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The image shows an open book or catalog, with text and images related to art exhibitions and artists. The left page discusses an exhibition at the Busch-Reisinger Museum on December 15, featuring seventy-three etchings by Max Klinger, on loan from the Staaliche Graphische Sammlung in Munich. The text provides background on Klinger, mentioning his influence from the Surrealists and noting the significance of his graphic works. It also lists related events, including lectures and a German language tour of the exhibition.

The right page features an article titled "AT THE FOGG: CURATOR AND COLLECTOR: A TRIBUTE TO USHER P. COOLIDGE," detailing an exhibition of objects chosen from Coolidge's collection, which includes Japanese ceramics, early porcelains, and a hanging scroll. The exhibition, organized by Phyllis Hattis, honors Coolidge's contributions to the Fogg Museum. The text is accompanied by an image of an etching by Max Klinger titled "On the tracks, 1882."

The image shows a page from a magazine or a newspaper featuring an article about an exhibition of Max Klinger's works. The exhibition is titled "The Suites of Max Klinger" and is scheduled at the Busch-Reisinger Museum at Harvard University.

Key points from the article include:

1. Exhibition Details:

   • The exhibition of seventy-three etchings by Max Klinger runs from December 15 to January 22.
   • It is supported by the Staattliche Graphische Sammlung, Munich, and the patronage of Dr. Rolf Pauls, Ambassador of West Germany to the United States.

2. Max Klinger:

   • Klinger is noted for his unique style and contributions to graphic art.
   • His work is described as a blend of Surrealism and traditional graphic techniques, with a focus on his psychological explorations and innovative approaches to art.

3. Events:

   • There will be a lecture by Alessandra Comini from Columbia University on December 16.
   • A German language tour of the exhibition will be led by Dr. Anneliese Weingart, one of the organizers.
   • Another lecture by Dr. John Phillips is planned for January 22.

4. Additional Exhibitions:

   • Two significant twentieth-century artists will be featured at the Wichita Art Museum in March and April.
   • The Wichita Art Museum is hosting an Austrian entry for the prestigious Sao Paolo Biennale.

5. Other Noteworthy Exhibitions:

   • At the Fogg Museum, a tribute exhibition titled "A Tribute to Usher P. Coolidge" is planned, featuring works from his personal collection, including Japanese ceramics and porcelains, and a significant scroll from China.

6. Logistical Information:

   • The page includes a photograph of an etching by Max Klinger titled "Abduction" and another etching "On the Tracks."
   • The article also mentions plans and events associated with raising funds for exhibitions, including a campaign for $20,000.

Overall, the article highlights the significance of Klinger’s artistic legacy and the various planned events surrounding his exhibition at Harvard.

The image is a page from an old magazine or newspaper featuring two distinct articles about art exhibitions.

1. Top Article: "At the Busch-Reisinger"

   • Event: An exhibition of seventy-three etchings by Max Klinger is on loan from the Staatliche graphische Sammlung in Munich, Germany, and is being shown at the Busch-Reisinger Museum in Cambridge, Massachusetts, from December 15.
   • Patronage: The exhibition is under the patronage of Dr. Rolf Pauls, the Ambassador of West Germany to the United States.
   • Context: Klinger, who was once admired for his work in the 1920s, is now being rediscovered. His graphic art is described as surrealistic and related to Freud’s studies of the psyche.
   • Exhibition Details: The exhibition, curated by Dr. Jan von Adlmann, will continue through January 22. The catalogue includes a discussion by Jan von Adlmann, who finds Klinger's work chaotic yet profound.
   • Additional Events: There are plans for lectures on the exhibition by Professor Alexandra Comini of Columbia University and Dr. Anneliese Philipp.

2. Middle Section: Images and Text

   • Images: There are three etchings by Max Klinger displayed: "Abduction, 1888," "On the Tracks, 1882," and another etching labeled "Abduction."
   • Photographs: These images are credited to the Wichita Art Museum.

