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The image shows an open book or catalog with text on both the left and right pages. The text appears to be a listing of artworks, likely part of an exhibition, with details such as titles, years of creation, mediums, dimensions, and other relevant information.

Here is a detailed breakdown of the content on the right page:

1. 144 Moses on Mt. Sinai

   • Medium: Woodcut, 1928
   • Dimensions: 14 1/2 x 17 1/2 inches
   • Additional Information: Signed in pencil, E. Barlach. Schult II: 281. Lent by Mrs. Naomi Jackson Groves

2. 145 The Panic-Stricken (Panischer Schrecken)

   • Medium: Lithograph, 1928/30
   • Dimensions: 12 7/8 x 16 3/4 inches
   • Additional Information: Schult II: 286. Similar to the sculptures of the same title, Schult II: 138-40.

3. 146 The Royal Grave (Das Königsgrab)

   • Medium: Lithograph, 1930
   • Dimensions: 10 1/2 x 14 inches
   • Additional Information: Schult II: 289. Gift of Mrs. Naomi Jackson Groves

4. 147 Adam and Eve (Adam und Eva)

   • Medium: Lithograph, 1930
   • Dimensions: 14 7/8 x 10 5/8 inches
   • Additional Information: Signed in pencil, E. Barlach. Schult II: 290. Lent by Mrs. Naomi Jackson Groves

5. 148 Hope and Despair II (Hoffnung und Verzweiflung II)

   • Medium: Lithograph, 1931
   • Dimensions: 12 1/4 x 18 1/8 inches
   • Additional Information: Signed in pencil, E. Barlach. Schult II: 293. Lent by The Museum of Modern Art, purchase.

6. 149 The New Day (Der Neue Tag)

   • Medium: Lithograph, 1932
   • Dimensions: 12 3/8 x 17 inches
   • Additional Information: Signed in pencil, E. Barlach. Schult II: 294. Lent by The Fogg Art Museum

At the bottom right of the page, there is a note about the catalog's design and production details:

• Designed by Designs & Devices
• Printed by Malloy Printing Company
• Specifications: 70 lb. gray, laid Linweave Text and 60 lb. Glatfelter Medium, Italic and Bold cold type

The left page contains what appears to be an introduction or some context-setting text, but the details are not fully visible in the image.

The image shows an open catalog page featuring a selection of artworks by Emil Barlach. The page includes detailed descriptions of several lithographs and woodcuts by Barlach, accompanied by small images of the artwork.

Here is a detailed breakdown of the contents:

1. Moses on Mt. Sinai (Moses auf dem Sinai)

   • Type: Woodcut, 1928
   • Dimensions: 14 1/2 x 17 1/2 inches
   • Signed: I.r. E. Barlach
   • Reference: Schult II: 281
   • Lent by Mrs. Naomi Jackson Groves

2. The Panic-Stricken (Panischer Schrecken)

   • Type: Lithograph, 1928/30
   • Dimensions: 12 7/8 x 16 3/4 inches
   • Reference: Schult II: 286
   • Notes: Similar to sculptures of the same title, Schult I: 138-40

3. The Royal Grave (Königsgrab)

   • Type: Lithograph, 1930
   • Dimensions: 10 1/2 x 14 inches
   • Reference: Schult II: 289
   • Gift of Mrs. Naomi Jackson Groves

4. Adam and Eve (Adam und Eva)

   • Type: Lithograph, 1930
   • Dimensions: 14 7/8 x 10 5/8 inches
   • Signed: I.r. E. Barlach
   • Reference: Schult II: 290
   • Lent by Mrs. Naomi Jackson Groves

5. Hope and Despair II (Hoffnung und Verzweiflung II)

   • Type: Lithograph, 1931
   • Dimensions: 12 1/4 x 18 1/8 inches
   • Signed: I.I. E. Barlach
   • Reference: Schult II: 293
   • Lent by The Museum of Modern Art, purchase

6. The New Day (Der Neue Tag)

   • Type: Lithograph, 1932
   • Dimensions: 12 3/8 x 17 inches
   • Signed: I.r. E. Barlach
   • Reference: Schult II: 294
   • Lent by The Fogg Art Museum

Additionally, the catalog is designed by Designs & Devices and printed by Fallon Printing Company on 70 lb. gray, laid Linweave Text and Cover stock using medium, italic and bold cold type. The page number visible in the image is 142. The left side of the page seems to be part of the text that introduces or describes these artworks.

