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The image shows a page from a program or booklet detailing a musical performance. The event is titled "QUODLIBET: A Musical Tribute to the Young Bach," featuring James Johnson as the organist. The text explains that in musical diversions of this kind, different tunes in various languages were sometimes mixed together. The program includes a list of musical pieces, primarily by Johann Sebastian Bach, with some excerpts from Phillip Spitta.

The musical pieces listed are:

1. Praeludium
2. Fugue in g minor ("the little")
3. Prelude and Fugue in g minor
4. Partita, "O Gott du frommer Gott"
5. Prelude and Fugue in D major
6. Intermission
7. Prelude and Fugue in G major
8. Three Chorales:
   • "Vom Himmel hoch, da komm' ich her"
   • "Ich ruf' zu dir, Herr Jesu Christ"
   • "Lobt Gott, ihr Christen allzugleich"
9. Toccata and Fugue in d minor

The performer acknowledges and thanks several individuals for their assistance in providing audio and visual material. The list of acknowledged individuals includes:

• Dr. Harold Bauer
• Dr. George B. Boepple
• Dr. George H. Bettmann
• Mr. E. Power Biggs
• Mr. Leo Castelli
• Mr. Fritz Hammer
• Mr. Ben Jall
• Mr. Bruce Humphreys
• Mr. Robert Koenig
• Mr. Kurt Lueders
• Mr. Marc Maitner
• Mr. John Merrill
• Mr. Larry Phillips
• Prof. Jack Stein
• Mr. Allan Stone
• Mr. Carl Van Vechten

The program is presented by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures.

The image shows a page from a program booklet for an event titled "Quodlibet: A Musical Tribute to the Young Bach" presented by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The page includes a quote from Phillip Spitta, discussing Johann Sebastian Bach's compositional style where he mixed words from different languages and juxtaposed unrelated melodies.

The program listed includes several musical pieces:

1. Fugue in g minor ("the little")
2. Prelude and Fugue in g minor
3. Partita, "O Gott du frommer Gott"
4. Prelude and Fugue in D Major
5. An intermission
6. Prelude and Fugue in G Major
7. Three Chorales:
   • "Vom Himmel hoch, da komm ich her"
   • "In dulci jubilo"
   • "Lobt Gott, ihr Christen allzugleich"
8. Toccata and Fugue in d minor

At the bottom, the acknowledgments section lists several individuals and institutions who provided assistance with audio and visual materials for the performance, including:

• Dr. Harold Bassage
• Dr. Otto Bettmann, Bettmann Archive, N.Y.
• Mr. E. Power Biggs
• Mr. Leo Castelli, Castelli Gallery, N.Y.
• Dr. Hans W. Burger, Bach-Reisniger Museum
• Mr. Ben Halpern
• Mr. Bruce Humphreys, Harvard University
• Mr. Charles Arigbaum, Yale School of Music
• Mr. Kurt Lüders
• Mr. Marc Matzner
• Mr. Sam Myatt
• Mr. Larry Phillips, Harvard University
• Professor John Stein, Harvard University
• Mr. Allan Stone, Allan Stone Gallery, N.Y.
• Mr. David Witherspoon

The page appears to be part of an organized event celebrating Bach’s musical contributions, focusing on the concept of a "Quodlibet."

The image shows a program for an event presented by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The event is titled "QUODLIBET: A Musical Tribute to the Young Bach," with James Johnson as the organist. The program includes a quote from Phillip Spitta about musical diversions involving different languages and melodies.

The program lists the following musical pieces to be performed:

1. Fugue in g minor ("the little")
2. Prelude and Fugue in g minor
3. Partita, “O Gott du frommer Gott”
4. Prelude and Fugue in D Major
   • Intermission -
5. Prelude and Fugue in G Major
6. Three Chorales:
   • "Vom Himmel hoch, da komm' ich her"
   • "In dulci jubilo"
   • "Lobt Gott, ihr Christen allzugleich"
7. Toccata and Fugue in d minor

The program also includes acknowledgments for assistance with audio and visual materials, thanking several individuals, including Dr. Harold Bassage, Dr. Otto Bettmann, Mr. E. Power Biggs, Mr. Leo Castelli, Mr. David Farber, Mr. Ben Fall, Mr. Bruce Humphreys, Mr. Charles Aridgbaum, Mr. Kurt Lueders, Mr. Marc Matzner, Mr. Sam Myatt, Mr. Larry Phillips, Mr. William Stein, Mr. Allan Stone, and Mr. David Witherspoon.

The image is of a concert program presented by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The event is titled "QUODLIBET: A Musical Tribute to the Young Bach" and features James Johnson as the organist.

Program Details:

Excerpt:

• The program includes an excerpt from Phillip Spitta's work on Johann Sebastian Bach, discussing how in musical diversions of that time, different words in various languages and well-known melodies were often mixed. This juxtaposition sometimes resulted in incongruous combinations of words and tunes.

