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ARCH.2013.5.12, Rendition: 797806
The image shows a printed program for a music concert titled "Music of the German and Flemish Renaissance." The program lists various musical pieces, their composers, and the performers involved. Here is a detailed breakdown of the program:
Introit: Adoramus Te by Clemens Non Papa (1475-1588)
Organ Hymn: Maria Zart by Arnolt Schlick (? - 1517?)
Canzona: Tsaat een Meskin by Jacob Obrecht (1450-1505)
Chanson: Ma Bouche Rit by Johannes Ockeghem (1434-1496)
Prelude: Ein Gut Preambel by Hans Newsidler (1508-1563)
Two Instrumental Pieces by The Glogauer Liederbuch (c. 1460)
Ricercar, aeolian mode by Adrian Willaert (1485-1562)
Lied: Mein Vleis und Mus by Ludwig Senfl (1490-1550)
Ricercare, dorian mode
Canzon, mixolydian mode by Hans Leo Hassler (1564-1612)
Motet: Exalta Regina Galliae by Jean Mouton (1477-1522)
There is also a note indicating a "Brief Intermission" following the listed pieces. The program appears to be part of a larger document or letter, as there is some text visible on the left side of the image, which is not fully legible. The document is signed by "Raymond Davis, Curator."
The image shows a page from a program or sheet listing various pieces of music from the German and Flemish Renaissance periods. The page is titled "Music of the German and Flemish Renaissance."
Here is a detailed description of each item listed:
Introit: Adoramus Te by Clemens Non Papa (1475-1588)
Organ Hymn: Maria Zart by Arnold Schlick (? - 1517?)
Canzona: Tsaat een Meskin by Jacob Obrecht (1430-1505)
Chanson: Ma Bouche Rit by Johannes Ockeghem (1434-1496)
Prelude: Ein Gut Preambul by Hans Newsidler (1508-1563) from "Ein Newgeordnet Künstlich Lautenbuch" (1536)
Two Instrumental Pieces from "The Glogauer Liederbuch" (c. 1460)
Ricercar, Aeolian Mode by Adrian Willaert (1485-1562)
Lied: Mein Vleis und Mus by Ludwig Senfl (1490-1550)
Ricercare, Dorian Mode
Canzon, Mixolydian Mode by Hans Leo Hassler (1564-1612)
Motets:
The page also mentions a brief intermission in the middle of the list.
The image displays a program for a musical event titled "MUSIC OF THE GERMAN AND FLEMISH RENAISSANCE." The program lists 11 musical pieces, each specifying the title, composer, and performers or instruments involved. Here is a detailed summary of the program:
Introit: Adoramus Te - Clemens Non Papa (1475-1588)
Organ Hymn: Maria Zart - Arnold Schlick (? - 1517?)
Canzona: Tsaat een Meskin - Jacob Obrecht (1430-1505)
Chanson: Ma Bouche Rit - Johannes Ockeghem (1434-1496)
Prelude: Ein Gut Preambel - Hans Newsidler (1500-1563)
Two Instrumental Pieces - The Glogauer Liederbuch (c. 1460)
Ricercar, aeolian mode - Adrian Willaert (1485-1562)
Lied: Mein Vleis und Mus - Ludwig Senfl (1490-1550)
Ricercare, dorian mode / Ricercare, aeolian mode - Thomas Stoltzer (1480-1526)
Canzon, mixolydian mode - Hans Leo Hassler (1564-1612)
Motet: Exulta Regina Galilei - Jean Mouton (1475-1522)
The program also indicates a brief intermission after the sixth piece.
The image is a concert program titled "Music of the German and Flemish Renaissance." It lists a series of musical pieces that were likely performed during the concert, along with their composers and the types of performers or instruments used. The concert is divided into two main sections with a brief intermission in between.
Here is a detailed breakdown:
Introit: Adoramus Te - Clemens Non Papa (1475-1588)
Hymn: In die Natali Domini
Hymn: In Annuntiatione B.M.V.
Motet: Ave Maria, Gratia Plena - Josquin Desprez (1450-1521)
Organ Hymn: Maria Zart - Arnolt Schlick (? - 1517?)
Canzona: Tsaat een Meskin - Jacob Obrecht (1430-1505)
Chanson: Ma Bouche Rit - Johannes Ockeghem (1434-1496)
Prelude: Ein Gut Preambel - Hans Newsidler (1508-1583)
Two Instrumental Pieces - The Glogauer Liederbuch (c. 1460)
Ricercar, aeolian mode - Adrian Willaert (1485-1562)
Lied: Mein Vleiss und Mus - Ludwig Senfl (1490-1550)
Ricercare, dorian mode - Thomas Stoltzer (1480-1526)
Canzon, mixolydian mode - Hans Leo Hassler (1564-1612)
Motets:
The image is a program listing for a concert titled "Music of the German and Flemish Renaissance." The concert features a variety of pieces from the Renaissance period, performed with different instruments and vocalists. Here is a detailed summary of the program:
Introits and Hymns:
Organ Hymn:
Canzona:
Chanson:
Prelude:
Instrumental Pieces:
Ricercar:
Lied:
Ricercares:
Canzon:
Motets:
The program concludes with a brief intermission.
