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The image is a page from the "Boston Review of the Arts" dated June 25, 1971. The page features an article titled "Bauhaus at Busch Reisinger" written by Marjorie Supovitz. The article discusses the importance and influence of the Bauhaus movement, particularly in the context of an exhibition at the Busch-Reisinger Museum.

Key points from the article include:

1. Historical Context: The article mentions the relevance of the Bauhaus in times of nostalgia and Pre-Raphaelite sentiment, highlighting the movement's innovative use of machine aesthetics and its impact on modern decorative arts and philosophy.

2. Exhibition Details: The exhibition at the Busch-Reisinger Museum showcases works from the various workshops of the Bauhaus, which operated from 1919 to 1933. The museum's collection includes pieces from the First German Republic and the early years of Nazism.

3. Notable Works: The article highlights specific works such as László Moholy-Nagy's "Light Space Modulator" (1930), which embodies the Bauhaus principles of exploring contrasting materials and structures. Other notable pieces include works by Marcel Breuer, Herbert Bayer, and Joseph Albers.

4. Curriculum and Workshops: The exhibition is divided into parts corresponding to the Bauhaus curriculum, featuring works from workshops like metal, weaving, and typography. The article mentions the influence of teachers like Paul Klee and Wassily Kandinsky.

5. Philosophy and Principles: The Bauhaus's emphasis on the unity of arts and technology is discussed, with examples of how different materials and techniques were used to illustrate functionalism and good design principles.

6. Additional Information: The article also mentions a side elevation of Gropius's reinforced concrete building and his designs for the Deutsches Bauhaus in Dessau.

The page also includes a photograph of the "Light Space Modulator" by László Moholy-Nagy and a brief review of the book "Nerves" by William Curbet, which is described as a post-hippie novel set in New York. The review is written by William Curbet and is noted as his first appearance in the "Boston Review of the Arts."

The image displays an open book or magazine with an article titled 'BAUHAUS AT BUSCH REISINGER' by Marjory Supovitz. The article discusses the significance of the Bauhaus school of art and design, emphasizing its influence on contemporary art and its principles of combining art, technology, and everyday life. The article mentions an exhibition at the Busch-Reisinger Museum featuring works from the Bauhaus, including pieces by prominent figures like Walter Gropius, László Moholy-Nagy, and others. The exhibition showcases the school's curriculum, including the preliminary course, workshops, and student works. The article also highlights the functionalist principles of the Bauhaus and its impact on modern design. Additionally, there is an image of the 'Light Space Modulator' by Moholy-Nagy, accompanied by a description. The article appears to be from the 'Boston Review of the Arts' dated June 20, 1971.

The image is a page from the "Boston Review of the Arts," dated June 20, 1971. It features an article titled "Bauhaus at Busch Reisinger," written by Marjory Supovitz.

Summary of the Article:

The article discusses the significance of the Bauhaus movement and its influence on modern art and design. It emphasizes the importance of revisiting Bauhaus concepts, especially in an era leaning towards pre-Raphaelite sentiment. The Bauhaus school, known for its positive approach to machine-age aesthetics, sought to unify art and technology, enhancing the relevance of the decorative arts and providing a meaningful place for artists in the modern world.

The article highlights a major Bauhaus exhibition at the Busch-Reisinger Museum, which is open to the public through July 4. This exhibition showcases various works by notable Bauhaus figures from the Weimar and Dessau periods, culminating in the final Bauhaus phase in Berlin under Mies van der Rohe.

Upon entering the exhibition, visitors are greeted by a display of László Moholy-Nagy's Light Space Modulator, an iconic piece that exemplifies the Bauhaus ideal of merging art and technology. The exhibition is divided into the preliminary course (Vorkurs) and the work from various workshops, illustrating the foundational and advanced teachings of the Bauhaus.

Notable works include:

• Fabric studies by Anni Albers and Gunta Stölzl.
• Abstract exercises in various media by Johannes Itten and Paul Klee.
• Furniture and product designs by Marcel Breuer and others.
• Designs by Herbert Bayer, including typography and exhibition layouts.
• Architectural projects, such as the re-created interior of the Dessau Bauhaus building.

The article also notes the presence of works by famous artists like Wassily Kandinsky and Josef Albers, highlighting the comprehensive and influential nature of the Bauhaus curriculum.

Additional Information:

• The article mentions that the book "Bauhaus: 1919-1928," edited by Herbert Bayer, Walter Gropius, and Ise Gropius, is a valuable resource but is currently out of print.
• The "Nervous" column briefly discusses a book titled "From Peasant to Proletarian" by Gerald M. Berreman, critiquing its lack of thematic development.

Overall, the article presents a detailed overview of the Bauhaus exhibition, emphasizing its historical and contemporary relevance.

The image is a page from the Boston Review of the Arts, dated June 20, 1971. It features an article titled "BAUHAUS AT BUSCH REISINGER" by Marjory Supovitz. The article discusses an exhibition at the Busch-Reisinger Museum, showcasing the Bauhaus movement's influence on contemporary design and art.

