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ARCH.2013.5.14, Rendition: 798122
The image is of a newspaper article from the "Sunday Herald Traveler" dated February 13, 1972. The article is titled "500 Years of Wine" and is written by Caron Le Brun Dankian. It discusses an exhibition at the Busch-Reisinger Museum, which celebrates the Germanic heritage of art and wine-making. The exhibition, titled "500 Years of Wine," features a variety of artworks including prints, drawings, sculptures, glassware, and more, from the Renaissance to contemporary times. The collection includes works from German, Austrian, and Swiss artists.
Key points from the article include:
The article also mentions specific artworks and their historical and cultural significance, highlighting the rich heritage of wine-making and its representation in art over the centuries.
The image is a page from a newspaper dated February 13, 1972, titled "Sunday Herald Traveler," specifically from Section Seven, focusing on an article about the Busch-Reisinger Museum's exhibition titled "500 Years of Wine."
The article, written by Caren Le Brun Dankian, discusses the Busch-Reisinger Museum's unique German heritage exhibition celebrating 500 years of wine in the arts. It highlights a significant collection of prints, drawings, sculptures, and glassware from German, Austrian, and Swiss artists.
Key points from the article include:
The article emphasizes the historical and cultural significance of wine in European art, linking it to both religious and secular themes. The exhibit is set to be open to the public in early 1973.
by Caren Le Brun Dankian
The Busch-Reisinger Museum is celebrating its Germanic heritage of art and wine-making in an unusual exhibition "500 Years of Wine in the Arts," spotlighting a selection of German, Austrian and Swiss prints, drawings, sculptures, glassware, etc. from the renowned collection of the Christian Brothers of California.
The exhibit opened with a wine and cheese reception which introduced not only the Busch-Reisinger's new director, Otto Siel, to the Boston art world, but also the Christian Brothers Wine Museum. Otto Siel, the Museum's Curator, Mrs. Norman Fromm and Brother Timothy, O.S.B., of the Christian Brothers, accompanied Mrs. Fromm. "This is the 38th and last stop for the exhibition which will not be seen again in the United States. It will be housed in the Christian Brothers Wine Museum scheduled to open in San Francisco in early 1973."
"Begun about 30 years ago," said Mrs. Fromm, "the collection today is probably the single largest in the world devoted to the subject of wine in the United States. It consists of over 350 original prints and drawings, including Daumier, Picasso, and many others, dating from the 1450s; 250 dimensional art objects of wood, bronze, silver, glass, etc.; and a library of about 2,000 art books dating as early as 1547.
"Our glass collection is one of the largest with pieces dating back to B.C. We always continue to acquire new pieces for the collection and I have found many new prints in Boston in the past."
The Christian Brothers is a teaching order of the Roman Catholic Church which was founded in Rheims, France, in 1819. The Christian Brothers of California began making sacramental wine in 1882 and the proceeds from the sale of these wines help support 14 schools in the Order's Western Province.
For the Busch-Reisinger show the entire collection has been focused on the art works from the wine-producing countries of Germany, Austria and Switzerland. The subjects are universal and recurring - the vine, the vineyard, illustrations from the story of Joshua and Caleb, who, according to the Bible, carried the grape from the Promised Land, and, of course, the god of wine, Bacchus, the ancient god of wine.
The pagan and religious iconography intermingle throughout the show, as noted in the array of sculpture - an 18th century Austrian polychromed statue of "St. Urban of Langenlois," a patron saint of wine, holding in his left hand a missal topped by a grape; an 18th century Austrian gilt wood statue of an angel seated on a small barrel, holding a glass of wine and a palm frond, and an almost life-size Rococo wood figure of Bacchus, the Roman god of wine, a small intricate bronze statue of Bacchus by Carl Brose, and a 1770 Baroque silver-gilt cup by Paul Cauer, from the workshop of the young Virgin Mary. From ecclesiastical silver chalices to a carved longhorn drinking horn in the form of a vine, the collection is complete with a young Bacchus, the Roman god of wine, the spirit and the flesh.
Wine mentioned in literature begins with the epics of Homer and Classical literature has often been illustrated with outstanding prints such as those on view of Bacchus from "The Works of Virgil," published in 1654, by the German artist Albrecht Dürer, and the 17th century Dutch artist, Jan van de Velde, the Younger. The 18th century is represented by a print of Joshua and Caleb bearing grapes from the Promised Land, by the German artist Albrecht Dürer, and a print of 1800 by the English artist, Francis. The 19th and 20th centuries are represented by a woodcut of 1893 by the German artist, Max Slevogt, and a lithograph of 1920 by the Swiss artist, Hans Erni, born in 1909 - one "Bacchus and Nymph," a bucolic scene, and a stunning oil of 1965 by Oskar Kokoschka, "The Fox and the Grapes," a fable by Aesop.
