Archives Scrapbooks

The image shows an open page from a report or publication related to the Busch-Reisinger Museum. The text on the left page discusses the museum's activities and acquisitions during a specific period. Key points include:

1. Library Donation: The museum's curatorial library was significantly enhanced by a donation of 103 volumes from Mr. H. Wade White in memory of Lottie Helen Lemm. These volumes include colored lithographs and other materials.

2. Art Donation: A collection of modern German paintings was donated by His Excellency Heinrich Knappstein, the German Ambassador to the United States.

3. Exhibitions: Two major loan exhibitions were held:

   • "Art by Bauhaus Faculty Members" showcased works from various museums and private collections, including the museum's own Bauhaus Research Collection.
   • "Art of the Northern Renaissance," featuring German and Netherlandish paintings, drawings, and prints from the 15th and 16th centuries.

4. Publications: A catalogue of the Bauhaus exhibition was written by the Curator and published by the museum. Another publication, "German Expressionism and Abstract Art," was in progress.

5. Educational Programs: Mrs. Hugh Matthews conducted public education programs, including Sunday openings, gallery talks, and tours for outside groups.

The text on the right page continues to discuss the museum's activities and challenges:

1. Visitors: The museum saw an increase in visitors from various educational institutions and organizations, indicating growing recognition of its collection.

2. Financial Support: Most activities were financed by current gifts and membership dues from the Busch-Reisinger Museum Association. The student membership category was discontinued due to inadequate support.

3. Funds: The Selma H. Sobin Fund for purchasing artworks was increased by a generous gift. The Care of Collections Fund was established to support the museum's activities, with a goal of raising $100,000.

4. Future Challenges: The museum faces financial challenges, particularly inadequate financing, which is a major concern for its future operations.

The text is signed by Charles L. Kuhn, the Curator of the museum.

The image is a page from a report or newsletter of the Busch-Reisinger Museum, focusing on various activities and achievements during a particular period. Here's a detailed summary:

1. Library Enhancement:

   • The curatorial library's usefulness was significantly boosted by a gift of 193 volumes from Mr. H. Wade White in memory of Lottie Helen Lenn.
   • This addition was particularly appreciated for its collection of lantern slides and reproductions of modern German paintings.

2. Exhibitions:

   • Two major loan exhibitions were conducted:
     • "Works of Art by Bauhaus Faculty": This exhibition ran from November 1 to December 10, featuring early works by Bauhaus faculty, including paintings, sculptures, and industrial designs. It was well-attended, drawing many visitors.
     • "Art of the Northern Renaissance": This exhibition, running from February 13 to April 1, showcased German and Netherlandish paintings, drawings, and prints from the fifteenth and sixteenth centuries, generously lent by various New England museums and private collectors.

3. Public Education and Outreach:

   • The museum hosted several public education activities, including Sunday openings and special gallery talks. These talks covered various aspects of the permanent collection and provided tours for outside groups. Forty-six such groups visited the museum.
   • There were six public concerts held under the sponsorship of various institutions such as the Busch-Reisinger Museum, Harvard University Summer School, Cambridge Society for Early Music, and the Longy School of Music.

4. Public Financing:

   • The report highlights the need for increased funding, mentioning that most activities are financed through current gifts.
   • The membership of the Busch-Reisinger Museum Association saw an increase, with 106 student members and 114 regular members in 1965-66, totaling 210 members, compared to 280 members in 1966-67, showing an increase of 56 members.
   • A notable gift was received from Mr. Julian Sobin and Mr. Lester Sobin for the Selma H. Sobin Fund, increasing the collection’s importance nationally.

5. Publications and Handbooks:

   • A catalog of the Bauhaus exhibition was written by the Curator.
   • A publication titled "German Expressionism and Abstract Art" is in preparation, being published by Harvard University Press.
   • The last handbook on the museum's collections was published in 1929 and is now out of date.

6. Curator's Note:

   • Charles L. Kuhn, the Curator, expresses gratitude towards anonymous donors for the Care of Collections Fund, which received over $10,000, and notes that adequate financing remains a significant challenge.

Overall, the report emphasizes the museum's educational efforts, the impact of its exhibitions, and the importance of sustaining its collections through donations and public engagement.

BUSCH-REISINGER MUSEUM

The usefulness of the Museum's curatorial library was greatly increased by the gift of 193 volumes given by Mr. H. Wade White in memory of Lottie Helen Lenn. It is a pleasure to acknowledge the gift of collections of colored lantern slides and facsimile reproductions of modern German paintings made by His Excellency Heinrich Knappstein, German Ambassador to the United States. This material, with the donor's approval, was deposited in the Fine Arts Library.

Two major loan exhibitions and several smaller ones for specific courses were on view. "Works of the Bauhaus Faculty" was exhibited from November 1 to December 10. It consisted of paintings, sculpture, graphic art and industrial art borrowed from museums and private collections as well as works from the Busch-Reisinger Museum's extensive Bauhaus Research Collection. This exhibition was one of the best attended of any ever held by the Museum.

The second important exhibition, "Art of the Northern Renaissance," was on view from February 13 to April 1. It contained German and Netherlandish paintings, drawings, and prints of the fifteenth and sixteenth centuries generously lent by several New England museums and private collectors.