The image shows an open page from an art catalog. The page features a list of artworks along with their descriptions and details. Here's a detailed summary:

1. Artwork 144: Moses on Mt. Sinai

   • Title in German: Moses auf dem Sinai
   • Medium: Woodcut
   • Date: 1928
   • Dimensions: 14 1/2 x 17 1/2 inches
   • Signature: Signed I.r. E. Barlach
   • Reference: Schult II: 281
   • Lender: Lent by Mrs. Naomi Jackson Groves

2. Artwork 145: The Panic-Stricken

   • Title in German: Panischer Schrecken
   • Medium: Lithograph
   • Date: 1928/30
   • Dimensions: 12 7/8 x 16 3/4 inches
   • Reference: Schult II: 286
   • Note: Similar to the sculptures of the same title, Schult I: 138-40

3. Artwork 146: The Royal Grave

   • Title in German: Königsgrab
   • Medium: Lithograph
   • Date: 1930
   • Dimensions: 10 1/2 x 14 inches
   • Reference: Schult II: 289
   • Lender: Gift of Mrs. Naomi Jackson Groves

4. Artwork 147: Adam and Eve

   • Title in German: Adam und Eva
   • Medium: Lithograph
   • Date: 1930
   • Dimensions: 14 7/8 x 10 5/8 inches
   • Signature: Signed I.r. E. Barlach
   • Reference: Schult II: 290
   • Lender: Lent by Mrs. Naomi Jackson Groves

5. Artwork 148: Hope and Despair II

   • Title in German: Hoffnung und Verzweiflung II
   • Medium: Lithograph
   • Date: 1931
   • Dimensions: 12 1/4 x 18 1/8 inches
   • Signature: Signed I.r. E. Barlach
   • Reference: Schult II: 293
   • Lender: Lent by The Museum of Modern Art, purchase

6. Artwork 149: The New Day

   • Title in German: Der Neue Tag
   • Medium: Lithograph
   • Date: 1932
   • Dimensions: 12 3/8 x 17 inches
   • Signature: Signed I.r. E. Barlach
   • Reference: Schult II: 294
   • Lender: Lent by the Fogg Art Museum

Additionally, the catalog notes mention:

• The catalog was designed by Designs & Devices.
• It was printed by Fallon Printing Company on 70 lb. gray, laid Linweave Text and printed in Italic Medium and Bold cold type.

There is also a black-and-white illustration of "Moses on Mt. Sinai" on the left side of the page. The page numbers and additional text are partially visible, indicating that this is a section within a larger catalog.

The image shows an open page from a catalog, likely an exhibition catalog for a collection of artwork. The page includes detailed entries for several artworks, specifically lithographs, each with the following information:

1. Title and Subtitle:

   • "144 Moses on Mt. Sinai" (Moses auf dem Sinai)
   • "145 The Panic-Stricken" (Panischer Schrecken)
   • "146 The Royal Grave" (Königsgrab)
   • "147 Adam and Eve" (Adam und Eva)
   • "148 Hope and Despair II" (Hoffnung und Verzweiflung II)
   • "149 The New Day" (Der Neue Tag)

2. Medium and Year:

   • Each artwork is listed as a lithograph, with years ranging from 1928 to 1932.

3. Dimensions:

   • Dimensions are provided in inches for each piece, for example, "14 1/2 x 17 1/2 in." for Moses on Mt. Sinai.

4. Signatures and Editions:

   • Some entries include information about the signatures and editions, such as "Signed I.r. E. Barlach" and "Schult II: 281" for Moses on Mt. Sinai.

5. Lenders:

   • Information about who lent the pieces is provided, such as "Lent by Mrs. Naomi Jackson Groves" for Moses on Mt. Sinai and Adam and Eve.

6. Additional Notes:

   • Some entries include extra notes, such as the similarity to sculptures of the same title for The Panic-Stricken.

7. Catalogue Details:

   • At the bottom right of the page, it states that the catalog was designed by Designs & Devices, printed by Fallon Printing Company on 70 lb. gray, laid Linweave Text and cover stock, and uses Garamond, Medium, Italic, and Bold cold type.

The page is clean and neatly organized, providing a clear and concise presentation of the artworks included in the catalog. The left side of the page also features a black-and-white illustration of "Moses on Mt. Sinai."

