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The image depicts a newspaper article from the Cambridge, Mass. section, dated Friday, May 19, 1972. The headline reads "At Busch-Reisinger: A ball for 'Viva Venezia'" and is written by Susan Drysdale. The article discusses an event at the Busch-Reisinger Museum, Harvard University, which transforms its Germanic halls into a Venetian atmosphere for the 'Viva Venezia' ball, a fund-raiser for the Boston chapter of Save Venice, Inc., aimed at restoring the church of San Giovanni Crisostomo.

The event, held in the Renaissance courtyard, features guests dressed in Venetian attire, with decorations including striped tents, candles, and red flowers. The article also mentions an exhibition of Venetian caryatides and artworks, including pieces by James McNeill Whistler and a woodcut by Jacopo de' Barbari. The event also includes a display from the Boston Public Library titled "A Tribute to Venice," featuring works by artists such as Maurice Prendergast and John Singer Sargent, and a collection of prints, drawings, and watercolors. The article concludes with details about the watercolors, pastels, and prints on display, which capture the essence of Venice.

The image is a page from a newspaper dated Friday, May 19, 1972. The article is titled "At Busch-Reisinger: A ball for 'Viva Venezia'" by Susan Drysdale.

The article describes a special event at the Busch-Reisinger Museum at Harvard University, which was a fundraiser for the San Giovanni Grisostomo church in Venice. The event was called "Viva Venezia," and it was a ball combining elements of Venetian art and culture.

Key highlights of the event include:

• The venue was transformed to resemble a Venetian palace.
• There was a variety of Venetian-inspired art displayed, including watercolors, pastels, and prints by various artists.
• The event featured a mix of Italian and American artists, with works such as a Whistler pastel of Venice by James McNeill Whistler.
• There was a selection of Venetian artworks from the Boston Public Library, including an etching by Jacopo de' Barbari.
• The ball was attended by notable figures from the art world, including Boston's New Mermaid Webster Pocket Mime, and featured live performances and dancing.
• The event also included a small loan exhibition of Venetian cypresses and other Venetian art.

The article notes that the exhibition continues through mid-July, and there were several other collections on display, including works by Italian and English artists. The event aimed to raise funds for the restoration of San Giovanni Grisostomo church.

The image is a newspaper clipping from May 19, 1972, titled "At Busch-Reisinger: A ball for 'Viva Venezia'" by Susan Drysdale. The article discusses an event at the Busch-Reisinger Museum, Harvard University, which was themed around Venice.

The article describes a ball titled "Viva Venezia," sponsored by the Boston chapter of Save Venice, Inc. The event is intended to raise funds for the restoration of San Giovanni Grisostomo, a church in Venice. The ball combines art and gaiety, with guests expected to dress in Venetian style, ranging from Renaissance to modern interpretations.

The article also mentions an exhibition of Venetian landscapes and seascapes, including works by artists like James McNeill Whistler, who painted Venice over a century ago. The exhibition includes a Whistler pastel of Venice which has never been exhibited before. Additionally, the Boston Public Library has loaned several works, including etchings and drawings by artists such as Jacopo de' Barbari, and the show includes a tribute to Venice by various artists.

The exhibition, titled "Prospect of Venice," runs through May, with the ball being a significant fund-raising event for the restoration efforts in Venice.

The image is a newspaper clipping from Friday, May 19, 1972. The article, titled "At Busch-Reisinger: A ball for 'Viva Venezia'" by Susan Drysdale, describes an event at the Busch-Reisinger Museum, Harvard University, which is a celebration of Venetian culture.

Key points of the article include:

1. Event Description:

   • The event, "Viva Venezia," is a ball sponsored by the Boston chapter of Save Venice, Inc.
   • It is a major fund-raising event for the organization.

2. Venue and Atmosphere:

   • The event is held in the stately halls of the Busch-Reisinger Museum, which is described as a "scholar's not a palazzo."
   • The setting aims to transport guests to Venice, with art and gala elements combined to recreate the ambiance of the Renaissance city.

3. Decor and Ambiance:

   • The event features an Italian twist, with decorations including a green and white striped tent in the museum courtyard.
   • There will be a candlelit dinner, with red flowers and the Italian flag complementing the setting.

4. Exhibition:

   • Guests can also view an exhibition of Venetian cypresses, watercolors, pastels, and prints by artists such as Canaletto and James McNeill Whistler.
   • Highlights include a Whistler pastel of Venice, a small loan exhibition of Venetian cypresses, and works by several American artists from the Boston Public Library collection.

