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The image displays a printed calendar of musical events featuring historical instruments for the month of March. The events are part of the Camera Concerts series and the Leslie Lindsey Mason Collection of Musical Instruments at the Museum of Fine Arts, Boston.

Here is a detailed summary of the calendar:

Introduction:
The calendar lists various musical events held in galleries appropriate to the music being played. Some performances feature early music in the Boston area, using historical instruments. The calendar also includes events of special interest.

Events:

1. Wednesday, March 1, 8:30 p.m.

   • Venue: The Keller Room, New England Conservatory.
   • Performance: Ian Dorsett, harpsichord.

2. Thursday, March 2, 12:00 noon

   • Venue: M.I.T. Chapel.
   • Performance: Far from the Straight and Narrow; Donald Angle, John Cook, harpsichords.

3. Thursday, March 2, 12:15 p.m.

   • Venue: Busch-Reisinger Museum, Harvard.
   • Performance: Walter Cunningham, organ.

4. Friday, March 3, 8:00 p.m.

   • Venue: Church of the Advent.
   • Performance: The Bach Mass in B Minor; Philip Stahlman, Director.

5. Sunday, March 5, 6:00 p.m.

   • Venue: King’s Chapel.
   • Performance: “Music for the Court and Chapel Royal under the Stuart Kings,” Daniel Pinkham, director.

6. Sunday, March 5, 8:00 p.m.

   • Venue: Memorial Church, Harvard.
   • Performance: Russian Liturgical Music, performed by the Byzantine Choir.

7. Sunday, March 8, 8:30 p.m.

   • Venue: Museum of Fine Arts School.
   • Performance: Anglo-American Music Festival. Works of McAnney, Schuller, Bettorf, Bimweltte, Bainbridge, Van Nostrand, and Ligetti, assisted by members of the Boston Symphony Orchestra.

8. Monday, March 6, 7:00 p.m.

   • Venue: Bradford Jr. College, Haverhill.
   • Performance: Master class for the recorder by Frans Brüggen. For reservations, call 617-470-4701.

9. Tuesday, March 7, 8:15 p.m.

   • Venue: Bradford Jr. College, Haverhill.
   • Performance: A concert of works for solo recorder, recorder and chamber organ, and recorder and tape recorder. Frans Brüggen, recorder; Jack Fisher, organ. Works of Vivaldi, Bach, Berio.

10. Thursday, March 9, 12:00 noon

    • Venue: M.I.T. Chapel.
    • Performance: No Dogs Allowed Woodwind Quintet.

11. Thursday, March 9, 12:15 p.m.

    • Venue: Busch-Reisinger Museum, Harvard.
    • Performance: Christian Bruckner, organ.

12. Friday, March 10, 8:30 p.m.

    • Venue: Dunster House, Harvard.
    • Performance: David Jost, harpsichord and clavichord; works of J.S. Bach and Kleitsch.

13. Friday, March 10, 7:00 p.m.

    • Venue: Symphony Hall.
    • Performance: The Passion According to Saint Matthew by J.S. Bach, performed by the Handel and Haydn Society; Thomas Dunn, director.

14. Friday, March 10, 8:30 p.m.

    • Venue: Busch-Reisinger Museum, Harvard.
    • Performance: Madrigals by Marenzio, Gesualdo, Luzzaschi, Wert, and Aggazzini, performed by the Harvard Glee Club.

15. Saturday, March 11, 8:30 p.m.

    • Venue: Dunster House, Harvard.
    • Performance: The Fitzwilliam Virginal Book; Leonore Stein, harpsichord and organ.

16. Sunday, March 12, 2:00 p.m.

    • Venue: Painting Gallery P8, Museum of Fine Arts.
    • Performance: Keyboard music of Handel (part II), John Gibbons, harpsichord.

17. Sunday, March 12, 3:00 p.m.

    • Venue: Dunster House, Harvard.
    • Performance: Cambridge Musica Antiqua; Allen Hill, director.

18. Monday, March 13, 8:30 p.m.

    • Venue: Trinity Church, Boston.
    • Performance: Brian Jones, organ.

19. Tuesday, March 14, 7:30 p.m.

    • Venue: Painting Gallery P16, Museum of Fine Arts.
    • Performance: MUSIC HERE AND NOW.

20. Wednesday, March 15, 3:00 p.m.

    • Venue: Lecture Hall, Museum of Fine Arts.
    • Performance: An Introduction to Traditional Korean Music by Donald Sur, with musical examples by Kim So-Hee accompanied by traditional instruments; announcing the discovery of a hidden treasure of Asian musical instruments in the Musical Instruments Collection.

