The image shows a page from "The Christian Science Monitor" dated Friday, September 25, 1970. The article is titled "BMV firsts: new music, new season" and is written by Louis Snyder from Cambridge, Massachusetts.

The article discusses the Boston Musica Viva's season opener at the Isabella Stewart Gardner Museum under the direction of Richard Pittman. The performance featured Joseph Schwantner's "Consortium I," a work that the author describes as a "healthy feast" for the ears. The piece is noted for its complexity and the composer's use of tape-recorded sounds, which the author finds intriguing but somewhat questionable in terms of its musical value.

The article also mentions two other pieces performed: "Interpolations" by John Harbison and "The Slave of Silence" by Robert Moevs. The author praises the skillful singing of soprano Janet Baker in Moevs' piece, noting her ability to convey the emotional depth of the work.

Overall, the article provides a review of the concert, highlighting the innovative nature of the music and the performances, while also expressing some reservations about the use of tape-recorded sounds in Schwantner's piece.

The image is a clipping from the newspaper "The Christian Science Monitor," dated Friday, September 25, 1970. The article, titled "BMV firsts: new music, new season," is written by Louis Snyder and discusses the beginning of the Boston Museum of Fine Arts' (BMV) new music season with a concert by the "Consortium."

Here's a detailed summary:

1. Event Overview:

   • The music season at the Boston Museum of Fine Arts started with an innovative concert on a Wednesday evening.
   • The concert featured the opening program of the "Consortium," a group led by pianist Richard Pittman.

2. Program Highlights:

   • The concert included two world premieres and the second U.S. performance of a work by a significant composer.
   • The program had a variety of pieces, some intended for interpreters and listeners to question, score, and explore.

3. Performances:

   • Handsome Numbers (1969): Two pieces from this work, written for solo speaking pianist John Heiss, were performed. The pieces required the pianist to speak numbers and play the piano, sometimes using surprising techniques like a surprising burst of a chirp.
   • Joyce Mekeel's "The Shape of Silence" (1970): This piece, scored for clarinet, violin, viola, cello, and piano, explores silence and sound. It was noted for its imaginative use of various instrumental techniques, creating a "fabulous 'east wind'" effect.

4. Other Pieces:

   • The concert included works by Anton Webern (Five Canons, Op. 16), Arnold Schoenberg (Serenade, Op. 24), and Anton von Webern's arrangement of Johann Strauss's "Schatzwalzer" from "Der Rosenkavalier."
   • The performances featured several musicians, including soprano Helen Boatwright, clarinetist Ignatius Gennusa, and others.

5. Audience Reaction:

   • The audience responded enthusiastically to the concert, particularly to the performances by Mr. Heiss and the skilled singing by Joyce Mekeel.

6. Future Concerts:

   • The next concert by the Boston Museum of Fine Arts' music group is scheduled for November 11.

Overall, the article highlights a concert that featured modern and experimental music, showcasing both new and established works with innovative performances.

The image is a page from a newspaper, specifically "The Christian Science Monitor," dated Friday, September 25, 1970. The article is titled "BMV firsts: new music, new season" and is written by Louis Snyder from Cambridge, Massachusetts.

The article reviews a concert by Joseph Schwantner’s "Consortium," which was the opening event of Boston's music season. The concert took place at the Busch-Reisinger Museum, which is sponsoring a series of concerts under the title "BMV" (likely referring to Boston Modern Music).

Key points from the article:

• The concert featured the world premiere of Schwantner’s "Consortium" and a second performance of John Heiss’s "Roman Numerals."
• The audience was enthusiastic, and the performances were well-received.
• The concert included the premiere of Schwantner’s piece, which is a "staggering" experience and "uniquely impressive."
• Heiss’s piece, "Roman Numerals," was also praised for its musicality and the skillful singing of the performers.
• The article mentions various musicians involved, including Joyce Mikel’s "The Shape of Silence" and Arnold Schoenberg's "Serenade."
• The concert was part of a series of modern music performances at the Busch-Reisinger Museum, with the next concert scheduled for November 11.

The review highlights the innovative and modern aspects of the music, emphasizing the freshness and enthusiasm for the new season of music in Boston.

The image is a scanned page from "The Christian Science Monitor" dated Friday, September 25, 1970. The article is titled "BMV firsts: new music, new season" and is written by Louis Snyder from Cambridge, Mass.