The image displays a page from an exhibition catalog showcasing the works of the artist Leonard Baskin, particularly focusing on his lithographs. Here is a detailed description of the listed works:

1. Moses on Mt. Sinai

   • Medium: Woodcut
   • Year: 1928
   • Dimensions: 14 1/2 x 17 1/2 inches
   • Signature: Signed in pencil by I. E. Barlach
   • Edition: Schult II, 28
   • Lender: Lent by Mrs. Naomi Jackson Groves

2. The Panic-Stricken (Panischer Schrecken)

   • Medium: Lithograph
   • Year: 1928/30
   • Dimensions: 12 7/8 x 16 3/4 inches
   • Edition: Schult II, 286
   • Note: Similar sculptures with the same title are listed under Schult I, numbers 138-40.

3. The Royal Grave (Königsgrab)

   • Medium: Lithograph
   • Year: 1930
   • Dimensions: 10 1/2 x 14 inches
   • Edition: Schult II, 289
   • Lender: Gift of Mrs. Naomi Jackson Groves

4. Adam and Eve (Adam und Eva)

   • Medium: Lithograph
   • Year: 1930
   • Dimensions: 14 7/8 x 10 5/8 inches
   • Signature: Signed in pencil by I. E. Barlach
   • Edition: Schult II, 290
   • Lender: Lent by Mrs. Naomi Jackson Groves

5. Hope and Despair II (Hoffnung und Verzweiflung II)

   • Medium: Lithograph
   • Year: 1931
   • Dimensions: 12 1/4 x 18 1/8 inches
   • Signature: Signed in pencil by I. E. Barlach
   • Edition: Schult II, 293
   • Note: Purchased by The Museum of Modern Art

6. The New Day (Der Neue Tag)

   • Medium: Lithograph
   • Year: 1932
   • Dimensions: 12 3/8 x 17 inches
   • Signature: Signed in pencil by I. E. Barlach
   • Edition: Schult II, 294
   • Lender: Lent by The Fogg Art Museum

Additional Information:

• The catalog was designed by Designs & Devices.
• The printing was done by Hallen Printing Company.
• The text is set in 10 point Linotype Medium, Italic, and Bold cold type.

The left side of the page contains some text from a review or article discussing the artist's work and the exhibition, mentioning his powerful draughtsmanship and sculpture.

The image shows an open page from a catalog or book, which lists and describes various artworks. The left page contains a black-and-white image of an artwork titled "Moses on Mt. Sinai" along with detailed information about the piece. Below the image, there are descriptions of several other artworks.

Here is a detailed summary of the content on the left page:

1. Moses on Mt. Sinai (Moses auf dem Sinai)

   • Woodcut, 1926.
   • Signed l.r.: E. Barlach.
   • Schult II: 287.
   • Lent by Mrs. Naomi Jackson Groves.

2. The Panic-Stricken (Der Erschrockene)

   • Lithograph, 1928/30.
   • 12 7/8 x 16 3/4 in.
   • Schult II: 286.
   • Similar to the sculptures of the same title: Schult II: 186-187.

3. The Royal Grave (Das Königgrab)

   • Lithograph, 1930.
   • 10 1/2 x 14 in.
   • Schult II: 289.
   • Gift of Mrs. Naomi Jackson Groves.

4. Adam and Eve (Adam und Eva)

   • Lithograph, 1930.
   • 14 7/8 x 10 5/8 in.
   • Signed l.r.: E. Barlach.
   • Schult II: 288.
   • Lent by Mrs. Naomi Jackson Groves.

5. Hope and Despair II (Hoffnung und Verzweiflung II)

   • Lithograph, 1931.
   • 12 3/4 x 10 1/8 in.
   • Signed l.l.: E. Barlach.
   • Schult II: 293.
   • Lent by The Museum of Modern Art, purchase.

6. The New Day (Unser neuer Tag)

   • Lithograph, 1932.
   • 12 3/8 x 17 in.
   • Signed l.r.: E. Barlach.
   • Schult II: 294.
   • Lent by the Fogg Art Museum.

The right page is mostly blank except for a small note at the bottom right corner, which provides information about the catalog's design and printing:

• Designed by Designs & Devices.
• Printed by Falton Printing Company.
• Paper: Graytex Linen, Linen Text and 80 lb. Linen, Linen Text.
• Set in 10 point Linotype Meridien Bold and Bold cold type.