Key points from the article include:

1. Historical Context:

   • The Bauhaus school, which began in 1919 in Germany and closed in 1933, is noted for its significant impact on art and design.
   • The exhibition highlights the Bauhaus philosophy of combining arts and crafts, which aimed to create a new form of art and technology.

2. Exhibition Details:

   • The exhibition is divided into sections corresponding to the curriculum at the Bauhaus, including weaving, metalwork, carpentry, and typography.
   • Notable works and artists mentioned include László Moholy-Nagy’s Light Space Modulator, Gropius's designs, and works by Anni Albers, Oskar Schlemmer, and Herbert Bayer.
   • The exhibition includes a variety of media and materials, such as woven fabrics, metalwork, typography, and furniture.

3. Artists and Works:

   • László Moholy-Nagy's Light Space Modulator is highlighted as a central piece.
   • The article mentions the functional and aesthetic principles of the Bauhaus, emphasizing its emphasis on design and materials.
   • Specific works by artists like Anni Albers, Herbert Bayer, and Oskar Schlemmer are noted for their illustrative examples of Bauhaus principles.

4. Additional Notes:

   • The article mentions a book titled NERVES by William Corbett, which is a postscript to the article.
   • The book discusses the Bauhaus influence on various fields, including architecture, design, and photography.

5. Editor’s Note:

   • The editor's note at the bottom mentions William Corbett's consistent work in publishing books on modern art and design, highlighting his contributions to the understanding of Bauhaus principles.

The page also includes a black-and-white photograph of László Moholy-Nagy’s Light Space Modulator, illustrating the piece discussed in the article.

The image is a page from the June 20, 1971, issue of the Boston Review of the Arts. The page features a review titled "Bauhaus at Busch-Reisinger" by Marjory Supovitz. The review discusses the Bauhaus movement and its influence on contemporary art and design.

Key points from the review include:

1. Bauhaus Overview: The Bauhaus school, founded in 1919 and closed in 1933, is noted for its significant impact on modern art and design. It aimed to integrate fine arts and crafts and was a retreat from the past, focusing on the future.

2. Exhibition Details: The review mentions an exhibition at the Busch-Reisinger Museum, running through July 2, which showcases significant works from the Bauhaus school. The exhibition includes works from various Bauhaus workshops and spans the school's history.

3. Light Space Modulator: The review highlights László Moholy-Nagy’s "Light Space Modulator," a notable piece from the Bauhaus era, which exemplifies the school's innovative use of materials and structures.

4. Craft and Design: The exhibition includes various craft and design pieces, such as woven fabrics by Anni Albers, a concrete model by Herbert Bayer, and typography designs by Oskar Schlemmer.

5. Influence and Legacy: The Bauhaus's influence on modern design and its approach to combining art and technology are discussed. The review notes that the Bauhaus aimed to achieve unity in arts and crafts, and its principles are still relevant in contemporary design.

6. Criticism and Perspective: The author also touches on the Bauhaus's relevance to the present, suggesting that it remains a significant model for contemporary design and production methods.

The page also includes a note about the book "Nerves," by Cope Galliard/Grossman, which is described as a postscript to the Bauhaus discussion. The book features photographs by Gerard Malanga and was first published in Three New Poets.

The layout of the page includes a central image of the "Light Space Modulator" and smaller images of other Bauhaus-related pieces, providing visual context to the review's discussion.

The image is a page from the Boston Review of the Arts dated June 20, 1971. The article is titled "Bauhaus at Busch Reisinger" and is authored by Marjory Supovitz.

The article discusses the Bauhaus movement and its influence on contemporary design. Supovitz emphasizes the significance of the Bauhaus school in fostering a philosophy that integrates art and technology, contrasting it with the Pre-Raphaelite sentiment of the past.

The article highlights an exhibition of Bauhaus works at the Busch-Reisinger Museum, accessible to the American public through July 2. The exhibition includes samples from the Weimar and Dessau Bauhaus workshops, spanning the period from 1919 to 1924.

Key features of the exhibition include:

• Lazlo Moholy-Nagy's Light Space Modulator.
• The functional artworks created by the Bauhaus, such as furniture and textiles.
• Works by notable Bauhaus figures like Walter Gropius, Oscar Schlemmer, and others.

The text also notes the educational aspect of the exhibition, where students explore design principles and techniques through various mediums, aiming to create a unity of arts and crafts.

The page also features an image of Lazlo Moholy-Nagy's Light Space Modulator, which is prominently displayed in the article. There are references to additional works by Bauhaus artists, including examples of their weaving and carpentry workshops, as well as other significant projects like the Chicago Tribune competition model and a photograph of the Dessau Bauhaus building. The review concludes by mentioning a book, "Nerves," which complements the exhibition's themes.

The image shows a book or magazine page with a review titled "BAUHAUS AT BUSCH REISINGER" by Marjory Supovitz. The review discusses the influence of the Bauhaus school on contemporary design, especially its impact on the arts and crafts, and the exhibition at the Busch-Reisinger Museum featuring works from the Bauhaus workshops, including those by Lazlo Moholy-Nagy. The text describes various aspects of the exhibition and the contributions of notable Bauhaus figures.

