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Busch-Reisinger Museum Scrapbook, 1968-1970

ARCH.2013.5.12, Rendition: 797874

Mistral, us.mistral.pixtral-large-2502-v1:0

The image displays a typed program or setlist for a musical performance. It is divided into several sections, detailing various pieces of music, their composers, and performers. Here is a detailed summary:

Medieval and Renaissance Pieces:

  1. Quand je bois du vin clairet (When I'm drinking good red wine) - Anonymous, C. 1500
  2. Je languis (I languish) - Anonymous, XIII C.
  3. Souvent soupire (Frequent sighs) - Anonymous, XIII C.
  4. Kalenda maya (The First of May) - Raimbault de Vaqueiras, d. 1207

Intermission

From America, 1800-1970:

  1. Woods I and II - Rainer Glen Buschmann
  2. Oliver Cromwell - Settine, Q. Consort
    • Words: Anonymous 16-year-old
    • Music: K. Montgomery
  3. Youth - Buffy Sainte-Marie
  4. Pineywood Hills
    • Words: Kenneth Patchen
    • Music: K. Montgomery
  5. Little Birds - Sacred Harp, 1860
  6. Exultation - Lucy Clark's Exaltation
    • Shaker Song, 1840
  7. Take This Hammer - Traditional Chain Gang Song
  8. O Brethren, ain't you happy! - Shaker Song, 1847
  9. Co-lo-vin - Shaker Bird Song, 1839
  10. Veriant Groves - Shaker Song, 1847
  11. Mother Ann's Song - Shaker Drum Beat Song, 1844
  12. I Will Bow and Be Simple - Shaker Bowing Song, 1839
  13. Sweet Morning - Sacred Harp, arr. H.S. Rees
  14. Warfare - Folk Hymn

The Quadrivium Consort:

  • Members:
    • Elizabeth Fuchs: recorders, tenor and bass viola da gamba, bass viol
    • Janet Fuchs: percussion
    • Elizabeth Berney: guitar, lute, dulcimer
    • Liza Malamut: tenor and bass viola da gamba
    • Lislé Rulbach: recorders, violin, psaltery, pipe and tabor
    • David Lawrence: tenor voice, percussion
    • Charlotte Rulbach: castanets
    • Jonathan Morse: baritone voice
    • Nancy Nichols: percussion, bass viola da gamba, recorders
    • Janet Smith: percussion
    • Meg Haines: mezzo-soprano voice

Duo:

  • Marlene Foresberg Montgomery: recorders, rauschpfeifes, psaltery, Irish harp, guitar, percussion

Additional Credits:

  • Translations: Janet Fuchs
  • Graphics: Cindy Sexton

The document appears to be part of a program for a concert or musical event, providing detailed information about the pieces to be performed, their historical context, and the performers involved.

Mistral, mistral.mistral-large-3-675b-instruct

The image displays a concert program titled "La Bella Stella," featuring a collection of musical pieces performed by a musical consort known as "The Quadrivium Consort." Here's a detailed breakdown:

Program Sections and Pieces:

Medieval and Early Music:

  1. Quand je bois du vin clairet (When I’m drinking good red wine)

    • Anonymous, c. 1500
  2. Je languis (I languish)

    • Anonymous, XIII Century
  3. Souvent souspire (Frequent sighs)

    • Anonymous, XIII Century
  4. Kalenda maya (The First of May)

    • Raimbault de Vaqueiras, d. 1207

Intermission

From America, 1800-1970:

  1. Foods I and II

    • Rainer Glen Buschmann
  2. Oliver Cromwell

    • Setting: Q. Consort
  3. Youth

    • Words: anonymous 16-year-old English girl
    • Music: N. Montgomery
  4. Pineywood Hills

    • Buffy Sainte-Marie
  5. Little Birdis

    • Words: Kenneth Patchen
    • Music: M. Montgomery
  6. Exultation

    • Sacred Harp, 1860
  7. Lucy Clark’s Exaltation

  8. Take This Hammer

    • Traditional Chain Gang Song
  9. O Brethren, ain't you happy!