21. Wednesday, March 15, 8:30 p.m.

    • Venue: Sanders Theater, Harvard.
    • Performance: I Solisti di Zagreb, presented by the Mason Music Foundation.

22. Thursday, March 16, 12:00 noon

    • Venue: M.I.T. Chapel.
    • Performance: Richard Büttner, baritone; John Cook, harpsichord.

23. Thursday, March 16, 12:15 p.m.

    • Venue: Busch-Reisinger Museum, Harvard.
    • Performance: Hugh Goughagan, classical guitar.

24. Friday, March 17, 8:30 p.m.

    • Venue: Jewett Auditorium, Wellesley College.
    • Performance: DIDO AND AENEAS by Purcell; Carole Bogart as Dido, David Kvitko as Aeneas, William Harmann, director; for tickets write to the Coordinator of Music, Wellesley College.

25. Friday, March 17, 8:30 p.m.

    • Venue: Sander’s Music Center, Harvard.
    • Performance: Brandenburg Early Music Ensemble; John Cohen, director.

26. Friday, March 17, 8:30 p.m.

    • Venue: Kresge Auditorium, M.I.T.
    • Performance: P’ANSORI, a traditional Korean opera of epic verse; Kim So-Hee, dramatic singer, accompanied by traditional instruments; presented by the M.I.T. Music Faculty and the Asia Society.

27. Friday, March 17, 8:30 p.m.

    • Venue: Memorial Church, Harvard.
    • Performance: Harvard Pro Musica; Harvard Baroque Ensemble.

28. Saturday, March 18, 8:30 p.m.

    • Venue: Sanders Theater, Harvard.
    • Performance: CAMERATA CONCERT: Music for Baroque Violin and Harpsichord; Robert Koff, Baroque violin; John Gibbons, harpsichord; and Glen Lyman, viola-da-gamba continuo.

29. Tuesday, March 21, 7:45 p.m.

    • Venue: Lecture Hall, Museum of Fine Arts.
    • Performance: CAMERATA CONCERT: Music for Baroque Violin and Harpsichord; Robert Koff, Baroque violin; John Gibbons, harpsichord; and Glen Lyman, viola-da-gamba continuo.

The

The image displays a "March Calendar of Musical Events with Historical Instruments." This calendar lists various musical events taking place in March, featuring performances on historical instruments. Here is a detailed summary of the events listed:

Week of March 1-7

• Wednesday, March 2, 8:30 p.m.: The Keller Room, New England Conservatory. Concert by Jan Dorest, harpsichord.
• Thursday, March 2, 12:00 noon: M.I.T. Chapel. Performance featuring Donal Angle and John Cook, harpsichords.
• Thursday, March 2, 12:15 p.m.: Busch-Reisinger Museum, Harvard. Walker Cunningham, organ.
• Friday, March 3, 8:00 p.m.: Church of the Advent. The Bach Mass in B Minor, directed by Philip Steinhaus.
• Sunday, March 5, 5:00 p.m.: King's Chapel. "Music for the Court and Chapel Royal under the Stuart Kings," directed by Daniel Pinkham.
• Sunday, March 5, 8:00 p.m.: Memorial Church, Harvard. Russian Lenten Liturgical Music performed by the Byzantine Russian Liturgical Choir.

Week of March 5-12

• Sunday, March 5, 8:00 p.m.: Museum of Fine Arts School. Anglo-American Music Festival, featuring works by McAneny and Schuller.
• Monday, March 6, 7:00 p.m.: Bradford Jr. College, Haverhill. Master class for recorders by members of the Boston Symphony Orchestra.
• Tuesday, March 7, 8:15 p.m.: Bradford Jr. College, Haverhill. Concert of works for solo recorders, recorder and chamber organ, performed by Frans Brüggen and others.
• Thursday, March 9, 12:00 noon: M.I.T. Chapel. No Dogs Allowed Woodwind Quintet.
• Thursday, March 9, 12:15 p.m.: Busch-Reisinger Museum. Christian Brückner, organ.
• Friday, March 10, 5:30 p.m.: Dunster House, Harvard. David Jost, harpsichord and piano, performing works by J.S. Bach and Kletzsch.
• Friday, March 10, 7:00 p.m.: Symphony Hall. The Passion According to Saint Matthew by J.S. Bach, performed by the Handel and Haydn Society.
• Friday, March 10, 8:30 p.m.: Busch-Reisinger Museum. Madrigals by Marenzio, Gesualdo, Luzzaschi, Wert, and Agostini, directed by I di Lamentini.
• Saturday, March 11, 5:30 p.m.: Dunster House, Harvard. The Fitzwilliam Virginal Book, featuring Leonora Stein on harpsichord and organ.
• Sunday, March 12, 3:00 p.m.: Painting Gallery, Museum of Fine Arts. Keyboard music of Handel (part II) by John Gibbons, harpsichord.
• Sunday, March 12, 8:00 p.m.: Dunster House, Harvard. Cambridge Musica Antiqua, directed by Allen Hill.