A catalogue of the Bauhaus exhibition was written by the Curator and published by the Museum. A second publication was prepared during the course of the year under the title, German Expressionism and Abstract Art: The Harvard Collections, a supplement to the catalogue of 1957. This book is in the hands of the printer and will appear early in the fall of 1967. It is being published by the Busch-Reisinger Museum and distributed by the Harvard University Press. The manuscript of a much-needed handbook on the Museum's collections has been nearly completed. The last handbook was published in 1929 and is now out of date.

The program of public education, conducted by Mrs. Hugh Matthews, included Sunday openings, special gallery talks on the exhibitions and on various aspects of the permanent collection and conducted tours for outside groups. Forty-six such groups from schools, colleges, universities, and out of state museums visited the Busch-Reisinger Museum. The increase in the number of visiting groups is an indication of the growing realization of the importance of the collection throughout the country.

During the year six public concerts were held. These were under the sponsorship of the Busch-Reisinger Museum, the Harvard University Summer School, the Cambridge Society for Early Music, and the Longy School of Music.

Due to the inadequate endowment of the Museum, most of these activities were financed by means of current gifts. The chief source of such gifts was from the membership of the Busch-Reisinger Museum Association. For many years the Association had a student membership category which was maintained at a loss as a public service. It was with great regret that this was discontinued in 1966-67, as an economy measure. In 1965-66, there were 106 student members and 124 regular members, making a total of 230. In 1966-67, the total of regular members was 280, showing an increase of 56.

The Selma H. Sobin Fund for the purchase of works of art was increased by a generous gift of Mr. Julian Sobin and Mr. Lester Sobin.

In 1965 a new endowment, the Care of Collections Fund, was established. It is with deep gratitude that the Museum acknowledges the gift to this fund of over $10,000 by an anonymous donor. This capital fund now totals $20,780, about one-tenth of the goal. It is clear, therefore, that adequate financing is still the major problem facing the Busch-Reisinger Museum in the future.

CHARLES L. KUHN
Curator

The image shows a typewritten report detailing activities and developments related to the Busch-Reisinger Museum. Here are the key points summarized:

Museum Library and Donations:

• The museum's curatorial library was significantly enhanced by a donation of 102 volumes from Mr. H. Wade White in memory of Lottie Helen Lenn.
• The donation included three Sert altar screens, a Kress portrait by Cranach, and a Corinth watercolor (K. 113 - "Celibacy, even in solitude").

Exhibitions:

1. "Works of Art by Bauhaus Faculty":

   • Held from November 1 to December 10, showcasing works by Bauhaus masters and their students.
   • This exhibition was one of the best attended and featured a variety of mediums including paintings, sculpture, and graphic art.
   • A catalog for this exhibition was written by the museum.

2. "Art of the Northern Renaissance":

   • Ran from February 13 to April 1, displaying German and Netherlandish paintings, drawings, and prints lent by various New England museums and private collectors.

Publications:

• The manuscript for a comprehensive handbook of the museum's collections, nearly completed, was published in 1929 and is now out of date.
• A new publication, "German Expressionist and Abstract Art: The Harvard Collections," was prepared and is expected to be published in the fall of 1967 by the Harvard University Press.

Public Education Programs:

• Conducted by Mrs. Hugh Matthews, these programs included Sunday openings, special gallery talks, and tours for outside groups.
• The museum saw 47 such groups, reflecting the growing public interest and the importance of the collection.

Visitor Statistics and Membership:

• The museum saw increased visits from schools, colleges, universities, and other institutions.
• Membership in the Busch-Reisinger Museum Association grew from 106 members in 1965-66 to 196 members in 1966-67, showing an increase in interest.

Financial Gifts:

• The Selma H. Sobin Fund was established for purchasing works of art, significantly increased by a gift from Mr. Julian Sobin and Mr. Lester Sobin.
• A new endowment, the Care of Collections Fund, was established with a substantial anonymous donation of over $100,000, aiming to cover around one-tenth of the needed funds for proper collection care.

Conclusion:

The report concludes by highlighting the museum's increased outreach and educational efforts, the growing importance of its collections, and the financial support received, while also acknowledging the ongoing need for further funding.

Charles L. Kuhn is noted as the curator of the museum at the end of the report.

The image contains two pages from a document, likely an annual report or a newsletter, related to the Busch-Reisinger Museum.

Page 1 (Left):

• Title: Busch-Reisinger Museum
• Content:
  • The museum's curatorial library was enhanced by a gift of 193 volumes from Mr. H. Wade White in memory of Lottie Helen Lenn.
  • The museum acknowledges the gift of colored lantern slides and facsimile reproductions of modern German paintings from His Excellency Heinrich Knappstein, the German Ambassador to the United States.
  • Two major loan exhibitions were held:
    • "Works of Art by Bauhaus Faculty," on view from November 1 to December 10, showcasing paintings, sculptures, and graphic art from various museums and private collections.
    • "Art of the Northern Renaissance," on view from February 13 to April 1, featuring German and Netherlandish paintings, drawings, and prints from the fifteenth and sixteenth centuries.
  • A catalogue for the Bauhaus exhibition was published by the Curator, and another publication titled "German Expressionism and Abstract Art: The Harvard Collections" was prepared.
  • The museum held six public concerts, sponsored by various organizations.
  • The Care of Collections Fund was established, with a significant anonymous donation of over $10,000, helping the museum reach its goal of $20,780.

