Archives Scrapbooks

The image depicts a page from a publication titled "The Boston Review of the Arts," dated December 1, 1970. The page features a review or article titled "zeitgeist?" The text includes a quote from Heinrich Wölfflin's "Principles of Art History" (1937), which discusses the idea of a "zeitgeist," or spirit of the age, in relation to art.

The article is written by Paul Dingman and appears to be a critique of an art exhibition in Germany. The text mentions that the exhibition includes works by artists such as Joseph Beuys and Gerhard Richter, and it discusses the theme of the show, which is described as "fashionable" and "all-too-familiar." The author criticizes the exhibition for lacking originality and depth, comparing it to a "crayon drawing to coloring book."

The layout of the page includes a header with the title "The Boston Review of the Arts" and a decorative element featuring the word "ART" in bold, stylized letters. The text is arranged in a collage-like manner, with different sections of the article pasted onto the page, giving it a somewhat eclectic and artistic appearance.

The image shows a page from a scrapbook or journal, with several clippings and drawings attached to it. The page is dated "December 1, 1970" and is from "THE BOSTON REVIEW OF THE ARTS."

1. Top Clipping:

   • Title: "zeitgeist?"
   • The clipping appears to be an article or review discussing art, with a reference to Heinrich Wölfflin, a renowned art historian. The text mentions Italian or German imagination and critiques an art show, noting that it leaves much to be desired.

2. Middle Drawing:

   • A small drawing or sketch, possibly of a figure or an abstract piece, is glued to the page. The style suggests it might be a modern or abstract art piece.

3. Bottom Clipping:

   • This clipping seems to be a continuation of an article, possibly related to the same exhibit or theme as the top clipping. It mentions the artist Erhardt, describing his work as heavily modeled in formal juxtaposition, with a reference to the figure construction and the use of color. The text suggests that the exhibit shows how close Germany has come to American styles while still maintaining some distance.

4. Miscellaneous Elements:

   • There is another small piece of paper or a note at the bottom, which is not fully legible but seems to be a part of the scrapbook's notations.

The page is a mix of articles, drawings, and notes, likely collected by someone interested in contemporary art and its criticism during that period. The overall theme appears to be focused on modern art, with specific references to German and Italian influences and comparisons to American styles.

The image is a page from the December 1970 issue of "The Boston Review of the Arts." The main article on this page is titled "zeitgeist?" and is written by Paul Dinger.

The article discusses a particular type of Italian or German imagination seen repeatedly in contemporary art forms. The author references an art exhibition in Germany from 1927, curated by Heinrich Wolfflin, focusing on the prevailing artistic styles and themes of that era.

Paul Dinger expresses skepticism about the exhibition he viewed. He notes that while leafing through the exhibition catalog, he observed that many artworks seemed to reflect an insincere or formulaic approach, lacking the profound impact of the great artists they might be emulating. The art he saw felt repetitive and overly familiar, going through predictable motions.

Dinger describes a specific artwork in the exhibition, a cartoon-like figure that he critiques for its execution. He mentions that the figure has a lopsided, awkward appearance and is poorly colored, comparing it unfavorably to a child's drawing. He concludes by stating that if this piece is meant to be satire or humor, it fails to achieve its goal effectively.

The image depicts an open book or magazine with newspaper clippings pasted inside. Here is a detailed summary of the contents:

1. Publication Details:

   • The clipping at the top is from "The Boston Review of the Arts" dated December 1, 1970.

2. Headline and Main Article:

   • The headline reads "zeitgeist?" and includes a quote by Heinrich Wolfflin from 1927, which references a type of Italian or German imagination that asserts itself consistently.
   • The article discusses an art exhibition, possibly in Germany, which is described as a "show" with a catalog. The author mentions that the artworks were "suspiciously" similar and "incurrent" in their representation, neglecting great artistic tradition.
   • The article is critical, suggesting that the show may not have been very innovative or original.

3. Illustration:

   • Above the text, there is a small illustration of a vehicle labeled "ART" with a dog-like figure pulling it.

4. Additional Clipping:

   • Below the main article, there is another smaller clipping that continues the discussion, emphasizing the artist's vision of institutional forms and the "normal juxtaposition" of elements in the show.
   • This section mentions that the show might be seen as an attempt to bring something new or different, but it is still seen as far away from American styles.
   • The author of this section is Paul Dinger.

5. Sticker:

   • There is a sticker with the word "Lue" (possibly misspelled or stylized) on the lower part of the page.

The overall theme of the clippings revolves around a critique of an art exhibition, questioning its originality and relevance to contemporary artistic trends.

The image shows a page from an old newspaper, specifically the December 1, 1970, issue of "The Boston Review of the Arts." The page contains two articles and an illustration.

