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ARCH.2013.5.15, Rendition: 800815
The image depicts a brochure or program for "The Boston Musica Viva," a musical ensemble directed by Richard Pittman. The brochure details the fourth season of concerts, which took place at the Busch-Reisinger Museum, Harvard University, and other venues in Cambridge, Massachusetts.
Key points from the brochure include:
Ensemble Members:
Concert Schedule for 1972-73:
Tuesday, October 10:
Tuesday, December 5:
Tuesday, February 27:
Tuesday, April 17:
Ticket Information:
Additional Information:
The brochure is designed with a clean, minimalist aesthetic, featuring text in a serif font and a musical score illustration on the right side.
The image displays a program for "The Boston Musica Viva," featuring information about concerts conducted by the group during the 1972-73 season.
Main Details:
Concert Schedule:
The concert schedule is detailed for specific dates in October, December, February, and April:
October 10:
December 5:
February 27:
April 17:
Ticket Information:
The program includes a musical score illustration, indicating the sheet music for one of the pieces, likely the Genesis by Carl Roskott. The program notes that the program may be subject to change.
The image displays an open brochure for "The Boston Musica Viva," a music organization. On the left page, the header prominently features the organization's name, with Richard Pittman listed as the Music Director. Below, the names of various musicians are listed, including Nancy Cirillo (violin), Jay Humston (cello), Luise Vosgerschian (piano), John Hess (flute), William purse (clarinet), Virginia Blakeman (viola), Robert Honeysucker (soprano), Elsa Charlson (soprano), and Joan Esch (cello), along with a mention of additional guest artists.
The left page also contains a detailed description of the 1972-73 season. It announces the group's fourth season at the Busch-Reisinger Museum, Harvard University, starting on October 10. The text explains that the season will feature works by various composers, including Carl Roskott, Joyce Mekeel, Oliver Knussen, Joseph Schwantner, and Donald Harris. It also provides information on ticket prices and subscription options. Season tickets cost $42, individual concert tickets are priced at $12, and there are various levels of sponsorship mentioned, such as Patron ($100) and Benefactor ($50+). Instructions for obtaining tickets by mail or at the door are provided, with a mailing address and office hours specified.
The right page features a concert schedule for the 1972-73 season. It lists the following concerts:
Tuesday, October 10:
Tuesday, December 5:
Tuesday, February 27:
Tuesday, April 17:
The bottom of the page indicates that the program is subject to change and credits the design to "Eleven Rows of Autumn" by George Crumb.
The image shows a concert season program booklet for "The Boston Musica Viva," an ensemble dedicated to performing contemporary music. Here are the key details:
The Boston Musica Viva is in its fourth season at the Boston University's Tsai Performance Center. This season, the ensemble will perform a variety of new works, some of which were specifically written for them. An American composer will be featured at each concert.
Tickets can be obtained by returning an enclosed envelope or by applying directly to the Boston University Concert Office. Tickets can also be bought at the door one hour before each concert.
Tuesday, October 10:
Tuesday, December 5:
Tuesday, February 27:
Tuesday, April 17:
The booklet also includes musical notation on the right side, likely excerpts from the pieces to be performed. The program notes indicate that each concert will feature modern and contemporary compositions.
The image shows a vintage concert program for "The Boston Musica Viva," directed by Richard Pittman. This is the group's fourth season of concerts, which took place at the Busch-Reisinger Museum, Harvard University, in Cambridge, Massachusetts, beginning on October 7, 1972.
Musicians and Instruments:
Guest Artists:
The program includes additional guest artists who will perform at various concerts.
Concert Schedule for 1972-73:
Tuesday, October 10
Tuesday, December 5
Tuesday, February 27
Tuesday, April 17
Ticket Information:
Additional Notes:
The image shows a program guide for "The Boston Musica Viva," a concert series directed by Richard Pittman. This particular program guide is for the 1972-73 season.
Details:
Cover and Title:
Artists:
Season Overview:
Concert Schedule:
Tuesday, October 10:
Tuesday, December 5:
Tuesday, February 27:
Tuesday, April 17:
Ticket Information:
The program also notes that the schedule is subject to change and that there will be first performances of several pieces.
This image shows a printed program titled "THE BOSTON MUSICA VIVA" with a detailed layout that includes the concert schedule for the 1972-73 season. On the left, the program lists Richard Pittman as the music director along with featured artists such as Nancy Cirillo on violin, Jay Humeston on cello, and others covering instruments like piano, clarinet, and voice.
The program gives a brief overview of the Boston Musica Viva's fourth season at Harvard University's Paine Hall in Cambridge, outlining the offerings that include contemporary pieces by various composers. The performances cover a range of music from a septet by Igor Stravinsky to works by Karl Ristikivi, Luciano Berio, and other modern composers.
On the right side of the program, musical notes and symbols are artistically arranged in a circular pattern, suggesting a visual representation of music or a musical score. Below the circular design is information about concert dates and featured works for specific days, such as Igor Stravinsky's "Septet" and "Epitaphium" by Luciano Berio, as well as details on ticket prices and subscription options.
The program is open, showing two internal pages, with additional pages visible underneath, and it appears to be laid on top of other printed materials and books. The overall aesthetic is quite clean and minimalist, typical of printed materials from the period. There's also a font annotation at the bottom right corner indicating that it's set in "Baskerville," a classic typeface.
The image is a close-up view of an open book, displaying a page from a concert program. The title of the concert series is "The Boston Musica Viva," and it features a list of musicians and their instruments, along with the concert schedule and program details. The page has a beige background, and the text is written in black and red fonts. The concert schedule includes dates, composers, and the names of the pieces to be performed. The musicians' names are listed with their respective instruments, such as violin, cello, clarinet, and piano. The page also includes a diagram of the concert hall's layout, with seating arrangements and stage positions.
The image depicts the interior pages of a program or booklet titled "The Boston Musica Viva", which appears to be a concert series or music program. The booklet is open to a page that includes a concert schedule for the 1972-73 season, along with a musical score or notation diagram on the right side.
Title and Header: The page is titled "THE BOSTON MUSICA VIVA" in bold red text at the top.
Music Director: Richard Pitman is listed as the Music Director.
Performing Artists: A list of musicians is provided, including:
Introduction: The text introduces the fourth season of concerts at the Busch-Reisinger Museum, Harvard University, beginning on October 7. It highlights the policy of performing new works, with a focus on American composers. The first concert will feature works by Carl Rokseth, Joyce Meekel, Oliver Knussen, Joseph Schwantner, and Donald Harris.
Ticket Information:
The image portrays a concert program for the Boston Musica Viva, detailing the artists, schedule, and ticket information for the 1972-73 season. The inclusion of a musical score on the right page suggests that this booklet may have been used by performers or as a reference for the concert series. The design and layout are typical of a formal concert program, combining textual information with musical notation.
A book is open to a page with text and illustrations. The text on the left side is in a smaller font and is in a foreign language. The text on the right side is in a larger font and is in English. The illustration is a diagram of a musical instrument with notes and musical symbols. The diagram is in brown and white. The book is placed on a gray surface.