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ARCH.2013.5.13, Rendition: 797516
The image shows an open page from a book or catalog that lists various lithographs, their details, and provenance. The entries include the title of the lithograph, the year it was created, its dimensions, the edition number, and information about its current ownership or donation. Here is a detailed summary of the entries visible on the page:
Brooming on the Dead Horse Herethorn II (Besenben auf dem toten ross Herethorn II)
The Invisible (Das Unsichtbare)
The Mother Kills Herself (Stirbende Frau)
A Journey on the Steppes (Eine Steppenfahrt)
The Restful Steppe (Ruhende Steppe)
Group of Women (Frauengruppe)
Peasant's Cart (Bauernwagelchen)
Resting Peasant Couple (Ruhendes Bauernpaar)
Group of Men (Mannergruppe)
War Time (Kriegszeit)
At the East Border (An der Ostgrenze)
Lie, Storms, Lie! (Lugt, Sturme, Lugt!)
The Holy War (Der heilige Krieg)
Street in Warsaw (Strasse in Warschau)
If the Devil Ruled (Und wenn die Welt voll Teufel war)
Woman of the Steppes (Serbian Etay) (Frauenbild [Serbische Ebene])
Mass Grave (Massgrab)
The Picture Man (Der Bildermann)
Humanity (Die Menschheit)
Brothers (Bruder)
From a Modern-day Dance of Death (Aus einem modernen Totentanz)
He for whom time is as eternity and eternity as time, is freed from all suffering (Wer Zeit wie Ewigkeit und Ewigkeit wie Zeit empfindet, der ist frei von Leid)
The image shows a page from a catalog or exhibition list, detailing various lithographs by an artist, likely associated with the expressionist movement, given the titles and styles referenced.
Here is a detailed summary of the entries on the page:
Broomleg on the Dead Horse Hearthorn II (Besembein auf dem toten rosse Herthorn II)
The Invisible (Das Unsichtbare)
The Mother Kills Herself (Sturzende Frau)
Peasant's Cart (Bauernwägen)
Rising Peasant Couple (Ruhendes Bauernpaar)
Group of Men (Männergruppe)
The Holy War (Der heilige Krieg)
Street in Warsaw (Straßenecke in Warschau)
War Time (Kriegszeit)
At the East Border (An der Ostgrenze)
Lie, Storms, Lie! (Lugt, Stürme, Lugt)
Woman of the Steppes (Serbian Elegy) (Steppenweib (Serbische Elegie))
Mass Grave (Massengrab)
Humility (Demut)
Brothers (Brüder)
From a Modern-day Dance of Death (Aus einem neuzeitlichen Totentanz)
He for Whom Time is Eternity and Eternity is Time (Wer Zeit wie Ewigkeit und Ewigkeit wie Zeit begreift von allem Leid)
Anno Domini MCMXVI Post Christum Natum
The page also includes references to other related works and mentions the "Picture Man" (Der Bildermann), a pictorial and literary paper published by Paul Cassirer, Berlin, 1916. Eight of the 18 numbers contained lithographs by Barlach.
The image shows a page from a catalog or book that lists various lithographs, primarily by Otto Dix, a prominent German artist known for his works during and after World War I. Here’s a detailed summary of the information on the page:
The entries include:
Broomleg on the Dead Horse Hearthorn II (Besenein auf dem toten roße Herzhorn II)
The Invisible (Das Unsichtbare)
Peasant's Cart (Bauernwägen)
Resting Peasant Couple (Ruhendes Bauernpaar)
Group of Men (Männergruppe)
The Mother Kills Herself and Her Children (Sturzende Frau)
A Journey on the Steppes (Eine Steppenfahrt)
The Restful Steppe (Ruhende Steppe)
Group of Women (Frauengruppe)
The Holy War (Der heilige Krieg)
The Street in Warsaw (Strassenecke in Warschau)
If the Devil Ruled (Und wenn die Welt voll Teufel wär)
At the East Border (An der Ostgrenze)
War Time (Kriegszeit)
Humility (Demut)
Brothers (Brüder)
From a Modern-day Dance of Death (Aus einem neuzeitlichen Totentanz)
He for whom time is eternity and eternity as time (Wer Zeit wie Ewigkeit und Ewigkeit wie Zeit erlebt)
Mass Grave (Massengrab)
Anno Domini MCMXVI Post Christum Natum (Year of Our Lord 1916)
The page also mentions that the lithographs were lent or gifted by notable individuals such as Louis W. Black and Naomi Jackson Groves, and it provides specific catalog references and publication details for each work.
The image shows a catalog or exhibition list featuring lithographs by an artist, likely related to World War I. The entries are numbered and include details such as the title of the work, the lithographer, publication dates, and dimensions.