5. Historical Artwork:

   • The article mentions a large woodcut "Bird's Eye View of Venice" by Jacopo de' Barbari, printed in 1500, which is on display.
   • The exhibition includes various other works such as etchings, drawings, watercolors, and oil paintings by artists like John Singer Sargent, Arthur Wesley Dow, and others.

6. Additional Information:

   • The exhibition runs through mid-July.
   • The event is designed to draw attention to the needs of Venice, particularly its preservation and the challenges it faces.

Overall, the article details a cultural and artistic event celebrating Venice, blending historical artwork, gala decorations, and a fund-raising ball to support the preservation of Venice.

The image shows a newspaper article from the Friday, May 19, 1972 edition of an unspecified publication. The article is titled "A ball for 'Viva Venezia'" and is written by Susan Drysdale from Cambridge, Mass.

Summary:

Headline and Introduction:

• The article discusses an event called "Viva Venezia," a ball sponsored by the Boston chapter of Save Venice, Inc., held at the Busch-Reisinger Museum at Harvard University.
• The curator, David Farmer, notes that while the museum typically showcases German art, this event celebrated Italian culture.

Venetian Exhibits:

• The article describes the setting as combining art and gaiety, with guests dressed in Renaissance-style costumes.
• The exhibition features Venetian artworks, including:
  • Two galleries displaying Venetian paintings and objects, such as silky panels of Venetian scenes and trefoil-like shapes.
  • Watercolors, pastels, and prints by artists like Canaletto, James McNeill Whistler, and others.
  • A Whistler pastel of Venice, loaned from the Fogg Art Museum, depicting the Riva degli Schiavoni.

Change of Scene:

• The event also includes a room with an exhibit of Venetian costumes, giving the museum a festive and colorful atmosphere.

Prospect of Venice:

• The exhibition includes a notable etching of Venice by Michele Marieschi from 1741, detailing the "Viva Venezia" ball invitation.

Boston Collection:

• Another highlight is a triptych by an unknown artist from the Boston Public Library, emphasizing the richness of Venetian art.

Additional Works:

• The article mentions works by several American artists such as Maurice Prendergast, John Singer Sargent, Frank Duveneck, and John LaFarge.
• The collection includes prints, drawings, paintings, glass, textiles, books, and sculptured objects from the 15th century onwards.

Outdoor Display:

• A large wooden bird's eye view of Venice by Jacopo de' Barbari, printed from six large blocks, is also on display. This piece and others can be seen alongside works by artists like Samuel Prout, Richard Bonington, and John Ruskin.

Overall, the article portrays an engaging and richly decorated exhibition celebrating Venetian art and culture, blending historical artifacts with festive events.

The image is a newspaper article from the Christian Science Monitor, dated Friday, May 19, 1972. The article is titled "A ball for 'Viva Venezia'" and is written by Susan Drysdale.

The article discusses an upcoming fundraising event at the Busch-Reisinger Museum at Harvard University, aimed at supporting the restoration of Venice. The event, titled "Viva Venezia," is organized by Save Venice, Inc., and features a ball with an Italian theme, including music, dance, and a theatrical performance. The event is set to take place in the museum's courtyard, which will be decorated to resemble Venice, complete with gondolas, strolling players, and Italian cuisine.

The article also mentions an accompanying exhibition of Venetian cityscapes, featuring works by American and European artists. Highlights include watercolors, pastels, and prints by artists such as Maurice Prendergast, John Singer Sargent, and James McNeill Whistler. The exhibition includes a rare Whistler pastel of Venice and a series of etchings by Herman Armour Webster.

Additionally, the article notes that the Museum of Fine Arts in Boston has contributed a selection of etchings and lithographs from its collection to complement the exhibition. The overall theme of the article is the celebration of Venice's cultural heritage and the efforts to preserve it.

The image depicts a newspaper article from Friday, May 19, 1972. The headline of the article reads "At Busch-Reisinger: A ball for 'Viva Venezia'" by Susan Drysdale. The article is about an event being held at the Busch-Reisinger Museum at Harvard University, which aims to mimic the ambience of Venice and support the 'Save Venice, Inc.' initiative to preserve Venice's architectural heritage. The event appears to be a fund-raising ball inspired by the Boston chapter of Save Venice, featuring live music and an Italian theme.

A portion of an etching or engraving, characterized by fine lines and shading, is depicted on the right side of the article, showing a historical scene from Venice with gondolas, figures in period attire, and architectural details.

