Archives Scrapbooks

The image is of a letter from the Busch-Reisinger Museum of Germanic Culture at Harvard University, dated January 21, 1970. The letter announces a three-program concert series of 20th-century music, conducted by Richard Pittman, the Associate Conductor of the New England Conservatory of Music, and performed by Musica Viva, an ensemble of notable musicians.

The first concert is scheduled for Wednesday, February 11th, at 8:30 p.m. at the Busch-Reisinger Museum. The program includes:

1. "Session III" for tape and instrumental ensemble by Milton Babbitt.
2. "Rasch" for flute, clarinet, violin, cello, and piano by Karlheinz Stockhausen.
3. "Metamorphosie, Op. 9," arranged by Anton Webern for five instruments by Günther Grass.
4. "Time Cycle" for soprano and four instruments by Lukas Foss, featuring Carol Bogart as the soprano and soloist.

The letter mentions that members of the Busch-Reisinger Museum Association will have the first opportunity to obtain tickets starting February 1st, with public availability beginning February 8th.

The second concert will be held on Monday, March 16th, at 8:30 p.m. at Boston City Hall, sponsored by the Mayor's Office and the Boston Arts Festival. This concert coincides with the I.C.A.'s exhibition "Grafis 1970" and is limited to members and guests of the Institute of Contemporary Art.

The final concert will take place on May 5th at 8:30 p.m. at the Busch-Reisinger Museum, with the program to be announced shortly.

The letter is signed by John David Farmer, the Curator, who expresses excitement about the series and its cultural significance for both the museums and the city of Boston.

The image is a page from a document dated January 21, 1970, from the Busch-Reisinger Museum of Germanic Culture at Harvard University, Cambridge, Massachusetts. The document announces a series of three concerts dedicated to 20th-century music.

1. Concert Series Details:

   • Conductor: Richard Pittman, Associate Conductor of the New England Conservatory of Music.
   • Ensemble: Boston Musica Viva, featuring some of the finest musicians in the area.
   • First Concert:
     • Date: February 11th
     • Time: 8:30 p.m.
     • Location: Busch-Reisinger Museum
     • Works Performed:
       • William Bolcom, Session III for five instruments
       • Klaus Huber, Askese for flute, speaker, and tape (text by Gunther Grass)
       • Arnold Schoenberg, Kamerasymphonie, Op. 9, arranged by Anton Webern for five instruments
       • Lukas Foss, Time Cycle for soprano and four instruments (Carol Bogart, soprano, soloist)

2. Ticket Information:

   • Members of the Busch-Reisinger Museum Association will have the first opportunity to obtain tickets before February 1st.
   • Due to space limitations, ticket numbers are restricted.
   • After February 1st, tickets will be available to the public.

3. Subsequent Concerts:

   • Second Concert:
     • Date: March 16th
     • Time: 8:30 p.m.
     • Location: Boston City Hall
     • Sponsorship: In conjunction with the I.C.A.'s major exhibition "Crafts 1970"
   • Final Concert:
     • Date: May 5th
     • Time: 8:30 p.m.
     • Location: Busch-Reisinger Museum for members

4. Additional Notes:

   • The series is highlighted as an exceptional opportunity to hear classic works of 20th-century music.
   • The Curator, John David Farmer, expresses his excitement about the concerts, stating that it is an important cultural event for both the museums and Boston.

The document concludes with the signature of John David Farmer, the Curator.

The image is a page from a letter dated 21 January 1970, from the Busch-Reisinger Museum of Germanic Culture at Harvard University, Cambridge, Massachusetts.

The letter announces a series of three concerts featuring 20th-century music conducted by Richard Pittman, Associate Conductor of the Boston Musica Viva ensemble.

The first concert is scheduled for Wednesday, February 11th, at 8:30 p.m. at the Busch-Reisinger Museum. The program includes:

• Session III for five instruments by William Bolcom
• Askese for flute, speaker, and tape by Günther Grass
• Arnold Schönberg’s Five Orchestral Pieces, Op. 10, arranged by Anton Webern
• Lukas Foss’s Time Cycle for soprano and four instruments, with Carol Bogart as the soloist

Members of the Busch-Reisinger Museum Association are encouraged to write to the museum before February 1st to obtain tickets, with a limited number available after that date.

