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The image shows a newspaper clipping with an article titled "ART / Bauhaus light still in focus." The article is written by Edgar J. Driscoll Jr., a Globe Staff writer. The content discusses the enduring influence of the Bauhaus, a German school of design that operated from 1919 to 1933 and had a profound impact on modern art, architecture, and design.

Key points from the article include:

1. Bauhaus Influence: The Bauhaus's influence is widespread, affecting modern buildings, furniture, furnishings, textiles, automobiles, household items, ceramics, and graphics.

2. Exhibition: The article highlights an exhibition called "Concepts of the Bauhaus" at the Busch-Reisinger Museum at Harvard University. This exhibition is noted as the only museum in the country devoted solely to Germanic art and has a large collection of Bauhaus material.

3. Walter Gropius: The article mentions Walter Gropius, the founder of the Bauhaus, and his vision of unity in diversity and the integration of art and technology.

4. Artists and Works: The exhibition features works by various artists who were associated with the Bauhaus, including Paul Klee, Wassily Kandinsky, Lyonel Feininger, and others. The works span different mediums such as painting, sculpture, typography, and photography.

5. Historical Context: The article provides historical context, mentioning the Bauhaus's closure by the Nazi regime in 1933 and the subsequent emigration of many of its faculty and students to other countries, including the United States.

6. Criticism and Legacy: The article also touches on the criticism faced by the Bauhaus, particularly from conservative elements, and its lasting legacy in modern design and art education.

The article emphasizes the Bauhaus's enduring impact on contemporary design and its role in shaping modern aesthetics.

The image displays a page from a newspaper article titled "ART / Bauhaus light still in focus," written by Edgar J. Driscoll Jr., from the Globe Staff. The article discusses the lasting influence of the Bauhaus, a renowned German school of design that was influential from 1919 to 1933.

Key points covered in the article include:

1. Influence of Bauhaus: The article highlights that the Bauhaus's impact is pervasive, seen in various aspects of modern architecture, furniture, textiles, and graphics.
2. Historical Context: The Bauhaus was a central figure in German design education, emphasizing the integration of art, crafts, and technology.
3. Museum Show: The article mentions a summer-long exhibition at the Busch-Reisinger Museum at Harvard University that showcases the Bauhaus movement, focusing on the concept of unity in diversity.
4. Artists and Collaborators: It discusses prominent figures like Walter Gropius, who led the Bauhaus, and the collaborative efforts of various artists and craftsmen who worked together to revolutionize design.
5. Revival and Influence: The article notes the continued relevance and influence of the Bauhaus principles in modern design and education, emphasizing the movement's impact on contemporary art and architecture.

The text describes how the Bauhaus's principles were fundamental to developing a new aesthetic and a new way of life in education, which influenced art and design worldwide. It also references specific artists and works like those of Kandinsky, Klee, and Albers, whose contributions are still significant in modern design and art movements.

ART / Bauhaus light still in focus

By Edgar J. Driscoll Jr.
Globe Staff

Its influences are everywhere. All pervasive too.

You find them in our buildings, furniture and furnishings, textiles, autos, paintings, theater, ceramics and graphics.

The Bauhaus, of course, that famed German school of design, which was one of the most influential, though relatively short-lived, centers of learning in the history of modern art. Probably no other single institution in this century has exerted more influence on the architecture and design of our time.

This is evident in a summer-long showing at the Busch-Reisinger Museum at Harvard University, the spotlight is on it once more. "Concepts of the Bauhaus" is the title of the show, for it, the Busch-Reisinger, the only museum in this country devoted solely to German art, has opened its vast trove of Bauhaus material, much of it never publicly exhibited before.

The brain child of the late architect Walter Gropius of Lincoln, the Bauhaus flourished first at Weimar and later at Dessau from 1919 until 1933 when Hitler pulled the rug from under it on grounds that its ideas and ideals were not compatible with the Nazi philosophy.

During that time, it attracted a rich array of artists, architects, designers and students who worked together in the belief that art and technology could be one. It was a time when everything from the coffee cup to city planning, from the lamp to the stage set, was considered with everything in between. The Bauhaus stressed collaboration between the arts and crafts was its cornerstone.

The school, which moved from Weimar to Dessau to Berlin, was more than a school. It was a way of life, a whole new way of living and seeing. In the 50 years since its closing, the Bauhaus has had a profound influence on education and become probably the most effective coordinating factory in the chaotic picture of modern art; as one writer has put it, "the first real attempt to unify the arts."

The method involved a dynamic interaction of theory and practice, head and hand, art and craft. "Unity in diversity," Gropius called it.

And you'll see just what he meant in the Busch-Reisinger showing of works in many media produced at the Bauhaus in pursuit of that ideal. The school and Technology, a New Art.

For the Bauhaus, artists and crafts were raised to the same level, and the fine arts and crafts were to be the same. Thus you'll find textiles, chairs, lamps, metal work, ceramics, architectural designs, advertising layout, or typography, along with prints, paintings and sculpture.

