Archives Scrapbooks

The image is a page from a book or catalog showcasing a collection of artworks. The page features three distinct images along with accompanying text.

1. Top Right Image:

   • Title: Untitled, 1967
   • Artist: Mark Cohen
   • Description: A black-and-white photograph depicting a person in a coat and hat, holding what appears to be a camera, pointing it towards the ground.

2. Bottom Right Image:

   • Title: Easton, Pennsylvania, 1936
   • Artist: Walker Evans
   • Description: A black-and-white photograph showing a townscape with buildings, a river, and a bridge. The scene captures the essence of a small industrial town in the 1930s.

3. Left Image:

   • Title: Resting Under Willow Trees, 1782
   • Artist: Yosa Buson
   • Description: A traditional Japanese ink painting depicting a serene landscape with willow trees and a figure resting beneath them.

Text:

• The text discusses an exhibition titled "Master Photographs" which runs through December 6. It highlights the inclusion of works by notable photographers such as Abbot, Adams, Alvarez Bravo, Capa, Kertesz, Lange, Penn, Shahn, Sheeler, and Steichen.
• The text mentions two specific prints: "Easton, Pennsylvania" by Walker Evans and an untitled print by Mark Cohen.
• It notes the gift of over 2,000 original photographs by Ben Shahn from Mrs. Bernarda B. Shahn, along with an additional gift of over 100 photographs.
• The text also acknowledges the receipt of photographs by Gertrude Käsebier and a donation from the Stanley Marcus Foundation.
• There is a mention of plans to purchase eight photographs by Paul Strand.
• The text concludes by stating that archives and major museums contain examples of America's first daguerreotypes from the 1840s, and welcomes additions of early photographs.

Overall, the page provides a detailed overview of the exhibition, highlighting specific artworks and the contributions of various artists and donors.

The image shows a page from a book featuring photographs and text discussing an exhibition of master photographs. Here is a detailed summary:

Photographs Displayed:

1. Untitled, 1967 by Mark Cohen: The photograph depicts a man holding a small dog, both looking directly at the camera.

2. Easton, Pennsylvania, 1936 by Walker Evans: This image shows a town in Pennsylvania during the 1930s, highlighting the industrial and economic conditions of the area, with a focus on the coal mining town.

3. Boating Under Willow Trees, 1782 by Yosa Buson: This illustration is a traditional Japanese woodblock print featuring a scene of boating under willow trees.

Text Description:

The text on the page describes the "MASTER PHOTOGRAPHS" exhibition, which runs from view through December 6. It highlights the permanent collection at the museum, featuring works by renowned photographers such as Abbot, Adams, Atget, Carjat, Evans, Käsesbier, Lange, Lyon, Shahn, Sheeler, and Stieglitz.

• The text mentions Walker Evans' 1936 photograph of Easton, Pennsylvania, capturing the town's impoverished state during the Great Depression. Evans' work is noted for its formal elegance and documentary quality.

• It also mentions Mark Cohen's untitled photograph from 1967, which is part of the collection.

The section on the right side of the page discusses the gift of Mrs. Bernarda B. Shahn over 2,000 original photographs by her husband, Ben Shahn, and the addition of 100 more photographs from a recent donation. The museum's efforts to expand its photographic collection are highlighted, including the acquisition of prints by Danny Lyon and Paul Strand.

The text also touches on the significance of the collection, emphasizing its importance in documenting American history and culture, starting from daguerreotypes in the 1840s.

Overall, the page is rich in content, showcasing significant historical and artistic photographs and the efforts of various institutions to preserve and expand photographic heritage.

The image shows an open book with two pages visible. The left page contains a black and white illustration titled "Boating Under Willow Trees, 1782 by Yosa Buson," depicting a serene scene of willow trees with boats beneath them. Below the illustration, there is a paragraph of text, of which only a portion is visible, beginning with "knew him."

The right page features two photographs. The first, titled "Untitled, 1967 by Mark Cohen," shows a person bending over, seemingly engaging with something on the ground, though the details are indistinct. The second photograph, titled "Easton, Pennsylvania, 1936 by Walker Evans," shows an aerial view of a town with clusters of buildings, roads, and a river running through it.

Next to the photographs, there is a body of text. The visible portion of the text mentions an exhibition titled "MASTER PHOTOGRAPHS," which is on view through December 6 and features works by various photographers. It also describes specific photographs, including one by Walker Evans depicting Easton, Pennsylvania, and an untitled print by Mark Cohen. The text notes that the Fogg’s collection of photographs is a significant resource for the study of the history of photography and mentions gifts and purchases that have enriched the collection, including works by Gertrude Käsebier, Walker Evans, and others. The text references the Committee on Photography and acknowledges contributions from various sources, such as the Mrs. Stanley Marcus Foundation and purchases made possible by funds from specific donors.

The image shows an open page from a book or exhibition catalog, focusing on photography. The content includes a combination of photographs and text.