3. Bottom Article: "At the Fogg"

   • Event: A tribute exhibition titled "Curator and Collector: A Tribute to Usher F. Coolidge" at the Fogg Art Museum in Cambridge, Massachusetts, starting January 2.
   • Content: The exhibition showcases a selection of objects chosen by Mr. Coolidge, including Japanese ceramics, early porcelains, and a variety of artworks.
   • Significance: The exhibition commemorates a distinguished gentleman who enriched both the museum and the lives of those around him.
   • Additional Information: The Fogg Museum is organizing this exhibition with the help of Peter Selz, Director of the University of California University Art Museum, and Phyllis Hatis, a graduate student at the Fogg. The exhibition is also part of a campaign to raise funds for the Fogg Museum.

The articles highlight significant art exhibitions and their historical contexts, featuring renowned artists and their contributions to the art world.

The image is a page from a magazine or catalog featuring articles and images related to art exhibitions. Here's a detailed summary:

Top Section: Exhibition at the Busch-Reisinger Museum

• Event: An exhibition of seventy-three etchings by Max Klinger, titled "The Graphic Suites of Max Klinger," opened on December 15 at the Busch-Reisinger Museum, Harvard University, Cambridge, Massachusetts.
• Organizer: The exhibition is organized by Dr. Jan von Adlmann, Director of the Wichita Art Museum.
• Patronage: The exhibition is under the patronage of Dr. Rolf Pauls, the Ambassador of West Germany to the United States.
• Loan: The works are on loan from the Staatliche Graphische Sammlung, Munich.
• Max Klinger's Work: The article discusses Klinger's art, which was initially popular but later fell into obscurity after his death in 1920. His works were rediscovered and are now considered foundational to the Surrealists. His graphic art is praised for its technical skill and evocative power.
• Catalogue: A detailed catalogue of the exhibition was written by Jan von Adlmann, describing Klinger’s work as "uneven and unstable" but highlighting its technical mastery and the influence of his contemporaries.
• Additional Events:
  • A lecture by Professor Alexandra Comini from Columbia University on Klinger's Beethoven Movement.
  • A German language tour of the exhibition led by Dr. Anneliese Klingenberg.
  • Events continue through January 22.
• Upcoming Exhibitions:
  • Drawings, watercolors, and prints by Erich Heckel, a member of Die Brücke, will be exhibited in March and April, followed by an Austrian entry in the prestigious São Paulo Biennial.

Bottom Section: Exhibition at the Fogg Museum

• Event: A retrospective exhibition of Ferdinand Hodler's work, curated by Peter Selz, Director of the University of California University Art Museum.
• Funding: The exhibition is organized with the help of Phyllis Hatfield, a graduate of the Fogg Museum, and funded by a $20,000 campaign.
• Collection: The exhibition includes a selection of Hodler's personal art collection, featuring Japanese ceramics and early porcelains.
• Highlights: A particular interest is a hanging scroll entitled "Boating Under Willow Trees," a gift from Mr. Coolidge's family and friends.
• Artist: Hodler is known for his paintings of the Swiss landscape and portraits, including his self-portraits and those of his wife Berthe.

Images

• Two etchings by Max Klinger are displayed:
  • "Abduction, 1888"
  • "On the Tracks, 1882"

The page is rich with historical context, critical analysis, and information about the exhibits, making it a valuable resource for art enthusiasts and scholars.

The image shows a two-page spread from a printed publication, detailing information about art exhibitions and events related to the artist Max Klinger.

Left Page:

Exhibition at the Busch-Reisinger Museum:

• Exhibition Details:
  • An exhibition of seventy-three etchings by Max Klinger is on loan from the Staatliche graphische Sammlung Munich.
  • The exhibition is under the patronage of His Excellency, Dr. Rolf Pauls, the Ambassador of West Germany to the United States.
  • The exhibition will be open from December 1 to January 22.