Week of March 13-19

• Monday, March 13, 8:30 p.m.: Trinity Church, Boston. Brian Jones, organ.
• Tuesday, March 14, 7:30 p.m.: Painting Gallery, Museum of Fine Arts. "Music Here and Now."
• Wednesday, March 15, 2:00 p.m.: Lecture Hall, Museum of Fine Arts. "An Introduction to Traditional Koran Music" by Donald Sur.
• Wednesday, March 15, 8:30 p.m.: Sanders Theatre, Harvard. Concert by the Mason Music Foundation featuring soloists from Zagreb.
• Thursday, March 16, 12:00 noon: M.I.T. Chapel. Richard Buhlig, piano.
• Thursday, March 16, 12:15 p.m.: Busch-Reisinger Museum. Hugh Googins, classical guitar.
• Friday, Saturday, Sunday, March 17-19: Jewett Auditorium, Wellesley College. DIDO AND AENEAS by Purcell, with performances by Carol Bogart and David Evitts.
• Friday, March 17, 8:30 p.m.: Slosberg Music Center, Brandeis. Brandeis Early Music Ensemble, directed by John Cohen.
• Friday, March 17, 8:30 p.m.: Memorial Church, Harvard. Marian Ruhl, organ.

Week of March 19-26

• Sunday, March 19, 3:00 p.m.: Dunster House, Harvard. Brandeis Early Music Ensemble.
• Monday, March 20, 8:30 p.m.: Sanders Theatre, Harvard. CAMERATA CONCERT: Music for Baroque Violin and Harpsichord by Robert Koff and others.
• Tuesday, March 21, 7:45 p.m.: Lecture Hall, Museum of Fine Arts. CAMERATA CONCERT: Music for Baroque Violin and Harpsichord.

The calendar also acknowledges the Leslie Lindsey Mason Collection of Musical Instruments at the Museum of Fine Arts, Boston, and the inclusion of Tuesday evening concerts held at 7:00 p.m. in galleries. It thanks Mr. and Mrs. David Campana for their contributions to the publication.

The image is a page from a March calendar of musical events that feature historical instruments. The calendar lists various concerts, lectures, and performances held at different locations in and around Boston, primarily at the Museum of Fine Arts and Harvard University. Here are the key details from the calendar:

March 1:

• 8:30 p.m., The Keller Room, New England Conservatory: Jan Dorsett, harpsichord.

March 2:

• 12:00 noon, M.I.T. Chapel: Far from the Straight and Narrow, Donald Angle, John Cook, harpsichords.
• 12:15 p.m., Busch-Reisinger Museum, Harvard: Walker Cunningham, organ.

March 3:

• 8:00 p.m., Church of the Advent, The Bach Mass in B Minor, Philip Steinheuser, Director.

March 5:

• 5:00 p.m., King’s Chapel: "Music for the Court and Chapel Royal under the Stuart Kings," Daniel Pinkham, director.
• 8:00 p.m., Memorial Church, Harvard: Russian Lenten Liturgical Music, performed by the Byzantine Russian Liturgical Choir.

March 6:

• 8:00 p.m., Museum of Fine Arts School: Anglo-American Music Festival featuring works by McAnany, Schuller, Bedford, Birtwistle, Bainbridge, Van Nostrand, and Ligetti, assisted by members of the Boston Symphony Orchestra.

March 7:

• 7:00 p.m., Bradford Jr. College, Haverhill: Master class for the recorder by Frans Brüggen.

March 9:

• 12:00 noon, M.I.T. Chapel: No Dogs Allowed Woodwind Quintet.
• 12:15 p.m., Busch-Reisinger Museum, Harvard: Christian Bruckner, organ.

March 10:

• 5:30 p.m., Dunster House, Harvard: David Jost, harpsichord and piano, works of J.S. Bach and Kletzsch.
• 7:00 p.m., Symphony Hall: The Passion According to Saint Matthew by J.S. Bach, performed by the Handel and Haydn Society, Thomas Dunn, director.