Many of these have special interest in light of the new craft movement sweeping the country today. And the work of some of the Bauhaus masters, who came to this country when the school was closed in 1933, are still with us.

"arresting" divisions between the structural and decorative arts are being ignored and denied.

In the cases of Kandinsky, Klee and Albers, it is interesting to note in early paintings and prints included in the show and later works, how the abstract styles shifted from the representational to the abstract in their pursuit of "form" in the Bauhaus. Indeed it was at the Bauhaus that Kandinsky, Klee and Albers, who were all on the faculty, developed the abstract ideas and ideals are still very much with us.

One to whom homage is paid in this show include Herbert Bayer and the architects Marcel Breuer, Mies van der Rohe and Walter Gropius. The names of Feininger, Moholy-Nagy and the Albers are still very much with us.

The image is a newspaper article titled "ART / Bauhaus light still in focus" written by Edgar J. Driscoll Jr., a member of the Globe Staff. The article discusses the lasting influence of the Bauhaus, a highly influential school of design, architecture, and applied arts that was active in Germany from 1919 to 1933.

Key Points from the Article:

1. Bauhaus Overview:

   • Founded by architect Walter Gropius in 1919 in Weimar, Germany.
   • It was a revolutionary school focused on integrating arts, crafts, and technology.
   • The Bauhaus aimed to unify art and industrial design, influencing various fields such as architecture, furniture, textiles, and graphic design.

2. Influence and Exhibitions:

   • The Bauhaus has had a pervasive and enduring impact on modern design and architecture.
   • The article mentions an exhibition at the Busch-Reisinger Museum at Harvard University, which showcased the school's work and legacy.
   • The exhibition was notable for being the only museum in the U.S. to develop its Bauhaus collection solely through German art.

3. Exhibition Details:

   • The exhibition featured works by many artists and designers associated with the Bauhaus, including Paul Klee, Josef Albers, Lyonel Feininger, Gerhard Marcks, and others.
   • The works displayed included paintings, prints, drawings, metal crafts, ceramics, lamps, textiles, and architectural designs.

4. Bauhaus Philosophy:

   • The Bauhaus is described as an idea that aimed to bring artists and craftsmen together to create a new visual culture.
   • The school's dynamic approach involved integrating theory and practice, and it emphasized the unity of art and technology.

5. Cultural Impact:

   • The Bauhaus movement was forced to close in 1933 due to political pressures but had a lasting impact on modernist design.
   • The article highlights the shift from representational to abstract art and the exploration of form and space in modern art and design.

6. Historical Context:

   • The article notes the contributions of Kandinsky, Klee, and Albers, who were prominent figures in the Bauhaus.
   • It also mentions the influence of Bauhaus artists who emigrated to the U.S. and continued their work, further spreading Bauhaus ideals.

Overall, the article emphasizes the Bauhaus's significant and ongoing influence on art, design, and education.

The image is a newspaper clipping from the "Globe Staff" dated around the mid-20th century. The article is titled "ART / Bauhaus light still in focus" and is written by Edgar J. Driscoll Jr.

The article discusses the influence of the Bauhaus school of design, which was established in Weimar, Germany, in 1919 by Walter Gropius. The Bauhaus was an influential school that integrated arts and crafts with industrial design and technology, impacting various fields such as architecture, furniture design, textiles, theater, ceramics, and graphics.

Key points from the article include:

• Bauhaus was a summer-long exhibition at the Busch-Reisinger Museum at Harvard University, which was the first of its kind in the United States.
• The school aimed to unify all arts and crafts under a single approach, focusing on unity and diversity.
• The Bauhaus influenced modern design and architecture, and its legacy continues to be felt in contemporary design practices.
• The article mentions various artists and architects associated with Bauhaus, including Josef Albers, Herbert Bayer, Marcel Breuer, and Wassily Kandinsky, highlighting their contributions to art and design.
• It also discusses how Bauhaus principles were applied to various media, including textiles, metalwork, ceramics, and typography.
• The article notes the impact of Bauhaus on education and its role in shaping a new way of life through design.

Overall, the article emphasizes the enduring impact and relevance of the Bauhaus movement on modern art and design.

The image shows a newspaper clipping with the headline "ART / Bauhaus light still in focus." The article is written by Edgar J. Driscoll Jr. and was published in the Globe Staff section.

The article discusses the influence of the Bauhaus school of art and design, which was founded in Germany in 1919 and closed in 1933 due to political pressures from the Nazi regime. The Bauhaus is noted for its impact on modern art and design, emphasizing the integration of fine arts, crafts, and technology.

The article highlights the Bauhaus's legacy and its enduring influence on various aspects of modern life, such as architecture, furniture, textiles, theater, and graphics. It mentions that the Bauhaus was not just an art school but a revolutionary movement that aimed to integrate art and craft, and to educate people in a new way of life.

The clipping notes the Busch-Reisinger Museum at Harvard University's summer-long exhibition, which showcased the Bauhaus's impact and ideals. The article also mentions several artists associated with the Bauhaus, including Walter Gropius, Wassily Kandinsky, Paul Klee, Josef Albers, and László Moholy-Nagy, and their contributions to modern art and design.