Musical Pieces:

1. Fugue in G minor ("the little")
2. Prelude and Fugue in G minor
3. Partita, "O Gott du frommer Gott"
4. Prelude and Fugue in D Major

Intermission

5. Prelude and Fugue in G Major
6. Three Chorales:
   • "Vom Himmel hoch, da komm' ich her"
   • "In dulci jubilo"
   • "Lobt Gott, ihr Christen allzugleich"
7. Toccata and Fugue in D minor

Acknowledgements:

The performer acknowledges the following individuals and institutions for their generous assistance with audio and visual materials:

• Dr. Harold Bassage
• Dr. Otto Bettmann of The Bettmann Archive, N.Y.
• Mr. E. Power Biggs
• Ms. Cornelia Castelici, Castell Gallery, N.Y.
• Mr. David Josefowitz, Busch-Reisinger Museum
• Mr. Ben Hall
• Mr. Bruce Humphrys, Harvard University
• Mr. Charles Arrington, Yale School of Music
• Mr. Kurt Lueders
• Mr. Marc Vatza
• Mr. Sam Nystat
• The Houghton Library, Harvard University
• Prof. Jack Stein, Harvard University
• Mr. Allan Stone, Allan Stone Gallery, N.Y.
• Mr. David Witherspoon

The concert appears to celebrate the works of the young Johann Sebastian Bach, showcasing a variety of his compositions for the organ.

The image shows a program booklet for a musical event titled "QUODLIBET: A Musical Tribute to the Young Bach." The event is presented by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The program features a musical performance by James Johnson, an organist.

The program includes a quote by Phillip Spitta about Johann Sebastian Bach, discussing musical diversions where different languages and melodies were mixed together, sometimes incongruously.

The program lists the following pieces to be performed:

1. Fugue in g minor ("the little")
2. Prelude and Fugue in g minor
3. Partita, "O Gott du frommer Gott"
4. Prelude and Fugue in D Major
5. Intermission
6. Prelude and Fugue in G Major
7. Three Chorales:
   • "Vom Himmel hoch, da komm ich her"
   • "In dulci jubilo"
   • "Lobt Gott, ihr Christen allzugleich"
8. Toccata and Fugue in d minor

The program concludes with acknowledgments for generous assistance in providing audio and visual material, thanking the following individuals and institutions:

• Dr. Harold Bassage
• Dr. Otto Bettmann, the Bettmann Archive, N.Y.
• Mr. E. Power Biggs
• Mr. Leo Castelli, Castelli Gallery, N.Y.
• Mr. David Garner, Bach-Reisinger Museum
• Mr. Ben Hall
• Mr. Bruce Humphreys, Harvard University
• Mr. Charles Arigbaum, Yale School of Music
• Mr. Kurt Lueders
• Mr. Marc Matzner
• Mr. Sam Nygatt
• Mr. Larry Phillips
• Prof. Hans-Joachim Stein, Harvard University
• Mr. Allan Stone, Allan Stone Gallery, N.Y.
• Mr. David Witherspoon

The image shows a page from a program booklet for a musical event titled "QUODLIBET: A Musical Tribute to the Young Bach," organized by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The event features James Johnson as the organist.

The program includes a quote by Philip Spitta from Johann Sebastian Bach's work, discussing the juxtaposition of musical melodies in a quodlibet, where unrelated tunes are combined.

The program details the following pieces to be performed:

1. Fugue in g minor ("the little")
2. Prelude and Fugue in g minor
3. Partita, "O Gott du frommer Gott"
4. Prelude and Fugue in D Major
   • Intermission
5. Prelude and Fugue in G Major
6. Three Chorales:
   • "Vom Himmel hoch, da komm' ich her"
   • "In dulci jubilo"
   • "Lobt Gott, ihr Christen allzugleich"
7. Toccata and Fugue in d minor

Additionally, the program acknowledges several individuals and institutions for their assistance in providing audio and visual materials. These acknowledgments include:

• Dr. Harold Bassage
• Dr. Otto Bettmann, Bettmann Archive, N.Y.
• Mr. E. Power Biggs
• Mr. Leo Castelli, Castelli Gallery, N.Y.
• Mr. Robert F. Carpenter, Busch-Reisinger Museum
• Mr. Ben Hall
• Mr. Bruce Humphreys, Harvard University
• Mr. Charles Arigbaum, Yale School of Music
• Mr. Kurt Lueders
• Mr. Marc Matzner
• Mr. Sam Mygatt
• Mr. Larry Phillips
• Mr. David Stein, Harvard University
• Mr. Allan Stone, Allan Stone Gallery, N.Y.
• Mr. David Witherspoon

The image shows an open book with a typed page attached or inserted inside. The typed page is a program or announcement for a musical tribute event titled "QUODLIBET: A Musical Tribute to the Young Bach" presented by The Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The organist for the event is James Johnson.