March 12:

• 2:00 p.m., Painting Gallery, P8, Museum of Fine Arts: Keyboard music of Handel (part II), John Gibbons, harpsichord.
• 2:30 p.m., Dunster House, Harvard: Cambridge Musica Antiqua, Allen Hill, director.

March 13:

• 8:30 p.m., Trinity Church, Boston: Brian Jones, organ.

March 15:

• 3:00 p.m., Lecture Hall, Museum of Fine Arts: "An Introduction to Traditional Korean Music," by Donald Sur, accompanied by Kim So-Hae with traditional instruments.
• 8:30 p.m., Sanders Theater, Harvard: I Solisti di Zagreb, presented by the Mason Music Foundation.

March 16:

• 12:00 noon, M.I.T. Chapel: Richard Butler, baritone, John Cook, harpsichord.
• 12:15 p.m., Busch-Reisinger Museum, Harvard: Hugh Geoghegan, classical guitar.

March 17:

• 8:30 p.m., Memorial Church, Harvard: Marian Ruhl, organ.

March 20:

• 8:30 p.m., Sanders Theater, Harvard: CAMERATA CONCERT featuring Baroque Violin and Harpsichord, Robert Koff, Baroque Violin, John Gibbons, harpsichord, and Gian Lyman, viola-da-gamba continuo.

March 22:

• 7:45 p.m., Lecture Hall, Museum of Fine Arts: CAMERATA CONCERT featuring Baroque Violin and Harpsichord, Robert Koff, Baroque Violin, John Gibbons, harpsichord, and Gian Lyman, viola-da-gamba continuo.

The calendar also notes that Barbara Larnbert, Keeper of Musical Instruments at the Museum, can be contacted for additional information or to suggest events for inclusion in the April calendar. The page includes a thank you to Mr. and Mrs. David Campana for their contributions.

The image is a calendar page titled "MARCH CALENDAR OF MUSICAL EVENTS WITH HISTORICAL INSTRUMENTS." It details a series of concerts and lectures featuring early music performed on historical instruments from the Leslie Lindsey Mason Collection at the Museum of Fine Arts, Boston. The events are scheduled from March 1 to March 29.

Key points from the calendar include:

1. Wednesday, March 1, 8:30 p.m.:

   • Venue: The Keller Room, New England Conservatory.
   • Performer: Jan Dvorak, harpsichord.

2. Thursday, March 2, 12:00 noon:

   • Venue: M.I.T., Chapel.
   • Performers: Donald Angle and John Cook, harpsichords.
   • Theme: "Far from the Straight and Narrow."

3. Thursday, March 2, 12:15 p.m.:

   • Venue: Busch-Reisinger Museum, Harvard.
   • Performer: Walker Cunningham, organ.

4. Friday, March 3, 8:00 p.m.:

   • Venue: Church of the Advent, Bach Mass in B Minor.
   • Conductor: Philip Steinhaus.

5. Sunday, March 5, 5:00 p.m.:

   • Venue: King's Chapel.
   • Theme: "Music for the Court and Chapel Royal under the Stuart Kings."
   • Conductor: Daniel Pinkham.

6. Sunday, March 5, 8:00 p.m.:

   • Venue: Memorial Church, Harvard.
   • Theme: Russian Lenten Liturgical Music, performed by the Byzantine Russian Liturgical Choir.

7. Sunday, March 5, 8:00 p.m.:

   • Venue: Museum of Fine Arts School.
   • Theme: Anglo-American Music Festival, featuring works by McAnaney, Schuller, Bedford, Birdwhistle, Bainbridge, and others, with assistance from the Boston Symphony Orchestra.

8. Monday, March 6, 7:00 p.m.:

   • Venue: Bradford Jr. College, Haverhill.
   • Theme: Master class for the recorder by Frans Bruggen.

9. Tuesday, March 7, 8:15 p.m.:

   • Venue: Bradford Jr. College, Haverhill.
   • Theme: Concert of works for solo recorder, recorder, and chamber organ, featuring Frans Bruggen, recorder, Jack Fisher, organ, and works by vanEyck, Bach, and Biber.

10. Thursday, March 9, 12:00 noon:

    • Venue: M.I.T. Chapel.
    • Theme: No Dogs Allowed Woodwind Quintet.

11. Thursday, March 9, 12:15 p.m.:

    • Venue: Busch-Reisinger Museum, Harvard.
    • Performer: Christian Bruckner, organ.

12. Friday, March 10, 5:30 p.m.:

    • Venue: Dunster House, Harvard.
    • Performer: David Jost, harpsichord and piano, works of J.S. Bach and Kletzsch.