The rest of the article includes details about the setting and attractions available at the ball, artwork related to Venice that will be on display, and mentions various artists and displays involved, incorporating a cultural appreciation for Venice's artistic legacy. There is also mention of a separate exhibition at Boston, showcasing a selection of works through May. The page is worn and the creases indicate it may have been folded in the past, suggesting that this newspaper clipping has been preserved for some time.

The image shows an open book with a newspaper clipping inside. The clipping is from a publication with the title "At Busch-Reisinger" and is dated May 19, 1972. The clipping discusses an upcoming event called "Viva Venezia," which is a ball to benefit the restoration of the church of San Giovanni Grisostomo in Venice. The article mentions that the ball will feature Venetian art and culture, including a display of Venetian watercolors and a temporary exhibition of Venetian paintings. The clipping also includes an image of an etching of Venice and mentions other exhibits at the museum, such as a display of American prints and a tribute to the city of Venice.

The image depicts a page from a newspaper or magazine article titled "At Busch-Reisinger: A ball for 'Viva Venezia'" by Susan Drysdale, dated Friday, May 19, 1972. The article discusses an event organized by the Boston chapter of Save Venice, Inc., to raise funds for the restoration of the church of San Giovanni Grisolomo in Venice, Italy.

Key Elements in the Image:

1. Headline and Subheading:

   • The main headline, "A ball for 'Viva Venezia'", is prominently displayed at the top of the page.
   • The byline indicates the author, Susan Drysdale, and her location, Cambridge, Mass.

2. Text Content:

   • The article describes the event as a fundraising ball sponsored by Save Venice, Inc., aimed at supporting the restoration of the San Giovanni Grisolomo church, which was damaged by flooding, pollution, and general decay.
   • It highlights the artistic and cultural significance of the event, noting that it combines art, gaiety, and music, with guests dancing to strains of Don Julio and his orchestra.
   • The setting includes a Renaissance-style balcony, a green and white striped tent, and a color scheme featuring red flowers and the Italian flag.

3. Illustration:

   • To the right of the text, there is a detailed black-and-white illustration depicting a prospect of Venice. The illustration shows a canal scene with gondolas, buildings, and people, providing a visual representation of the Venetian setting being celebrated at the event.
   • Below the illustration, a caption reads: "Prospect of Venice", and a smaller note at the bottom explains that the illustration is a detail from an etching of Venice made in 1741 by Michele Mareschi. It notes that this etching appears on the invitation to the "Viva Venezia" ball.

4. Additional Information:

   • The article mentions an exhibition of Venetian cityscapes, watercolors, pastels, and prints by artists such as James McNeil Whistler and others, which is part of the event.
   • It also references a Boston collection designed to draw attention to the needs of the stricken city of Boston, with proceeds benefiting the San Giovanni Grisolomo restoration.

5. Design and Layout:

   • The page is formatted in a classic newspaper or magazine style, with a clear hierarchy of information: headline, byline, subheading, and body text.
   • The illustration is integrated seamlessly with the text, enhancing the visual appeal and providing context for the article's theme.

Overall Impression:

The image captures a well-structured and visually engaging article that combines descriptive text with an evocative illustration to celebrate a cultural and fundraising event in support of Venice. The layout and content suggest a focus on art, history, and community engagement, reflecting the article's purpose of informing readers about the event and its significance.

The image shows a page of a newspaper, specifically the "At Busch-Reisinger" section, dated Friday, May 19, 1972. The headline reads "A ball for 'Viva Venezia'" by Susan Drysdale. The article discusses an event at the Busch-Reisinger Museum, Harvard University, which will combine a gala with the museum's Venetian collection. The event, sponsored by the Boston chapter of Save Venice, Inc., aims to raise funds for San Giovanni Grisostomo, a Renaissance church damaged by flooding, pollution, and general decay.

The article mentions that the event will feature a Venetian-themed ambiance, including music, dance, and art, to create a "palazzo" atmosphere. It highlights the inclusion of a Whistler pastel of Venice from 1880, which will be exhibited for the first time, and other works from the Boston Public Library, Harvard University, and private collections.

Additionally, the article mentions an exhibition of Boston's own collection of Venetian art, including works by Tiepolo, Piranesi, Samuel Prust, Richard Bonington, and John Ruskin, which will be on display in the Print Galleries through mid-July. The article also describes the etching of Venice by Michele Marieschi, which appears on the invitation to the "Viva Venezia" ball, and notes that the event will be held on the night of the ball.