Next to the text, there is a black and white photograph of a mechanical or artistic device titled "LIGHT SPACE MODULATOR/MOHOLY NAGY AT BUSCH REISINGER." The device appears to be a kinetic sculpture or machine with geometric shapes, gears, and transparent panels, likely representing Moholy-Nagy’s experimental art.

At the top of the page, handwritten in blue ink, it says "Boston Review of the Arts June 20, 1971." The bottom right corner includes a small note continuing the text from a previous page and an editor's note mentioning William Corbett.

The image shows a scanned page from a magazine or publication, specifically from "The Boston Review of the Arts" dated June 20, 1971. The page is displaying a review or article titled "BAUHAUS AT BUSCH REISINGER" by Marjory Savitz. The page includes a black-and-white photograph of an intricate, mechanical-looking exhibit which appears to be László Moholy-Nagy's "Light Space Modulator" (also known as the "Light Prop for an Electric Stage"), a notable piece associated with the Bauhaus movement. This kinetic sculpture is renowned for its complex structure and its dynamic interplay with light and shadow, creating a visually engaging effect.

The article beneath the title is partially visible and seems to discuss the significance of the Bauhaus movement, its historical context, and its influence on contemporary design, as well as details about the exhibition at the Busch Reisinger Museum, which appears to have included various works and teachings from the Bauhaus school. Notably, the exhibit showcased elements of the Bauhaus approach to uniting art and technology, as mentioned in the text.

On the left-hand side of the image, one can see part of adjacent pages which are tucked between the page under review. These other pages are not fully visible, but they hint at the continuation of related content or possibly different articles from the same publication.

The image shows an open book with a page titled "BAUHAUS AT BUSCH REISINGER" by Marjory Supovitz. The page appears to be from a publication titled "Boston Review of the Arts", dated June 20, 1971, as indicated by handwritten notes at the top of the page.

Content of the Page:

• Text: The left side of the page contains an article discussing the Bauhaus movement and its influence on modern art and design. The article highlights the significance of the Bauhaus in shaping contemporary design philosophy, emphasizing its emphasis on functionality, materiality, and the integration of art and technology. It also describes an exhibition at the Busch-Reisinger Museum, showcasing works from various Bauhaus workshops and artists, such as Walter Gropius, Lazlo Moholy-Nagy, and others. The text references specific pieces, including Moholy-Nagy’s Light Space Modulator and Gropius’s architectural designs.

• Image: The right side of the page features a black-and-white photograph of Lazlo Moholy-Nagy’s Light Space Modulator. The object is a sculptural, kinetic artwork that combines elements of light, space, and movement. It appears to be a mechanical structure with wires, rods, and reflective surfaces, designed to interact with light and create dynamic visual effects. The photograph is captioned:
  "LIGHT SPACE MODULATOR/MOHOLY NAGY AT BUSCH REISINGER".

• Additional Text: Below the image, there is a brief description of the artwork, noting its role in achieving a "unity of arts and crafts" and referencing its inclusion in the exhibition. The text also mentions other works on display, such as Gropius’s architectural designs and Oskar Schlemmer’s theater workshop designs.

Layout and Design:

• The page has a clean, structured layout typical of a magazine or journal article. The title is prominently displayed at the top in bold, capitalized text.
• The handwritten note at the top ("Boston Review of the Arts June 20, 1971") suggests that this is a clipping or reproduction of an article from that publication.
• The page number 41 is visible in the bottom right corner, indicating its position within the larger publication.

Overall Context:

The image captures a scholarly or artistic discussion of the Bauhaus movement, focusing on its legacy and the exhibition at the Busch-Reisinger Museum. The inclusion of Moholy-Nagy’s Light Space Modulator underscores the article’s emphasis on the intersection of art, technology, and design that characterized the Bauhaus philosophy. The visual and textual elements work together to provide a comprehensive overview of the exhibition and its significance.

The image is a double-page spread from a magazine or book, featuring an article titled "Bauhaus at Busch-Reisinger" by Marjorie Sutovi. The article discusses an exhibition at the Busch-Reisinger Museum, which is part of Harvard University, showcasing works from the Bauhaus school. The left page contains the article's text, while the right page includes a photograph of a Bauhaus-inspired architectural design, possibly a light space modulator or a similar object. The article highlights the significance of the Bauhaus movement and its influence on contemporary design, emphasizing the educational philosophy of the Bauhaus that aimed to integrate art, craft, and technology. The article also mentions specific works and artists featured in the exhibition, such as László Moholy-Nagy and Walter Gropius, and describes the educational approach of the Bauhaus, which included practical workshops and a curriculum designed to foster a new unity of art and technology. The photograph on the right page shows a modern, industrial-looking structure that embodies the Bauhaus aesthetic of simplicity, functionality, and the use of industrial materials.