Archives Scrapbooks

The image shows a page from a scrapbook or album, containing several newspaper clippings related to music performances and reviews from the early 1970s. Here is a detailed summary of the content:

1. Top Left Clipping:

   • Title: "Music new and lively"
   • Author: Louis Kronenberger
   • Date: January 27, 1971
   • Content: A review of a concert by Boston Musica Viva, conducted by Richard Dyer-Bennet. The performance included works by contemporary composers such as Robert Moevs, Arthur Berger, and others. The reviewer praises the group's enthusiasm and the quality of the performances.

2. Top Right Clipping:

   • Title: "Not what they played But the way that they..."
   • Author: Michael Walsh
   • Date: February 1, 1971
   • Content: A review of a concert by Boston Musica Viva, focusing on their performance style and the selection of contemporary music. The reviewer highlights the group's ability to make modern music accessible and enjoyable.

3. Middle Left Clipping:

   • Title: "Series in Second Year"
   • Author: Barry Neville
   • Date: February 4, 1971
   • Content: An article about the Boston Musica Viva's second year of performances. It mentions the group's unique approach to contemporary music and their upcoming concerts.

4. Middle Right Clipping:

   • Title: "Richard Dyer-Bennet to Lead Musica Viva"
   • Author: Not specified
   • Date: February 2, 1971
   • Content: An announcement about Richard Dyer-Bennet conducting the Boston Musica Viva in a concert featuring works by contemporary composers.

5. Bottom Left Clipping:

   • Title: "The Globe Featured"
   • Author: Not specified
   • Date: Not specified
   • Content: A brief mention of a performance by Boston Musica Viva, highlighting their innovative approach to contemporary music.

6. Bottom Right Clipping:

   • Title: "BOSTON MUSICA VIVA"
   • Author: Not specified
   • Date: Not specified
   • Content: A brief announcement about an upcoming concert by Boston Musica Viva, featuring works by contemporary composers.

Overall, the clippings highlight the activities and performances of the Boston Musica Viva, a group dedicated to contemporary music, and the positive reception of their concerts in the early 1970s.

The image is a scanned page from the "Boston After Dark" publication, dated February 9, 1971. The page contains several music-related articles and reviews.

Main Articles:

1. Music New and Lively (By Louis Sedler, Cambridge, Mass.)

   • Boston Musica Viva Performance:
     • The author describes attending a concert by the Boston Musica Viva, which featured a varied program. The concert included pieces by Richard Pittman, Luciano Berio, and a world premiere by Claudio Spies.
     • The performance of Berio’s "Sequenza III" for solo voice was particularly notable for its theatrical and dramatic elements.
     • The author praises the ensemble's ability to play complex and contemporary music, noting the clarity and liveliness of the performance.

2. Series in Second Year: Boston Musica Viva (By Harry Neville)

   • This article discusses the ongoing series of performances by the Boston Musica Viva.
   • Neville praises the ensemble for their innovative programming and their ability to make modern music accessible to the audience.
   • He mentions specific pieces and composers, such as Jacob Druckman and Ezra Laderman, highlighting the variety and quality of the works performed.
   • The article emphasizes the importance of the Boston Musica Viva in the contemporary music scene and their dedication to performing new works.

3. Not What They Played But the Way That They... (By Huntley Dent)

   • Review of Webern Trio:
     • The author reviews a performance of the Webern Trio, focusing on the manner and style of their playing rather than the specific pieces.
     • The review praises the ensemble’s ability to convey emotion and structure in their performance, despite the complexity of the modern compositions they tackle.
     • The article highlights the unity and coordination among the trio members, particularly noting their cohesive sound and dynamic expressiveness.

Additional Content:

• Herald Traveler Section:

  • The bottom portion of the page advertises travel deals and information under the "Herald Traveler" section.

• Advertisement for Boston Musica Viva:

  • There is an ad for the upcoming performance by the Boston Musica Viva, listing the date, time, and place (Jordan Hall), along with the program details, which include works by Schoenberg, Wuorinen, and others.

Overall, the page is a rich source of information about contemporary classical music performances and reviews in the Boston area during the early 1970s.

