Archives Scrapbooks

The image shows a page from a booklet titled "Notes and Translations" by Mary Jo Steffes. The page provides detailed notes on several musical compositions. Here is a summary of the information presented:

1. Plaudite omnis terra by Giovanni Gabrieli (1557-1612):

   • Gabrieli was a significant composer of the Venetian School, which played a key role in the transition from the late Renaissance to early Baroque styles.
   • This motet is a typical example of the polychoral style developed at the Cathedral of St. Mark.

2. Exulta filia by Claudio Monteverdi (1567-1643):

   • Monteverdi served as maestro di cappella at St. Mark's in Venice for the last 30 years of his life.
   • The motet was originally performed by a castrato and combines verses from the Old Testament.

3. Jephte by Giacomo Carissimi (1605-1674):

   • Carissimi spent his life working in and around Rome and was famous for his 145 cantatas.
   • The oratorio "Jephte" is based on the Old Testament story of Jephthah, a judge who sacrifices his daughter upon his return from victory.
   • The oratorio was likely composed no later than 1649.

4. Trois Chansons by Claude Debussy:

   • These are settings of texts by the 15th-century French poet Charles d'Orleans.
   • The translations of the three songs are provided:
     • I. A poem about the speaker's love for a woman and his inability to find another like her.
     • II. A poem about the speaker's inability to sleep due to the early morning preparations for a fair.
     • III. A poem contrasting the pleasantness of spring with the harshness of winter.

5. Brazilian Psalm by Jorge de Lima:

   • The text of this composition is compiled from various Old Testament psalms.
   • The English version by Willis Wager of Psalm 150 calls upon various instruments to praise the Lord, which is a prominent theme in the text.

The page is part of a larger document, likely accompanying a musical performance or recording, providing context and translations for the pieces included.

The image shows a page from a document titled "NOTES AND TRANSLATIONS" by Mary Jo Steffes. The page contains information about several musical works and their historical and stylistic contexts.

1. Plaudite omnis terra by Giovanni Gabrieli (1557-1612):

   • Gabrieli is noted for being a significant composer of the Venetian School, which bridged the late Renaissance and early Baroque periods.
   • This motet exemplifies the polyphonic style developed at St. Mark's Cathedral, Mark's Mark.

2. Exulta filia by Claudio Monteverdi (1567-1643):

   • This motet was written during Monteverdi's tenure as maestro di cappella at St. Mark's in Venice.
   • It was likely performed by a castrato, and the text combines Old Testament verses.

3. Jephte:

   • This early Baroque oratorio, developed alongside opera, follows a dramatic recitative and aria structure.
   • The narrative is drawn from the Old Testament, specifically Judges chapter 11, involving the judge Jephthah and his daughter's sacrifice.

4. Giacomo Carissimi (1605-1674):

   • Carissimi is noted for his significant contributions to the Latin oratorio, with 145 cantatas.
   • His oratorio, Jephte, was composed no later than 1649.

5. Trois Chansons by Claude Debussy:

   • These are three choral songs set to texts by the 15th-century French poet Charles d’Orléans.
   • The translations provided include:
     • I. A reflection on the beauty and praise of a beloved.
     • II. A lament about the early morning and the preparations for a fair.
     • III. A complaint against winter's harshness.

6. Brazilian Psalm:

   • This composition by the contemporary French composer Jean Berger is based on various Old Testament psalms, specifically Psalm 150 from Jorge de Lima’s English version by Willis Wager.
   • The psalm emphasizes praising the Lord with various musical instruments.

The document is a compilation of notes and translations that provide context and textual information on these musical compositions.