The article discusses the inaugural event of the Boston Music Viva's new season at the Busch-Reisinger Museum. The event featured Joseph Schwantner's "Consortium," which was praised for its unique blend of instruments and sounds, including strings, winds, and a piano. The piece was described as requiring full attention from its audience.

Two other notable works were performed:

1. Roman Haubenstock-Ramati's "Aria" (1968), which was accompanied by tape and created a dramatic effect.
2. Joyce Meeke's "The Shape of Silence" (1970), which used vocal and instrumental music to explore themes of silence and questioning.

The performance was highlighted for its skillful singing and the musicians' adept handling of the complex and modern compositions. The article also mentions that the concert was well-received by the audience and was an invigorating start to the season. Tickets for the concerts are available through the Busch-Reisinger Museum. The next concert is scheduled for November 11. The musicians featured include Mr. Pittman, Mr. Heiss, and several others playing a variety of instruments like violin, viola, clarinet, and mandolin.

The image is a page from the Christian Science Monitor dated Friday, September 25, 1970, focusing on an arts and entertainment section. The article is titled "BMV firsts: new music, new season" by Louis Snyder, discussing the Boston Music Ventures (BMV) season.

Here's a detailed summary of the content:

1. Introduction and Context:

   • The article begins by noting that Boston’s music season kicked off with a new venture, Boston Music Ventures (BMV), which has a healthy opening with performances at the Busch-Reisinger Museum.

2. Consortium Performance:

   • Joseph Schwantner’s "Consortium" was the first piece performed, which was praised for its lively organization and innovative approach.
   • The program included pieces by Richard Strauss and Arnold Schoenberg.

3. Highlights of the Evening:

   • The evening included performances by two notable works:
     • "The Shape of Silence" by Joyce Mekoeel, utilizing silence and instrumental sounds to create a unique experience.
     • "Webern’s Five Canons" and "Six Lieder" by Arnold Schoenberg, Op. 16, performed by David Evans and others.
     • Other instrumental works included by David Evans and others such as the "Midpoints" by Ett von Petranca and a performance by the Ensemble of Boston Musicians.

4. Specific Performances:

   • The performance by John Heiss was highlighted for its impressive use of tape and live instruments, creating a seamless and engaging auditory experience.
   • The concert also featured pieces by various composers such as Arnold Schoenberg, Richard Strauss, and others, with performances by skilled musicians including Nancy Cirillo, Jay Humeaton, David Evans, and others.

5. General Impressions:

   • The concert was described as an innovative start for BMV, showcasing a blend of modern and classical music.
   • The article concludes by mentioning that this event was a success and sets the stage for the next concert scheduled for November 2.

The article captures the essence of the BMV’s inaugural season, emphasizing its innovative and diverse musical offerings.

The Christian Science Monitor

Friday, September 25, 1970

BMW firsts: new music, new season

By Louis Snyder

Cambridge, Mass. - It had no greater distinction (time alone will tell), Joseph Schwantner's "Consortum" began Boston's music season with a healthy blast on Wednesday evening, when it was first heard on Boston Musica Viva's 1970-71 series at the Busch-Reisinger Museum, which is sponsoring a series by this lively organization under the rubric, "New Music in Boston." The written notes, doubtless for these interested strings and winds, is strongly interdependent, and the work, which is for its interpreters and full of questions for its listeners, has a character that is both complex and closing. The first of the program's first half was the world premiere, but the second performance of a work by a composer who is equal in his own way to the best of the new generation.

There were two other up-to-the-minute (so to speak) numbers, both for the handsomely played flute of John Heiss. The first, Roman Haubenstock-Ramati's "Solfeggietto" (1968), is accompanied by tape, which comes up with a surprise when it continues to produce a startling musical effect by now.

Skillful singing

The other, Joyce Mekeel's "The Shape of Silence" (1970) makes use of the currently popular "silence" (or "anti-sound" or "anti-sound" or "anti-sound") in alternation with notes played on the instrument. The combination of simultaneous vocal and instrumental utterance was well handled, and the performance, in this case, had some relative significance. The composer was there to share consideration.

