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The image shows a page from a program or booklet detailing an organ recital. The event is presented by the "Harvard-Radcliffe Organ Society" and the "Department of Germanic Languages and Literatures." The organist for the recital is Charles L. Little '72.

The program includes works by Johann Sebastian Bach:

I. Prelude and Fugue in C Minor

II. "Von Gott will ich nicht lassen" from the "Leipziger Choräle" (no. 8)

• Includes the lyrics:
  "Von Gott will ich nicht lassen,
  denn er lässt nicht von mir,
  führt mich auf rechter Strassen,
  da ich sonst irre geh."

III. "Vor deinen Thron tret ich hiemit" from the "Leipziger Choräle" (no. 15)
- Includes the lyrics:
"Vor deinen Thron tret ich hiemit,
O Gott, und begehre nichts,
als deine Gnädigkeit,
die du mir, den Armen Sunder nicht."
- The melody is also associated with the text "Nun wir in höchsten Ehren sein," dictated by Bach from his deathbed. It is understood that for this performance, the original text is used.

IV. Prelude and Fugue in A Minor

The program concludes with an invitation to attend further organ recitals in the series, which are held every Thursday at 12:15 PM. The organ used is the Flentrop Organ, 1958, located in Busch-Reisinger Museum of Germanic Art at Harvard University.

The image shows a program or a flyer for an organ recital presented by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures.

The recital features works by Johann Sebastian Bach, specifically:

1. Prelude and Fugue in C Minor (no specific BWV number mentioned).

2. "Von Gott will ich nicht lassen" from the Achtzehn Choräle (No. 8):

   • Lyrics:
     "Von Gott will ich nicht lassen
     denn er lässt nicht von mir,
     führt mich auf rechter Strassen,
     da ich sonst irret sehr."

3. "Vor deinen Thron tret ich hiermit" from the Achtzehn Choräle (No. 13):

   • Lyrics:
     "Vor deinen Thron tret ich hiermit:
     O Gott, und dich demütig bitt:
     Wend dein genädig Angesicht
     von mir, dein’ armen Sünder nicht."
   • There's a note indicating that the melody is also associated with the text "Wenn wir in höchsten Nöten sein." This last line of the previous text is chosen presumably for the final presentation.

4. Prelude and Fugue in A Minor (no specific BWV number mentioned).

Additionally, there is an invitation extended to attend further organ recitals in the series, which, unless otherwise announced, will be held every Thursday at 12:15 p.m.

The program lists the Flentrop Organ, 1958, and the Busch-Reisinger Museum of Germanic Art at Harvard University as the venue.

The image shows a program or flyer for an organ recital event. The event is presented jointly by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The featured organist is Charles Litton, who is identified with the year '72, likely indicating his graduation year.

The recital includes works by Johann Sebastian Bach:

1. Prelude and Fugue in C Minor
2. "Von Gott will ich nicht lassen" from the Achtzehn Choräle (No. 8)
   • Text: "Von Gott will ich nicht lassen, denn er lässt nicht von mir, führt mich auf rechter Strassen, da ich sonst irre sehr."
3. "Vor deinen Thron tret ich hiermit" from the Achtzehn Choräle (No. 13)
   • Text: "Vor deinen Thron tret ich hiermit, O Gott, und dich demütig bitt': 'end dein gnädig angesicht von mir, den armen Sünder nicht."
   • Note: The melody is associated with the text "Wenn wir in höchsten Nöthen sein." Dictated by Bach from his deathbed, it is understandable why this last of the great Achtzehn Choräle was chosen.
4. Prelude and Fugue in A Minor

The flyer invites attendees to further organ recitals in this series, which will be held every Thursday at 12:15 p.m. unless otherwise announced. The event is held on the Flentrop Organ, 1959, located at the Busch-Reisinger Museum of Germanic Art at Harvard University.

The image is a program or flyer from a concert or recital event organized by the Harvard-Radcliffe Organ Society in collaboration with the Department of Germanic Languages and Literatures at Harvard University. The event features Charlie Litman '72 as the organist.

