Archives Scrapbooks

The image shows an open scrapbook or binder containing several newspaper clippings related to art exhibitions and reviews. The articles are from December 1972 and focus on German drawings and prints from the 19th century. Here is a detailed summary of the visible articles:

1. Art: German Drawings (by James R. Mellow):

   • This article discusses an exhibition of 19th-century German drawings at the Metropolitan Museum of Art. It highlights that many of these works are being shown for the first time. The exhibition includes works by artists such as Caspar David Friedrich, Adrian Ludwig Richter, and Moritz von Schwind. The article mentions that German art from this period is not well-known, and the exhibition aims to bring attention to these works.

2. Humanism in the North (by Bob Garrett):

   • This article reviews an exhibition at the Buch-Reininger Museum in Davenport, Iowa, featuring woodcuts by Hans Holbein the Younger. The exhibition includes works from Holbein's famous series "The Dance of Death." The article describes the museum's setting and the impact of Holbein's work, which combines religious themes with social commentary.

3. Not How (by New Canadian):

   • This article discusses a new exhibition organized by the National Gallery of Canada, focusing on 19th-century American and Canadian prints. The exhibition aims to highlight the artistic and cultural exchanges between the two countries during that period. It mentions that the exhibition includes works by artists such as Winslow Homer and James McNeill Whistler.

4. Additional Clippings:

   • There are smaller clippings attached to the pages, including one signed by Harold Tovish and dated December 24, 1972. This clipping discusses the significance of prints and drawings in the art world and the role of exhibitions in bringing these works to a wider audience.

The scrapbook appears to be a collection of articles and reviews related to art exhibitions, particularly focusing on prints and drawings from the 19th century. The articles provide insights into the historical and cultural significance of these works and their reception in the art world.

The image is of a newspaper clipping from December 16, 1972. The main focus is on an art exhibition titled "German Drawings" featuring 19th-century works. Here's a detailed summary of the various sections visible in the image:

1. Main Article by James R. Mellow:

   • The left page’s main article is titled "Art: German Drawings" and discusses the Metropolitan Museum's exhibition showcasing 19th-century German drawings for the first time.
   • The article mentions that these works represent the art of a cultural movement known as Romanticism and are drawn from private collections and the museum's own holdings.
   • It highlights the significance of these drawings in terms of their rarity and historical value.

2. Inset Article by Bob Garrett:

   • On the same page, there is an inset article titled "Humanism in the North."
   • It discusses the Busch-Reisinger Museum at Harvard University, which features an exhibition titled "Humanism in the North," showcasing woodcuts and drawings.
   • The article delves into the historical context and significance of the woodcuts and drawings, particularly focusing on the Renaissance period and the works of Hans Holbein the Younger.

3. Additional Articles:

   • On the right page, there are two additional articles:
     • "Not How" by John Cann, which discusses a new exhibition at the National Gallery in Ottawa focusing on 18th-century American art.
     • The second article, partially visible, seems to be about the "Portrait of Artist John Master Drawings," possibly from a smaller publication or magazine.

4. Visual Elements:

   • The image includes a reproduction of a woodcut titled "The Grocer" from "The Dance of Death," attributed to Hans Holbein the Younger, which is featured prominently in the article about the Busch-Reisinger Museum.
   • There are also annotations and notes written by a reader at the bottom, dated December 24, 1972.

The clipping gives a glimpse into the cultural and artistic events of the time, focusing on significant art exhibitions and their contributions to the understanding of historical and cultural contexts.

The image shows an open book or newspaper with two visible pages. The left page features an article titled "Art: German Drawings" with a subheading that reads "19th-Century Works, Many Shown Here for First Time, Are at Metropolitan." The article is by James R. Mellow and discusses an exhibition of German drawings from the 19th century, highlighting that many of these works are being shown for the first time at the Metropolitan Museum of Art. The text mentions various artists and the significance of the collection.

On the right page, there is an illustration titled "The Grocer" from the "Dance of Death," a 15th-century woodcut by Hans Holbein the Younger. Below the illustration, there is an article titled "Humanism in the North" by Bob Garrett. The article discusses the Busch-Reisinger Museum in Cambridge, Massachusetts, and its focus on German expressionist art. It mentions that the museum, dedicated to the study of visual arts, has a collection that includes works by artists such as Albert Dürer, Hans Holbein, and others. The text also describes specific artworks and the historical context of humanism in Northern Europe.