13. Friday, March 10, 7:00 p.m.:

    • Venue: Symphony Hall.
    • Theme: The Passion According to Saint Matthew by J.S. Bach, performed by Handel and Haydn Society, directed by Thomas Dunn.

14. Friday, March 10, 8:30 p.m.:

    • Venue: Busch-Reisinger Museum.
    • Theme: Madrigals by Marenzio, Gesualdo, Luzzaschi, Wert, and Agostini, performed by I di Lattanti, directed by Anthony Newcomb.

15. Saturday, March 11, 5:30 p.m.:

    • Venue: Dunster House, Harvard.
    • Theme: The Fitzwilliam Virginal Book, performed by Leonora Stein, harpsichord and organ.

16. Sunday, March 12, 3:00 p.m.:

    • Venue: Painting Gallery, P8, Museum of Fine Arts.
    • Theme: Keyboard music of Handel (part II), performed by John Gibbons, harpsichord.

17. Sunday, March 12, 2:00 p.m.:

    • Venue: Dunster House, Harvard.
    • Theme: Cambridge Musica Antiqua, directed by Allen Hiller.

18. Tuesday, March 14, 8:30 p.m.:

    • Venue: Trinity Church, Boston.
    • Performer: Brian Jones, organ.

19. Wednesday, March 15, 3:00 p.m.:

    • Venue: Lecture Hall, Museum of Fine Arts.
    • Theme: "An Introduction to Traditional Korean Music" by Donald Sur, with musical examples by Kim So-Hee.

20. Wednesday, March 15, 8:30 p.m.:

    • Venue: Sanders Theater, Harvard.
    • Theme: I Solisti di Zagreb, presented by the Mason Music Foundation.

21. Thursday, March 16, 12:00 noon:

    • Venue: M.I.T. Chapel.
    • Performer: Richard Butler, baritone, John Cook, harpsichord.

22. Thursday, March 16, 12:15 p.m.:

    • Venue: Busch-Reisinger Museum.
    • Performer: Hugh Geoghegan, classical guitar.

23. Friday, March 17, 8:30 p.m.:

    • Venue: Slosberg Music Center, Brandeis.
    • Theme: Brandeis Early Music Ensemble, directed by Joel Cohen.

24. Friday, March 17, 8:30 p.m.:

    • Venue: Memorial Church, Harvard.
    • Theme: Organ recital by Marian Ruhl.

25. Sunday, March 19, 3:00 p.m.:

    • Venue: Dunster House, Harvard.
    • Theme: Brandeis Early Music Ensemble.

26. Monday, March 20, 8:30 p.m.:

    • Venue: Sanders Theater, Harvard.
    • Theme: CAMERATA CONCERT featuring music for Baroque Violin and Harpsichord, performed by Robert Koff, Baroque Violin, John Gibbons, harpsichord, and Gian Lyman, viola da gamba continuo.

27. Tuesday, March 21, 7:45 p.m.:

    • Venue: Lecture Hall, Museum of Fine Arts.
    • Theme: CAMERATA CONCERT featuring music for Baroque Violin and Harpsichord, performed by Robert Koff, Baroque Violin, John Gibbons, harpsichord, and Gian Lyman, viola da gamba continuo.

The calendar also includes a note of thanks to Barbara Lambert and Mr. and Mrs. David Campana for their contributions towards the publication of the calendar.

The image shows a page from a calendar detailing musical events scheduled in March featuring historical instruments. Here is a detailed summary of the events listed:

1. March 1, 8:30 p.m. - The Keller Room, New England Conservatory: Harpsichord concert by Jan Dorsett.
2. March 2, 12:00 noon - M.I.T., Chapel: Far from the Straight and Narrow, harpsichords by Donald Angle and John Cook.
3. March 2, 12:15 p.m. - Busch-Reisinger Museum, Harvard: Walker Cunningham plays organ.
4. March 3, 8:00 p.m. - Church of the Advent: The Bach Mass in B Minor, directed by Philip Steinhaus.
5. March 5, 5:00 p.m. - King's Chapel: Music for the Court and Chapel Royal under the Stuart Kings, directed by Daniel Pinkham.
6. March 5, 8:00 p.m. - Memorial Church, Harvard: Russian Lenten Liturgical Music by the Byzantine Russian Liturgical Choir.
7. March 6, 8:00 p.m. - Museum of Fine Arts School: Anglo-American Music Festival. Works of McAnaney, Schuller, Bedford, Birnstiel, Bainbridge, Van Noestrond, and Ligetti, assisted by members of the Boston Symphony Orchestra.