The program lists works by Johann Sebastian Bach that will be performed:

1. Prelude and Fugue in C Minor

2. "Von Gott will ich nicht lassen" from the Achtzehn Choräle (No. 8)

   • Lyrics:
     • "Von Gott will ich nicht lassen, denn er lässt nicht von mir, führt mich auf rechter Straßen, da ich sonst irre sehr."

3. "Vor deinen Thron tret ich hiermit" from the Achtzehn Choräle (No. 19)

   • Lyrics:
     • "Vor deinen Thron tret ich hiermit, O Gott, und dich demütig bitt, den mein genädig insegnet, von mir, den armen Sünder nicht."
   • Additional note: The melody is associated with the text "Wenn wir in höchsten 'Öthen sein,'" which Bach dictated from his deathbed. This text was chosen last among the Achtzehn Choräle.

4. Prelude and Fugue in A Minor

The recital is scheduled to be held every Thursday at 12:15 p.m., unless otherwise announced. The location is the Flentrop Organ, 1959, at the Busch-Reisinger Museum of Germanic Art at Harvard University. The audience is cordially invited to attend further organ recitals in the series.

The image shows a page from a program or announcement related to an organ recital event organized by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures at Harvard University.

The event, titled "CHARLES LITTLEMAN '72 organist," features performances of works by Johann Sebastian Bach. Specifically, the listed pieces are:

I. Prelude and Fugue in C Minor
II. "Von Gott will ich nicht lassen" from the Achtzehn Choräle (no. 8)

• Text: "Von Gott will ich nicht lassen denn er lässt mich nicht von mir, führt mich auf rechter Straßen, da ich sonst irret seh."
  III. "Vor deinen Thron tret ich hiermit" from the Achtzehn Choräle (no. 13)
• Text: "Vor deinen Thron tret ich hiermit O Gott, und dich demütig bitt: denn dein genädig eingesegnet. Von mir, den armen Sünder nicht."

Additionally, there is a note about another piece associated with the text "Wenn wir in höchsten Öthen sein," which is also part of the Achtzehn Choräle and was dictated by Bach from his deathbed.

IV. Prelude and Fugue in A Minor

The recitals are announced to be held further in the series, specifically every Thursday at 12:15 p.m., unless otherwise announced. The event is scheduled to take place on the Flentrop Organ at the Busch-Heissinger Museum of Germanic Art, Harvard University.

The image shows a program or flyer for an event organized by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The event features a performance by organist Charles L. Rosen, who is identified as a member of the class of '72. The program includes works by Johann Sebastian Bach:

I. Prelude and Fugue in C Minor
II. "Von Gott will ich nicht lassen" from the Achtzehn Chorale (No. 8), with lyrics in German
III. "Vor deinen Thron tret ich hiemit" from the Achtzehn Chorale (No. 13), also with German lyrics and a note that the melody is associated with the text "Wenn wir in höchsten Nöten sein." This piece was dictated by Bach from his deathbed, indicating its significance.
IV. Prelude and Fugue in A Minor

The event details indicate that the audience is invited to attend further organ recitals in the series, which will be held every Thursday at 12:15 p.m. in the Busch-Reisinger Museum of Germanic Art at Harvard University. The program is dated 1959 and specifies that the Flentrop Organ will be used.

The image shows a typed announcement or program page for an organ recital. The text is centered on the page and reads:

Harvard-Radcliffe Organ Society
and
Department of Germanic Languages and Literatures
present

CHARLIE LIEBMAN '72
organist

Works of Johann Sebastian Bach

I Prelude and Fugue in C Minor

II "Von Gott will ich nicht lassen" from the Achtehn Choräle (no. 8)
Von Gott will ich nicht lassen
den er lässt nicht von mir,
führt mich auf rechten Straßen,
da ich sonst irret sehr.

III "Vor deinen Thron tret ich hiermit" from the Achtehn Choräle (no. 19)
Vor deinen Thron tret ich hiermit
O Gott, und dich demütig bitt:
Wend dein genädig Angesicht
Von mir, den armen Sünder nicht.

