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The image shows an invitation letter from the Consulate of Switzerland in Boston, dated November 21, 1972. The letter invites the recipient to a gala benefit performance of "No, No, Nanette" at the Shubert Theatre on January 22, 1973, at 7:30 PM. The performance features Don Ameche, Evelyn Keyes, Ruth Donnelly, and Swen Swenson.

The event is a benefit for Harvard University's Fogg and Busch-Reisinger Museums and aims to raise funds for an exhibition of works by the Swiss painter Ferdinand Hodler (1853-1918). The exhibition is scheduled to be held at the Busch-Reisinger Museum, Harvard University, during May and June 1973.

The letter explains the significance of Ferdinand Hodler, highlighting his contributions to European painting and his social conscience. It also mentions that the exhibition will feature 100 of Hodler's works, which were assembled by the University of California in Berkeley. The letter encourages the recipient to attend the performance and support the cultural mission.

Tickets for the event are priced at $20.00 per person, with a $10.00 tax-deductible contribution. The RSVP deadline is December 30th, and the response should be sent on an enclosed card.

The letter is signed by Freddy Homburger, Consul of Switzerland.

The image shows a letter and an invitation from the Consulate of Switzerland in Boston, dated November 21, 1972. The letter is addressed to friends and invites them to a gala benefit performance.

Letter Details:

1. Header:

   • The letter is from the Consulate of Switzerland, Boston.
   • Contact details include the address (355 Boylston Street) and a phone number.

2. Content:

   • The letter invites attendees to an event to raise funds for a significant cause.
   • The event will feature a benefit performance titled "No, No Nanette" with notable performers including Don Ameche, Evelyn Keyes, Ruth Donnelly, and Swen Swenson.
   • The performance is scheduled at the Shubert Theatre on January 22nd, 1973, at 7:30 PM.
   • The performance is part of a collaboration between the Swiss Society of Boston and Friends of Switzerland, Inc., and the Harvard University’s Pogg and Busch-Reisinger Museums.
   • The event aims to raise $20,000 for a retrospective exhibition of the paintings of Ferdinand Hodler, a Swiss artist from the late 19th and early 20th centuries.
   • Ferdinand Hodler's work is noted for its sensitive portrayal and deep symbolism, which ranges from portraits to landscapes.

3. Exhibition Details:

   • The exhibition of Hodler’s work will take place at the Busch-Reisinger Museum from May to June 1973.
   • Tickets are priced at $20.00 per person, with a $10.00 tax-deductible contribution included.

4. Call to Action:

   • The invitation encourages friends to attend the performance and contribute to the cause.
   • An RSVP is requested by December 30th via an enclosed card.

5. Signature:

   • The letter is signed by Freddy Homburger, Consul of Switzerland.

The letter combines a personal invitation with a clear fundraising appeal, aiming to bring together a significant cultural event and a charitable mission.

The image shows an invitation letter from the Consulate of Switzerland in Boston, dated November 21, 1972. The letter, addressed to "Dear Friend," invites the recipient to a gala benefit performance of the musical "No, No, Nanette" at the Shubert Theatre on January 22, 1973, at 7:30 p.m., featuring Don Ameche, Evelyn Keys, Ruth Donnelly, and Swen Swenson. The event is a fundraiser for Harvard University's Fogg and Busch-Reisinger Museums to support the first retrospective exhibition in the United States of paintings by the Swiss artist Ferdinand Hodler. The goal is to raise $20,000. The letter emphasizes Hodler's significance as a revolutionary painter and his relevance to contemporary audiences. Tickets are $20.00 per person, with $10.00 being tax-deductible. The letter requests responses by December 30th on the enclosed card and is signed by Freddy Homburger, Consul of Switzerland.

The image is of a formal invitation from the Consulate of Switzerland in Boston, dated November 21, 1972. Here is a detailed summary:

Header:

• The invitation is from the Consulate of Switzerland in Boston.
• The event details are on the right side of the document.

Main Content:

• The letter invites the recipient to an evening event aimed at raising funds for a worthy cause. The event is a gala benefit performance titled "No, No, Nanette."
• The performance is scheduled for Monday, January 22, 1973, at 7:30 p.m. at the Shubert Theatre.
• Performers include Don Ameche, Evelyn Keyes, Ruth Donnelly, and Swen Swenson.

Purpose:

• The event is a benefit to support the exhibition of works by the Swiss painter Ferdinand Hodler (1853-1918).
• The exhibition is planned to be held at the Busch-Reisinger Museum at Harvard University during May and June 1973.
• The Swiss Society of Boston and Friends of Switzerland, Inc. are organizing this event to raise $20,000 for the exhibition.
• The letter emphasizes the importance of Ferdinand Hodler, describing him as a significant European painter whose works revolutionized the art world and carried deep symbolic meanings.

Additional Information:

• The invitation notes that this is a rare opportunity to experience the cultural and artistic heritage of Hodler.
• It mentions well-known songs like "Tea for Two" and "I Want to Be Happy" from the performance "No, No, Nanette."
• Recipients are encouraged to attend and support the cause.

Ticket Information:

• Tickets are priced at $20.00 per person, with $10.00 being tax-deductible as a contribution.

RSVP:

• The recipient is requested to R.S.V.P. by December 30th using the enclosed card.

Closing:

• The letter is signed by Freddy Hamburger, the Consul of Switzerland.

This invitation combines a social event with a philanthropic cause, aiming to introduce and celebrate the works of Ferdinand Hodler in the United States.

The image is a letter from the Consulate of Switzerland in Boston, dated November 21, 1972. The letter invites recipients to an event for an extremely worthy cause. Specifically, it invites them to a gala performance of the musical "No, No, Nanette" at the Shubert Theatre on January 22, 1973, at 7:30 p.m. The performance features Don Ameche, Evelyn Keyes, Ruth Donnelly, and Swen Swenson.