    • Shaker Song, 1847
  10. Co-lo-vin

    • Shaker Bird Song, 1839
  11. Verdant Groves

    • Shaker Song, 1847
  12. Mother Ann’s Song

    • Shaker Drum Beat Song, 1844
  13. I Will Bow and Be Simple

    • Shaker Bowing Song, 1839
  14. Sweet Mornings

    • Sacred Harp, arr. H.S. Rees
  15. Warfare

    • Folk Hymn

The Quadrivium Consort Members:

  • Elizabeth Berg: Krummhorns, rauschpfeifes, recorders
  • Sarah Cunningham: Tenor and bass viola da gamba, bass viol
  • Janet Fuchs: Percussion
  • Elizabeth Hershey: Guitar, lute, dulcimer
  • Jane Hershey: Recorders, krummhorns
  • Lisle Kulbach: Recorders, violin, psaltery, pipe and tabor
  • David Lawrence: Soprano, percussion
  • Charles Linville: Soprano voice, castanets
  • Jonathan Morse: Baritone voice
  • Nancy Nichols: Percussion, bass viola da gamba, recorders
  • James Occhino: Bass voice
  • Meg Raines: Mezzo-soprano voice

Director:

  • Marleen Forsberg Montgomery: Recorders, rauschpfeifes, psaltery, Irish harp, guitar, percussion

Additional Credits:

  • Translations: Janet Fuchs
  • Graphics: Cindy Sexton

This program showcases a mix of medieval and early American music, performed using a variety of historical instruments and vocal styles.

Mistral, mistral.ministral-3-14b-instruct

The image appears to be a program or a sheet from a musical performance, specifically listing songs, composers, performers, and some historical context. Here is a detailed summary:

Songs and Composers:

  1. Medieval and Renaissance Period:

    • "Quand je bois du vin clairret" (When I'm drinking good red wine) - Anonymous, circa 1500
    • "Je languis" (I languish) - Anonymous, 13th Century
    • "Souvent sospire" (Frequent sighs) - Anonymous, 13th Century
    • "Kalenda Maya" (The First of May) - Raimbault de Vaqueiras, died 1207
  2. From America, 1800-1970:

    • Moods I and II - Oliver Cromwell
    • Youth - Pineywood Hills
    • Little Birds - Exultation
    • Lucy Clark's Exaltation
    • Take This Hammer
    • O Brethren, ain't you happy!
    • Co-lo-vin
    • Verdant Groves
    • Mother Ann's Song
    • I Will Bow and Be Simple
    • Sweet Morning
    • Warfare
  3. Shaker and Folk Songs:

    • "Setting, 2. Consort" - Words by an anonymous 16-year-old English girl, Music by M. Montgomery
    • "Buffy Sainte-Marie" - Words by Kenneth Patchen, Music by M. Montgomery
    • Sacred Harp, 1860
    • Shaker Song, 1840
    • Traditional Chain Gang Song
    • Shaker Song, 1847
    • Shaker Bird Song, 1839
    • Shaker Drum Beat Song, 1844
    • Shaker Bowing Song, 1839
    • Sacred Harp, arranged by H.S. Rees
    • Folk Hymn

The Quadrivium Consort:

  • Elizabeth Berg: krummhorns, rauschpfeifes, recorders
  • Sarah Cunningham: tenor and bass viola da gamba, bass viol
  • Janet Fuchs: percussion
  • Elizabeth Hershey: guitar, lute, dulcimer
  • Jane Hershey: recorders, krummhorns
  • Leslie Aulbach: recorders, violin, psaltery, pipe and tabour
  • David Lawrence: tenor voice, percussion
  • Charles Looby: baritone voice, percussion
  • Nancy Nichols: percussion, bass viola da gamba, recorders
  • James Cochino: bass voice
  • Meg Raines: mezzo-soprano voice

Director:

  • Marleen Forsberg Montgomery: recorders, rauschpfeifes, psaltery, Irish harp, guitar, percussion

Additional Information:

  • Translations: Janet Fuchs
  • Graphics: Cindy Sexton

This program seems to cover a wide range of music from different periods and styles, including medieval, folk, Shaker songs, and more contemporary American folk music. The Quadrivium Consort is listed with the instruments they perform, and Marleen Forsberg Montgomery is noted as the director, contributing to multiple instruments.