Left Page:

The left page features two historical photographs and a description of an exhibition.

1. Top Photograph:

   • Title: Untitled, 1967
   • Photographer: Mark Cohen
   • Description: The photo shows a close-up of a person's arm and torso wearing a coat, with a strong contrast in light and shadow.

2. Bottom Photograph:

   • Title: Boating Under Willow Trees, 1782
   • Artist: Yosa Buson
   • Description: This is a traditional ink painting rather than a photograph, depicting a boat beneath willow trees.

3. Text:

   • The text discusses an exhibition titled "MASTER PHOTOGRAPHS," running from October 2 through December 6.
   • It highlights the permanent collection of the FoGG Museum, which includes works by notable photographers such as Abbott, Adams, Atget, Cartier-Bresson, Evans, Käsemann, Lange, and others.
   • The text mentions specific photographs, including a 1936 view of Easton, Pennsylvania by Walker Evans and an untitled work by Mark Cohen.
   • It explains that the museum's collection has been growing in importance, reflecting increased interest in photography.

Right Page:

The right page continues with more images and text about the museum's collection and recent acquisitions.

1. Top Photograph:

   • Title: Untitled, 1967
   • Photographer: Mark Cohen
   • Description: Another close-up shot similar in style to the one on the left page.

2. Middle Photograph:

   • Title: Easton, Pennsylvania, 1936
   • Photographer: Walker Evans
   • Description: This photograph depicts an overhead view of Easton, showing the town's layout and river.

3. Text:

   • The text explains that Mrs. Bernarda B. Shahn donated over 2,000 original photographs by her husband, Ben Shahn.
   • It mentions the museum's recent acquisition of over 100 additional Shahn photographs, as well as a significant group of photographs by Gertrude Käsebier and Walker Evans.
   • The text also notes the receipt of twelve prints by Lyonel Feininger and the plan to purchase eight photographs by Paul Strand.
   • The page acknowledges the contributions of the Stanley Marcus Foundation and highlights the importance of these acquisitions to the museum’s collection.

Overall, the image showcases a rich variety of photographic works and provides insight into the museum’s efforts to build and expand its collection.

The image depicts an open book with a page showcasing various photographs and related text. Here is a detailed summary:

1. Photographs:

   • Top Left: A black-and-white drawing or print titled "Boating Under Willow Trees" by Yosa Buson, dated 1782.
   • Top Center: A black-and-white photograph titled "Untitled, 1967" by Mark Cohen, depicting a person in a rural setting.
   • Center: A black-and-white photograph titled "Easton, Pennsylvania, 1936" by Walker Evans, showing a small town with a river and buildings.
   • Bottom Center: Another black-and-white photograph by Walker Evans, likely from the same series as the one above it, showing houses and a rural landscape.

2. Text:

   • The text on the page discusses a photography exhibition titled "Master Photographs" that took place from November through December 6th. It mentions the exhibition's focus on selections from the permanent collection of the Fog Art Museum, including works by photographers such as Abbott, Adams, Atget, Cartier-Bresson, Evans, Kasebier, Lange, Lyon, Shahn, Sheeler, and Stieglitz.
   • The text highlights the importance of the donation of over 2,000 original photographs by Mrs. Bernarda B. Shahn, and the museum's acquisition of additional photographs by Danny Lyon and Paul Strand.
   • It mentions that the Fog Museum's collection reflects the history of photography and is considered one of the most important repositories of photographs by significant American photographers.
   • The text also notes that the museum has received a superb group of photographs by Gertrude Käsebier and Walker Evans from John McAndrew, a member of the Visiting Committee.

3. Additional Notes:

   • The book appears to have a card or label taped to the right page edge, indicating additional information or a catalog number (though the specifics are not legible).
   • The book has a green spine and the pages are slightly yellowed, indicating it might be an older publication.

The overall theme of the page is the celebration and documentation of significant contributions to the field of photography, showcasing both historical and contemporary works.

The image shows an open book, likely a catalog or an exhibition guide, featuring a collection of photographs from various artists. Here’s a detailed summary:

1. Photographs Displayed:

   • Top Left: A black-and-white print titled "Boating Under Willow Trees, 1782" by Yosa Buson. This piece appears to be an illustration rather than a photograph.
   • Top Center: A black-and-white photograph titled "Untitled, 1967" by Mark Cohen, showing a person standing in a field with a dog.
   • Middle Center: A black-and-white photograph titled "Easton, Pennsylvania, 1936" by Walker Evans, depicting a view of a coal town during the Depression.
   • Bottom Center: Another black-and-white photograph by Walker Evans, showing a rural scene with houses and a barn.