The purpose of this event is to raise funds for the first-time retrospective exhibition of the paintings of Ferdinand Hodler at the Busch-Reisinger Museum at Harvard University, scheduled for May and June 1973. Hodler is described as a significant European painter from the late 19th and early 20th century, known for his revolutionary vision and social conscience.

The letter emphasizes the importance of supporting the exhibition and mentions that contributions of $20,000 are needed to make it possible. It also encourages attendees to enjoy the musical and highlights the cultural mission of the event. The letter concludes with a reminder to RSVP by December 30th on the enclosed card, with each ticket priced at $20.00, including a $10.00 tax-deductible contribution.

The letter is signed by Freddy Homburger, Consul of Switzerland.

The image shows an invitation letter from the Consulate of Switzerland in Boston, dated November 21, 1972. The letter is addressed to a friend and invites them to a gala benefit performance at the Shubert Theatre on Monday, January 22, 1973, at 7:30 p.m.

The event is a revival of the musical "No, No, Nanette" featuring Don Ameche, Evelyn Keyes, Ruth Donnelly, and Swen Swenson. The performance is intended to raise funds for the exhibition of Ferdinand Hodler's paintings at Harvard University's Busch-Reisinger Museum in May and June 1973. The goal is to raise $20,000 for this exhibition.

The letter provides context about Ferdinand Hodler, a Swiss painter who revolutionized European art in the late 19th and early 20th centuries, and his significant contributions to the understanding of human relationships and environments. The letter also mentions that the event will be a fun opportunity to enjoy classic songs and support a worthwhile cultural mission.

The letter is signed by Freddy Homburger, Consul of Switzerland. Tickets are priced at $20.00 per person, with $10.00 being tax-deductible. The response deadline is December 30th, and an enclosed card is presumably used for RSVPing.

The image displays an invitation letter from the Consulate of Switzerland in Boston, dated November 21, 1972. It's a typewritten document with some handwriting at the bottom right corner. The letter is inviting the recipient to a gala benefit performance with Don Ameche, Evelyn Keyes, Ruth Donnelly, and Swen Swenson in the play "No, No, Nanette" at the Shubert Theatre on Monday, January 22, 1973, at 7:30 p.m.

The goal of the event is to support the Friends of the Swiss Society of Boston and Friends of Switzerland, Inc., in bringing the paintings of Swiss painter Ferdinand Hodler to the area for an exhibition at the Busch-Reisinger Museum, Harvard University, in May and June of 1973. The letter also references a previous exhibition of Hodler's work at the University of California in Berkeley. It ends with a personal touch, suggesting the reader might want to hear the song "Tea for Two" and reminding them to join if they can. The signature appears to be "Freddy Muhlemann," identified as Consul of Switzerland.

The letter suggests a ticket price of $20.00 per person, with a $10.00 tax-deductible contribution, and requests an RSVP by December 30th on an enclosed card.

The image shows a two-page invitation letter. The left page has the header "Consulate of Switzerland Boston" with the address and contact information. The right page has the title "A Gala Benefit Performance" with details of the event, including the date, time, and performers. The invitation is for a performance of "No, No, Nanette" at the Shubert Theatre, January 22, 1973, at 7:30 p.m., featuring Don Ameche, Evelyn Keyes, Ruth Donnelly, and Swen Swenson. The event is a benefit for Harvard University's Fogg and Busch-Reisinger Museums, and the performance is the revival of "No, No, Nanette" with Don Ameche. The letter also mentions the retrospective exhibition of the Swiss painter Ferdinand Hodler, which will be held at the Busch-Reisinger Museum, Harvard University, during May and June 1973. The ticket price is $20.00 per person, with a $10.00 tax-deductible contribution.

The image shows a formal invitation letter written on a white piece of paper. The letter is from the Consulate of Switzerland in Boston and is addressed to a friend. The letter is inviting the recipient to an evening of sheer pleasure for an extremely worthy cause. The event is a gala benefit performance with Don Ameche, Evelyn Keyes, Ruth Donnelly, and Swen Swenson, and it will be held at the Shubert Theatre on January 22, 1973, at 7:30 p.m. The event is to benefit the Harvard University's Fogg and Busch-Reisinger Museums. The letter also mentions that the Swiss Society of Boston and Friends of Switzerland, Inc. wish to bring to this area for the first time a retrospective exhibition of the paintings of Ferdinand Hodler. The letter is signed by Freddy Homburger, the Consul of Switzerland.

The image shows a letter from the Consulate of Switzerland in Boston, dated November 21, 1972. The letter is addressed to "Dear Friend" and invites the recipient to an evening of sheer pleasure for an extremely worthy cause, with one of Boston's most congenial groups at the Shubert Theatre on January 22nd at 7:30 p.m. The event will feature the opening night of the revival of "No, No, Nanette" with Don Ameche.

The letter also mentions that the Swiss painter Ferdinand Hodler was one of the giants among European painters of the late 19th and early 20th century who revolutionized our vision of the world. He was also a man with a social conscience far ahead of his time concerned with the relationship of human beings to each other and to their environment. His canvases range from sensitive portraiture and impressionistic landscapes to monumental frescoes of deep symbolism.

The letter concludes by stating that an artist of this caliber must not remain unknown in the United States and that the message is valid today and his esthetic impact must be felt by the interested audiences of New England. The letter is signed by Freddy Homburger, Consul of Switzerland.

The background of the image is a beige color, with a slight shadow effect around the edges. Overall, the image appears to be a scanned copy of the original letter, possibly from a historical archive or collection.