The image shows pages from a newspaper, specifically articles related to music performances in Boston. Here's a detailed summary of the content:

1. Top Left Article - "Music new and lively" by Louis Snyder, Cambridge, Mass.

   • The Boston Musica Viva series, directed by Richard Pittman, is highlighted for its innovative programming.
   • The article discusses the premiere of the "Barber: Violin Concerto" with Nancy Cirillo as the soloist.
   • It mentions a performance of Stravinsky’s "Three Songs from 'William Shakespeare's The Merry Wives of Windsor'" with soprano Marcia Baldwin and a chamber ensemble.
   • The program also included works by Mozart and Schubert, with musicians such as Nancy Cirillo, Virginia Blakeman, and others.
   • The performance was described as lively and engaging, with a combination of traditional and contemporary music.

2. Top Right Article - "Boston After Dark" by Huntley Dent

   • The article reviews a concert by the Weberns' String Trio, featuring violinists Nancy Cirillo and Virginia Blakeman, and violist William Wrangham.
   • The trio performed works by Schubert, Stravinsky, and John Heins, with a focus on Stravinsky's "Three Songs from Shakespeare."
   • The review praises the trio's skillful performance, especially their ability to blend different musical styles and the emotional depth they brought to the pieces.

3. Bottom Left Article - "Series in Second Year" by Harry Neville

   • This article discusses the second year of the Boston Musica Viva series, emphasizing its commitment to contemporary music.
   • The series is directed by Richard Pittman and presented by the Busch-Reisinger Museum.
   • The article highlights the premiere of John Heins' "Three Songs from Shakespeare" and a performance by the Weberns' String Trio.
   • It mentions that the series aims to provide a blend of contemporary and traditional works, offering a unique listening experience.

4. Bottom Right Article - "Herold Thauler" and "20th Anniversary"

   • This section appears to be a smaller article or a continuation of the previous articles, mentioning the 20th anniversary of Harvard University's Busch-Reisinger Museum.
   • It mentions a performance by Richard Pittman, who is a conductor and director of the Boston Musica Viva series.
   • The article includes a brief mention of the program's variety and the quality of performances, emphasizing the museum's role in promoting contemporary music.

Overall, the articles collectively celebrate the innovative and engaging performances of the Boston Musica Viva series, highlighting both the musicians and the unique programming that blends classical and contemporary works.

The image shows a collection of newspaper clippings from the 1970s, focusing on music performances and reviews.

1. Top Left Clipping:

   • Headline: "Music new and lively"
   • By: Louis Seydler
   • Date: February 1971
   • Location: Cambridge, Massachusetts
   • Content: The article discusses a concert by Boston Musica Viva, featuring works by Richard Strauss and Igor Stravinsky. It highlights the performance of the "Three Pieces for Clarinet, Cello, and Piano" by Stravinsky and the "Metamorphosen" by Richard Strauss. The performance was praised for its clarity and musicality, with particular mention of the clarinetist and pianist, Thomas Hill.

2. Top Right Clipping:

   • Headline: "Boston After Dark"
   • By: Huntley D. Pennington
   • Date: February 9, 1971
   • Content: This review discusses the Boston Musica Viva concert, focusing on the performance of the "Three Pieces for Clarinet, Cello, and Piano" by Stravinsky. It notes the musicians' skillful interpretation, particularly the use of rhythm and the nuanced playing by John Curtis and Virginia Blake. The review also mentions the performance of "The Rake's Progress" by Igor Stravinsky, highlighting its complexity and the musicians' ability to convey its dramatic content.

3. Bottom Left Clipping:

   • Headline: "Series in Second Year"
   • By: Harry Neville
   • Date: February 4, 1971
   • Content: This article discusses the Boston Musica Viva series, which is in its second year. It mentions the various performances and the quality of the works being presented, including the "Mendelssohn Trio" and "Grieg's Piano Concerto." The article emphasizes the group's commitment to providing a high-quality musical experience.