2. Text:

   • Left Side Text:
     • Describes the exhibition "MASTER PHOTOGRAPHS" from December 6, highlighting the Foggs' collection, which includes works by prominent photographers such as Abbott, Adams, Atget, Evans, Lange, and others.
     • The text mentions the historical significance of the photographs, including a 1936 view of Easton, Pennsylvania, and an untitled print by Mark Cohen.
     • It discusses the formation of the Foggs' collection, which is notable for its historical and artistic value.
   • Right Side Text:
     • Describes the significant gift of over 2,000 photographs by Mrs. Bernarda B. Shahn to the museum.
     • Details the addition of photographs by Danny Lyon, depicting life in American prisons.
     • Mentions the acquisition of eight photographs by Paul Strand.
     • Highlights the importance of archives and museums in preserving America’s heritage, beginning with early daguerreotypes from the 1840s.

3. General Layout:

   • The book is open to a spread showcasing a variety of photographs and explanatory text.
   • The photographs are accompanied by descriptive text that provides context and background on the collection and the artists.

The book appears to be a detailed guide or catalog for an exhibition, focusing on the history and significance of various photographic works and the efforts of collectors to preserve and share this important visual history.

The image shows an open book with three pictures and accompanying text. The pictures are:

1. On the left: A vertical image titled "Boating Under Willow Trees, 1782" by Yosa Buson, depicting a traditional, monochrome Chinese-style ink painting of a landscape with willow trees.
2. Top right: A black-and-white photograph titled "Untitled, 1967 by Mark Cohen," showing a person whose face is cropped out, wearing a suit and holding out a gloved hand in a landscape setting with a person on horseback in the background.
3. Bottom right: A black-and-white aerial photograph titled "Easton, Pennsylvania, 1936, by Walker Evans," depicting a town with houses, industrial buildings, and a river in the background.

The text below the photographs discusses a photography exhibition at the Fogg, highlighting notable photographers such as Abbot, Adams, Atget, Carjat, Evans, Käsebier, Lange, Lyon, Shahn, Sheeler, and Stieglitz. It mentions that the 1936 view of Easton by Walker Evans depicts the poverty of the coal town during the Depression. Additional text explains a gift of over 2,000 photographs from the estate of Ben Shahn to the museum, enhancing its collection and mentioning other acquisitions like prints by Danny Lyon and photographs by Paul Strand. The passage also refers to early daguerreotypes from the 1840s as part of the museum's holdings.

This image shows an open book displaying two pages with photographs and text. On the left page is a vertical black and white photograph titled "Untitled, 1967 by Mark Cohen," depicting a close-up of a person riding a bicycle, taken from an angle where only the midsection of the rider's body, one of the rider's arms, and the handlebar are visible. To the right of the photograph is a block of text that appears to discuss an exhibition or a collection of photographs. On the right page, the top section features a horizontal black and white photograph captioned "Easton, Pennsylvania, 1936, by Walker Evans," showing an aerial view of a town with buildings, streets, and a densely built-up area. Below the photograph, there's more text, continuing the discussion from the opposing page, referring to the photographic collection, museum curation, and contributors to the collection. There's also a small, bookmark-like insert peeking out between the pages, with text that is partly obscured due to the separation of the pages. The book itself is hardcover, with an olive green spine.

The image shows a two-page spread from a book or catalog focused on photography. The left page features text describing a photography exhibition titled "Master Photographs," which runs from December 6 and includes works by notable photographers such as Abbott, Adams, Aget, Cartier-Bresson, Kasebier, Lange, Lyon, Shafer, and Steiglitz. The text highlights the significance of the collection, noting that it includes two prints by Walker Evans, one of which is titled Easton, Pennsylvania, 1936. The page also mentions the donation of over 2,000 original photographs by Mrs. Bernard B. Shahn, following the cataloging of her husband's work.

The right page displays two photographs:

1. Top photograph: Titled "Untitled, 1967" by Mark Cohen. This black-and-white image depicts a surreal, dreamlike scene. A figure in formal attire, possibly a man in a suit and hat, is reaching out toward a small, shadowy figure that appears to be a child or a smaller person. The setting is an open field, and the composition evokes a sense of mystery and emotional intensity.

2. Bottom photograph: Titled "Easton, Pennsylvania, 1936" by Walker Evans. This black-and-white photograph captures a rural American town during the Depression era. It shows modest houses, a few trees, and a sense of quiet desolation. The image reflects the economic hardship and simplicity of life during that period, with a focus on the modest architecture and the overall atmosphere of the town.

The layout is clean and organized, with the photographs placed prominently alongside descriptive text. The design suggests an academic or curatorial context, likely part of an exhibition catalog or a book about photography. The inclusion of both contemporary and historical works indicates a focus on the evolution and impact of photographic art.

The image shows a book open to a page that features a black-and-white photograph of a man holding a horse's reins, with a horse and a field in the background. The text on the page discusses the significance of the Fogg Art Museum's collection of photographs, which includes works by Mark Cohen and Walker Evans. The text also mentions the museum's acquisition of additional photographs and the importance of photography as a field of study within the fine arts.