The second concert is scheduled for Monday, March 16th, at 8:30 p.m. at Boston City Hall, under the sponsorship of the I.C.A. (likely the Institute of Contemporary Arts). The third concert is planned for Tuesday, May 5th, at 8:30 p.m. at the Busch-Reisinger Museum, specifically for the members.

The letter concludes by emphasizing the significance of these concerts, highlighting the chance to hear both classic and contemporary works of the 20th century.

The letter is signed by John David Farmer, the Curator.

BUSCH-REISINGER MUSEUM
OF GERMANIC CULTURE

HARVARD UNIVERSITY, CAMBRIDGE, MASSACHUSETTS 02138

21 January 1970

The Busch-Reisinger Museum and the Institute of Contemporary Art in Boston are pleased to announce a three program concert series of 20th-century music. Richard Pittman, Associate Conductor of the New England Conservatory of Music, will lead the Boston Musica Viva, an ensemble comprising some of the finest musicians in the area, in each of the concerts. The first performance will be Wednesday, February 11th, at 8:30 p.m. in the Busch-Reisinger Museum and will include the following works: William Bolcom, Sessions III for five instruments; Klaus Huber, Askese for flute, speaker and tape (text by Günther Grass); Arnold Schönberg, Pierrot Lunaire, Op. 21, as arranged by Anton Webern for five instruments; Lukas Foss, Time Cycle for soprano and four instruments (Carol Bogart, soprano, soloist).

Although we expect a great deal of public interest in this series, members of the Busch-Reisinger Museum Association will have first opportunity to obtain tickets. Members should write the museum before February 1st to receive tickets. Because of severe space limitations the number of tickets must be restricted. After February 1st tickets will be available to the public.

The second concert in the series will be held Monday, March 16th, at 8:30 p.m. in Boston City Hall under the sponsorship of the I.C.A. This concert will be given in conjunction with the I.C.A.'s major exhibition "Crafts 1970" and will be limited to members and guests of the Institute of Contemporary Art. The final concert will be given Tuesday, May 5th at 8:30 p.m., again at the Busch-Reisinger Museum for our members. The programs will be announced shortly.

This is an exceptional chance to hear classic works of the 20th-century and some of the finest contemporary music being composed. I have heard Mr. Pittman conduct and I think this series is an important cultural event for both museums and for Boston as well.

John David Farmer
Curator

The image is a document from the Busch-Reisinger Museum of Germanic Culture at Harvard University, dated January 21, 1970. It announces a three-program concert series featuring 20th-century music, led by Richard Pittman, Associate Conductor of the New England Conservatory of Music, and performed by the Boston Musica Viva ensemble.

Here are the key details:

1. First Concert:

   • Date: Wednesday, February 11
   • Time: 8:30 p.m.
   • Location: Busch-Reisinger Museum
   • Program: Works by William Bolcom, Klaus Huber, Arnold Schoenberg, and Anton Webern.

2. Ticket Information:

   • Members of the Busch-Reisinger Museum Association will have the first opportunity to obtain tickets.
   • Due to limited space, tickets must be requested in writing before February last to receive tickets.
   • After the initial distribution to members, any remaining tickets will be available to the public.

3. Second Concert:

   • Date: Monday, March 16
   • Time: 8:30 p.m.
   • Location: Boston City Hall under the sponsorship of the I.C.A. (Institute of Contemporary Art)
   • Note: This concert coincides with a major exhibition at the Institute of Contemporary Art.

4. Third Concert:

   • Date: Tuesday, May 5
   • Time: 8:30 p.m.
   • Location: Busch-Reisinger Museum (for members only)

The document emphasizes that these concerts offer an exceptional opportunity to hear classic and contemporary 20th-century works. It is signed by John David Farmer, the Curator.

The image is a document from the Busch-Reisinger Museum of Germanic Culture at Harvard University, dated January 21, 1970. The document announces a three-program concert series of 20th-century music.

Key points include:

1. Concert Series Details:

   • The concerts are a collaboration between the Busch-Reisinger Museum and the Institute of Contemporary Art in Boston.
   • Richard Pittman, Associate Conductor of the New England Conservatory of Music, will lead the Boston Musica Viva ensemble, which includes some of the finest musicians in the area.

