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The image shows a yellow invitation card placed inside an open book. The invitation is from "The Bryn Mawr Club of Boston" and cordially invites the recipient to a "Spring Meeting" featuring "Entertainment of Medieval, Renaissance, and Contemporary" music. The program listed on the invitation includes:

I. Canonic Variations on "Vom Himmel hoch, da komm' ich her" (BWV 769)

• Composed by Johann Sebastian Bach (1685-1750)
  • Var. I: In canone alla ottava
  • Var. II: Alio modo in canone alla quinta
  • Var. III: In canone alla settima
  • Var. IV: In canone all'ottava per augmentationem, con tre pause
  • Var. V: L'altra sorte dello stesso al rovescio (alla nona, alla decima, all'undecima, e alla duodecima)
• Performed by Roger French, organ

II. Songs

• "When to the temple Mary went" by Thomas Morley (1557-1602)
  • Performed by Jane Bryden, soprano, and Joel Cohen, lute
• "What if my master now" by John Dowland (1563-1626)
  • Performed by Joel Cohen, lute
• "Galliard" by Francis Cutting (16th century)
  • Performed by Joel Cohen, lute

III. Songs

• "Sweet come away" by John Dowland (1563-1626)
  • Performed by Philip Rosseter (1568-1623)
• "Shall I sue" by John Dowland (1563-1626)
  • Performed by Joel Cohen, lute
• "Weep you no more, sad fountains" by John Dowland (1563-1626)
  • Performed by Jane Bryden and Joel Cohen, lute
• "Pieces de clavecin" by François Couperin (1668-1733)
  • Performed by Joel Cohen, lute
    • Le Premier Ordre
    • L'Auguste
    • Les Moissonneurs
    • Les Matelotte
    • La Ménétriére
    • La Ménetou
    • Les Nymphes
    • Les Sentimens

The program appears to be a diverse selection of classical and Renaissance music, featuring both vocal and instrumental performances.

The image shows a yellow invitation card from "The Bryn Mawr Club of Boston," which cordially invites the recipient to "A Spring Evening Entertainment of Medieval, Renaissance, and Contemporary" music.

The program listed on the card includes the following items:

1. Canonic Variations on "Vom Himmel hoch, da komm' ich her" (BWV 769) by Johann Sebastian Bach (1685-1750):

   • Performed by Roger Evans on organ.
   • The program lists five variations:
     • Var. I: In canone all' ottava
     • Var. II: A 2 chori, modo in canone alla quinta
     • Var. III: In canone alla ottava stretta
     • Var. IV: In canone all' ottava per augmentationem
     • Var. V: L'altra sorte (1) alla seconda (2) alla terza (3) alla quarta (4) alla nona (diminuito alla quinta)

2. Songs:

   • "With my love my life was nested" by Thomas Morley (1557-1602)
   • "Who is it that this dark night" by Jane Brayen, soprano, and Joel Cohen, lute
   • "What is my mistress now" by John Dowland (1563-1626)

3. Galliarde:

   • "Tarlton's Resurrection" by Francis Cutting (16th century) and John Dowland (1563-1626)

4. Songs:

   • "Sweet come again" by Philip Rosseter (ca. 1568-1623)
   • "Shall I weep" by Jane Brayen and Joel Cohen
   • "Weep you no more, sad fountains" by John Dowland
   • "When Laura smiles" by Philip Rosseter

5. Pieces de clavecin (harpsichord):

   • From "Le Premier Ordre" by François Couperin (1668-1733)
     • L'Auguste
     • Première Courante
     • La Majestueuse
     • La Muse
     • La Milordine
     • Les Sylphes
   • Performed by Preethi de Silva on the harpsichord

The card is placed inside an open book, likely an album or a collection, and is secured with a ribbon.

The image shows a program booklet for a spring evening entertainment event hosted by the Bryn Mawr Club of Boston. The booklet is divided into sections featuring music from the Medieval, Renaissance, and Contemporary periods. The event program is as follows:

1. Canonic Variations on "Vom Himmel hoch, da komm' ich her" (BWV 769)

   • Composer: Johann Sebastian Bach (1685-1750)
   • Variations:
     • Var. I: In canone all' ottava, 3-2 clave, e ped.
     • Var. II: Alto modo in canone alla quinta, 2 clave, e ped.
     • Var. III: In canone alla sesta, 2 clave, e ped.
     • Var. IV: In canone all' ottava per augmentationem, 2 clave, e ped.
     • Var. V: L’alta voce canone al rovescio, 2 clave, e ped.