The document titled "NOTES AND TRANSLATIONS" by Mary Jo Steffes provides information on several musical compositions and their contexts. It begins with details about the motet 'Plaudite omnis terra' by Giovanni Gabrieli, highlighting his role in transitioning from the Renaissance to the Baroque style, and notes that the motet is an example of polychoral style developed at St. Mark's. It then discusses 'Exulta filia' by Claudio Monteverdi, explaining its origins and the combination of Old Testament verses. The oratorio 'Jephte' by Giacomo Carissimi is described, along with its plot based on the Old Testament story of Jephte. The document also includes notes on 'Trois Chansons' by Claude Debussy, which are settings of texts by Charles d'Orleans, with provided translations. Finally, it mentions the 'Brazilian Psalm' by Jean Berger, which compiles various Old Testament psalms, with Psalm 150 being the most prominent, calling for praise with musical instruments.

The image shows a page from a document titled "NOTES AND TRANSLATIONS" by Mary Jo Steffes. The page provides historical and contextual information about several classical music compositions. Here's a detailed summary:

1. Plaudite omnis terra - Giovanni Gabrieli (1557-1612)

   • Gabrieli was a significant composer from the Venetian School, bridging the late Renaissance and early Baroque styles.
   • This motet represents the polychoral style developed at St. Mark's Cathedral in Venice.

2. Exulta filia - Claudio Monteverdi (1567-1643)

   • Monteverdi served as maestro di cappella at St. Mark's in Venice for the last 30 years of his life.
   • This motet, "Exulta filia," was written during this period and was likely performed by a castrato.
   • The text combines Old Testament verses.

3. Jephte - Oratorio Background

   • The early Baroque oratorio developed alongside opera, featuring dramatic recitatives and arias.
   • The story of Jephte is derived from the Old Testament (Judges, chapter 11), detailing his vow to sacrifice the first person he meets upon returning from victory, which turns out to be his daughter.

4. Giacomo Carissimi (1605-1674)

   • Carissimi was a prominent composer of the Latin oratorio.
   • His work "Jephte" is well-known, though it cannot be precisely dated; it was composed no later than 1649.

5. Trois Chansons - Claude Debussy

   • Debussy's three choral songs set texts by the 15th-century French poet, Charles d’Orléans.
   • Translations of the texts are provided:
     • I. Lord! Describes the beauty of a beloved woman and the speaker's devotion.
     • II. Describes a reluctance to wake up early for a fair.
     • III. Contrasts the pleasantness of spring with the harshness of winter, expressing a wish to see the beloved in spring.

6. Brazilian Psalm - Jean Berger

   • This contemporary composition compiles texts from various Old Testament psalms, specifically Psalm 150 (English version by Willis Wager).
   • The psalm calls for various musical instruments to praise the Lord.

The image displays a page titled "NOTES AND TRANSLATIONS" by Mary Jo Steffes. The page contains information and translations about several musical compositions and their historical contexts:

1. Plaudite omnis terra by Giovanni Gabrieli (1557-1612):

   • Gabrieli was a key figure in the Venetian School, marking the transition between late Renaissance and early Baroque styles.
   • The motet is an example of the polychoral style developed at the Cathedral of St. Mark.

2. Exulta filia by Claudio Monteverdi (1567-1643):

   • Monteverdi served as maestro di cappella at St. Mark’s in Venice for the last 30 years of his life.
   • This motet, like others by Monteverdi, was likely performed by a castrato and combines Old Testament verses.

3. Jephte (oratorio) by Giacomo Carissimi (1605-1674):

   • Carissimi was a prominent composer of Latin oratorios and cantatas, working primarily in Rome.
   • The oratorio "Jephte" is based on the biblical story of Jephthah from the Book of Judges (Judges, chap. 11).
   • The story involves Jephthah making a vow to sacrifice the first person he meets upon his return from battle, which turns out to be his daughter.

4. Trois Chansons by Claude Debussy:

   • These three choral songs are settings of texts by the 15th-century French poet, Charles d’Orleans.
   • The translations of the songs are:
     • I. A poem praising a beloved woman's beauty and goodness, likening her to a fresh, never-seen beauty.
     • II. A poem where the speaker, hearing the tambourine, would rather sleep than attend the fair.
     • III. A poem addressing Winter, lamenting its coldness and desiring its banishment.