4. Bottom Center Clipping:

   • Headline: "Herald Trauber"
   • Date: February 4, 1971
   • Content: This clipping appears to be a short note or announcement related to the performances of the Boston Musica Viva series, possibly mentioning a specific performance or artist.

5. Bottom Right Clipping:

   • Headline: "20th Music Festival"
   • By: Herald Staff
   • Date: February 1971
   • Content: This clipping is about the Harvard University's 20th Music Festival. It highlights a performance by Richard Pittman and the "Webern Trio for Strings" by Anton Webern. The article notes the artistic and technical achievements of the performers, emphasizing the precision and nuanced interpretation of the music.

The overall theme of these articles is the celebration of contemporary and classical music performances, focusing on the technical skill, artistic interpretation, and the impact of the performances on the audience.

The image shows a page from a newspaper featuring two articles related to music performances in Boston.

Left Article:
Title: "Music New and Lively"
Author: Louis Seydler
Date: February 4, 1971

The article discusses two concerts at the Boston Music Viva series. The first concert, performed by Boston Musica Viva, included performances by Mr. Hess, who played "The Rite of Spring" by Stravinsky, accompanied by a trio of instruments including a clarinet and a violin. The performance was noted for its innovative and experimental approach. Another concert by the Boston Symphony Chamber Orchestra, featuring the Boston Symphony Chamber Players, showcased works by Dutilleux and Stravinsky, with the latter's "Three Pieces for Clarinet, Piano, and Strings" being particularly highlighted.

Right Article:
Title: "Boston After Dark"
Author: Huntley Dent
Date: February 9, 1971

This article critiques the Boston Music Viva concert series, focusing on the performance of the Weber Trio. The reviewer, Huntley Dent, praises the musicians' skill but criticizes the program's lack of balance and the uninspired rhythm and vocal delivery. He particularly highlights the use of the Weber Trio's music in "The Three Songs of John Henry," describing it as lacking in emotional depth and technical finesse. The reviewer also mentions the performance of Stravinsky's "Three Pieces" and contrasts it with the overall shortcomings of the evening's concert.

Additional Notes:

• The left article mentions specific musicians such as Nancy Cirillo and Virginia Blake, who played in the Stravinsky trio.
• The right article includes comments on the quality and execution of the performances, with specific mention of the Weber Trio’s playing style and Stravinsky’s "Three Pieces."

The articles reflect a mix of appreciation for the musicians’ skills and critiques on the broader musical experience offered by the series.

The image displays two open book pages covered with newspaper clippings. On the left page, there are two articles. The first, titled "Music new and lively" by Louis Snyder, discusses a recent concert by the Boston Musica Viva, highlighting its contemporary and engaging nature, with a focus on pieces by Richard Teitelbaum and Krzystof Penderecki. The second article, titled "Series in Second Year: Boston Musica Viva" by Harry Neville, reviews another concert by the same group, praising their performance of John Cage's "Living Room Music" and other pieces, and noting the group's ability to present contemporary music accessibly.

The right page features two articles. The first, titled "Not what they played, but the way that they..." by Huntley Dent, critically reviews a Boston Symphony performance, focusing on the interpreters' expressions and dynamics rather than the music itself. The second article, titled "Boston After Dark" dated February 9, 1971, briefly mentions various performances and events, including a comment on the Boston Musica Viva concert also reviewed in the left page articles.

The image shows an open scrapbook or binder with several newspaper articles pasted onto the pages. The articles are related to music reviews and events. The most prominent heading on the left page reads "Music new and lively" and appears to be an article from a section titled "Music," written by Carlyn B. Mabee. It mentions the Boston Musica Viva, which is also the focus of another article on the lower left titled "Boston Musica Viva" by Harry Neville, noting its series in the second year. Additional articles discuss various musical performances and details. There seems to be handwritten text on the paper clippings, possibly dates or notes related to the articles, such as "Herald Traveller Feb. 4, 1971" written in cursive.

Toward the right edge, there is another article with the heading "Not what they played But the way that they...". A promotional card for "BOSTON MU" is also visible, providing information about an event featuring "Richard Pittman" and taking place "At The Busch-Reisinger Museum Harvard University," suggesting it's related to the Boston Musica Viva. There's a reference to the date "20th C" which might be short for "20th century."

