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ARCH.2013.5.13, Rendition: 797518
The image depicts an open page from a book or catalog that lists and describes various woodcut artworks. The left page contains an illustration of a woodcut titled "The Dog Catcher" (Hundefänger) created in 1919, which is signed by the artist E. Barlach and is part of the collection of Mrs. Naomi Jackson Groves (Schult II: 159).
The right page lists several woodcut artworks with their titles, creation dates, dimensions, signatures, and collection information. Here are the details of the listed artworks:
113. Kneeling Woman with Dying Child (Kniende Frau mit sterbendem Kind)
114. The Dog Catcher (Hundefänger)
115. Group in the Storm (Gruppe im Sturm)
116. The Good Samaritan (Barmherziger Samariter)
117. The First Day (Der Erste Tag)
118. The Cathedrals (Die Dome)
119. The Divine Banquet (Der Göttliche Schmaus)
120. Dance of Death II (Totentanz II)
121. God Belly (Gott Bauch)
Additionally, there is a section titled "The Transformations of God (Die Wandlungen Gottes)" which mentions a series of seven woodcuts made in 1920-1921, published in an edition of 110, printed on Royal Japanese paper. The book also notes that the artist signed the prints, and there were subsequent editions in 1922 and 1954 with slightly reduced sizes.
Overall, the image provides a detailed catalog of woodcut artworks, including their specifics and collection information.
The image depicts an open book, specifically a catalog or exhibition guide featuring woodcut artworks by Emil Barlach. The book is divided into sections with numbered entries, each describing a specific artwork.
Key details include:
Artwork Descriptions:
Examples of Artworks:
Specific Pages:
Additional Information:
The book appears to be a scholarly or curated publication meant to provide detailed information on Barlach's woodcut artworks, their historical context, and their significance within the artist's body of work.
The image shows an open book, likely an art catalog or monograph, displaying a detailed woodcut print along with descriptive text and a list of other works. Here are the key details:
Woodcut Print (Number 114):
List of Other Works:
Text Description:
Overall Context:
This detailed image offers a rich view into the life and works of Ernst Barlach, providing both visual and textual information about his impactful woodcut art.
The image shows a detailed exhibition catalog featuring woodcut artworks by Ernst Barlach, a renowned German expressionist artist. The catalog lists various pieces, providing details such as titles, dates, dimensions, materials, signatures, and current ownership or location.
Here is a detailed summary of the entries:
Kneeling Woman with Dying Child (Kniende Frau mit sterbendem Kind)
The Dog Catcher (Hundefängerin)
Group in the Storm (Gruppe im Sturm)
The Good Samaritan (Barmherziger Samariter)
Christ in Gethsemane (Christus in Gethsemane)
Cross-and Grave-Robbers (Kreuz-und Sargraüber)
Death of a Child (Kindertod)
Writing Prophet (St. John on Patmos) (Schreibender Prophet (Johannes auf Patmos))
The First Day (Der Erste Tag)
The Cathedral (Die Domengel)
The Drunken Beggar (Der Gichtbrüchige)
Dance of Death II (Totentanz II)
God Belly (Gott Bauch)
The catalog includes a section titled "The Transformations of God (Die Wandlungen Gottes)," detailing a series of woodcuts made in 1922, published by Paul Cassirer, Berlin, and showcasing seven woodcuts. The exhibition history and publication details of these works are also mentioned.
The image also includes sketches or drawings, likely preparatory works for some of these woodcuts. The text on the left side discusses the artist's reputation and the impact of the exhibition.
The image shows an open book, specifically a page from a catalog or exhibition booklet dedicated to woodcuts by Ernst Barlach. The page features detailed descriptions and images of several woodcut artworks.
Here are the specifics for each artwork listed on the page:
Christ in Gethsemane (Christus in Gethsemane)
Death of a Child (Kindertod)
Cross- and Grave-Robbers (Kreuz- und Sargrauber)
Writing Prophet (St. John on Patmos) (Schreibender Prophet (Johannes auf Patmos))
Kneeling Woman with Dying Child (Kniende Frau mit sterbendem Kind)
The Dog Catcher (Hundefängerin)
Group in the Storm (Gruppe im Sturm)
The Good Samaritan (Der barmherzige Samariter)
The page also includes a series of woodcuts titled "The Transformations of God (Die Wandlungen Gottes)":
The First Day (Der Erste Tag)
The Cathedrals (Die Dome)
The Divine Beggar (Der Göttliche Bettler)
Dance of Death II (Totentanz II)
God Belly (Gott Bauch)
The page also includes a note about a series of seven woodcuts made in 1920/21, published by Paul Cassirer, numbered 1 to 7 on heavy wove paper, with a reduced size and containing English translations of selections from Barlach's writings. The series was published in 1962.
