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ARCH.2013.5.13, Rendition: 797568
The image shows a program from an event that took place on the evening of February 26, 1971, at 125 People. The document lists the following musical pieces and their composers:
Followed by:
After an asterisk separation:
At the bottom, it is noted that Brian Jones was the organist for this event. The program is kept in a booklet or an album, as seen by the brown paper surrounding the document.
The image shows a page from a program booklet for a musical event or concert. The event is dated "Feb. Evening, Feb. 26, 1971" and is associated with the venue "125 People."
The program lists the following musical works and their composers:
At the bottom of the page, the name "Brian Jones, organist" is handwritten, indicating that Brian Jones was the organist for this concert.
The page is part of a booklet that appears to have been handwritten or printed in a vintage style. There are some visible markings and a tear at the bottom left corner.
The image shows a program for an organ recital that took place on February 26, 1971, with an attendance of 125 people. The program is handwritten and lists the pieces to be performed along with the composers and their respective years of birth and death (or birth year only).
Here's the detailed program:
The program also notes that Brian Jones was the organist. The document is affixed to what appears to be a page from a book or ledger, with the edges showing signs of wear and tear.
The image shows a program from an evening concert that took place on February 26, 1971. The concert had an audience of 125 people. The program lists several musical pieces performed during the concert along with their composers and some additional details:
The second section of the program includes:
The final section of the program includes:
Brian Jones is noted as the organist for the concert. The program is neatly typed on a sheet of paper and placed in a book or binder.
The image shows a concert program from a recital that took place on February 26, 1971, at 12:30 PM. The organist for the event was Breau Jocea. Here is a detailed listing of the pieces performed, along with their respective composers and their lifespans:
La Romanesca con cinque mutanza
Allegro
Variations on "The Spanish Folly"
(There appears to be a separation indicated by asterisks)
Chorale Prelude: "We All Believe In One God"
Toccata in D minor
Chorale Prelude: "Sleepers Wake, A Voice Is Calling"
Gigue Fugue in G Major
(Another separation indicated by asterisks)
Communions: "Les oiseaux et les sources" (1951) from the Pentecost Mass
Litanies
The program features a mix of Baroque compositions, primarily from the 17th and 18th centuries, with a modern piece by Olivier Messiaen from the mid-20th century.
The image shows a printed program for an organ concert that took place on the evening of February 26, 1971. The event had an attendance of 125 people. The program lists the pieces performed, their composers, and the years of the composers' lifetimes. Here is a detailed summary of the program:
The organist for the event was Brean Jones. The program is placed inside a book or binder, which is visible in the image. The paper appears to be aged, indicating the document's historical nature.
The image shows what appears to be a printed concert program page for an organ music event that took place on the evening of October 26, 1971, in front of an audience of 125 people. The program lists various musical pieces along with their respective composers and their lifespans. Here is the content listed:
There's a line marked by asterisks, suggesting a break or intermission in the program, followed by:
Another set of asterisks appears here, and then the program continues with:
There's another break indicated by asterisks, followed by:
At the bottom of the page, there is a handwritten signature that reads "Brian Jones, organist."
The program page is mounted on a brown cardboard-like material, with its upper left corner slightly folded, and there's a slight crease or tear on the lower side. It is a black and white image, and there's evidence of age and wear both on the program page and the backing material.
The image shows an old typed program for a musical performance with the title "PROGRAM" centered near the top. The program is organized into three sections, each separated by a line of asterisks.
The first section includes:
The second section includes:
The third section includes:
The program indicates the performer as "Brian Jones, organist" written in pencil at the bottom.
At the top of the program, handwritten in pencil, it reads "Fri Evening Feb 26, 1971" and "125 People."
The program is placed on a yellowed sheet of paper within a book or album, with an old, slightly worn page visible underneath. The right corner of the program page is folded.
The image shows the interior of a folder or binder containing a program sheet for a musical performance. The program is dated February 26, 1971, and is titled "125 People". The sheet lists a series of musical pieces to be performed, along with their composers and dates of birth/death where applicable. The program includes the following works:
La Romanesca con cinque mutanza
Allegro
Variations on "The Spanish Folly"
Chorale Prelude: "We All Believe In One God"
Toccata in D minor
Chorale Prelude: "Sleepers Wake, A Voice Is Calling"
Gigue Figue in G Major
Communion: "Les diseaux et les sources" (1951) (from the Pentecost Mass)
Litany
At the bottom of the program, it is signed "Brian Jones, organist", indicating that Brian Jones was the organist for the performance. The folder itself appears to be made of a light brown material, possibly cardboard, and has a slightly worn appearance, suggesting it may have been used or stored for some time. The program sheet is neatly inserted and appears to be the primary focus of the image.
The image shows a program for a concert, dated July 26, 1971, with the number of attendees mentioned as 125. The program is printed on white paper and features a list of musical pieces to be performed, along with the names of the composers and the organist, Brian Jones. The pieces include "La Romanesca con cinque mutanze" by Antonio Valente, "Variations on 'The Spanish Folly'" by Bernardo Pasquini, "Chorale Prelude: 'We All Believe In One God'" by Johann Ludwig Krebs, "Toccata in D minor" by Johann Sebastian Bach, "Chorale Prelude: 'Sleepers Wake, A Voice Is Calling'" by J. S. Bach, "Gigue in G Major," "Communion: 'Les oiseaux et les sources'" by Olivier Messiaen, and "Litanies" by Jehan Alain.