Additionally, there is a handwritten note at the bottom of the right page that reads "Mildred, Travel? Sun, 24 Dec. 1972."

The image shows a page from a newspaper dated Sunday, December 24, 1972. The page features several articles and columns related to art, particularly focusing on German drawings and Northern Renaissance art.

1. Main Article - "Art: German Drawings" by James R. Mellow:

   • The primary article discusses an exhibition of 19th-century German drawings at the Metropolitan Museum of Art in New York.
   • The exhibition is noted to include works by many artists who were previously little-known in America.
   • Georg Wilhelm Friedrich Hegel's influence on the art of this period is mentioned.
   • The article lists and comments on various artists whose works are featured, including Johann Christian Reinhart, Julius Schnorr von Carolsfeld, Adrian Ludwig Richter, Moritz von Schwind, and others.
   • The exhibition is praised for its comprehensiveness and the rare opportunity it provides to view these works collectively.

2. Illustration:

   • There is an illustration of a woodcut titled "The Grocer" from "The Dance of Death" series by Hans Holbein the Younger, dated to the 16th century.

3. Column - "Humanism in the North" by Ros Carbott:

   • This column discusses Northern Renaissance art, focusing on the exhibition at the Museum of Fine Arts in Boston.
   • The column highlights the humanistic values and detailed craftsmanship of German art from the period.
   • It mentions key works and artists, including Albrecht Dürer and Hans Baldung Grien.
   • The article emphasizes the richness of the art from this era, with specific references to the works displayed in the exhibition.

4. Column - "Not How by John Canaday":

   • This column criticizes the Museum of Modern Art in New York for its current exhibition practices, specifically regarding a Matisse exhibition.
   • Canaday expresses dissatisfaction with how the exhibition is organized and presented.

5. Additional Notes:

   • There are brief mentions and notes about other art-related topics, including a small section on a "Portrait of a Young Man" and some remarks on various artists.

Overall, the page is dedicated to art criticism and reviews, focusing heavily on exhibitions of German art and Northern Renaissance artworks.

The image shows a spread of a newspaper, specifically from December 1972. The pages are dedicated to articles about art exhibitions.

On the left page, the headline reads "Art: German Drawings" by James R. Mellow. The article discusses a 19th-century German drawing exhibition at the Metropolitan Museum of Art. The drawings, many of which are being shown for the first time, are primarily from the collection of Philip Hofer and Mary Griggs Burke. The exhibition includes works by renowned artists like Carl Spitzweg, Moritz von Schwind, and Hans Holbein the Younger. The article also mentions the art of the period and the significance of these works, which were not widely appreciated until recently.

On the right page, the headline reads "Humanism in the North" by Bob Garrett. This article covers an exhibition at the Busch-Reisinger Museum in Cambridge, Massachusetts, featuring woodcuts from the 16th century by Hans Baldung-Grien. The exhibition explores the theme of humanism in art, focusing on works that blend the sacred and the secular. The article highlights the woodcuts' psychological depth and their depiction of human emotions and conditions, with a particular emphasis on the woodcut "The Grocer" from the "Dance of Death" series.

The bottom right corner of the page has a handwritten note dated "Sunday, 24 Dec. 1972," indicating the date when the clipping was saved. There is also a notation "Held: Traveler" which might refer to a collection or specific holder of the clipping.

The image shows a page from a newspaper, specifically the "Sunday Traveler" section dated December 24, 1972. The page features two articles related to art exhibitions.

1. Article on the Left:

   • Title: "Art: German Drawings"
   • Subtitle: "19th-Century Works, Many Shown Here for First Time, Are at Metropolitan"
   • Author: James R. Mellow
   • Content: The article discusses a collection of 19th-century German drawings exhibited at the Metropolitan Museum of Art. It mentions that many of these works are being shown publicly for the first time. The exhibition includes 53 drawings and prints by artists such as Philipp Foltz and Philipp Otto Runge. The article also highlights the historical significance and cultural importance of these works, which are part of a broader effort to represent the art of the 19th century.

2. Article on the Right:

   • Title: "Humanism in the North"
   • Author: Bob Garrett
   • Content: This article focuses on the Busch-Reisinger Museum at Harvard University, which houses an exhibition titled "Humanism in the North." The exhibition features woodcuts and prints from the 15th and 16th centuries, emphasizing the influence of humanism in Northern European art. The article describes various pieces, including works by Hans Holbein the Younger and Albrecht Dürer, and explains their historical and artistic significance. It also touches on the cultural and religious themes present in these artworks, such as the Reformation and its psychological impact on society.

