Archives Scrapbooks

The image depicts a newspaper clipping from the Boston Herald Traveler, dated Saturday, September 26, 1970. The article is titled "At Busch-Reisinger Museum: Musica Viva Gives Concert" and is written by Harry Neville.

The article discusses a concert given by Musica Viva, a group of talented Boston musicians, at the Busch-Reisinger Museum. The concert was the first in a series of events scheduled to take place in the museum's Renaissance gallery. The performance featured a program of contemporary works and music from the 20th century.

The review highlights the ensemble's ability to bridge the gap between contemporary works and music from the past century. Musica Viva, known for its commitment to performing contemporary music, has a dedicated following and has given its world premiere at the museum.

The program included pieces like "Concertino" by David Epstein, "The Old Man's 'Reminiscences'" by William Sydeman, "Five Concert Duos" by John Heiss, and "The Shape of Things to Come" by Joyce Mekeel. The reviewer praises the performances, noting the effective use of instruments and the musicians' skill. The concert was well-received, with a full house and an encore performance of "Concertino." The reviewer concludes by expressing hope for future concerts in the series.

The image shows a newspaper clipping from the Boston Herald Traveler dated Saturday, September 26, 1979. The headline of the article is "At Busch-Reisinger Museum Musica Viva Gives Concert."

Here is a detailed summary of the article:

Title: At Busch-Reisinger Museum Musica Viva Gives Concert

By: Harry Neville

The article discusses a concert given by Musica Viva at the Busch-Reisinger Museum on a Wednesday night. Musica Viva, a group of talented musicians, performed a variety of music including chamber music and classical pieces from the 20th century. The concert focused on both classical and contemporary works, showcasing the talents of the musicians despite budgetary constraints.

The concert featured several notable performances:

• The first piece, Weber's "Five Canons," was performed with a sensitive touch by sopranos Joan Heller and Schoolboy Evans.
• The second piece, Evits’ "Interpolation," was an orchestral work performed by a group including violin, viola, and cello. It was described as an engaging and inventive piece.
• The older works section included a performance of Joyce Mekoe's "The Shape of Silence," which was praised for its virtuosity and depth.
• John Heiss was noted for his effective and lively performance, enhancing the evening's musical experience.

The article also mentions that the concert was well-attended and highlights the quality and depth of the performances, concluding that the event was a success and a good representation of Musica Viva's repertoire and artistic commitment.

The image shows an open scrapbook with a newspaper clipping pasted on the right-hand page. The clipping is from the "Boston Herald Traveler," dated Saturday, September 26, 1970. The article is titled "At Busch-Reisinger Museum, Musica Viva Gives Concert" and is written by Harry Neville. The text discusses a concert that took place at the Busch-Reisinger Museum, featuring the group Musica Viva, which focuses on 20th-century chamber music. The article mentions specific pieces performed and comments on the improvements in the group's playing since their previous concert. The layout of the scrapbook is simple, with the newspaper clipping centered on the page, and the rest of the page left blank. The edges of the pages are deckled, giving a rustic look to the scrapbook.

The image is a newspaper clipping from the Boston Herald Traveller, dated Saturday, September 25, 1970. The article is titled "Musica Viva Gives Concert" and is written by Harry Neville. Here are the main points detailed in the article:

1. Event and Location: The concert by Musica Viva took place at the Busch-Reisinger Museum.

2. Performance and Acoustics: The author notes that the acoustics in the venue improved because of the audience presence, making the chamber music performance more enjoyable.

3. Ensemble Background: Musica Viva is a group established by conductor Richard Pittman. It aims to present a wide range of musical programs, including works from the 14th to 20th centuries, encompassing both early and modern classics.

4. Program Highlights:

   • The concert included works by Webern and Five Cole pieces by John Cage.
   • Soprano Joan Heller sang Webern's "Five Songs" sensitively and well.
   • The concert featured a piece called "Interpolation" by Josef Schelb, which the reviewer found to be the most enjoyable due to its blend of live and pre-recorded flute by John Heiss.

5. Composer and Compositions:

   • The older works on the program were by Webern.
   • The newer composition was by Joyce Mekeel, titled "The Shape of Silence." This piece involved both live and recorded violin performed by Ronald Knudson. It was noted for its inventive writing and the demanding technical performance required from the violinist.

6. Final Piece: The last piece of the concert was Anton Webern's "Rhapsody" for string quartet, which the author found to be a fitting end to the varied program.

7. Concluding Remarks: The reviewer mentions that the concert's varied program initially seemed problematic due to the overcrowded nature of the selections but ultimately provided a rich listening experience.

The image shows a newspaper clipping from the Boston Herald Traveler, dated Saturday, September 26, 1970. The article is titled "At Busch-Reisinger Museum, Musica Viva Gives Concert" and was written by Harry Neville.

The article discusses a concert by Musica Viva at the Busch-Reisinger Museum. Musica Viva is described as a group dedicated to performing 20th-century chamber music, with a focus on modern and contemporary works. The concert featured a mix of older and newer pieces, including works by composers such as Weber, Mozart, and others.

The concert was noted for its acoustics, which improved significantly from previous performances at the museum. The performance included works like Weber's "Five Canons," Mozart's "Divertimento," and a piece by Joseph Schwantner, among others. The article highlights the group's ability to balance the technical demands of the music with expressive performances.

The writer also mentions the venue's historical significance, as the Busch-Reisinger Museum had previously been the site of the Fogg Art Museum, and the concert hall had undergone improvements to enhance its acoustics.

Overall, the article provides a positive review of the concert, praising the musicians' talent and the quality of the performance.