The image is a program listing for a concert titled "Music of the German and Flemish Renaissance." The program outlines the musical pieces to be performed, along with the composers and performers for each piece.
Here is a detailed summary of the pieces:
Intro:
Organ Hymn:
Canzona:
Chanson:
Prelude:
Two Instrumental Pieces:
Ricercar:
Lied:
Ricercare:
Canzon:
Motets:
The program also includes a brief intermission before continuing with the second half of the concert.
The image shows a printed program or booklet page titled "MUSIC OF THE GERMAN AND FLEMISH RENAISSANCE." It lists a series of musical pieces with details including the type of piece, the title, the composer with their birth and death years, and additional notes about the performance or instrumentation. The list is divided into numbered entries from 1 to 11.
The left page lists items 1 to 6:
Introit: Adoramus Te by Clemens Non Papa (1475-1588)
Hymn: In die Natali Domini
Hymn: In Annuntiatione B.M.V. by Heinrich Finck (1482-1527)
Motet: Ave Maria, Gratia Plena by Josquin Desprez (1450-1521)
Choir with Renaissance Instruments
Organ Hymn: Maria Zart by Arnolt Schlick (?-1517?)
Organ Solo
Canzona: Tsa'at een Meskin by Jacob Obrecht (1430-1505)
Recorder Consort
Chanson: Ma Bouche Rit by Johannes Ockeghem (1434-1496)
Dianne Platt, Mezzo Soprano
with Broken Consort
Prelude: Ein Gut Preambel by Hans Newsidler (1508-1563)
from Ein Newgeordnet Künstlich Lautenbuch (1536)
Lute solo
Two Instrumental Pieces from The Glogauer Liederbuch (c. 1460)
Fantazie, dorian mode by Josquin Desprez
Broken Consort
It ends with a note: "BRIEF INTERMISSION."
The right page lists items 7 to 11:
Ricercar, aeolian mode by Adrian Willaert (1485-1562)
Instrumental Movement Without Title by Heinrich Isaac (1450-1517)
Broken Consort
Lied: Mein Vleis und Mus by Ludwig Senfl (1490-1550)
Susan Stone, Soprano
with Broken Consort
Ricercare, dorian mode / Ricercare, aeolian mode by Thomas Stoltzer (1480-1526)
Recorder Consort
Canzon, mixolydian mode by Hans Leo Hassler (1564-1612)
Organ solo
Motet:
Exalta Regina Galilei by Jean Mouton (1475-1522)
Ecce Quomodo Moritur by Jacob Handl (1550-1591)
Ave Regina Coelorum by Orlandus Lassus (1530-1594)
Choir with Renaissance Instruments
The program reflects a concert of Renaissance music, performed with period instruments and featuring both vocal and instrumental works.
This image shows a printed program for a music event titled "MUSIC OF THE GERMAN AND FLEMISH RENAISSANCE." The program lists various musical pieces along with the names of the composers and the performers or ensembles. Some of the pieces listed include "Adoramus Te" by Clemens Non Papa, "In die Natali Domini" by Heinrich Finck, and "Ave Maria, Gratia Plena" by Josquin Desprez, which will be performed by a choir with Renaissance instruments.
The second half of the program includes works such as "Ricercar, aeolian mode" by Adrian Willaert, "Lied: Mein Vleis und Mus" by Ludwig Senfl featuring a soprano named Susan Stone with Broken Consort, as well as several other pieces for solo organ, recorder consort, and choir with Renaissance instruments.
A "BRIEF INTERMISSION" is indicated in the center of the program between the listings.
The image shows only the open program, and there's no context about the location or date of the event itself from the image. The text is clear and well-organized, suggesting a formal concert setting.
The image depicts a page from a program or booklet titled "Music of the German and Flemish Renaissance." The page is structured as a list of musical pieces, each accompanied by details such as the composer's name, the piece's title, and additional performance notes. Here is a breakdown of the content:
The list is numbered from 1 to 11, with each entry providing the following information:
Introit: Adoramus Te
Organ Hymn: Maria Zart
Canzona: Tsaaet een Meskin
Chanson: Ma Bouche Rit
Prelude: Ein Gut Preambel
Two Instrumental Pieces
Ricercar, Aeolian mode
Lied: Mein Vleis und Mus
Ricercare, Dorian mode / Ricercare, Aeolian mode
Canzon: Mixolydian mode
Mote: Exalta Regina Galilei / Mote: Ecce Quomodo Moritur / Mote: Ave Regina Coelorum
The image shows a carefully curated list of Renaissance-era musical works, highlighting the rich musical heritage of German and Flemish composers. The program provides detailed information about each piece, including composers, performance arrangements, and soloists, reflecting a scholarly and authentic approach to presenting this historical repertoire.
The image shows an open book or booklet with a white cover. The pages are yellowed and appear to be old. The text on the page is in a foreign language, possibly German or Latin. The page has a table of contents or a list of musical pieces with their corresponding composers, dates, and instrumentation. The table has several columns, including the composer's name, the title of the piece, the date range, and the instrumentation. The table includes pieces such as "Introit: Adoramus Te," "Ricercar, aeolian mode," "Lied: Mein Vleis und Mus," and others. The image is blurry and out of focus, making it difficult to read the text in detail.