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ARCH.2013.5.15, Rendition: 800784
The image is a page from a newspaper or magazine, dated May 12, 1972, titled "The Gazette." The page features a section called "The Calendar."
The main content of the page includes a self-portrait of an artist, a middle-aged man, taken from an exhibition at the Busch-Reisinger Museum. The artist is identified as Arnulf Rainer, a 41-year-old Viennese known for his "over-paintings," which involve painting over photographs. The portrait shown is from his series "Face Farces," which consists of photographs of himself in unusual poses, created between 1968 and 1971.
The self-portrait depicts a man with disheveled hair and a wide smile. His eyes are covered by a black horizontal stripe, adding to the unusual and artistic nature of the image. The artist's signature, "A. Rainer," is visible at the bottom of the portrait.
The text below the image provides context about the artist and his work, highlighting his unique style and the specific series to which the portrait belongs.
The image shows an open page from a calendar, specifically the page for June. It features a self-portrait of the artist Arnulf Rainer, who is described as a middle-aged man in the accompanying text.
Key details include:
Overall, this image combines elements of art and a calendar, highlighting the work of Arnulf Rainer.
The image shows a newspaper clipping from "The Gazette," dated May 12, 1972. The clipping is titled "The Calendar" and features a black-and-white photograph of an artist, Arnulf Rainer, who is described in the caption.
The photograph is a self-portrait of Rainer with his eyes covered by painted horizontal stripes. The caption reads:
"A self-portrait of the artist as middle-aged man, taken from the Busch-Reisinger's exhibition of the works of Arnulf Rainer. Mr. Rainer is a forty-one year old Viennese who specializes in 'over-paintings'—photographs with additions painted on to them. The above is one of his 'face farces,' a series of photographs of himself in unusual poses. (Through June 24)"
The clipping is inserted into what appears to be a book or album, with part of the book's spine visible on the right side. The edges of the book and the clipping itself show signs of aging.
The image shows a newspaper clipping titled "The Calendar" from May 12, 1972, published in "The Gazette." The clipping features a self-portrait photograph of an artist, Arnulf Rainer, who is described as a forty-one-year-old Viennese artist specializing in "over-paintings," which are photographs with additions painted onto them.
The photograph itself is a self-portrait where Rainer has painted over his eyes, creating a striking visual effect. The caption below the photo reads: "A self-portrait of the artist as middle-aged man, taken from the Busch-Reisinger’s exhibition of the works of Arnulf Rainer. Mr. Rainer is a forty-one year old Viennese who specializes in 'over-paintings'—photographs with additions painted on to them. The above is one of his 'face farces,' a series of photographs of himself in unusual poses. (Through June 24)." The clipping is placed within an open book or album, indicating it might be part of a collection or scrapbook.
The image shows a page from a newspaper or magazine titled "The Calendar" from "The Gazette," dated May 12, 1972. The page appears to be from a section or a special issue related to art.
The focal point of the page is a black-and-white photograph of a man. The man in the photograph has his eyes obscured by a black bar across his face. He has curly hair and a somewhat expressive, yet neutral facial expression.
Below the photograph, there is a descriptive text that reads:
"A self-portrait of the artist as middle-aged man, taken from the Busch-Reisinger's exhibition of the works of Arnulf Rainer. Mr. Rainer is a forty-one year old Viennese who specializes in 'over-paintings' - photographs with additions painted on to them. The above is one of his 'face farces,' a series of photographs of himself in unusual poses. (Through June 24)"
The signature at the bottom left of the image indicates that the photograph is credited to Arnulf Rainer. The page is part of a larger book or scrapbook, evident from the way it is folded and the visible edges of other pages.
The image displays an open book or magazine with a page titled "The Calendar." The page is dated May 12, 1972, and is from "The Gazette." Below the title, there is a black-and-white photograph of a man with his eyes covered by two white rectangular strips. The photograph is a self-portrait by the artist Arnulf Rainer, described as a middle-aged man. The text beneath the image explains that Arnulf Rainer is a 41-year-old Viennese artist known for his "over-paintings," which involve adding paint to photographs. The specific image shown is part of his "face farces," a series of photographs of himself in unusual poses, and the exhibition at the Busch-Reisinger Museum will run through June 24.
The image shows an open book or magazine with a page that features a clipping titled "The Calendar" dated May 12, 1972, from "The Gazette." Below this title, there is a black and white image of a person's head, neck, and part of the shoulders. Notably, the central portion of the image where the face would be has been obscured by a blurred rectangular overlay. Accompanying text below the image appears to describe it as a self-portrait and mentions an exhibition, the technique of "over-painting" photographs, and that the subject is involved in a series showcasing a variety of poses. The dates of the exhibition are also mentioned, ending on June 24. The page has some discoloration suggesting age, and there's a handwritten signature visible at the bottom right. The top left corner of the page shows a piece of brownish tape, likely used for attachment or repair.
This image shows a page from an old publication, specifically "The Gazette" dated May 12, 1972. The section is titled "The Calendar." The main content of the page is a photograph of a man with curly or wavy hair. His eyes and some parts of his face are obscured by horizontal white strips. There is a signature that appears to read "Rainer" near the bottom right of the photo.
The caption beneath the photo reads:
"A self-portrait of the artist as middle-aged man, taken from the Busch-Reisinger’s exhibition of the works of Arnulf Rainer. Mr. Rainer is a forty-one year old Viennese who specializes in 'over-paintings'—photographs with additions painted on to them. The above is one of his 'face farces,' a series of photographs of himself in unusual poses. (Through June 24)"
The page is yellowed with age and is pasted or mounted on a larger white sheet.
The image shows an open book with a page displaying a black-and-white photograph of a man. The man in the photo has a blindfold over his eyes, and he is smiling. The text on the page reads "The Calendar" at the top. The page also includes a caption that provides information about the man in the photo. It states that the photo is a self-portrait of the artist, taken from the Busch-Reisinger exhibition of the works of Arnulf Rainer.
The image shows a page from a publication titled "The Calendar", dated May 12, 1972, and sourced from The Gazette. The page features a black-and-white illustration of a person with a distinctive, slightly stylized appearance. The individual has curly hair and is depicted with a playful or artistic expression, wearing what appears to be a mask or a stylized face covering that obscures the eyes and part of the nose.
Below the illustration, there is a caption that provides context about the image. It identifies the subject as Arulf Rainer, a forty-one-year-old Viennese artist known for his unique technique of "over-paintings"—photographs with painted additions. The caption describes the image as a self-portrait of Rainer as a middle-aged man, taken during an exhibition of his works. It also mentions that this particular piece is part of a series called "face farces," which includes photographs of Rainer in unusual poses.
The page has a clean, minimalist design with a light beige background and text in a simple, readable font. The layout is straightforward, with the illustration centered and the caption positioned below it. The overall aesthetic suggests an art or cultural publication, likely focusing on contemporary artists and their creative practices.