2. Songs

   • "With my love my life was nested"
     • Composer: Thomas Morley (1557-1602)
   • "Who is it that dark night"
     • Composer: Jane Byam, soprano, and Joel Cohen, lute
   • "What is my mistress now"
     • Composer: Jane Byam and Joel Cohen

3. Instrumental Pieces and Songs

   • "Galliarde"
     • Composer: Francis Cutting (16th century)
   • "Tarleton's Resurrection"
     • Composer: John Dowland (1563-1626)
   • "Sweet come again"
     • Composer: Philip Rosseter (1588-1623)
   • "Shall I see"
     • Composer: John Dowland
   • "Weep you no more, sad fountains"
     • Composer: Philip Rosseter
   • "When Laura smiles"
     • Composer: Jane Byam and Joel Cohen

4. Pieces de clavecin (Pieces for harpsichord)

   • From "Le Premier Livre"
     • Composer: François Couperin (1668-1733)
     • Pieces: L'Auguste, Première Courante, La Majestueuse, La Résolue, La Milordine, Les Sylphides

The program is organized in a yellow envelope and is placed within an open book, which has a page number 33 visible. The music is performed on various instruments including the organ, lute, and harpsichord.

The image shows an open book featuring a program for a musical event, specifically a "Spring Evening Entertainment" organized by the Bryn Mawr Club of Boston. The program is detailed and organized into sections, each containing various musical pieces.

1. Section I: Canonic Variations on "Vom Himmel hoch" (BWV 769) by Johann Sebastian Bach (1685-1750)

   • The variations are listed as follows:
     • Var. I: In canone all' ottava
     • Var. II: Alto modo in canone alla quinta
     • Var. III: In canone alla settima
     • Var. IV: In canone all'ottava per augmentationem
     • Var. V: (1) alla seconda, (2) alla terza, (3) alla quarta, (4) alla quinta (diminuendo alla quarta)

2. Section II: Songs

   • With my love my life was nestled by Thomas Morley (1553-1603)
   • Who is it that this dark night by Jane Bayren (soprano), and Joel Cohen (late)
   • What if my mistress now by Jane Bayren

3. Section H: Galliard and Tarleton's Resurrection

   • Galliard by Francis Cutting (16th century)
   • Tarleton's resurrection by Joel Cohen

4. Section II: Additional Songs

   • Shall I see by Philip Rossiter (c. 1568-1623)
   • Weep you no more, sad fountains by John Dowland (1563-1626)
   • When Laura smiles by Jane Bayren and Joel Cohen
   • Sweet come again by Philip Rossiter

5. Section III: Pieces de clavecin (Clavichord Pieces) by Françon Couperin (1668-1733)

   • From "Le Premier Ordre"
     • L'Auguste
     • Première Courante
     • La Majestueuse
     • La Preste
     • La Milordine
     • Les Sylvain
   • Composed by Prêtre de Silva, l'Arpichord

The book itself appears to be a score or a book of musical arrangements, and the program is taped or held in place within the pages.

The image shows an open book or album with a yellow program for an event hosted by "The Bryn Mawr Club of Boston." The program is titled "A Spring Evening Entertainment" with a focus on "Medieval, Renaissance, and Contemporary" music. It is dated May 10, 1963. The program details various musical pieces, including:

1. "Canonic Variations on 'Vom Himmel hoch, da komm' ich her' (BWV 769)" by Johann Sebastian Bach (1685-1750), performed by Roger Evans on organ.
2. Several songs including:
   • "With my love my life was nestled" by Thomas Morley (1557-1602), performed by Jane Bryden and Joel Cohen.
   • "Who is it that this dark night" by John Dowland (1563-1626), performed by Jane Bryden, soprano, and Joel Cohen, lute.
3. "Galliard" by Francis Cutting (16th century) and "Tarlton's Resurrection" by John Dowland, performed by Joel Cohen.
4. Songs including:
   • "Sweet come again" by Philip Rosseter (1567-1623)
   • "Shall I see" by John Dowland
   • "When Laura smiles" by Jane Bryden and Joel Cohen
   • "Weep you no more, sad fountains" by Philip Rosseter
5. "Pieces de clavecin" by François Couperin (1668-1733), performed by Preethi de Silva on harpsichord, including:
   • "L'Auguste" from "Le Premier Ordre"
   • "La Majestueuse"
   • "La Milordine"
   • "Les Sylvains"

The program is held in place by a strip of tissue paper, and the overall presentation suggests it might be part of a larger collection or archive of musical programs.

The image shows a program from a musical event organized by The Bryn Mawr Club of Boston. The event is titled "A Spring Evening Entertainment of Medieval, Renaissance, and Contemporary Music."

Program Details:

I. Canonical Variations on "Vom Himmel hoch, da komm' ich her" (BWV 769)

Composer: Johann Sebastian Bach (1685-1750)

• Var. I: In dulci jubilo à 4 Canon
• Var. II: Alla Quarta
• Var. III: Canone alla Quinta, in moto contrario, à 2 Clav: e ped.
• Var. IV: Canone alla Settima
• Var. V: L'istesso tempo, Canone all'ottava
  • Performed on the Rogers Evans organ

II. Songs

• Thomas Morley (1557-1602)

  • "With my love my life was nestled"
  • "Who is it that this dark night"

• Anonymous, late 16th Century

  • "Hard by a crystal fountain"

• Francis Cutting (16th Century)

  • Galliard

• John Dowland (1562-1626)

  • "Taireloyne’s Resurrection"

• Joel Cohen

  • Songs:
    • "Sweet come again"
    • "Shall I sue"
    • "Weep you no more, sad fountains"
    • "When Laura smiles"

Performers for Songs:

• Philip Rosseter (1567-1623)
• John Dowland
• Thomas Campion

III. Pièces de Clavecin

François Couperin (1668-1733)

• From "Le Troisième Ordre"

  • L’Atalante
  • L’Ame-en peine
  • Les Gondoles de Delos
  • La Pastorelle
  • L’Engageante
  • La Mílordine
  • Les Syrenes

• Pedro de Silva

  • "Barricades mystérieuses"

The program includes a mix of organ variations, songs from the Medieval and Renaissance periods, and harpsichord pieces from the Baroque period.