Mistral, mistral.ministral-3-8b-instruct

The image displays a page from a program or score for a musical performance. The page is divided into sections, each providing details about the songs and performers involved in the performance, likely from a historical or folk music concert.

Songs and Translations:

  • The page lists several songs with their translations:
    • "Quand je bois du vin clairret" (When I'm drinking good red wine)
    • "Je languis" (I languish)
    • "Souvent sospire" (Frequent sighs)
    • "Kalenda maya" (The First of May)

Anonymous and Early Works:

  • Anonymous works from around 1500 and the 13th century.
  • A work by "Aimbault de Vaqueiras" dated 1207.

From America, 1800-1970:

  • A list of songs from American folk music:
    • Moods I and II by "Cliver Cromwell"
    • "Youth"
    • "Pineywood Hills"
    • "Little Birds"
    • "Exultation"
    • "Lucy Clark’s Exaltation"
    • "Take This Hammer"
    • "O Brethren, ain't you happy!"
    • "Co-lo-vin"
    • "Verdant Groves"
    • "Mother Ann’s Song"
    • "I Will Bow and Be Simple"
    • "Sweet Morning"
    • "Warfare"

Additional Songs:

  • Songs attributed to specific composers or traditions:
    • "Setting, 2. Consort" by "Haimer Glen Buschmann"
    • "Buffy Sainte-Marie" with lyrics by Kenneth Patchen
    • "Sacred Harp, 1860"
    • "Shaker Song, 1840"
    • Traditional Chain Gang Song
    • "Shaker Song, 1847"
    • "Shaker Bird Song, 1839"
    • "Shaker Drum Beat Song, 1844"
    • "Shaker Bowing Song, 1839"
    • "Sacred Harp, arr. H.S. Rees"
    • "Folk Hymn"

Musicians and Instruments:

  • The performers listed under "the Quadrivium Consort" include:

    • Elizabeth Berg: krummhorns, rauschpfeifes, recorders
    • Sarah Cunningham: tenor and bass viola da gamba, bass viol
    • Janet Fuchs: percussion
    • Elizabeth Hershey: guitar, lute, dulcimer
    • Jane Hershey: recorders, krummhorns
    • Leslie Aulbach: recorders, violin, psaltery, pipe, and tabour
    • David Lawrence: tenor voice, percussion
    • Christopher Lowrey: baritone voice
    • Nancy Nichols: percussion, bass viola da gamba, recorders
    • James Ochino: bass voice
    • Meg Raines: mezzo-soprano voice
  • Director: Marileen Forsberg Montgomery with instruments including recorders, rauschpfeifes, psaltery, Irish harp, guitar, and percussion.

Other Details:

  • Translations: Janet Fuchs
  • Graphics: Cindy Sexton

This program appears to be a detailed listing of the musical selections, performers, and their respective instruments for a concert that includes a variety of folk and traditional music from different periods and regions.

Mistral, mistral.ministral-3-3b-instruct

The image shows a page from a program or booklet that lists various songs and their associated information. Here's a detailed summary:

  1. Early Songs and Texts:

    • "Quand je bois du vin clairet" (When I'm drinking good red wine)
    • "Je languis" (I languish)
    • "Souvent sospire" (Frequent sighs)
    • "Kalenda Maya" (The First of May)
  2. Intermission:

    • Songs from America spanning from 1800 to 1970, including:
      • Moods I and II by Oliver Cromwell
      • Youth
      • Pinewood Hills
      • Little Birds
      • Exultation
      • Lucy Clark’s Exaltation
      • Take This Hammer
      • O Brethren, ain’t you happy!
      • Co-lo-vin
      • Verdant Groves
      • Mother Ann’s Song
      • I Will Bow and Be Simple
      • Sweet Morning
      • Warfare
  3. Anonymous and Historical Songs:

    • Various anonymous songs dated around the 1500s and 18th century, such as:
      • Anonymous, c. 1500
      • Anonymous, XIII C.
      • Dainbault de Vaqueiras, d. 1207
  4. Specific Traditional and Folk Songs:

    • List of traditional Shaker songs and hymns, including:
      • Sacred Harp, 1860
      • Shaker Song, 1840
      • Traditional Chain Gang Song
      • Shaker Bird Song, 1839
      • Shaker Drum Beat Song, 1844
      • Shaker Bowing Song, 1847
      • Sacred Harp, arranged by H.S. Rees
      • Folk Hymn
  5. The Quadrivium Consort:

    • List of musicians and their instruments for the ensemble:
      • Elizabeth Berg (krummhorns, rauschpfeifes, recorders)
      • Sarah Cunningham (tenor and bass viola da gamba, bass viol)
      • Janet Fuchs (percussion)
      • Janet Fuchs (guitar, lute, dulcimer)
      • Elizabeth Hershey (recorders, krummhorns)
      • Jane Hershey (recorders)
      • Lisa Aublach (recorders, violin, psaltery, pipe and tabour)
      • David Lawrence (tenor voice, percussion)
      • Charles Lory (baritone voice, castanets)
      • Jonathan Lory (percussion)
      • Nancy Nichols (percussion, bass viola da gamba, recorders)
      • James Cochino (bass voice)
      • Meg Raines (mezzo-soprano voice)
  6. Director:

    • Marleen Forsberg Montgomery
  7. Additional Credits:

    • Translations: Janet Fuchs
    • Graphics: Cindy Sexton

The program seems to be for a performance that includes a blend of traditional, historical, and folk songs, with a mix of original compositions and arrangements. The Quadrivium Consort is an ensemble performing these songs.

Mistral, mistral.magistral-small-2509

The image shows a program for a musical performance. The program is divided into sections, listing various songs, their composers, and performers. Here is a detailed summary:

Program Title

  • Translation

Songs and Composers

  1. Quand je bois du vin clairer (When I'm drinking good red wine)
    • Anonymous, c. 1500
  2. Je languis (I languish)
    • Anonymous, XIII C.
  3. Souvent sospire (Frequent sighs)
    • Anonymous, XIII C.
  4. Kalenda maya (The First of May)
    • Aimbau de Vaqueras, d. 1207

Intermission

From America, 1800-1970

  1. Foods I and II
    • Oliver Cromwell
  2. Youth
    • Hainer Glen Buschmann, Setting, Q. Consort
    • Words: anonymous 16-year-old English girl
    • Music: M. Montgomery
  3. Pinewood Hills
    • Buffy Sainte-Marie
    • Words: Kenneth Patchen, Music: M. Montgomery
  4. Little Birds
    • Sacred Harp, 1860
  5. Exultation
    • Shaker Song, 1840
  6. Lucy Clark's Exaltation
    • Traditional Chain Gang Song
  7. Take This Hammer
    • Shaker Song, 1847
  8. O Brethren, ain't you happy!
    • Shaker Bird Song, 1839
  9. Co-lo-vin
    • Shaker Song, 1847
  10. Verdant Groves
    • Shaker Drum Beat Song, 1844
  11. Mother Ann's Song
    • Shaker Bowing Song, 1839
  12. I Will Bow and Be Simple
    • Sacred Harp, arr. H.S. Rees
  13. Sweet Morning
    • Folk Hymn
  14. Warfare

Performers

Quadrivium Consort:

  • Elizabeth Berg - krummhorns, rauschpfeifes, recorders
  • Sarah Cunningham - tenor and bass viola da gamba, bass viol
  • Janet Fuchs - percussion
  • Elizabeth Hershey - guitar, lute, dulcimer
  • Jane Hershey - recorders, krummhorns
  • Lisle Hulbach - recorders, violin, psaltery, pipe, and tabour
  • David Lawrence - tenor voice, percussion
  • Charlotte Lowrey - soprano voice, cymbals
  • Nancy Nichols - percussion, bass viola da gamba, recorders
  • James Ochino - bass voice
  • Meg Raines - mezzo-soprano voice

Director

  • Marleen Forsberg Montgomery - recorders, rauschpfeifes, psaltery, Irish harp, guitar, percussion

Credits

  • Translations: Janet Fuchs
  • Graphics: Cindy Sexton

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows a typed program or tracklist sheet with a list of musical pieces, their origins, and associated details. The content is divided into sections with some titles and annotations. The text includes titles in French and English, references to anonymous and historical sources, and some specific notes on instrumental and vocal parts.

Here are some key details from the text:

  • The first part lists four pieces with French titles and English translations:

    • "Quand je bois du vin clairet" (When I'm drinking good red wine) - Anonymous, c. 1500
    • "Je languis" (I languish) - Anonymous, XIII C.
    • "Souvent sospire" (Frequent sighs) - Anonymous, XIII C.
    • "Kalenda maya" (The First of May) - Raimbault de Vaquieras, d. 1207
  • There is an "INTERMISSION" heading.

  • The next section is titled "From America, 1800-1970" and lists multiple pieces along with their origins or credits:

    • "Words I and II" - Rainer Glen Buschmann
    • "Oliver Cromwell" - Setting, Q. Consort; Words, anonymous 16 year old English girl; Music, M. Montgomery
    • "Youth" - Buffy Sainte-Marie
    • Pieces with folk and Shaker song influences, like "Pineywood Hills," "Little Birds," "Exultation," "Lucy Clark's Exaltation," "Take This Hammer," "O Brethren, ain't you happy!," "Co-lo-vin," "Verdant Groves," "Mother Ann's Song," "I Will Bow and Be Simple," "Sweet Morning," "Warfare"
    • Various notes about origins and arrangements, including Shaker songs from mid-1800s and folk hymns.
  • At the bottom, there is a list titled "the Quadrivium Consort" with names of members and their instruments/roles, including recorders, percussion, guitar, dulcimer, violin, psaltery, bass viola da gamba, soprano and mezzo-soprano voices, etc.

  • The director is listed as Marleen Forsberg Montgomery with her instruments.

  • Translations by Janet Fuchs and graphics by Cindy Sexton are credited at the bottom.

Overall, the sheet appears to be a program or track listing for a musical performance or recording by the Quadrivium Consort featuring a variety of historic and folk music pieces from different eras and regions.

Azure OpenAI Service, gpt-4

The image you've provided is a photograph of a printed program or tracklist for what appears to be a musical performance or recording by The Quadrivium Consort. The program lists a variety of musical pieces with their titles and composers or origins, such as "When I'm drinking good red wine" which is anonymous from circa 1500, to pieces from the 13th century, and a section titled "From America, 1800-1970" with works like "Finneywood Hills" by Buffy Sainte-Marie and "Sweet Morning" described as a Sacred Harp arrangement.

It also lists members of The Quadrivium Consort, describing what instruments they play, such as recorders, viols, percussion, and vocals. Below the list of members, there are credits for translations by Janet Fuchs and graphics by Cindy Sexton. This document serves as a guide to the repertoire of the ensemble and gives credit to the contributors to their performance or recording project.

Amazon, us.amazon.nova-2-lite-v1:0

The image depicts a program or booklet page for a musical performance or concert. It is titled "From America, 1800–1970" and appears to be a listing of songs, their composers, and performers. Here is a detailed description:

Header and Title

  • The page is titled "From America, 1800–1970", indicating a thematic focus on American music spanning from the early 19th century to the mid-20th century.
  • The text is neatly organized in a clean, formal layout, suggesting a professional or academic setting.