Weekdays and specific dates have various events:

• March 7, 8:15 p.m. - Bradford Jr. College, Havertill: Concert by Frans Bruggen and Jack Fisher for solo recorder and chamber organ.
• March 9, 12:00 noon - M.I.T., Chapel: No Dogs Allowed Woodwind Quintet.
• March 9, 12:15 p.m. - Busch-Reisinger Museum, Harvard: Christian Bruckner plays organ.
• March 10, 5:30 p.m. - Dunster House, Harvard: David Jost performs harpsichord and piano works by J.S. Bach and Ketzsch.
• March 10, 7:00 p.m. - Symphony Hall: The Passion According to Saint Matthew by J.S. Bach, directed by Thomas Dunn.
• March 10, 8:30 p.m. - Busch-Reisinger Museum: Madrigals by Marenzio, Gesualdo, Luzzatti, Wert, and Agostini, performed by I di Latini, Anthony Newcomb, director.
• March 11, 5:30 p.m. - Dunster House, Harvard: The Fitzwilliam Virginal Book by Leonora Stein, harpsichord and organ.
• March 12, 2:00 p.m. - Painting Gallery P8, Museum of Fine Arts: Keyboard music of Handel (part II), John Gibbons, harpsichord.
• March 12, 2:00 p.m. - Dunster House, Harvard: Cambridge Musica Antiqua, Allen Hill, director.
• March 13, 8:30 p.m. - Trinity Church, Boston: Brian Jones plays organ.
• March 15, 3:00 p.m. - Lecture Hall, Museum of Fine Arts: Introduction to Traditional Korean Music by Donald Sur, with musical examples by Kim So-Hae.
• March 15, 8:30 p.m. - Sanders Theater, Harvard: Soloisti di Zagreb, presented by the Masoni Music Foundation.
• March 16, 12:00 noon - M.I.T., Chapel: Richard Butler, baritone, John Cook, harpsichord.
• March 16, 12:15 p.m. - Busch-Reisinger Museum: Hugh Geoghegan plays classical guitar.
• March 17, 8:30 p.m. - Sloane Music Center, Brandeis: Brandeis Early Music Ensemble, Joel Cohen, director.
• March 17, 8:30 p.m. - Memorial Church, Harvard: M.I.T. ANSORI, traditional Korean opera of epic verse, Kim So-Hae, dramatic singer.
• March 19, 8:30 p.m. - Dunster House, Harvard: Brandeis Early Music Ensemble.
• March 20, 8:30 p.m. - Sanders Theater, Harvard: CAMERATA CONCERT: Music for Baroque Violin and Harpsichord, Robert Koff, Baroque Violin; John Gibbons, harpsichord; Gian Lyman, viola-da-gamba.
• March 20, 7:45 p.m. - Lecture Hall, Museum of Fine Arts: CAMERATA CONCERT: Music for Baroque Violin and Harpsichord, Robert Koff, Baroque Violin; John Gibbons, harpsichord; Gian Lyman, viola-da-gamba.

The calendar also includes notes on special events and requests for contributions and suggestions for future events.

The image displays a "March Calendar of Musical Events with Historical Instruments" from a museum. The calendar lists various musical events, including performances and lectures, scheduled throughout March. Key details include:

1. Wednesday, March 1, 8:30 p.m. - The Keller Room, New England Conservatory: Performance by Jan Dorset on the harpsichord.

2. Thursday, March 2, 12:00 noon - M.I.T. Chapel: Performance by Donald Angle and John Cook on harpsichords.

3. Thursday, March 2, 12:15 p.m. - Busch-Reisinger Museum, Harvard: Performance by Walker Cunningham on the organ.

4. Friday, March 3, 8:00 p.m. - Church of the Advent: The Bach Mass in B Minor, directed by Philip Steinhaus.

5. Sunday, March 5, 4:00 p.m. - King's Chapel: Performance of "Music for the Court and Chapel Royal under the Stuart Kings" by Daniel Pinkham.

6. Sunday, March 5, 8:00 p.m. - Memorial Church, Harvard: Russian Lenten Liturgical Music by the Byzantine Russian Liturgical Choir.

7. Sunday, March 5, 8:00 p.m. - Museum of Fine Arts School: Anglo-American Music Festival featuring works by McAnaney, Schuller, Bedor, Birtwistle, Bainbridge, Van Ostrand, and Ligetti, assisted by the Boston Symphony Orchestra.

8. Monday, March 6, 7:00 p.m. - Bradford Jr. College, Haverhill: Master class for the recorder by Frans Brüggen.

9. Tuesday, March 7, 8:15 p.m. - Bradford Jr. College, Haverhill: Concert of works for solo recorder, recorder and chamber organ, and recorder and tape, featuring Frans Brüggen, Jack Fisher, and Berio.