The image shows an open book with a bright yellow insert containing text. The insert appears to be a program for a musical event organized by "THE BRYN MAWR CLUB OF BOSTON." The event is described as "A Spring Evening Entertainment of Medieval, Renaissance, and Contemporary Music."

The program itself lists a performance of "Canonic Variations on 'Vom Himmel hoch, da komm' ich her'" (BWV 769) by Johann Sebastian Bach, followed by various songs and pieces performed by named individuals. It seems to feature a mixture of vocal and instrumental pieces, including works by Thomas Morley, John Dowland, François Couperin, and others. Part I lists the variations of the Bach piece to be played on organ, Part II includes songs, and Part III features "Pieces de clavecin" on the harpsichord.

The details indicate a classical music concert, possibly organized by or for members of a club with some connection to Bryn Mawr, which might suggest a link with the Bryn Mawr College or its alumni. Given the composers and types of music mentioned, the program implies a focus on baroque and renaissance period compositions. The image likely captures a page inside a program booklet or related publication.

The image shows a yellow music program card placed on an open book or album. The program is titled "Program" and is divided into three sections labeled I, II, and III. It lists various classical music pieces and their composers:

• Section I features "Canonic Variations on 'Vom Himmel hoch, da komm' ich her' (BWV 769)" by Johann Sebastian Bach (1685–1750) with detailed variations and mentions Roger Evans on the organ.
• Section II includes songs by Thomas Morley (1557–1602) with titles like "With my love my life was nested," "Who is it that this dark night," and "What if my mistress now," performed by Jane Bryden (soprano) and Joel Cohen (lute). It also lists a "Galliard" by Francis Cutting (16th century), "Tarleton's resurrection" by John Dowland (1562–1626), and additional songs by Joel Cohen, Philip Rosseter (ca. 1568–1623), John Dowland, and a joint performance by Jane Bryden and Joel Cohen.
• Section III features "Pieces de clavecin" by François Couperin (1668–1733) from "Le Premier Ordre" with pieces like L’Auguste, Première Courante, La Majestueuse, Gavotte, La Milordine, and Les Sylvains, played by Preethi de Silva on the harpsichord.

There is also a partially visible smaller yellow card behind the program card indicating the event is hosted by The Bryn Mawr Club of Boston, inviting people to a spring evening entertainment focused on medieval, renaissance, and contemporary music.

The image shows an open book with a yellow program sheet inserted between its pages. The program sheet is titled "Program" and appears to be for a musical performance organized by The Bryn Mawr Club of Boston. The program lists a variety of musical pieces to be performed, organized into sections:

I. Canonic Variations on "Vom Himmel hoch, da komm' ich her" (BWV 769)

• Composer: Johann Sebastian Bach (1685–1750)
• Variations:
  • Var. I: In canone all' ottava
  • Var. II: Alto modo in canone alla quarta
  • Var. III: In canone alla settima
  • Var. IV: In canone all' ottava per augmentationem
  • Var. V: Ultra octo del 2° clav. e ped. (with additional annotations)

II. Songs

• Composers and Works:
  • Thomas Morley (1557–1602):
    • "With my love my life was nested"
    • "Who is it that this dark night"
    • "What if in my mistress now"
  • Jane Bayden, soprano, and Joel Cohen:
    • "What if in my mistress now"

III. Galliard

• Composer: John Dowland (1563–1626)
• Title: Tarleton's resurrection

IV. Songs

• Composers and Works:
  • Philip Rosseter (c. 1568–1615):
    • "Sweet come again"
    • "Shall I use"
    • "Weep no more, sad fountains"
  • John Dowland and Philip Rosseter:
    • "When Laura smiles"

V. Pieces de clavecin

• Composer: François Couperin (1668–1733)
• Works:
  • From "Le Premier Ordre" (L'Auguste)
    • Prémière Courante
    • La Majesteuse
    • La Croisette
    • La Milordine
    • Les Sylvains

The program sheet is neatly placed within the book, which has white pages and a green spine. The book itself appears to be part of an archive or collection, as suggested by the structured layout and formal presentation of the program. The sheet is slightly translucent, indicating it might be made of a thin material such as vellum or a similar archival-quality paper. The overall setting suggests a historical or academic context, possibly related to musicology or a performance archive.

An open book is on a white surface. The book is placed on the table, and it seems to be a music book. The book has a yellow cover, and the text is printed on it. The text is written in black font. The book has a transparent cover, and it is placed on the book. The book's cover has a design on it. The book's cover has the text "Program" and "The Bryn Mawr Club of Boston."