These articles are likely of historical interest to someone who is a fan of the Boston Musica Viva, or perhaps a researcher or someone involved in the historical documentation of music in Boston. The dates, although partially obscured, indicate that these articles are from the early 1970s.

The image shows a scrapbook or album page with multiple newspaper clippings pasted onto it. The clippings are music reviews and articles from early 1971, specifically related to Boston Musica Viva, a contemporary music group. The clippings have handwritten notes with dates such as "Feb. 4, 1971" and "Feb. 9, 1971," and some location references like "Cambridge, Mass."

1. The top left clipping, titled "Music new and lively" by Louis Snyder, discusses Boston Musica Viva's recent concert, mentioning the works of Webern, Schoenberg, John Heiss, and others, focusing on contemporary music and the performance of specific musicians and compositions.

2. The bottom left clipping is from the Herald Traveler dated Feb. 4, 1971, titled "Boston Musica Viva" by Harry Neville. It talks about the group's presentation of contemporary music, mentioning specific works and musicians, and comments on the audience and programming.

3. The right clipping, titled "Not what they played but the way that they..." by Huntley Dent, dated Feb. 9, 1971, focuses on the style and manner of the performance, analyzing specific pieces and musicians, including John Curtis and Luigi Dallapiccola. It emphasizes the interpretive and expressive qualities of the music rather than just the repertoire played.

Overall, the page documents critical responses to Boston Musica Viva's concerts in early 1971, highlighting modern music performances and their reception.

The image depicts an open book, likely a newspaper or magazine, featuring a page layout with several articles and headlines. The visible content includes the following details:

Left Page:

• Headline: "Music new and lively"

  • Byline: By Louis Snyder, Cambridge, Mass.
  • Content: The article discusses a music program presented by the Boston Musica Viva, highlighting performances by various musicians, including Richard Palmer, John LaPorta, and others. It mentions the group's repertoire, which includes works by composers such as Bach, Beethoven, and contemporary pieces. The article emphasizes the ensemble's unique approach to music and their performance style.

• Date: The page is dated Feb 4, 1971, and is signed at the bottom by "Harold Trauber."

Right Page:

• Headline: "Boston Musica Viva"

  • Byline: By Harry Neville.
  • Content: This article provides further details about the Boston Musica Viva, describing their performances and the reception they received. It mentions the ensemble's focus on contemporary music and their efforts to engage with the local community. The article also discusses the group's programming, which includes works by composers such as Webern, Boulez, and others.

• Additional Headlines:

  • "Not what they played But the way that they..."

    • This article, by Huntley Dent, appears to critique or analyze the performance style of the Boston Musica Viva, emphasizing that their approach and interpretation were as significant as the pieces they performed.

  • "The Busch CAM"

    • This section mentions a performance by Richard Busch, scheduled for Tuesday, February 9, 1971, at Busch-Reisinger Hall. It notes that tickets are available at the hall.

Design and Layout:

• The page features a clean, structured layout typical of a newspaper or magazine from the early 1970s.
• Typography: The text is printed in a serif font, with clear headings and subheadings.
• Visual Elements: There are no visible images or photographs on the page; the content is purely textual.
• Annotations: The page includes handwritten notes and markings, such as the date "Feb 4, 1971" and the name "Harold Trauber," suggesting it may have been part of a personal collection or archive.

Overall Context:

The image captures a snapshot of music criticism and cultural commentary from February 1971, focusing on the Boston Musica Viva ensemble and their innovative approach to contemporary music. The articles highlight the group's performances, their programming choices, and the critical reception of their work. The handwritten annotations suggest that the page may have been preserved for personal or historical significance.

The image shows a newspaper clipping featuring articles about the Boston Musica Viva group. The clipping includes several articles about the group's performances, programming, and reception. The articles discuss the group's innovative programming, their commitment to performing contemporary music, and their ability to engage audiences with their performances. The clipping also includes reviews of specific concerts and performances by the group, highlighting the strengths and weaknesses of their programming and performances.