The image shows a page from a catalog or book that details various woodcut artworks by Ernst Barlach. The page is open to display multiple entries, each with a title, date, dimensions, signature details, and provenance information.
Here are the details of the artworks listed on this page:
109. Christ in Gethsemane (Christus in Gethsemane)
110. Death of a Child (Kindertod)
111. Cross- and Grave-Robbers (Kreuz- und Sargrauber)
112. Writing Prophet (St. John on Patmos) (Schreibender Prophet [Johannes auf Patmos])
113. Kneeling Woman with Dying Child (Kniende Frau mit sterbendem Kind)
114. The Dog Catcher (Handfängerin)
115. Group in the Storm (Gruppe im Sturm)
116. The Good Samaritan (Barmherzige Samariterin)
117. The First Day (Der Erste Tag)
118. The Cathedrals (Die Dome)
119. The Divine Beggar (Der Göttliche Bettler)
120. Dance of Death II (Totentanz II)
121. God Belly (Gott Bauch)
Additionally, there is a section mentioning a series of seven woodcuts titled "The Transformations of God (Die Wandlungen Gottes)" published in 1920/21 by Paul Cassirer, with details about their publication and exhibition history. The series is noted for its collective title and includes specific numbers for each piece.
The image shows an open booklet or catalog laid out on a light brown paper background. The pages feature black and white text and an illustration of a woodcut artwork on the left page. The woodcut depicts three figures, two adults and one child. One of the adults is bending or kneeling, holding the child, who appears to be lying down or in distress, while the other adult stands nearby slightly turned away.
Below the woodcut, there are several numbered entries with titles, descriptions, measurements, artist signatures, and provenance information related to the artworks. The catalog details woodcut prints by Ernst Barlach, with titles such as "Christ in Gethsemane," "Death of a Child," "Cross- and Grave-Robbers," "Writing Prophet," "Kneeling Woman with Dying Child," "The Dog Catcher," "Group in the Storm," "The Good Samaritan," "The First Day," "The Cathedrals," "The Divine Beggar," "Dance of Death II," and "God Belly." The entries include both the original German titles and English translations, along with sizes, dates, and notes on gifts or loans from Mrs. Naomi Jackson Groves or The Fogg Art Museum. One section also mentions a series called "The Transformations of God," published in Berlin in 1921.
This image shows an open book on a flat surface with a woodcut print on the left page and a textual page on the right. The woodcut print depicts a dynamic and expressive scene with several figures in a composition marked by strong black lines and contrast, characteristic of this art form. On the right page, items numbered from 109 to 121 are listed. These appear to be titles and descriptions of various artwork pieces, including details like size, medium (all woodcuts from 1919), the artist's signature, and inventory numbers. The names of some pieces can be seen, such as "Death of a Child," "Group in the Storm," "The Good Samaritan," and "Writing Prophet (St. John on Patmos)" among others. Each listing also includes information about donations and lenders, for instance, "Gift of Mrs. Naomi Jackson Groves." The details suggest this could be a catalogue or program from an art exhibition, museum collection, or art book referencing the works of a particular artist and their donors.
The image shows an open book displaying a page with detailed entries about various artworks. The page is structured into a grid format, with each entry containing the following elements:
The image depicts a page from an art catalog or exhibition guide, showcasing a curated collection of woodcut artworks, primarily by Ernst Barlach. The page combines visual and textual information to provide detailed descriptions of each piece, including their creation details, ownership, and exhibition history. The structured layout and formal tone suggest an academic or museum context.
The image appears to be a spread of pages from a book or catalog. The left page has a black and white woodcut print of a kneeling woman with a dying child, along with some text. The right page has a list of woodcut prints, their titles, sizes, and details about their creation and ownership. The woodcut prints are from the artist Paul Cassirer and were published in an edition of 110 numbered copies on Royal Japan paper in 1921 in Berlin. The prints were exhibited and some were lent to the Fogg Art Museum. The prints were later republished in a smaller edition in 1954 by Mrs. Glovley, containing selections from Barlach's writings.