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ARCH.2013.5.14, Rendition: 798172
The image shows a printed concert program. The program is divided into four sections, each featuring works by different composers. Here is a detailed summary of the content:
Luys de Narváez
Santiago de Murcia
Fernando Sor (1778–1839)
Francisco Tárrega (1852–1909)
Emilio Pujol (b. 1886)
The program also includes a note at the bottom stating: "This concert is made possible by the Margaret Gaison Robinson Fund."
The program appears to be neatly printed and is placed inside a green folder.
The image shows a program from a classical guitar concert. The program lists the pieces to be performed, along with the composers and their respective works. Here is a detailed summary:
From Los seis libros del Delphin de música (1538)
Book II:
Book III:
Book VI:
From Passacalles y Obras De Guitarra Por Todos los Tonos Naturales y Accidentales (1732)
This program reflects a rich variety of classical guitar compositions spanning several centuries, showcasing works from the Renaissance to the early 20th century.
The image shows a program from a classical guitar concert. The program lists the pieces to be performed, the composers, and the order in which they will be played. Here is a detailed summary:
Francisco Tárrega (1852-1909)
Emilio Pujol (b. 1886)
The concert is supported by the Margaret Casion Robinson Fund, as noted at the bottom right of the program.
The image shows the program for a classical music concert. The program lists various pieces of guitar music arranged by different composers and categorized into four sections, labeled I to IV, with an intermission between sections II and III.
Section I (Luys de Narváez)
Section II (Santiago de Murcia)
Intermission
Section III (Fernando Sor)
Section IV
The concert is noted to be made possible by the Margaret Casson Robinson Fund.
The image displays an open program booklet for a concert. The left page is mostly blank, while the right page contains the detailed program. Here is a summary of the program:
I. Luys de Narváez - From Los seis libros del Delphin de música (1538)
II. Santiago de Murcia - From Passacalles y Obras de Guitarra Por Todos los Tonos Naturales y Ascentales (1732)
INTERMISSION
III. Fernando Sor (1778-1839)
IV. Francisco Tárrega (1852-1909)
V. Emilio Pujol (b. 1886)
The bottom of the program notes that this concert is made possible by the Margaret Gaison Robinson Fund.
The image is of a concert program listing the pieces to be performed. Here is a detailed summary of the program:
Luys de Narváez
Santiago de Murcia
Francisco Tárrega (1852-1909)
Emilio Pujol (b. 1886)
At the bottom of the program, it notes that the concert is made possible by the Margaret Carson Robertson Fund.
The image shows an open booklet or program page, which appears to be for a musical concert given its content listing various classical compositions and the names of composers. The top of the page is titled "PROGRAM" with Roman numerals I, II, III, and IV, categorizing the sections of the program.
Under each Roman numeral, there is a list of musical works attributed to different composers, along with some specific pieces, as follows:
I - Luys de Narváez
From Los seys libros del Delphín de música (1538)
Listed are "Fantasia del quarto tono" and other works.
II - Santiago de Murcia
From Passacalles y obras de guitarra por todos los tonos naturales y accidentales (1732)
Listed are "Preludio", "Allegro", "Passacalle in d", and other pieces including a suite in d.
III - Fernando Sor
Dates (1778–1839) are provided next to his name.
Listed are "Andante Largo (Op. 5)", "Minuet in D (Op. 11 Nr. 5)", "Minuet in A (Op. 11 Nr. 1)", and others.
IV - Francisco Tárrega and Emilio Pujol
Tárrega with dates (1852–1909)
Listed are "3 Preludes", "Capricho Árabe (Serenata)", and similar works.
Pujol with a birth year (b. 1886)
Listed are "Homenaje a Tárrega", "Impromptu", "Estudio", and "Guitarra (Evocatión Cubaine)".
At the bottom right corner, there's an acknowledgment that reads, "This concert is made possible by the Margaret Carson Robinson Fund."
The page layout is clean and straightforward, with the text well-organized, allowing for easy reading of the program details. The image also shows the crease of the booklet's spine and some pages behind the current page, suggesting it is part of a bound program or book.
The image shows an open program for a musical concert, displayed on top of a large book or album. The program is printed on cream-colored paper with black text in a classical serif font.
The left page lists the first part of the program:
PROGRAM
I
Luys de Narváez
From Los seis libros del Delfin de música (1538)
Book II
Book III
Book VI
II
Santiago de Murcia
From Passacalles Y Obras De Guitarra Por Todos los Tonos Naturales Y Accidentales (1732)
Suite in D
INTERMISSION
The right page continues the program:
III
Fernando Sor (1778–1839)
IV
Francisco Tárrega (1852–1909)
Emilio Pujol (b. 1886)
At the bottom right there is a note: "This concert is made possible by the Margaret Casson Robinson Fund."
The program features works by notable classical guitar composers spanning from the 16th to the 20th centuries.
The image shows the inside pages of a book or program, likely for a musical performance or concert. The layout is clean and organized, featuring a structured list of musical pieces and composers. Here's a detailed description:
Title Section:
Musical Pieces and Composers:
Section I: Luys de Narváez
Section II: Santiago de Murcia
Section III: Fernando Sor (1778–1839)
Section IV: Francisco Tárrega (1852–1909)
Section V: Emilio Pujol (b. 1886)
Additional Notes:
The image depicts a program for a classical guitar concert or recital, featuring a diverse selection of works spanning several centuries and composers. The inclusion of both historical and modern pieces, along with the formal layout and acknowledgment of funding, suggests a professional and well-curated event. The presence of an intermission further indicates a structured performance with breaks between segments.
The image shows a concert program booklet with a white cover. The booklet is open to a page that features a list of compositions and composers. The page includes the names of various musical pieces, along with the composers' names and birth and death years. The compositions are organized into sections, with the first section titled "PROGRAM" and the subsequent sections labeled "I," "II," "III," and "IV." The booklet also includes a note at the bottom of the page that reads "This concert is made possible by the Margaret Cason Robinson Fund."