The catalog appears to be professionally designed and printed, focusing on detailed descriptions of artworks, likely for an exhibition or collection.

This image shows an open catalogue or book with text and images. The right page appears to be mostly blank with a credit section at the bottom right corner indicating that the catalogue was designed by Designs & Devices, printed by Falcon Printing Company, and features text set in a specific font and size. On the left page, there is a listing of artworks with their respective titles, mediums, dimensions, and other details. The titles of artworks are listed in both English and German, suggesting the international or bilingual nature of the catalogue. The work "Moses on Mt. Sinai" is listed as a woodcut from 1928, followed by other listings including "The Panic-Stricken," "The Royal Grave," "Adam and Eve," "Hope and Despair II," and "The New Day." Additional information for each entry includes the size of the piece, the year it was created, attribution of the gift or loan, and reference numbers that may correspond to an inventory or catalogue system. The image also shows a portion of an artwork accompanied by one of the listings on the left page.

The image depicts an open book, specifically a page from an art catalogue or exhibition guide. The page is numbered 142 and features a detailed description of various artworks, likely lithographs, along with their titles, dates, dimensions, and additional information such as signatures, lenders, and dimensions.

Key Elements:

1. Layout:

   • The page is divided into two main sections: a left margin with text and a right section containing a black-and-white illustration and a list of artworks.
   • The text on the left appears to be descriptive, possibly introducing the artworks or providing context about the exhibition.

2. Illustration:

   • On the right side of the page, there is a black-and-white illustration of a dramatic scene. The image depicts a figure, possibly a woman, in a flowing garment, standing in a dynamic pose. The figure appears to be holding or interacting with a large, ornate object, which could be a throne or altar. The setting suggests a historical or biblical theme, with architectural elements in the background.

3. Artwork Listings:

   • Below the illustration, there is a list of artworks with detailed information:
     • 144 Moses on Mt. Sinai: A woodcut from 1928, signed by E. Barlach, with dimensions and lender information.
     • 145 The Panic-Stricken Panister Schreven: A lithograph from 1928–30, signed by E. Barlach, with dimensions and lender information.
     • 146 The Royal Grave: A lithograph from 1930, signed by E. Barlach, with dimensions and lender information.
     • 147 Adam and Eve: A lithograph from 1930, signed by E. Barlach, with dimensions and lender information.
     • 148 Hope and Despair II: A lithograph from 1931, signed by E. Barlach, with dimensions and lender information.
     • 149 The New Day: A lithograph from 1932, signed by E. Barlach, with dimensions and lender information.

4. Design and Typography:

   • The page uses a clean, minimalist design with clear typography. The text is organized in a structured format, making it easy to read.
   • The catalogue is designed by "Designs & Devices" and printed by the "Fallow Printing Company" on 70 lb. gray, laid Linweave Text, with text set in 10 point Univers Medium, Italic, and Bold cold type.

Overall Impression:

The image portrays a professional and well-organized art catalogue page, focusing on the works of Ernst Barlach. The inclusion of detailed descriptions, dimensions, and lender information suggests that this is part of a formal exhibition or museum publication, aimed at providing comprehensive context for the artworks displayed. The illustration adds a visual element that complements the textual descriptions, enhancing the reader's understanding of the artworks.

The image is of an open book, displaying a page from a catalogue. The page features a black-and-white image of a woodcut print titled "Moses on Mt. Sinai" by E. Barlach. The print is accompanied by detailed information about the artwork, including the medium (woodcut), dimensions (14 1/2 x 17 1/2 in.), signature (Lr. E Barlach.), and the number of the print (281). The catalogue also mentions that the print is lent by Mrs. Naomi Jackson Groves. The catalogue design is credited to Designs & Devices, and the printing is done by Fallon Printing Company. The text and typesetting are specified, including the use of 70 lb. gray, laid linweave paper, and 10-point Univers Medium, Italic, and Bold cold type.

The image is of a book that is open to a page that contains a catalog of sculptures and drawings. The book is opened to the left and right pages. The left page has a black-and-white drawing of a person holding a book and a person in a robe. The right page has a catalog of sculptures and drawings. The catalog contains the title, artist, year, and size of each sculpture or drawing.