2. First Concert:

   • Date: Wednesday, February 11th, at 8:30 p.m.
   • Location: Busch-Reisinger Museum
   • Works to be performed:
     • William Bolcom, "Session III" for five instruments
     • Klaus Huber, "Askese" for flute, speaker, and tape (text by Günther Grass)
     • Arnold Schoenberg, "Kammersymphonie, Op. 9" arranged by Anton Webern for five instruments
     • Lukas Foss, "Time Cycle" for soprano and four instruments (with Carol Bogart, soprano, as soloist)

3. Ticket Information:

   • Members of the Busch-Reisinger Museum Association will have first opportunity to obtain tickets.
   • Tickets should be requested by February 1st to receive them.
   • Due to space limitations, the number of tickets will be restricted, with a limited number available to the public after February 1st.

4. Subsequent Concerts:

   • Second concert: Monday, March 16th, at 8:30 p.m. in Boston City Hall, sponsored by the I.C.A.
   • Third concert: Tuesday, May 5th, at 8:30 p.m. again at the Busch-Reisinger Museum.

5. Closing Remarks:

   • The document is signed by John David Farmer, Curator of the Busch-Reisinger Museum, who expresses enthusiasm for the series, highlighting it as an important cultural event for both museums and the city of Boston.

The document emphasizes the opportunity to hear classic and contemporary works by some of the finest musicians and composers.

The image shows a typed letter on a page with the heading "BUSCH-REISINGER MUSEUM OF GERMANIC CULTURE" from "HARVARD UNIVERSITY, CAMBRIDGE, MASSACHUSETTS 02138" dated "21 January 1970." The letter mentions a collaboration between the Busch-Reisinger Museum and the Institute of Contemporary Art in Boston to present a three-program concert series of 20th-century music. Richard Pittman, the Associate Conductor of the New England Conservatory of Music, is mentioned as the leader of the ensemble Musica Viva for the concerts.

The letter details the program for the first concert at Busch-Reisinger Museum and mentions works by William Bolcom, Klaus Huber, Alexander Goehr, Anton Webern, and a piece featuring a soprano soloist named Carol Bogart. Due to space limitations, members of the Busch-Reisinger Museum are urged to write for an opportunity to obtain tickets before they are available to the public.

The second concert date is listed as Monday, March 16th, at 8:30 p.m. in Boston City Hall under the sponsorship of the I.C.A., in conjunction with a major exhibition "Tracts 190" of contemporary art. The final concert is scheduled for Tuesday, May 5th, at the Busch-Reisinger Museum.

The letter concludes with a handwritten signature, possibly "John David Farmer", and the printed name "John David Farmer, Curator." The signature suggests an endorsement of the cultural significance of the concert series and the relevance of the music being performed.

The physical appearance of the letter includes slightly worn edges and a visible folding mark. It is placed on a greenish backing, with the right side of the letter slightly raised, revealing the multiple pages stacked beneath.

The image shows a page from a formal announcement or invitation document issued by the Busch-Reisinger Museum of Germanic Culture at Harvard University in Cambridge, Massachusetts. The document is dated 21 January 1970 and is signed by John David Farmer, the curator.

Key Details from the Document:

1. Event Overview:

   • The Busch-Reisinger Museum and the Institute of Contemporary Art are announcing a three-program concert series in Boston, featuring 20th-century music.
   • The series is led by Richard Pittman, Associate Conductor of the New England Conservatory of Music, and will feature an ensemble of top musicians from the Boston area.

2. First Concert:

   • Date: Wednesday, February 11th, 1970.
   • Time: 8:30 p.m.
   • Location: Busch-Reisinger Museum.
   • Program:
     • William Bolcom: Musica Viva (an exhibition piece).
     • Klaus Huber: Askes for flute, speaker, and tape (text by Ginther Grass).
     • Arnold Schönberg: Kammersymphonie, Op. 9 (arranged for five instruments).
     • Lukas Foss: Time Cycle for soprano and four instruments (featuring soloist Carol Bogart, soprano).