The image shows a page from a newspaper, specifically the Boston Herald Traveler, dated Saturday, September 26, 1970. The article is titled "At Busch-Reisinger Museum: Musica Viva Gives Concert" and is written by Harry Neville.

The article describes a concert given by Musica Viva at the Busch-Reisinger Museum on Wednesday evening. Musica Viva is noted to be a group of talented musicians who perform contemporary and modern classical works, including pieces by composers like Richard Pittman, Webern, and Schwantner. The concert was praised for its varied and engaging performances, despite some technical issues and limited resources.

Key points mentioned include:

• The program featured works such as Webern's "Five Canons," which was performed by soprano Joan Hellman-Schneider and the group's clarinetist, Joseph Schwantner.
• The piece "Interpolation" by John Reiss was also highlighted for its effective performance.
• The article mentions a new work by Joyce Melkel, "The Shape of Silence," which was described as inventive and thought-provoking.
• The performance of the "Five Canons" was noted for its technical brilliance and sensitivity.
• The reviewer notes the overall success of the concert in overcoming challenges and providing an enjoyable experience.

The review concludes with the appreciation of the musicians' efforts and the unique atmosphere created by the concert.

The image shows a scrapbook page with a newspaper clipping pasted on it. The clipping is an article from the Boston Herald Traveler, dated Saturday, September 26, 1970. The article is titled "At Busch-Reisinger Museum. Musica Viva Gives Concert" and is written by Harry Neville. The article discusses a concert given by Boston Musica Viva in cooperation with the Busch-Reisinger Museum, highlighting the program, the performers, and the music played. The text mentions the improved acoustics of the museum, details about the concert pieces, the performers, and the overall positive reception of the event. The page itself has a vintage appearance, with the edges of the newspaper clipping slightly worn and the scrapbook page a yellowed beige color.

The image shows a newspaper clipping titled "Musica Viva Gives Concert At Busch-Reisinger Museum," from the "Boston Herald Traveler, Saturday, September 24, 1970." It is an article by Harry Neville reviewing a concert by Musica Viva, presumably a classical music ensemble, that took place at the Busch-Reisinger Museum.

The article praises the concert, particularly noting the fine tuning of the ensemble, the acoustics of the room, and the quality of performances. Specific pieces and composers are mentioned, such as works by Fromm, Oppens, and Jež, indicating an emphasis on contemporary classical music.

The clipping is pasted into a scrapbook on a tan page, with one side of the newspaper slightly cut off. The transition between the paper of the scrapbook and the newspaper is visible, revealing the layering of materials. The top of the page shows a header indicating the newspaper name and date.

The image depicts an open book, likely a newspaper or a printed document, featuring an article titled "Musica Viva Gives Concert" from the Boston Herald Traveler, dated Saturday, September 26, 1970. The article is written by Harry Neville and discusses a concert performed by Musica Viva at the Busch-Reisinger Museum.

Key Details from the Image:

1. Headline and Byline:

   • The headline prominently states: "At Busch-Reisinger Museum Musica Viva Gives Concert".
   • The byline identifies the author as Harry Neville.

2. Content Overview:

   • The article reviews a concert by Musica Viva, a group dedicated to 20th-century chamber music.
   • It highlights the concert's program, which included works by Webern, Schoenberg, and others, such as:
     • Webern's Five Pieces for Orchestra (Op. 16 and 6).
     • Schoenberg's Serenade (Op. 24).
     • David Evans in a solo account of the baritone part.
   • The article praises the ensemble's performance, noting their balance between contemporary works and earlier pieces, such as Mozart's The Magic Flute overture.

3. Musical and Performance Details:

   • The article mentions the improved acoustics of the museum, which enhanced the listening experience.
   • It highlights the interpolation of Mozart's overture, which was described as a "rather somber dialogue between live and pre-recorded music."
   • The review also notes the delightful performance of John Heiss, who played solo flute, and Joyce Virkus, who showcased her talents in works like The Shape of a Square.
   • The article emphasizes the convincing and thoughtful interpretation of the music, particularly praising the ensemble's balance and clarity.

4. Contextual Information:

   • The article provides background on Musica Viva, noting that it is a group of Boston musicians dedicated to 20th-century chamber music.
   • It discusses the limited finances and hard work required to organize such performances, as well as the penisate talent of the performers.
   • The review also touches on the acoustic challenges of the Busch-Reisinger Museum, which had previously been noted as a problem due to its resonance gallery.

5. Visual Layout:

   • The article is typeset in a classic newspaper style, with justified text and clear headings.
   • The page includes a header with the publication name ("Boston Herald Traveler"), the date ("Saturday, September 26, 1970"), and a page number ("9").
   • The text is printed on aged, slightly yellowed paper, suggesting the document is from 1970 or has been preserved for some time.

Summary:

The image shows a historical newspaper article reviewing a Musica Viva concert at the Busch-Reisinger Museum. The article provides insights into the performance, the music performed, and the challenges and successes of staging contemporary chamber music in a challenging acoustic environment. The review is positive, praising the ensemble's skill, balance, and interpretation of the works.

The image shows an open book with a newspaper clipping placed inside. The book appears to be a collection of historical documents or artifacts, possibly related to music or cultural events. The newspaper clipping is from the Boston Herald Traveler, dated September 26, 1970, and it contains an article about a concert given by the group Musica Viva at the Busch-Reisinger Museum. The article discusses the group's repertoire, which includes a mix of contemporary works and older classics, as well as the acoustics of the museum's gallery and the challenges of performing there.