Here are some detailed points from the image:
68 - Broom on the Dead Horse (Herzthorn II):
69 - The Invisible (Das Unsichtbare):
70 - The Mother Kills Herself (Sturzende Frau):
71 - A Journey on the Steppes (Eine Steppenfahrt):
72 - Group of Women (Frauengruppe):
74 - Resting Peasant Couple (Ruhede Bauernpaar):
75 - Group of Men (Männergruppe):
76 - At the East Border (An der Ostgrenze):
78 - Street in Warsaw (Strasse in Warschau):
83 - Humility (Demut):
84 - Brothers (Bruder):
85 - From a Modern-day Dance of Death (Aus einem neuzentlichen Totentanz):
86 - He for Whom Time is Eternity (Der Leser im Wind):
87 - Mass Grave (Massengrab):
88 - Woman of the Steppes (Steppenweib):
82 - Ann Domini MCMXVI Post Christum Natum:
This catalog seems to be a compilation of significant lithographic works related to World War I themes, with detailed information on each piece including its dimensions, source, and ownership.
The image displays an open book, with two visible pages containing detailed descriptions of various artworks. The text is presented in a clear, organized format, with each entry including the title of the artwork, its creation date, medium, dimensions, and other relevant details such as the name of the person who donated or lent the piece.
The left page lists artworks numbered 68 to 76, while the right page lists artworks numbered 78 to 83 and 85 to 87. The artworks include lithographs, drawings, and illustrations, with several of them having been published in different publications such as "The Dead Day," "Kriegzeit," and "Der Bildermann." The entries also mention the names of lenders or donors, such as Louis W. Black and Mrs. Naomi Jackson Groves.
Here is a detailed breakdown of some of the entries:
The layout and content suggest that this book could be a catalog or a compendium of an art exhibition, providing comprehensive information about each piece on display.
The image displays a detailed catalog or inventory list of works by the artist Louis W. Black. It appears to be a record of lithographs, drawings, and other artworks, along with information about each piece. Here are some notable observations from the list:
Types of Works:
Notable Artworks:
Dates and Contributors:
Exhibition Information:
Themes:
Gifts and Loans:
This inventory list seems to be a comprehensive record, possibly for an exhibition or a catalog raisonné of the artist's works, detailing the titles, mediums, dates, sizes, and ownership or lending status of each piece.
This image shows an open book with facing pages. The left page appears to be a continuation of a section with numbered items (starting from 68), which are most likely entries or titles of artworks with corresponding descriptions. The entries include details such as the type of artwork (mostly lithographs), the year created (1912, 1914, 1915, etc.), size dimensions, and sometimes the name of the individual who lent or gifted the items, signaling that this could be from an exhibition catalogue or an art collection listing.
The right page follows the same format, continuing with the numbered items (starting from 78), and includes similar descriptions of artworks with titles, creation dates, dimensions, and donor information.
The overall content suggests this book is related to an art exhibition or a collection catalogue, specifically focusing on lithographs and perhaps historical or war-related themes given the titles referencing war, such as "The Holy War" or "War Time." The entries are very methodical and academic in nature, providing succinct information pertinent to each piece of work. There's a small, white bookmark or piece of paper inserted in the top part of the right-hand side page, serving as a placeholder.
The image shows an open book or catalog listing a series of lithographs mostly created between 1912 and 1916. The listings include the title of each work (sometimes in both English and German), the type of artwork (lithograph), the date of creation, the size dimensions (in inches), the Schult II number (an identifier or catalog reference), and information on ownership or loans (e.g., "Gift of Louis W. Black," "Lent by Mrs. Naomi Jackson Groves"). Some entries also mention the publication or context, such as "Illustration for The Dead Day" or "War Time," which is described as a graphic propaganda broadsheet published weekly by Paul Cassirer, Berlin, 1914/16, containing lithographic illustrations by Barlach.
The catalog includes works like "Broomleg on the Dead Horse Hearthorn II," "The Invisible," "The Mother Kills Herself," "Resting Peasant Couple," "The Holy War," "Street in Warsaw," "Humility," "Brothers," "Mass Grave," and "From a Modern-day Dance of Death," among others. Some lithographs are related to wartime subjects and are part of dated collections such as "Kriegszeit" or "Der Bildermann."
There is also mention of "The Picture Man," a pictorial and literary paper published by Paul Cassirer in Berlin in 1916, which contained lithographs by Barlach. The overall tone and content suggest this is an art catalog documenting a collection of early 20th century German lithographs, many with wartime themes.
The image shows an open book displaying a page filled with detailed descriptions of various artworks, likely from an art catalog or exhibition guide. The page is structured into a grid format, with each entry numbered and accompanied by descriptive text. Here’s a breakdown of the visual elements:
This page serves as a detailed catalog or inventory of artworks, likely intended for an art exhibition, museum collection, or academic reference. It provides essential information for viewers or researchers to identify, understand, and appreciate each piece.
The image conveys a sense of meticulous documentation and organization, typical of art catalogs or museum archives. The structured layout and comprehensive details suggest a scholarly or professional context, aimed at preserving and communicating the significance of the artworks listed.
The image appears to be a page from a book or exhibition catalog that features a list of artworks, accompanied by descriptions and details. The page is divided into sections, each containing the title, medium, dimensions, date, and other relevant information about the artwork. The artworks listed are primarily lithographs and illustrations, with some dating back to the early 20th century. The descriptions provide information about the subjects, techniques, and origins of the artworks, as well as the names of the artists and donors. The page also includes illustrations and photographs of the artworks, showcasing their visual characteristics. Overall, the image suggests that the book or catalog is focused on showcasing a collection of artworks, possibly from a specific artist or period, and providing detailed information about each piece for the reader's interest and appreciation.