10. Thursday, March 9, 12:00 noon - M.I.T. Chapel: Performance by the No Dogs Allowed Woodwind Quintet.

11. Thursday, March 9, 12:15 p.m. - Busch-Reisinger Museum, Harvard: Performance by Christian Bruckner on the organ.

12. Friday, March 10, 8:00 p.m. - Duster House, Harvard: Performance by David Jost on the harpsichord and piano, featuring works by J.S. Bach and Kletzky.

13. Friday, March 10, 8:00 p.m. - Symphony Hall: The Passion According to St. Matthew by J.S. Bach, performed by the Handel and Haydn Society, directed by Thomas Dunn.

14. Friday, March 10, 8:00 p.m. - Duster House, Harvard: The Fitzwilliam Virginal Book performed by Leonora Stein on the harpsichord.

15. Sunday, March 12, 2:00 p.m. - Dunster House, Harvard: Cambridge Musica Antiqua directed by Allen Hill.

16. Monday, March 13, 8:30 p.m. - Trinity Church, Boston: Performance by Brian Jones on the organ.

17. Tuesday, March 14, 8:30 p.m. - Painting Gallery P16, Museum of Fine Arts: Music Here and Now.

18. Wednesday, March 15, 3:00 p.m. - Lecture Hall, Museum of Fine Arts: Introduction to Traditional Korean Music by Donald S. Sor, with musical examples by Kim So-Hee.

19. Wednesday, March 15, 8:30 p.m. - Sanders Theater, Harvard: I Solisti di Zagabria, presented by the Mason Music Foundation.

20. Thursday, March 16, 12:00 noon - M.I.T. Chapel: Performance by Richard Butler on the harpsichord.

21. Thursday, March 16, 12:15 p.m. - Busch-Reisinger Museum, Harvard: Performance by Hugh McGehean on the classical guitar.

22. Friday, March 17, 8:00 p.m. - Duster House, Harvard: Brandeis Early Music Ensemble directed by Joel Cohen.

23. Friday, March 17, 8:00 p.m. - Memorial Church, Harvard: Performance by Marian Ruhl on the organ.

24. Sunday, March 19, 8:00 p.m. - Duster House, Harvard: Brandeis Early Music Ensemble.

25. Monday, March 20, 8:30 p.m. - Sanders Theater, Harvard: CAMERATA CONCERT featuring music for Baroque Violin and Harpsichord, with Robert Koff, Baroque violin, and John Gibbons, harpsichord, directed by Gian Lyman.

The calendar also includes a note about the Camarata Concerts at the Leslie Lindsey Mason Collection of Musical Instruments and acknowledges the support of Mr. and Mrs. David Campana. It encourages the submission of events for the April calendar to Barbara Lambert.

This image displays a printed page from a calendar of musical events with historical instruments for the month of March. The specific year isn't visible, but it is clear that the calendar includes a variety of events involving performances on historical instruments. The top left corner of the image features a small illustration of a person, possibly from an earlier historical period, playing an instrument that looks like a harp or a lyre.

The events listed include concerts and recitals at various notable locations such as the Museum of Fine Arts, Boston; MIT Chapel; Busch-Reisinger Museum; and Sanders Theater, Harvard. The musical events cover a range of performances on instruments like the clavichord, harpsichord, and organ. The calendar also mentions an "Anglo-American Music Festival" featuring works by composers like McAnaney, Schuller, Bedford, Britwistle, Babbitt, Yannatos, and Langlais, and notes performances by artists and ensembles associated with the Boston Symphony Orchestra.

The content notes that the calendar provides information on musical events where historical instruments from the Museum's collection will be played, pointing out the educational and cultural value of these performances. Special events are highlighted, such as a program on "An Introduction to Traditional Korean Music" by Donald W. Kim, accompanied by traditional instruments, announcing the discovery of a hidden treasure of Asiatic musical instruments for the Museum Instruments Collection.

The layout of the calendar is methodical, listing the date and time, location, and brief event details for each performance. It appears to be a page from a booklet or program, considering the folded edge visible on the right side of the image. The calendar is comprehensive in its listing of events, emphasising a commitment to presenting a wide spectrum of musical experiences centered around the use of historical instruments.

The image shows a printed calendar titled "MARCH CALENDAR OF MUSICAL EVENTS WITH HISTORICAL INSTRUMENTS." It's a sheet with text listing various musical events in March held by the Leslie Lindsey Mason Collection of Musical Instruments at the Museum of Fine Arts, Boston, and other associated locations.

