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ARCH.2013.5.14, Rendition: 798026
The image shows a page from a musical program or scorebook. It lists several pieces of music along with their respective composers, keys, and texts (in German). Here is a detailed summary of the content:
Voluntary in A Minor by Boyce
Lied by Wolf
Toccata and Fuge in D Minor, from Opus 129 by Reger
Intermission
Prelude and Fugue in G Major by Bach
Recitative and Aria
Choral Preludes
Aria
The page appears to be part of a performance program, possibly for an organ recital or a choral concert, featuring works by Boyce, Wolf, Reger, and Bach.
The image shows a concert program featuring organ music and vocal pieces. Here's a detailed summary:
First Piece:
Vocal Piece:
Nun bin ich dein,
du aller Blumen Blume, und sing allein
allstund zu deinem Ruhme,
will eifrig sein,
mich dir zu weihn und deinem Bildertume.
Frau, auserlesen,
zu dir steht all mein Hoffen,
mein innerst Wesen ist allezeit dir offen.
Komm, mich zu lösen vom Fluch des Bösen,
der mich so hart betroffen!
Du Stern der See, du Port der Wonnen,
von der im Weh die Wunden Heil gewonnen,
eh ich vergehe, blick aus der Höh,
du Königin der Sonnen!
Nie kann versiegen die Hülle deiner Gnaden;
du hilfst zum Siegen dem, der mit Schmach beladen.
An dich sich schmiegen,
zu deinen Füßen liegen
heilt allen Harm und Schaden.
Ich leide schwer und wohlverdiente Strafen.
Mir bangt so sehr, gald Todesschlaf zu schlafen.
Tritt du einher, und durch das Meer,
o führe mich zum Hafen.
Organ Solo:
Intermission
Organ Solo:
Vocal Recitative and Aria:
Ich habe genug! Mein Trost ist nur allein, das Jesus mein
und ich sein eigen möchte sein. Im Glauben halt ich ihn,
da seh ich auch mit Simeon die Freude jenes Lebens schon.
Lasst uns mit diesem Manne ziehn! Ach! möchte mich von meines
Leibes Ketten der Herr erretten. Ach, wäre doch mein Abschied
hier, mit Freuden sagt ich, Welt zu dir: ich habe genug.
Schlummert ein, ihr matten Augen, fallet sanft und selig zu!
Welt, ich bleibe nicht mehr hier, hab' ich doch kein Teil an dir,
das der Seele könnte taugen. Hier muss ich das Elend bauen,
aber dort, dort werd ich schauen süßen Frieden, stille Ruh.
Choral Preludes:
Aria:
Bist du bei mir, geh ich mit Freuden zum Sterben und zu meiner Ruh.
Ach, wie vergnügt, wär so mein Ende, es drückten deine schönen Hände
mir die getreuen Augen zu.
This program combines instrumental organ works by famous composers like Boyce, Reger, and Bach with vocal performances featuring texts in German, likely from Baroque or classical compositions.
The image shows a page from a sheet music book or a musical program. The page contains several musical pieces with their composers and titles listed alongside lyrics in German. Here's a detailed summary:
Voluntary in A Minor - Grave, Fugue
Lied (Song) - "Nun aller Blumen Blume"
Toccata and Fugue in D Minor, from Opus 129
Intermission
Prelude and Fugue in G Major
Recitative and Aria
Choral Preludes
Aria
This page appears to be from a classical music program or a collection of sacred choral works, with a mix of instrumental and vocal pieces, including both German lyrics and musical compositions by notable composers.
The image shows a page from a music book that includes various musical pieces, likely from the Baroque era, given the composers' names and styles. Here's a detailed summary of the content on the page:
Voluntary in A Minor by Boyce:
Grave, Fuge by an unidentified composer:
Lied "Nun bin ich dein" by Wolf-Reger:
Nun bin ich dein, du aller Blumen Blume, und sing allein
allstund zu deinem Ruhme;
will eifrig sein, mich dir zu weihn und deinem Buldertume.
Frau, auserlesen, zu dir steht all mein Hoffen,
mein innerst Wesen ist allezeit dir offen.
Komm, mich zu lösen vom Fluch des Bösen,
der mich so hart betroffen!
Du Stern der See, du Port der Wonnen,
von der im Weh die Wunden Heil gewonnen,
eh ich vergeh, blick aus der Höh,
du Königin der Sonnen!
Nie kann versiegen die Hlle deiner Gnaden;
du hilfst zum Siegen dem, der mit Schmach beladen.
An dich sich schmiegen, zu deinen Füßen liegen
heilt allen Harm und Schaden.
Ich leide schwer und wohlverdiente Strafen.
Mir bangt so sehr, gald Todesschlaf zu schlafen.
Tritt du einher, und durch das Meer,
o führe mich zum Hafen.
Toccata and Fuge in D Minor by Reger:
Intermission:
Prelude and Fuge in G Major by Bach:
Recitative and Aria:
Ich habe genug! Mein Trost ist nur allein, das Jesus mein
und ich sein eigen möchte sein. Im Glauben halt ich ihn,
da seh ich auch mit Simeon die Freude jenes Lebens schon.