5. Brazilian Psalm by Jean Berger:

   • The text is compiled from various Old Testament psalms, particularly Psalm 150, which calls upon various musical instruments to praise the Lord.
   • The English version of the psalms is by Willis Wagner, and the text was adapted by Jorge de Lima.

The page appears to be part of a program or booklet for a classical music performance, providing historical and textual context for each piece.

The image displays a page from a document titled "NOTES AND TRANSLATIONS" by Mary Jo Steffes. The text discusses several pieces of music and their composers, providing historical context and summaries:

1. Plaudite omnis terra - Giovanni Gabrieli (1557-1612):

   • Gabrieli was a significant composer of the Venetian School, bridging late Renaissance and early Baroque styles.
   • The motet is an example of the polychoral style developed at the Cathedral of St. Mark.

2. Exulta filia - Claudio Monteverdi (1567-1643):

   • Monteverdi served as maestro di cappella at St. Mark’s in Venice.
   • This motet, written during his tenure, combines Old Testament verses and was likely originally performed by a castrato.

3. Jephte - Giacomo Carissimi (1605-1674):

   • Carissimi was a prominent composer of Latin oratorios.
   • The oratorio, "Jephte," is based on the biblical story of Jephte, who vows to sacrifice the first person he meets upon his return from war.
   • The oratorio likely dates from before 1649.

4. Trois Chansons - Claude Debussy (1862-1918):

   • These choral songs are settings of texts by the 15th-century French poet Charles d’Orleans.
   • The translations of the three songs are provided:
     • I: Praises of a beloved and the poet’s devotion to her.
     • II: A reference to the poet’s desire to sleep in despite the call of the tambourine for a fair.
     • III: Criticism of winter for its coldness and comparison to the beauty of spring.

5. Brazilian Psalm - Jean Berger:

   • The text of this composition is a compilation of various Old Testament psalms by Jorge de Lima, translated into English by Willis Wager.
   • The psalm primarily calls upon musical instruments to praise the Lord.

The page appears to be part of a broader study or discussion on the development of musical forms and texts across different historical periods and styles.

The image displays a typed document titled "NOTES AND TRANSLATIONS by Mary Jo Steffes." This document provides background information and translations for classical choral pieces by various composers. The document mentions pieces such as "Plaudite omnis terra" by Giovanni Gabrieli, "Exulta filia" by Claudio Monteverdi, "Jephte" (likely a work titled "Historia di Jephte" by Giacomo Carissimi), and "Trois Chansons" by Claude Debussy. It also refers to a "Brazilian Psalm" by Jean Berger, with the text by Jorge de Lima, and an English version by Willis Wager.

The top left corner of the document appears to be folded or torn, and a small piece of another paper is visible behind it, but the text on that paper is obscured. The document itself seems to be resting on another paper or book with printed text, but only a few words are visible. The document appears slightly wrinkled or curled at the edges, suggesting it is a physical paper rather than a digital copy.

This image shows a typed document titled "NOTES AND TRANSLATIONS" by Mary Jo Steffes. The document appears to be a commentary or explanatory notes on various musical compositions and texts related to classical music. It includes sections on:

1. "Plaudite omnis terra" by Giovanni Gabrieli (1557-1612), highlighting its importance as a Venetian School composer and the polychoral style of the piece.
2. "Exulta filia" by Claudio Monteverdi (1567-1643), describing Monteverdi's role at St. Mark's in Venice and details about the piece including its text from Old Testament verses and its original performance by a castrato.
3. "Jephte," an early Baroque oratorio about the biblical judge Jephte, including its dramatic form, textual source, and composer Giacomo Carissimi (1605-1674).
4. "Trois Chansons" by Claude Debussy, explaining that these are choral songs with texts by 15th century French poet Charles d’Orleans, and providing translated excerpts from the songs.
5. "Brazilian Psalm," a composition by contemporary French composer Jean Berger, compiled from Old Testament psalms by Jorge de Lima, focusing on Psalm 150.