The page includes a quote about musical diversions and the mixing of melodies and words in different languages, excerpted from Phillip Spitta and attributed to Johann Sebastian Bach.

The program lists:

• Fugue in g minor ("the little")
• Prelude and Fugue in g minor
• Partita, "O Gott du frommer Gott"
• Prelude and Fugue in D Major
• intermission
• Prelude and Fugue in G Major
• Three Chorales: "Vom Himmel hoch, da komm’ ich her," "In dulci jubilo," "Lobt Gott, ihr Christen allzugleich"
• Toccata and Fugue in d minor

At the bottom, there is an acknowledgment section thanking various individuals and institutions for their assistance in providing audio and visual material. Some names mentioned include Dr. Harold Bassage, Dr. Otto Bettmann, Dr. David Farmer, Mr. Bruce Humphreys, Mr. Charles Kirgbaum, Mr. Marc Hatzner, Mr. Larry Phillips, Prof. Jack Stein, and others.

This image shows a page from a program for a musical event presented by The Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The event title is "QUODLIBET: A Musical Tribute to the Young Bach" and features organist James Johnson. Quodlibet is explained as a musical genre where different melodies or words are mixed up, including well-known tunes played simultaneously.

The program lists the pieces performed:

• Fugue in G minor ("the little")
• Prelude and Fugue in G minor
• Partita, "O Gott du frommer Gott"
• Prelude and Fugue in D Major
• Prelude and Fugue in G Major
• Three chorales: "Vom Himmel hoch, da komm' ich her," "In dulci jubilo," and "Lobt Gott, ihr Christen allzugleich"
• Toccata and Fugue in D minor

The bottom of the program acknowledges and thanks individuals and organizations for their generous assistance in providing audio and visual material. The names and associations of those acknowledged are listed.

The image shows an open book displaying a page from a program or booklet. The page is titled "Quodlibet: A Musical Tribute to the Young Bach" and is presented by The Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The text on the page is formatted as a program listing for a musical event.

Key Elements:

1. Title and Introduction:

   • The page begins with the title: "Quodlibet: A Musical Tribute to the Young Bach".
   • Below the title, there is a quote attributed to Phillip Spitta about Johann Sebastian Bach, describing the nature of "musical diversions" that involve juxtaposing different melodies, sometimes mixing languages, and performing incongruous words simultaneously.

2. Program Listing:

   • The program lists several musical pieces to be performed:
     • Fuge in g minor ("the little")
     • Prelude and Fuge in g minor
     • Partita, "O Gott du frommer Gott"
     • Prelude and Fuge in D Major
     • Intermission
     • Prelude and Fuge in G Major
     • Three Chorales:
       • "Vom Himmel hoch, da komm' ich her"
       • "In dulci jubilo"
       • "Lobt Gott, ihr Christen alle gleich"
     • Toccata and Fuge in d minor

3. Acknowledgments:

   • At the bottom of the page, there is a section thanking individuals and organizations for their support in providing audio and visual material for the performance. The acknowledgments include:
     • Dr. Harold Bassage
     • Dr. Otto Bettmann, the Bettmann Archive, N.Y.
     • Mr. E. Power Biggs
     • Mr. Leo Castelli, Castelli Gallery, N.Y.
     • Dr. David Perner, Busch-Reisinger Museum
     • Mr. Ben Hall
     • Mr. Bruce Humphrey, Harvard University
     • Mr. Charles Kriegbaum, Yale School of Music
     • Mr. Kurt Lueders
     • Mr. Marc Matzner
     • Mr. Sam Wyatt
     • Mr. Larry Phillips
     • Prof. Jack Stein, Harvard University
     • Mr. Allan Stone, Allan Stone Gallery, N.Y.
     • Mr. David Witherspoon

4. Design and Layout:

   • The page has a clean, formal layout typical of a concert program or booklet.
   • The text is centered and uses a serif font, giving it a classic and professional appearance.
   • The spine of the book is visible on the left side, indicating that this is part of a larger booklet or program.

Summary:

The image depicts a page from a musical program titled "Quodlibet: A Musical Tribute to the Young Bach", organized by The Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The page includes a description of the performance, a list of Bach's compositions to be played, and acknowledgments to individuals and organizations that supported the event. The design is formal and elegant, consistent with a concert program.

The image shows a book open to a page containing a program for a musical event. The text on the page reads, "The Harvard-Nadoliffe Organ Society and the Department of Germanic Languages and Literatures present." Below this, it reads, "QUODLIBLET: A Musical Tribute to the Young Bach." The page also includes a list of musical pieces to be performed, including "Fugue in g minor," "Prelude and Fugue in g minor," "Partita, 'O Gott du frommer Gott'," and others. The text mentions that "In musical diversions of this kind, even words in different languages were sometimes mixed up." The page also includes a list of individuals who provided assistance for the event.