The evening was concluded, albeit at some length, by Arnold Schoenberg's "Serenade," Op. 24 (1920), which had the benefit of the full forces of the ensemble, including the fine baritone, Mr. Heiss, and the excellent work. Once again, Mr. Pittman and his forces must be mentioned for the musicality and energy they brought to this demanding program: Nancy Cirillo (violin), Jay Hunsberger (viola), Jay Hunsberger (viola), and Anthony Fulgoni (bass clarinet). They were joined in the Schoenberg by Robert Sullivan (mandolin) and Robert Sullivan (guitar).

All in all it was an invigorating start for a season that will no doubt bring more of Boston's modern music-making. It is also one of the most important of the year. The next concert in the series is scheduled for Nov. 11.

The image is of a newspaper clipping glued or taped onto a blank page of an album or scrapbook. The newspaper clipping is from "The Christian Science Monitor," dated Friday, September 25, 1970, and it appears on page 13 in the "Arts Entertainment" section. The headline reads:

"BMV firsts: new music, new season" by Louis Snyder, Cambridge, Mass.

The article discusses Boston's music season, mentioning the Boston Music Viva’s opening program at Harvard’s Busch-Reisinger Museum. It highlights adventurous and challenging new music and the spirit of boldness and innovation in the performances. There is mention of works by composers like Joyce Mekeel, Webern, and Arnold Schoenberg, and musicians including Joan Heller and Amy Heiss. The article describes the performances as skillful and fresh, indicating an invigorating start for the program's new season. The next concert is noted as scheduled for November 11. The text is organized in columns beneath the header, with the "ARTS ENTERTAINMENT" section header prominently displayed in a small box near the top right of the clipping.

The image shows an open book or binder with a newspaper clipping from "The Christian Science Monitor," dated Friday, September 25, 1970. The article's headline reads "BMV firsts: new music, new season" and is written by Lois Snyder. It appears to be a review or commentary on a concert given by the Boston Musica Viva, mentioning a performance including a piece by Joseph Schwantner's "Consort for ten instruments," which opened the season. The column on the right has a header "ARTS ENTERTAINMENT" and references audience enthusiasm, the performance of various pieces, and the musicians involved. The background of the image is the beige paper of the book or binder where the clipping is attached, and the edge of the other side of the open spread is visible on the left, showing a similar beige color and texture. The clipping and pages appear to be somewhat yellowed with age.

The image shows a page from a publication titled The Christian Science Monitor, dated Friday, September 25, 1970. The page is part of the "Arts Entertainment" section, as indicated by the logo at the top right. The main headline reads: "BMV firsts: new music, new season", and it is attributed to Louis Snyder.

Key Details:

1. Headline and Subheadings:

   • The headline announces the beginning of a new music season, highlighting performances by the Boston Musica Viva under the direction of Richard Pittman at Harvard's Busch-Reisinger Museum.
   • The article discusses a concert featuring works by composers such as Josef Schwanter, Arnold Schoenberg, and others.

2. Content Overview:

   • The article describes the concert as a "healthy blast" for the new season, noting that it was the first concert of the season and marked the debut of Schwanter's Consonium.
   • It emphasizes the innovative nature of the performance, including the use of whispering or speaking words in addition to traditional singing, as seen in Joyce Mokeet's piece The Shape of Silence.
   • The article also mentions the premiere of Schwanter's The First, which was performed without a conductor, allowing the performers to leave the stage while the tape continued.

3. Visual Elements:

   • The page has a clean, typed layout typical of newspaper or magazine articles from the 1970s.
   • The text is organized into paragraphs, with clear headings and subheadings.
   • The page number "13" is visible at the top right, and the date and section ("Arts Entertainment") are prominently displayed.

4. Contextual Clues:

   • The article references specific musical works, composers, and performers, indicating a focus on contemporary classical music and avant-garde performances.
   • The mention of "BMV" likely refers to the Boston Musica Viva, a renowned chamber music ensemble.

Overall, the image depicts a news article covering a significant musical event, highlighting innovative performances and the debut of new compositions during the 1970-1971 season.

The image shows an open book with a page displaying a headline that reads "BMW firsts: new music, new season." The page is from a newspaper or magazine, with a date of Friday, September 25, 1970. The text on the page discusses a music event and mentions several composers and musicians, including Joseph Schwantner, Arnold Schoenberg, and others. The page also includes a section titled "Skillful singing," which discusses a particular musical composition.