The articles are accompanied by illustrations of the woodcuts mentioned, including a detailed print of "The Grocer" from "The Dance of Death" by Hans Holbein the Younger. The page is clipped and preserved, indicating it might be part of a collection or archive.

The image shows an open book or journal with several pages visible. These pages contain columns of text, indicating that the content is likely informational or literary. In the center of the right page, there is an illustration captioned "THE GROCER" from "The Dance of Death," a 16th century woodcut by Hans Holbein the Younger. Just below the illustration, there's a title that reads "Humanism in the North." It appears to be an article or section heading. Some of the text nearby is about art and exhibitions, as referenced by phrases like "19th-Century Works" and "Art at Metropolitan."

There's also a small, separate piece of paper, possibly a clipping, which is cut and placed over the lower section of the right page with some handwritten text on it that reads "Sarah Towne Martyn 2nd May 1972." This suggests that the clipping may be personally significant or intended as a bookmark or note. The book or journal itself seems to be placed on a flat surface with a light-colored background.

The image shows a scrapbook or album page containing newspaper clippings about art exhibitions focusing on German drawings and the theme of "Humanism in the North." There are two main clippings visible:

1. The clipping on the left, titled "Art: German Drawings," is by James R. Mellow and discusses 19th-century German works being shown for the first time at the Metropolitan Museum of Art. It touches on the rarity of such exhibitions outside Europe and highlights the significance of these drawings.

2. The larger clipping on the right is titled "'Humanism in the North'" by Bob Garrett. It discusses an exhibition at the Busch-Reisinger Museum in Cambridge, which shows the work of Northern European artists from the late Middle Ages and Renaissance, focusing particularly on themes of humanism. There is an illustration above this clipping labeled "'THE GROCER' from 'The Dance of Death', 16th-century woodcuts by Hans Holbein the Younger."

There is also a smaller piece of a page or clipping beneath the larger text on the right side, partially visible, with additional text likely related to German art exhibitions.

The scrapbook page has a green binding with the paper showing some aging, and the clippings are glued or taped onto the page. The handwritten note at the bottom of the larger clipping reads "Harold Trowell" and the date "Sunday 24 Dec. 1972."

The image shows an open book with several pages displaying articles from a newspaper or magazine. The articles are about art and culture, specifically focusing on German drawings from the 19th century. The first article on the left page discusses an exhibition of German drawings at the Metropolitan Museum of Art in New York City, featuring works by artists such as Joseph Beuys, Max Ernst, and Paul Klee. The second article on the right page talks about the rehabilitation of German art and the influence of American art on it. The book appears to be a collection of articles from a newspaper or magazine, possibly from the 1970s or 1980s.

The image shows an open book or magazine, displaying two facing pages from an issue dated December 14, 1972. The left page is titled "Art: German Drawings" and is an article by James R. Mellow, discussing 19th-century German works, many of which are being exhibited for the first time at the Metropolitan Museum of Art. The article provides context about the exhibition, its significance, and the featured artists and works.

The right page features two articles:

1. "Art Not How" by John Canaday, which appears to be a review or commentary on an exhibition titled "Humanism in the North" curated by Bob Garrett. The article discusses the exhibit, which includes works by artists such as Hans Baldung Grien, Albrecht Dürer, and others, exploring themes of humanism and the Northern Renaissance.
2. An excerpt from "Master Drawings of the Joseph M. Levine Collection", which seems to be a catalog or description of drawings from the Levine collection, likely part of a larger publication.

The layout includes:

• Headlines and subheadings for each article.
• Illustrations: On the left page, there is an image labeled "THE GROCER" from "The Dance of Death," 16th century woodcuts by Hans Höbein the Younger. On the right page, there is a smaller illustration or photograph, though it is less prominent.
• Textual content: Both pages contain dense, typed text with columns of prose, typical of a magazine or journal format.
• Annotations: In the bottom right corner of the right page, there is handwritten text that reads "Herald Traver" and "Dec. 24, 1972," suggesting the book or magazine was annotated or reviewed by someone named Herald Traver on that date.

The overall design and typography suggest a mid-20th-century publication, likely an art magazine or cultural journal, given the focus on art exhibitions, historical works, and critical essays. The content reflects a scholarly and artistic discussion, emphasizing historical art and exhibitions.