The Busch-Reisinger Museum at the Massachusetts State House is a welcome addition to the Boston art scene. The emphasis is on the fine arts of the German-speaking countries and the exhibition is a fine example of the museum's new direction under its new director.
Contemporary graphics and drawings in the show are of a high caliber and include three prints by the Swiss artist Hans Erni, born in 1909 - one "Bacchus and Nymph," a bucolic scene, and a stunning oil of 1965 by Oskar Kokoschka, "The Fox and the Grapes," a fable by Aesop.
Tom Nicholas also portrays the brown wine bottles of Massachusetts half-filled by the pure white snow of the New England hills and fields. The setting for houses, and a bridge over frozen water.
Wayne H. Shampang, who has studied with Jack Levin and Karl Zerbe, has done a very different kind of snow scene. "The Fox and the Grapes," a fable by Aesop, is a whimsical, almost cartoon-like, and a far cry from the somber, realistic style of his earlier work.
The exhibit compiled by the Massachusetts Council on the Arts and Humanities and the De Cordova Museum in Lincoln, is a wide selection of the best in contemporary watercolors and drawings.
Snowscapes are the preference of many of the artists - each capturing New England winter scenes with varying degrees of gusto and sensitivity. Jack Levin's "Snow Scene," Jack Levine's "The Bunker Hill Monument," and Ed Hopper's "The Fox and the Grapes," are a few of the many snow scenes in the show. The paintings are not all winter scenes, however. There are also landscapes, seascapes, and a few still lifes. The exhibition is a fine example of the best in contemporary New England art.
The exhibition is a fine example of the best in contemporary New England art.
The image shows a newspaper article from the Sunday Herald Traveller, dated February 13, 1972. The article, titled "500 Years of Wine," is written by Karen Le Brun Danikian and appears in the Art section of the newspaper.
Introduction:
The Busch-Reisinger Museum is hosting an unusual exhibition called "500 Years of Wine in the Arts." This exhibit showcases a selection of art from Germany, Austria, and Switzerland that revolves around wine and wine-making.
Content of the Exhibition:
The exhibition includes various types of art, such as prints, drawings, sculptures, glassware, etc., from the renowned collection of The Christian Brothers of California. The exhibit aims to trace the cultural and artistic representation of wine over 500 years.
Historical Context and Collection:
The Christian Brothers, a teaching order of the Roman Catholic Church, have been collecting wine-related art for their own enjoyment and educational purposes. The collection began in earnest in the 1940s and includes about 2000 art objects.
Themes and Artifacts:
Specific Highlights:
Special Exhibition at the Museum:
The exhibit also includes a special section with snuffboxes that portray winter scenes, and a landscape by the Swiss artist Hans Erni.
Educational and Cultural Aspects:
The exhibit not only presents art but also aims to educate viewers on the rich history and cultural significance of wine through the ages.
Museum Details:
The Busch-Reisinger Museum, part of Harvard University, is the only museum in North America devoted to the study of art from the German-speaking countries. The museum's collection started in the late 19th century and has expanded significantly since then.
This article provides a comprehensive look into the historical and artistic significance of wine as depicted through various forms of art over five centuries.
The image is a page from the Sunday Herald Traveler, dated February 13, 1972, featuring an article titled "500 Years of Wine" by Caren Le Brun Dankian. The article discusses an art exhibition at the Busch-Reisinger Museum, which showcases the German heritage of art and winemaking.
Key points from the article include:
Exhibition Overview: The Busch-Reisinger Museum is celebrating the German heritage of art and winemaking with an exhibition titled "500 Years of Wine in the Arts." This exhibition includes prints, drawings, sculptures, and glassware related to wine.
Collection Details: The Christian Brothers collection, a teaching order of the Roman Catholic Church, is highlighted. This collection includes over 350 original prints and drawings related to wine, with pieces dating from the 1490s to the 1960s. The collection also contains wine-related objects like wooden barrels, bronze, silver, glass, and art books.
Historical Context: The collection was started around 30 years ago and has been growing steadily. The Busch-Reisinger Museum is acquiring more pieces to expand the collection.