The top left corner features a small black and white illustration of a doll or figurine seated at a keyboard instrument, possibly a harpsichord or piano.

The calendar details dates, times, locations, performers, and descriptions of musical events involving historical instruments. Some entries are in bold, indicating special events or highlights. A few entries also include additional details such as the type of instrument and the music or composers featured.

Events take place in various halls and rooms such as the Keller Room at the New England Conservatory, M.I.T. Chapel, Busch-Reisinger Museum at Harvard, Memorial Church at Harvard, Dunster House at Harvard, Symphony Hall, and various rooms within the Museum of Fine Arts.

The text mentions master classes, concerts, lectures, and performances of works by composers like Bach, Handel, Purcell, and others. Traditional Korean music and the discovery of a hidden Asiatic instrument collection are also featured.

The sheet appears to be printed on pale green paper and is clipped or attached to the page of a larger book or binder. There is a vertical typed note or additional text partially obscured on the right side of the page.

The image shows a page from a March Calendar of Musical Events with Historical Instruments. The page is part of a booklet or program, likely from a concert series or cultural event series. The layout includes a list of musical performances scheduled throughout the month of March, each detailing the date, time, venue, and performers.

Key Features of the Image:

1. Title and Header:

   • The top of the page prominently displays the title: "MARCH CALENDAR OF MUSICAL EVENTS WITH HISTORICAL INSTRUMENTS."
   • There is a brief introductory note explaining that the calendar includes concerts, lectures, and other events featuring historical instruments, such as those from the Leslie Lindsey Mason Collection of Musical Instruments at the Museum of Fine Arts in Boston.

2. List of Events:

   • The main body of the page is a detailed list of musical events, organized chronologically by date.
   • Each entry includes:
     • Date and Time: e.g., "Wednesday, March 1, 8:30 p.m."
     • Venue: e.g., "The Ketter Room, New England Conservatory."
     • Performer(s) and Instrument(s): e.g., "Jan Donsett, harpsichord."
     • Description: e.g., "Music for the Court and Chapel Royal under the Stuart Kings," or "Works of vanEyck, Bach, Berio."

3. Visual Elements:

   • On the left side of the page, there is an illustration of a woman playing a harpsichord. The illustration is monochromatic and appears to be a historical or artistic depiction, possibly reflecting the theme of historical instruments.
   • The illustration is placed within a rectangular border, giving it a formal and decorative appearance.

4. Textual Content:

   • The text is typed in a clean, formal font, typical of programs or brochures.
   • The events cover a variety of musical genres, including Baroque, Classical, and contemporary works, performed on historical instruments such as harpsichords, organs, recorders, and guitars.
   • Some entries mention specific composers or works, such as J.S. Bach, vanEyck, and Berio.

5. Additional Notes:

   • At the top of the page, there is a note thanking Mr. and Mrs. David Campana for their contribution to the publication of the calendar.
   • The page also mentions that the calendar includes events held elsewhere, which the organizers believe to be of special interest.

6. Page Layout:

   • The page is part of a larger booklet, as indicated by the visible page numbers and the partial view of adjacent pages on the left side of the image.
   • The bottom of the page includes a footer with additional text, though it is partially cut off in the image.

Summary:

The image depicts a well-organized and informative page from a musical event calendar focused on performances using historical instruments. It combines textual details of upcoming concerts with an illustrative element, reflecting the theme of historical music and instruments. The layout is professional and designed to guide attendees to various performances throughout March.

The image is a scanned page from a calendar or event guide, featuring a detailed schedule of musical events planned for the month of March. The page is titled "MARCH CALENDAR OF MUSICAL EVENTS WITH HISTORICAL INSTRUMENTS" and includes a list of various concerts and performances, each with specific dates, times, locations, and descriptions of the performances.

At the top of the page, there is an illustration of a woman playing a piano, which adds a decorative touch to the calendar. The text is organized in a clear, readable format with each event listed under its respective date. The events include a variety of musical genres and instruments, highlighting performances by ensembles, soloists, and chamber groups, often featuring historical instruments.

The events are held at different venues such as the Keller Room at the New England Conservatory, Busch-Reisinger Museum, Memorial Church at Harvard, and others. The calendar also notes that some of the events are part of the Museum of Fine Arts, Boston's collection of Musical Instruments, indicating a focus on historical and classical music.

The calendar encourages readers to notify Barbara Lambert if they have any suggestions for events to be included in the April calendar, indicating an interactive and community-oriented approach to the publication.