3. Ticket Information:

   • Members of the Busch-Reisinger Museum Association have priority access to tickets.
   • Members should write to the museum before February 1st to reserve tickets.
   • Due to space limitations, the number of tickets available to the public will be restricted after February 1st.

4. Second Concert:

   • Date: Monday, March 16th, 1970.
   • Time: 8:30 p.m.
   • Location: Boston City Hall.
   • Sponsorship: In conjunction with the I.C.A.'s major exhibition "Crafts 1970."
   • Program: Not yet announced but will feature contemporary music.

5. Third Concert:

   • Date: Tuesday, May 5th, 1970.
   • Time: 8:30 p.m.
   • Location: Busch-Reisinger Museum.
   • Program: To be announced shortly.

6. Additional Notes:

   • The announcement emphasizes the cultural significance of the series, highlighting it as an opportunity to hear classic and contemporary works of the 20th century.
   • The curator, John David Farmer, expresses enthusiasm for the series, noting its importance for both museums and the city of Boston.

Visual Elements:

• The document is printed on light-colored paper with a green spine visible on the left side, indicating it is part of a bound collection or archive.
• The text is typed in a formal, serif font, consistent with official announcements of the era.
• The signature at the bottom is handwritten, adding a personal touch to the formal document.

Overall, the image depicts an official invitation or announcement for a concert series focusing on contemporary and 20th-century music, hosted by the Busch-Reisinger Museum and the Institute of Contemporary Art.

This image features a document, likely a program or announcement, printed on white paper. It appears to be an official announcement for a concert series organized by the Busch-Reisinger Museum of Germanic Culture at Harvard University, Cambridge, Massachusetts. The document is dated January 21, 1970, and contains details about a three-concert series of 20th-century music.

The first concert is scheduled for Wednesday, February 11th, at 8:30 p.m. in the Busch-Reisinger Museum. The concert will be conducted by Richard Pittman, Associate Conductor of the New England Conservatory, and will feature an ensemble named Musica Viva. The program includes works by William Bolcom, Aske Scheen, Gunther Grass, Arnold Schoenberg, and a tape by Lukas Foss, arranged by Anton Webern, featuring soprano Carol Bogart.

The document also mentions that members of the Busch-Reisinger Museum Association will have the first opportunity to receive tickets, and the number of tickets available to the public will be limited. The second concert is scheduled for Monday, March 16th, at 8:30 p.m. in Boston City Hall, sponsored by the I.C.A.A. This concert is limited to members and guests of the Institute of Contemporary Art. The final concert is scheduled for Tuesday, May 5th, at 8:30 p.m. at the Busch-Reisinger Museum, with programs to be announced shortly.

The document concludes with a quote from John David Farmer, Curator of the Busch-Reisinger Museum, expressing excitement about the series and the opportunity to hear classic works of the 20th century.

The image is a photograph of an open book, displaying a single page of text. The book is placed on a green surface, possibly a table or a book stand. The page is white with black text. The book appears to be a formal document or a letter, possibly from an organization.

The text at the top of the page reads "BUSCH-REISSNGER MUSEUM OF GERMANIC CULTURE" and "HARVARD UNIVERSITY, CAMBRIDGE, MASSACHUSETTS 02138." Below this, the date "21 January 1970" is printed.

The content of the text is a formal announcement or invitation. It mentions the collaboration between the Busch-Reisinger Museum and the Institute of Contemporary Art in Boston to present a series of 20th-century music concerts. The concerts will be conducted by Richard Pittman, the Associate Conductor of the New England Conservatory of Music.

The first concert is scheduled for Wednesday, February 11th, at 8:30 p.m. in the Busch-Reisinger Museum and will feature an ensemble from the New England Conservatory. The performers include William Bolcom on flute, Aske Hall on clarinet, Lukas Foss on piano, and Carol Bogard on soprano.

The announcement encourages members of the Busch-Reisinger Museum Association to obtain tickets early due to space limitations. It also mentions that the second concert will be held on Monday, March 16th, at 8:30 p.m. in Boston City Hall, sponsored by the Institute of Contemporary Art.

The text concludes with a signature, "John David Farmer, Curator," indicating the author of the announcement.

The overall tone of the text is formal and informative, aimed at informing the audience about upcoming cultural events and encouraging participation.