There is a small, uncolored tab labeled "Classical" attached to the left edge of the page, indicating the genre related to the document’s contents. The overall tone is educational and analytical, aimed at providing context and translation for classical music pieces.

The image shows an open book displaying a page titled "NOTES AND TRANSLATIONS" by Mary Jo Steffes. The page contains detailed annotations and explanations about various musical compositions and their historical contexts. Here is a breakdown of the content:

Header:

• Title: "NOTES AND TRANSLATIONS"
• Author: Mary Jo Steffes

Content:

The page provides insights into several musical works, their composers, and their historical and cultural significance. The text is organized into several sections, each discussing a different piece of music:

1. Plaudite omnis terra - Giovanni Gabrieli (1557–1612)

• Context: Gabrieli is described as one of the most important composers of the Venetian School, representing the transition between the late Renaissance and early Baroque styles.
• Description: The motet is noted as a typical example of the polychoral style developed at the Cathedral of St. Mark.

2. Exulta filia - Claudio Monteverdi (1567–1643)

• Context: Monteverdi served as maestro di cappella at St. Mark’s in Venice for the last 30 years of his life.
• Description: The motet was written during this period and is likely performed by a castrato. It is described as a solo voice motet, with the original text being a combination of Old Testament verses.

3. Jephte - Early Baroque Oratorio

• Context: The early Baroque oratorio developed alongside the opera and was similar in musical form, featuring dramatic recitatives and arias alternating with choral sections.
• Description: The text for Jephte deals with the biblical story of Jephte, who vows to sacrifice his only daughter upon his return from victory over the Ammonites. The daughter accepts her sacrificial death with resignation.

4. Giacomo Carissimi (1605–1674)

• Context: Carissimi was a prominent composer of the Latin oratorio, though he is more famous for his 145 cantatas.
• Description: The oratorio Jephte cannot be precisely dated but was certainly composed no later than 1649.

5. Trois Chansons - Claude Debussy

• Context: Debussy’s three choral songs are settings of texts by the 15th-century French poet Charles d’Orléans.
• Translations Provided:
  • I. Lord!
    "How lovely, good and beautiful you have made my dear one; everyone praises her for her goodness. How could anyone leave her, whose beauty is always so fresh? Neither here nor away over the sea can I look at another woman, for dreaming of her …"
  • II.
    "When I hear the tambourine calling as I lie in bed, I say: 'It is too early, I would rather sleep awhile.' The young people are preparing for the fair, but still I do not lift my head."
  • III. Winter!
    "You villain! How pleasant it is, in April and May, to see the woods and the flowers … but you, Winter, are full of snow and wind. If only I could banish you, you villain!"

6. Brazilian Psalm - Jean Berger

• Context: The text of this composition by contemporary French composer Jean Berger is compiled from various Old Testament psalms by Jorge de Lima (English version by Willis Wager).
• Description: The text calls upon various musical instruments to praise the Lord, with figures most prominently featured in the text.

Visual Elements:

• The page is clean and formatted in a standard book layout, with justified text and clear headings.
• The left edge of the page shows part of the book’s spine, which includes the title "THEATRE ALIVE" and other bibliographic details, such as the publisher (E.M. Blandford Ave, Brighton, England) and the year (1976).
• The page appears to be from a printed book, likely a collection of musical notes, translations, or commentary.

Overall Impression:

The page serves as an educational resource, offering historical context, composer biographies, and translations of textual content for various musical works. It is likely part of a larger volume aimed at musicians, scholars, or enthusiasts interested in understanding the cultural and historical significance of these compositions.

The image shows a document with the title "Notes and Translations" by Mary Jo Steffes. It is a typed document with black text on white paper, likely a printed document. The document contains information about various musical compositions and their composers, including Giovanni Gabrieli, Claudio Monteverdi, Jephte, and Brazilian Psalm. The text is organized into paragraphs and includes translations of the compositions' texts.