Exhibition Title:

• "IMAGES OF REVERIE AND APPREHENSION: THE GRAPHIC SUITES OF MAX KLINGER."

Description:

• The Wichta Art Museum, where the exhibition was initially shown, organized it.
• Max Klinger's work is noted for its dreamlike and often unsettling qualities.
• The article describes Klinger's life and the themes in his work, particularly focusing on his graphic series which are seen as key to understanding his contributions to nineteenth-century art.
• The article highlights the surreal and psychological aspects of Klinger's art, mentioning specific works like "On Death" (1889-1910), "Eve and the Future" (1880), and "A Glove" (1881).

Events:

• A lecture on the exhibition will be given by Professor Alessandra Comini of Columbia University on December 16.
• Klinger's Beethoven Monument will be discussed by German sculptor Gerhard Marcks in January.

Right Page:

Exhibition at the Fogg Art Museum:

• Details:
  • A large retrospective of Ferdinand Hodler’s strategic and personal art will be shown at the Fogg Museum in the spring of 1973.
  • The exhibition is a tribute to collector Charles L.idge, comprising objects from his collection, including Japanese ceramics and early porcelains.
  • The collection was acquired by the Fogg Art Museum from Mrs. Coolidge in memory of her husband.

Visuals:

• The page features two etchings by Max Klinger:
  • "Abduction" from 1888.
  • "On the Tracks" from 1882.
• There is also an image related to the Fogg Museum's upcoming exhibition.

Text at the Bottom:

• Brief mention of an event, "Bach's B Minor Mass," by Yo Yo Ma, though it seems unrelated to the exhibitions.

General Notes:

• The text is dense with information about the significance and themes of Max Klinger's work, emphasizing his psychological and surreal contributions to art.
• The exhibitions aim to showcase different facets of Klinger's artistic output and influence.

The image is of an open book displaying a page with text and two etchings by Max Klinger. The text discusses upcoming exhibitions and events at the Busch-Reisinger Museum and the Fogg Art Museum.

At the Busch-Reisinger:

• Exhibition of Max Klinger's Graphic Suites:

  • Opening on December 15, this exhibition features graphic works by Max Klinger, loaned from the Staatliche Graphische Sammlung, Munich.
  • The exhibition is organized by Dr. Rolf Johannsen and will be accompanied by a catalog titled "A Glove and Other Imaginary Objects of Apprehension: The Graphic Suites of Max Klinger."
  • Klinger's work is described as suave, fantastic, and sometimes disturbing, reflecting themes of reverie, fantasy, and caprice.
  • The exhibition aims to reintroduce Klinger's work to a contemporary audience, highlighting his influence on Surrealism and his association with artists like Arnold Böcklin and Hans von Marées.

• Lecture on Max Klinger's Beethoven Movement:

  • On December 16, Professor Alessandra Comini will lecture on Klinger's Beethoven Movement, with a German translation by Dr. Anneliese Harding and a musical introduction by Professor Julia S. Phelps.

• Other Exhibitions:

  • A major exhibition of drawings by Adolph Menzel is planned for April.
  • An exhibition of paintings by Emil Nolde is scheduled for the fall.

At the Fogg:

• Curator and Collector: A Tribute to Usher F. Coolidge:
  • An exhibition in honor of Usher F. Coolidge, featuring objects from his collection, including Chinese porcelain, tea wares, and early porcelain.
  • The exhibition commemorates Coolidge's contributions as an Associate of the Fogg Art Museum and his role in acquiring significant artworks.

Etchings:

• Abduction, 1888: An etching by Max Klinger, depicting a fantastical scene with a winged creature and a woman.
• On the Tracks, 1882: Another etching by Max Klinger, showing a surreal image of a skeleton on a railway track.

The text also mentions a planned retrospective of Arnold Böcklin's works in the spring of 1973 and a campaign to raise funds for the Fogg Art Museum.