The text emphasizes the Bauhaus's influence on contemporary design and the importance of understanding its principles, even though many of its ideas were suppressed during the Nazi era. It also briefly touches on the artists' subsequent careers and the legacy they left behind.

The image shows a newspaper clipping titled "ART / Bauhaus light still in focus." The article is written by Edgar J. Driscoll Jr. from the Globe Staff. The text discusses the widespread influence of the Bauhaus movement in various fields such as buildings, furniture, furnishings, textiles, autos, paintings, theater, ceramics, and graphics. It highlights the Bauhaus as a German school of design that was highly influential despite its relatively short existence. The article mentions Walter Gropius, the founder of the Bauhaus, and the school's historical context, including its closure after the Nazis came to power.

The article also talks about the impact and legacy of the Bauhaus on modern art, architecture, and design, referencing the Busch-Reisinger Museum at Harvard University, which is dedicated to this field. It notes different artists associated with the Bauhaus or influenced by it, like Kandinsky, Klee, and Albers, and discusses their transition from the school to other stages in their artistic careers.

The article provides a detailed overview of the Bauhaus philosophy and its continuing relevance and influence on contemporary art and design. The clipping appears aged, typical of an older newspaper, and is mounted or held in place with cream-colored tape on a larger, possibly archival, background. The edges of the clipping are slightly uneven.

The image displays a newspaper article laid out on top of several other papers of varying colors. The article headline reads "ART / Bauhaus light still in focus" and the byline indicates it was written by Edgar J. Driscoll Jr. for the Globe Staff.

The text of the article appears to discuss the impact and ongoing relevance of the Bauhaus, a famous German school of design, architecture, and applied arts that flourished during the early 20th century. It mentions key figures associated with the Bauhaus, such as Walter Gropius, who was the founder, as well as discusses its influence on modern design and its clash with National Socialist ideology.

This description focuses on what is visible and does not make any assumptions about the parts of the text that are obscured or too small to read. The image gives an impression of research material or the process of studying the Bauhaus.

The image shows a page from a publication titled "ART / Bauhaus light still in focus", authored by Edgar J. Driscoll Jr. of the Globe Staff. The page appears to be part of an article or feature discussing the Bauhaus movement, its influence, and its enduring relevance.

Key Elements in the Image:

1. Title and Header:

   • The headline, "ART / Bauhaus light still in focus", is prominently displayed at the top of the page, indicating the article's focus on the Bauhaus movement and its lasting impact.

2. Author and Source:

   • The article is credited to Edgar J. Driscoll Jr., identified as part of the Globe Staff, suggesting it is from a newspaper or magazine.

3. Content Overview:

   • The article discusses the Bauhaus, a German art and design school founded by architect Walter Gropius in Weimar in 1919. It highlights the Bauhaus's influence on modern design, architecture, and various art forms.
   • The text emphasizes the Bauhaus's role in shaping industrial design, architecture, and the integration of art and craftsmanship.
   • It mentions the Bauhaus's move from Weimar to Dessau and later to Berlin, and its eventual closure under the Nazi regime in 1933.

4. Key Themes:

   • Influence: The article stresses the Bauhaus's pervasive influence on contemporary design, architecture, and visual culture.
   • Exhibition: It references a Bauhaus exhibition at Harvard University's Busch-Reisinger Museum, noting it as the only museum in the country devoted solely to Bauhaus material.
   • Legacy: The text explores how the Bauhaus's principles continue to influence modern art, design, and education, with a focus on its revolutionary approach to integrating art, craft, and industry.

5. Visual Layout:

   • The page features a clean, text-heavy layout typical of newspaper or magazine articles. There are no images or illustrations visible in this particular page.
   • The text is organized into paragraphs, with clear headings and subheadings to guide the reader through the discussion.

6. Contextual Clues:

   • The article references notable Bauhaus figures such as Walter Gropius, Paul Klee, László Moholy-Nagy, and others, highlighting their contributions to the movement.
   • It also touches on the political context of the Bauhaus's closure during the Nazi era and its revival in post-war Germany.

Summary:

The image depicts a page from an article that explores the enduring legacy of the Bauhaus movement. It discusses the school's historical significance, its influence on modern design and architecture, and its continued relevance, particularly in the context of an exhibition at Harvard University's Busch-Reisinger Museum. The article is written in a journalistic style, providing a detailed overview of the Bauhaus's impact and its place in contemporary art and design.

The image shows an open book with a page displaying a newspaper clipping. The clipping is titled "ART / Bauhaus light still in focus" and is written by Edgar J. Driscoll Jr. of the Globe Staff. The clipping discusses the Bauhaus school of design, its influence on architecture and design, and its lasting impact on modern art and education. The clipping features text in a mix of bold and regular font, with some words highlighted in bold for emphasis. The page also includes images of artworks by Bauhaus artists, such as Lyonel Feininger and Herbert Bayer, and mentions other artists associated with the Bauhaus, such as Marcel Breuer and Mies van der Rohe.