(melody also associated with the text "wenn wir in höchsten Nöthen sein." Dictated by Bach from his deathbed, it is understandable why for this last of the great Achtehn Choräle the above text was chosen.)

IV Prelude and Fugue in A Minor

You are cordially invited to attend further organ recitals in this series, which, unless otherwise announced, will be held every Thursday at 12:15 p.m.

Flentrop Organ, 1958
Busch-Reisinger Museum of Germanic Art
Harvard University

The page appears to be part of a bound book or collection. The edges of the pages are visible, and the announcement is typed on a clear sheet inserted into the book.

The image shows an open printed program, possibly for a music recital. The left side of the open page spread is not in view, while the right side contains typed text on a white background. At the top of the page, there is a header that includes the names "Harvard-Radcliffe Organ Society" and "Department of Germanic Languages and Literatures," indicating that they are presenting an event. Below the header is the name "CHARLES LITTMAN '72 organist," suggesting that Charles Littman is the performer for this event and that he is associated with the class of 1972.

The program lists "Works of Johann Sebastian Bach," and details four pieces with a mix of Roman and Arabic numerals denoting their position in the program or their numbering within a collection of works by Bach. The works listed are as follows:

1. "Prelude and Fugue in C Minor"
2. "'Von Gott will ich nicht lassen' From the Achtzehn Choräle (no. 8)"
3. "'Wenn wir in höchsten Nöten sein' From the Achzehn Choräle (no. 19)"
4. "Prelude and Fugue in A Minor"

Additional notes provide insight into the texts associated with the chorale melodies and the existence of different associated melodies for some texts. The last section of text invites attendees to further organ recitals in the series, indicating that they occur weekly on Thursdays at 12:15 p.m, and mentions that the events feature the "Flentrop Organ, 1958" in the "Busch-Reisinger Museum of Germanic Art at Harvard University."

The paper is somewhat curly at its edges, and the book or program is lying on a flat surface. The bottom-right corner of the right page curls inward slightly, and there looks to be a slight shadow, perhaps from the photographing process or ambient lighting.

The image shows the inside cover of a program booklet for a concert or recital. The booklet is titled "Works of Johann Sebastian Bach" and is presented by the Harvard-Radcliffe Organ Society and the Department of Germanic Languages and Literatures. The program features four pieces by Bach:

1. I. Prelude and Fugue in C Minor
2. II. "Von Gott will ich nicht lassen" from the Achtzehn Choräle (No. 8)
3. III. "Vor deinen Thron tret ich hiernit" from the Achtzehn Choräle (No. 19)
4. IV. Prelude and Fugue in A Minor

The booklet also includes a brief description of the third piece, noting that the melody is associated with the text "Wenn wir in höchsten Öthen sein" and was dictated by Bach from his deathbed. It explains that the reason for choosing this text in the Achtzehn Choräle is not entirely clear.

At the bottom of the page, there is an invitation to attend further organ recitals in the series, which are scheduled to be held every Thursday at 12:15 p.m., unless otherwise announced. The event is hosted at the Flentrop Organ in the Dusch-Leisinger Museum of Germanic Art at Harvard University in 1959. The program is dedicated to Charlie Lieberman '72, who is identified as an organist.

The design is clean and formal, typical of concert programs, with a simple layout and centered text. The booklet appears to be part of a series of organ recitals, emphasizing Bach's compositions.

The image is of an open book. The book appears to be a program or schedule for a series of organ recitals. The cover of the book reads "Harvard-Radcliffe Organ Society Department of Germanic Languages and Literatures present" and "CHARLIE LINNART '72 organist." The book also has the title "Works of Johann Sebastian Bach." The page shown in the image lists four pieces of music by Bach that will be performed at the recitals. The first piece is "Prelude and Fugue in C Minor." The second piece is "Von Gott will ich nicht lassen" from the Achtzehn Choräle (no. 8). The third piece is "Vor deinen Thron tret ich hiermit" from the Achtzehn Choräle (no. 19). The fourth piece is "Prelude and Fugue in A Minor." The book also includes a note about the location and time of the recitals, which are held every Thursday at 12:15 p.m. in the Flentrop Organ, Germanic Art Museum of Harvard University.