Notable Artworks: The article mentions several notable pieces:
Artists and Styles: The article discusses various artists and their styles, including:
Religious and Historical Significance: The exhibition also touches on the religious and historical significance of wine, referencing biblical stories and the Christian Brothers' history.
Overall, the article provides an in-depth look at the rich artistic heritage associated with wine, spanning five centuries and encompassing various artistic mediums and styles.
The image is a page from the Sunday Herald Traveler, dated February 13, 1972, featuring an article titled "500 Years of Wine." The article is written by Caren Le Brun Dankian and discusses an exhibition at the Busch-Reisinger Museum, which is part of Harvard University.
The exhibition, "500 Years of Wine in the Arts," showcases various artworks from Germany, Austria, and Switzerland that are centered around the theme of wine. The collection includes prints, drawings, sculptures, and glassware, and spans from the Renaissance to the 20th century. The exhibition includes a significant number of pieces from the Christian Brothers Museum, which is renowned for its wine-related art collection.
Key highlights mentioned in the article include:
The article provides an overview of the extensive collection and the historical significance of wine in art, emphasizing the variety and depth of the exhibition.
The image shows a newspaper article titled "'500 Years of Wine'" from the Sunday Herald Traveler, dated February 13, 1972. The article is in the art section and written by Caren Le Brun Danikian. It discusses the Busch-Reisinger Museum's exhibition celebrating Germanic heritage related to art and wine-making over 500 years, highlighting a range of items from prints and drawings to glassware and ceramics. The collection features works from Germany, Austria, and Switzerland and includes various artistic pieces such as paintings, wood objects, sculptures, and ceramics dating back to the 1400s to the early 1970s.
The article mentions specific items in the collection including a cast high relief Roman Catholic Church font, a dramatic Rococo wood figure, a 1493 Nürnberger Chronicle illustration, and many pieces related to Bacchus, the ancient god of wine. It also references contemporary graphics and paintings, including those by the Swiss artist Hans Erni and American artist Tom Nicholas.
The piece further discusses the cultural significance of wine in art and literature illustrated through the exhibition, which features materials such as a Christian Brothers vineyard collection and a wide array of artistic expressions—both historical and modern—celebrating wine and its heritage.
The image shows an open newspaper titled "SUNDAY HERALD TRAVELER," dated February 13, 1972, featuring an article in "SECTION SEVEN." The headline of the article is "ART '500 Years of Wine'." The article discusses an exhibition at the Busch-Reisinger Museum which is celebrating its Germanic heritage of art and wine-making with an exhibit called "500 Years of Wine," spotlighting a selection of German, Austrian, and Swiss prints, drawings, sculptures, glassware, etc., from the renowned collection of The Christian Brothers of California.
The photograph captured only part of the article, and there is some visible folding or creasing in the paper, especially near the spine of the newspaper. The text in the article is too small to read in its entirety in this photo, but it seems to cover various aspects of the exhibit, including specific artworks and their historical significance. The article also mentions loans from other institutions, and it contains a quote saying, "Begun about 30 years ago," which likely refers to when the collection started. There are mentions of different works of art and their historical contexts, as well as some information on events related to the exhibition.
The image shows an open book displaying a page titled "500 Years of Wine", which is part of Section Seven from the Sunday Herald Traveler dated February 13, 1972. The page is a detailed article written by Caron Le Brun Dankan, discussing an art exhibition at the Busch-Reisinger Museum.
Title and Context:
Exhibition Overview:
Exhibit Highlights:
Exhibition Details:
Visual and Artistic Elements:
Design and Layout:
The image depicts a page from a newspaper or magazine article titled "500 Years of Wine", written by Caron Le Brun Dankan, detailing an art exhibition at the Busch-Reisinger Museum. The exhibit showcases a rich collection of wine-related art spanning five centuries, featuring works from Germany, Austria, Switzerland, and the United States. The article highlights the historical and artistic significance of the pieces, including wooden sculptures, prints, and other artifacts, and provides context about the exhibition's origins, contents, and significance. The layout is clean and informative, typical of a news or cultural publication.
The image shows a magazine page from the Sunday Herald Traveler, dated February 13, 1972. The page features an article titled "500 Years of Wine," written by Caron Le Brun Dankin. The article discusses an exhibition at the Busch-Reisinger Museum in Cambridge, Massachusetts, which showcases a collection of wine-related art and artifacts spanning 500 years. The exhibition includes paintings, prints, drawings, sculptures, glassware, and other objects related to wine and winemaking. The article provides details about the collection, the artists involved, and the significance of wine in art and culture throughout history.