Song Listings

The page is divided into two main sections:

  1. Left Column:

    • Lists songs with their original titles in French and their English translations in parentheses.
    • Examples:
      • "Quand je bois du vin clairet (When I'm drinking good red wine)"
      • "Je languis (I languish)"
      • "Souvent sospire (Frequent sighs)"
      • "Kalenda maya (The First of May)"
    • These songs are attributed to anonymous composers or specific authors, with dates ranging from c. 1500 to 1207 (notably, the last one is by aimbault de Vaqueiras d. 1207).
  2. Right Column:

    • Lists additional songs, primarily from the 19th and early 20th centuries, with composers and dates provided.
    • Examples:
      • "Moods I and II" by Halner Glen Buschmann
      • "Oliver Cromwell" by Setting, Q. Consort
      • "Youth" by Words, anonymous 16 year old, Music, M. Montgomery
      • "Pinewood Hills" by Buffy Sainte-Marie
      • "Little Birds" by Words, Kenneth Patchen, Music, M. Montgomery
      • "Exultation" by Sacred Harp, 1860
      • "Lucy Clark's Exaltation" by Shaker Song, 1840
      • "Take This Hammer" by Traditional Chain Gang Song
      • "O Brethren, ain't you happy!" by Shaker Song, 1847
      • "Co-lo-vin" by Shaker Bird Song, 1839
      • "Verdant Groves" by Shaker Song, 1847
      • "Mother Ann's Song" by Shaker Drum Beat Song, 1844
      • "I Will Bow and Be Simple" by Shaker Bowling Song, 1839
      • "Sweet Morning" by Sacred Harp, arr. H.S. Rees
      • "Warfare" by Folk Hymn

Performer and Instrumentation

At the bottom of the page, there is a section titled "the Quadrivium Consort", listing the performers and their instruments:

  • Elizabeth Berg: krummhorns, rauschpfeifes, recorders
  • Sarah Cunningham: tenor and bass viola da gamba, bass viol
  • Janet Fuchs: percussion
  • Elizabeth Hershey: guitar, lute, dulcimer
  • Jane Hershey: recorders, krummhorns
  • Lisle Kulbach: recorders, violin, psaltery, pipe and tabor
  • David Lawrence: tenor voice, percussion
  • Charlotte Lowery: soprano voice, castanets
  • Jonathan Morse: baritone voice
  • Nancy Nichols: percussion, bass viola da gamba, recorders
  • James Occhino: bass voice
  • Meg Raines: mezzo-soprano voice

Director and Credits

  • Director: Marleen Forsberg Montgomery
  • Instruments: recorders, rauschpfeifes, psaltery, Irish harp, guitar, percussion
  • Translations: Janet Fuchs
  • Graphics: Cindy Sexton

Design and Layout

  • The page has a clean, minimalist design with a light background and black text.
  • The text is organized in a structured format, with clear headings and subheadings.
  • The word "TRANSLATION" is visible in the top-right corner, suggesting that the page may be part of a larger document or booklet that includes translations of the songs.

Overall Impression

The image portrays a program for a musical performance or concert that celebrates American music from the 19th and early 20th centuries, featuring a diverse range of songs, composers, and performers. The inclusion of both historical and folk songs, along with detailed instrumentation and credits, indicates a scholarly or artistic approach to the event.

Amazon, amazon.nova-lite-v1:0

The image shows a sheet of paper with text and musical notes. The text is organized into sections, each with a title and a list of songs. The first section is titled "INTERMISSION" and includes songs like "Quend je bois du vin clairet" and "Kalenda maya." The second section is titled "From America, 1800-1970" and includes songs like "Oliver Cromwell" and "Exultation." The third section is titled "the Quadrivium Consort" and includes songs like "Sacred Harp" and "Folk Hymn." The paper also includes a list of musicians and their instruments, such as "Elizabeth Berg, krummhorns, rauschpfeifes, recorders" and "Janet Fuchs, tenor and bass viola da gamba, bass viol." The paper appears to be a program or a set of notes for a musical performance.