The image shows an open book with two pages visible. The left page features a section titled "AT THE BUSCH-REISINGER" discussing an exhibition of seventy-three etchings by Max Klinger, on loan from the Staatliche graphische Sammlung, Munich, and displayed at the Busch-Reisinger Museum. The text describes Klinger's style, influence, and significance within the art world.

Two black and white images of etchings by Max Klinger are included on the page:

1. The top etching is titled "Abduction, 1888," which depicts a scene with an extended arm reaching from a window, a large bird flying, and flowers in the foreground.
2. The bottom etching is titled "On the tracks, 1882," showing a landscape scene with railway tracks, mountains, and a body of water.

The right page includes a section titled "AT THE FOGG," which discusses an exhibition titled "CURATOR AND COLLECTOR: A TRIBUTE TO USHER P. COOLIDGE," presented through January 2nd. This exhibition showcases Japanese ceramics, early porcelains, and objects acquired by Mr. Coolidge for the Fogg Museum's Oriental Department. The text highlights a hanging scroll entitled "Boating Under Willow Trees," a delicate riverscape painted by Yosa Buson in 1782, emphasizing its importance and the contribution of Mr. Coolidge to the museum.

Overall, the pages focus on museum exhibitions, highlighting significant artworks and curatorial efforts.

The image shows an opened book lying flat, displaying two pages with text, photos, and illustrations. The left page is headlined "AT THE BUSCH-REISINGER" and details an exhibition featuring the etchings by Max Klinger, a late 19th-century German artist known for his graphic art. The text discusses the themes of the exhibition, Klinger's approach to art, and mentions associated events, including a lecture.

On the right page, under the header "AT THE FOGG," there's information about a tribute to a curator and an associated collection exhibition. The curator in question is not named but is mentioned to have had a particular interest in Winslow Homer, and the collection features works by Giorgio Morandi.

Embedded within the text on both pages, there are three images:

1. On the bottom left of the left page, "Abduction, 1888, etching by Max Klinger."
2. In the center of the left page, "On the tracks, 1882, etching by Max Klinger."
3. On the top right of the right page, "Boat at Sea, engraving by Arthur Briscoe."

At the bottom, there's a note that photographs on this page courtesy of the Würtlich Art Museum. The page numbers or the book's title are not visible, so it is not clear what book this is exactly.

The image shows a book opened to a page with text and an image. The text discusses an exhibition of etchings by Max Klinger, held at the Busch-Reisinger Museum in Germany, which will be open until January 22. The exhibition is curated by Jan von Aldmann, Director of the Wichita Art Museum. The text also mentions that Klinger's graphic art is characterized by its bourgeois gentility, which is evident in his etchings. The image on the page is of an etching by Max Klinger titled "Abduction," which depicts a scene from a story.

The image shows a page from a book or magazine. The page is divided into two columns, with text in the left column and images in the right column. The text in the left column discusses an exhibition of etchings by Max Klinger, which was organized by the Wichita Art Museum. The exhibition showcased seventy etchings from the Staatliche Graphische Sammlung in Munich, under the patronage of Dr. Rolf Pauls, the Anti-Hitler of West Germany. The exhibition was accompanied by a lecture by Professor Alessandra Comin of Columbia University and a German language tour by Dr. Anneliese Harding. The exhibition was praised for its high quality and was considered a tribute to the work of Max Klinger.

The right column features two images. The first image is a black and white etching titled "Abduction, 1888" by Max Klinger. The second image is a photograph of a tea ware, which is part of an exhibition titled "A Tribute to Usher P. Coolidge" at the Fogg Art Museum. The exhibition showcases a collection of objects chosen from Mr. Coolidge's own collection, which includes early porcelains, tea wares, and other objects acquired for the Fogg's Oriental Department during his years as an Associate. The exhibition is curated by Coolidge and is open to the public.