights that the competition is open to musicians under 35 years of age, who perform early music instruments composed prior to 1750.
  • Mentions that the competition is held at the Cambridge Society for Early Music and is supported by contributions to the Erwin Bodky Award Endowment Fund.
  • Lists the Patron and Associate Performers of the annual Spring Concert Reception, including notable musicians such as Martin Pearlman, Jurgen Jundt, and others.
  • Notes that the Renaissance Consort was established by the Cambridge Society for Early Music, and the competition is their only activity.
  • Includes the names of the Award Committee members: Ingeborg von Hauen (Chairman) and Michael Artin (Vice-Chairman).
  • Provides contact information for more details about the competition, including the address of the Cambridge Society for Early Music in Cambridge, Massachusetts.

• Sponsors:

  • Lists Bodky Award Sponsors, including:
    • Leo L. Bernstein
    • Arthur Rosenfeld, Jr.
    • John N. Burk Memorial Fund
    • David J. Rockefeller
    • William M. Cowan, in Memoriam
    • Mr. and Mrs. William Schweitzer
    • Helen S. Sloborg
    • Eva Doe Hair
    • Isabel Kimball Whiting, in Memoriam
    • Frank T. Hubbard

Overall Layout:

• The pages are clean and well-organized, with clear headings and subheadings.
• The text is typed, suggesting a formal and professional publication.
• The content is educational and promotional, aimed at informing readers about the performers, the competition, and its sponsors.

This image depicts a program or booklet likely used for a concert or competition related to early music, focusing on the Erwin Bodky Award and featuring detailed information about the performers and the event's structure.

The image shows an open book, with a yellow page on top of a white page. The yellow page has black text written on it, which seems to be an excerpt from a book. The text is organized into paragraphs and sections, with headings and subheadings. The white page has a black border on the left side and a black line at the bottom. The book is placed on a gray surface.