1. Top Article:

   • Headline: "zeitgeist?"
   • The article discusses the work of Heinrich Wolfflin and the exhibition titled "Primitivism in 20th Century Art: Affinities of the Tribal and Modern," which took place in 1917.
   • The author mentions that there's a distinctive Italian or German imagination that asserts itself consistently. Wolfflin’s analysis is described as insightful, and the author reflects on the show's impact and the lingering questions it raises.
   • The author notes the dichotomy between the art's content and the modern world's understanding of it, emphasizing the difficulty in fully grasping the significance of the artworks displayed.

2. Illustration:

   • Above the top article is a simple, black-and-white cartoon. It depicts a man riding a horse pulling a cart labeled "ART."

3. Bottom Article:

   • The bottom section contains a second article by Paul Dinger.
   • The article is titled and partially visible, discussing the exhibit and its relevance to American styles and the lingering influence of German art.
   • It seems to explore how closely German styles and ideas were followed and how far they have evolved or maintained their influence in the American art scene.

The page is also slightly yellowed and shows signs of age, with some portions of the text and paper edges slightly worn or torn. The page is clipped and placed in what appears to be a scrapbook or an album.

The image shows a page from a magazine titled "The Boston Review of the Arts" dated December 1, 1970. The page contains two articles or reviews, each with its own distinct content and layout.

1. Top Article ("zeitgeist?"):

   • The main text is centered and starts with a quote from Heinrich Wolfflin, specifically referencing "HISTORY 1927."
   • The quote discusses an art boom in Germany and Italy, asserting that there is a consistent type of imagination that is always the same in certain artistic movements.
   • The review mentions an exhibition that the author visited, focusing on the works of a specific artist, and describes the artist's style as "incorrect" and "neglecting the great tradition."
   • The author concludes that the artist's work is somewhat familiar and lacks depth.

2. Bottom Article ("by Paul Dinger"):

   • This article is titled with a headline that reads "ART" and features a simple, cartoonish illustration of a truck labeled "ART" with a dog on the back.
   • The content of the article appears to discuss the exhibition in a different perspective, highlighting the artist's vision of modern forms juxtaposed against traditional ones. It particularly focuses on the work of Erwin Ehrardi.
   • The review mentions how the artist's work stands out with its use of modern forms and how it connects with American styles and what it retains from its German origins.
   • The article concludes by suggesting that the exhibition shows how close German art is to American styles, while still maintaining its own unique identity.

The page has been cut and pasted into a larger document, with some parts of the page showing signs of wear and tear, such as creases and potential wear on the edges.

The image shows a scrapbook or album page containing a partially visible newspaper or magazine clipping. The clipping, dated December 1, 1970, is from "The Boston Review of the Arts" and features an article or column titled "zeitgeist?" The visible text includes a quote from Heinrich Wolfflin's "Principles of Art History" from 1927 and a discussion about an art show, mentioning a person named Gisela Brackert and references to "fashionable" exhibits and German styles.

The clipping is affixed to the page but is partially covered by another piece of paper, which is upside down and obscures some of the original text. At the top right of the clipping, there is a small graphic of the word "ART" in a blocky font with two figures carrying the letters on a platform with wheels. The rest of the page is plain with no additional decoration or text.

The image shows an old, yellowed newspaper page that appears to be from "THE BOSTON REVIEW OF THE ARTS" dated December 1, 1970. The paper is slightly torn and worn, emphasizing its age. The layout includes text and illustrations.

In the upper-right corner, there is a boxed illustration that depicts a toy dump truck with the word "ART" in its bed, suggesting the idea of "Art" being delivered or conveyed as a commodity. The larger, bold text "zeitgeist?" centers the page and is perhaps the title of the main article or an editorial piece.

Below the title, there's a column of text with a journalistic tone, beginning with a quote referencing "a definite type of Italian art". There's mention of the Architectural Association, an event in Boston in 1927, and other artistic commentary. The visible text is fragmented, and it's difficult to understand the full context without the missing parts.

The rest of the page shows signs of wear and tear, with some areas torn away, suggesting that there might have been additional content or images that are no longer present. In the bottom right corner, a geometrical shape, possibly a logo or emblem, is labeled "Ale". The layout of the page, with its vintage typesetting, gives the impression of an older publication focused on art criticism or discussion.

The image shows a book that is open to a page with the title "zeitgeist?" and the subtitle "Principles of Art" at the top. The page has a beige background with black text. There is a small image of a person pushing a cart with the word "ART" on it. The page also has a small piece of paper with the word "zeitgeist" on it. The book has a black spine with the title "The Boston Review of the Arts" on it.

The image shows an open book with a page that contains a few pieces of paper pasted on it. The book is open to a page that contains a few pieces of paper pasted on it. The paper on the top has a black border and contains some text in the center. Below it, there are two pieces of paper pasted, with one containing a quote. At the bottom, there is another piece of paper with the word "art" written in bold.