Lasst uns mit diesem Manne zieh’n! Ach! möchte mich von meines
Lebens Ketten der Herr erretten. Ach wäre doch mein Abschied
mit Freuden sagt ich, Welt zu dir: ich habe genug.
Schlummert ein, ihr matten Augen, fallt sanft und selig zu!
Welt, ich bleibe nicht mehr hier hab’ ich doch kein Teil an dir,
das der Seele könnte taugen. Hier muss ich das Elend bauen,
aber dort darf ich schauen süßen Frieden, stille Ruh.
Choral Preludes:
Aria:
Bist du bei mir, geh ich mit Freuden zum Sterben und zu meiner Ruh. Ach, wie vergnügt, wär so mein Ende, es drückten deine
schönen Hände mir die getreuen Augen zu.
The page includes a mixture of vocal and instrumental works, showcasing both sacred and secular music from the period.
The image shows a page from a music score that contains various sections of vocal and instrumental works, likely from a religious or choral repertoire.
Voluntary in A Minor by Grave (Fuge):
Lied by Wolf – Reger:
Toccata and Fuge in D Minor from Opus 129 by Reger:
Prelude and Fugue in G Major by Bach:
Choral Preludes:
The page appears to be from a music book that includes a mix of instrumental and vocal works, showcasing different styles and musical periods, likely from Baroque or early Classical influences.
The image displays an open book, likely a book of sheet music or a libretto, featuring various musical compositions and texts. The book is open to a specific section, revealing text in German. The left page contains musical titles and their composers, while the right page features the corresponding lyrics or text excerpts.
Here is a detailed breakdown of the content:
Left Page:
Voluntary in A Minor
Lied
Toccata and Fugue in D Minor, from Opus 129
Prelude and Fugue in G Major
Right Page:
Recitative and Aria
Choral Preludes
Aria
The book appears to be a collection of religious or classical music pieces, possibly for a performance or a service, as it includes works by various composers such as Boyce, Wolf, Reger, and Bach. The presence of an intermission suggests it might be for a concert. The red and green fabric covering of the book indicates it is likely an old or special edition.
The image shows a typed music program or concert sheet placed on top of a pile of papers or folders. The text is mostly in German and English and includes titles of musical pieces, their keys, composers, and some lyrics or texts related to the pieces.
The document lists several compositions:
The sheet appears to be a classical music concert program or practice notes featuring works from Baroque and Romantic composers, with a focus on organ or choral music.
The image depicts a page from a printed booklet or program, likely for a musical concert or performance. This particular page lists pieces of music that are part of the concert's repertoire. The typeset is clear and organized, with titles and composers neatly aligned on the left. Here is the content visible on the page:
Voluntary in A Minor
Lied (Song)
"Nun bin ich dein,
du aller Blumen Blume, und sing allein
allstund zu deinem Ruhme;
will eifrig sein,
mich dir zu weihn und deinem Bilde..."
(And a continuation of the song's lyrics in German)
Composer: Wolf - Reger
Toccata and Fugue in D Minor, from Opus 129
Composer: Reger
Prelude and Fugue in G Major
Composer: Bach
Recitative and Aria
"Ich habe genug! Mein Trost ist nur allein, dass Jesus mein
und ich sein eigen möchte sein. Im Glauben halt ich ihn,
da seh ich auch im Schatten die Freude meines Lebens schon..."
(And a continuation of the recitative and aria's text in German)
Choral Preludes
"Liebster Jesu
Nun komm, der Heiden Heiland (transcribed by Pierre Fournier)"
Aria
"Bist du bei mir, geh ich mit Freuden zum Sterben und zu meiner
Ruh. Ach, wie vergnügt, wär so mein Ende, es drückten deine
schönen Hände mir die getreuen Augen zu."
(And a possible continuation of the aria's text)
The texts provided for the Lied, Recitative and Aria, and Aria are in German and include both the title or the first line and part of the lyrics or text associated with each piece. The concert program reflects a selection that includes baroque and classical music and is likely intended for a classical music audience that appreciates chamber, vocal, and instrumental works. The left margin of the page features color-coded tabs, possibly for helping to quickly locate sections or pieces within the program. The sheet of paper is slightly curled, and the lighting in the image casts soft shadows on the booklet, giving it a warm, inviting appearance.
The image shows an open book displaying several musical compositions and their accompanying texts. The book appears to be a collection of choral and instrumental works, with titles and composers clearly labeled. Here is a detailed description:
Top Section:
Middle Section:
* Intermission *).Bottom Section:
The image depicts a page from a historical or classical music anthology, showcasing a mix of choral, instrumental, and vocal works by notable composers such as Boyce, Reger, and Bach. The inclusion of both musical titles and poetic texts suggests that this book serves as a resource for performers, scholars, or enthusiasts of classical music, providing both the musical scores and the lyrical content for these pieces. The aged appearance of the book adds a sense of historical significance.
The image shows a close-up of a page from a book, likely a music book or a collection of musical pieces. The page contains several musical pieces and their corresponding titles and composers. The text is written in a combination of German and English, indicating that the book is likely intended for a German-speaking audience but includes translations or explanations in English for non-German speakers. The pieces are written in different musical styles and genres, ranging from classical to modern. The book appears to be well-preserved, with clean and clear pages, suggesting that it is a valuable resource for musicians and music enthusiasts.