Page 2 (Right):

• Title: Busch-Reisinger Museum
• Content:
  • The increase in the number of visiting groups indicates the growing recognition of the museum's collection.
  • The document mentions public education programs conducted by Mrs. Hugh Matthews, including Sunday openings, gallery talks, and tours.
  • The museum's activities were mostly financed by current gifts, with a significant contribution from the membership of the Busch-Reisinger Museum Association.
  • Membership statistics are provided, showing an increase in student members from 106 in 1965-66 to 214 in 1966-67, and regular members from 280 to 336, indicating an overall increase of 56 regular members.
  • The Selma H. Sobin Fund for the purchase of works of art was increased by a generous gift from Mr. Julian Sobin and Mr. Lester Sobin.
  • The Curator, Charles L. Kuhn, notes that adequate financing is still a major issue facing the Busch-Reisinger Museum.

The document highlights the museum's activities, acknowledgments of gifts, educational programs, and financial updates, emphasizing the importance of donations and membership in sustaining the museum's operations.

The image contains a page from a document related to the Busch-Reisinger Museum, likely a report or annual summary. Here is a detailed summary of the content:

Left Column:

Curatorial Library and Exhibitions:

• The usefulness of the Museum's curatorial library was enhanced by the gift of 193 volumes from Mr. H. Wade White in memory of Lottie Helen Lenn.
• The library received a set of 100 colored lantern slides and facsimile reproductions of modern German paintings from His Excellency Heinrich Knappstein, the German Ambassador to the United States. This material was deposited in the Fine Arts Library.
• Two major loan exhibitions were held:
  1. "Works of Art by Bauhaus Faculty" from November 1 to December 10, featuring works from the Bauhaus Research Collection, including paintings, sculptures, graphic arts, and industrial art.
  2. "Art of the Northern Renaissance" from February 13 to April 1, showcasing German and Dutch paintings, drawings, and prints from the 15th and 16th centuries.

Publications:

• A catalogue of the Bauhaus exhibition was written and published by the Curator.
• Another publication titled German Expressionism and Abstract Art: The Harvard Collections was prepared as a supplement to the 1957 catalogue, published by Harvard University Press and distributed by the Busch-Reisinger Museum.

Right Column:

Visitor Engagement:

• There was an increase in the number of visiting groups, including those from schools, colleges, universities, and other museums, indicating the growing recognition of the Museum's collection.

Public Programs:

• Six public concerts were held, sponsored by the Busch-Reisinger Museum, Harvard University Summer School, the Cambridge Society for Early Music, and the Longy School of Music.
• Due to inadequate funding, most of these activities were supported by current gifts from the Busch-Reisinger Museum Association.

Membership and Funding:

• The Association had 106 student members and 214 regular members in 1965-66, totaling 430 members, an increase of 56 from the previous year.
• The Selma H. Sobin Fund for the purchase of works of art saw a significant increase due to a generous gift from Mr. Julian Sobin and Mr. Lester Sobin.

New Endowment:

• In 1965, a new endowment, the Care of Collections Fund, was established with an initial gift of over $10,000, aiming to reach a goal of $20,780.

Conclusion:

• The Curator, Charles L. Kuhn, expressed gratitude for the support and funding, highlighting the need for continued adequate financing for the future.

The document reflects the Museum's efforts to engage with the public, expand its collections, and secure funding for its operations and educational programs.

The image shows an open booklet or pamphlet with text on two facing pages about the Busch-Reisinger Museum. The left page discusses the museum's curatorial library, mentioning a gift of 103 volumes from Mr. H. Wade White in memory of Lottie Helen Lenn. It also talks about two major exhibitions: "Works of Art by Bauhaus Faculty" from November to December 1957, and "Art of the Northern Renaissance" from February 13 to April 1. It notes the publication of a catalogue on the Bauhaus exhibition and references a handbook on the museum's collections. Additionally, it mentions a public education program conducted by Mrs. Hugh Matthews, including Sunday openings, gallery talks, and tours.

The right page covers information about visitors from various institutions, the discontinuation of the student membership category due to financial losses, and the increase in regular members from 1965 to 1967. It also mentions the increase in the Selma H. Sobin Fund from a donation by Mr. Julian Sobin and Mr. Lester Sobin. Lastly, it refers to a new endowment called the Care of Collections Fund established in 1965 with a $10,000 anonymous donation, with a total of $20,780 raised towards a $30,000 goal. The text is signed by Charles L. Kuhn, Curator.

The image shows two pages from a printed document or possibly a book, with text covering various topics related to a museum. These pages appear to be part of an annual report or similar official document, possibly discussing exhibitions, collections, and financial matters of a museum, as indicated by references to a curator and gifts of artwork.

The left page has a headline that read partly as "BUSCH-REISSINGER MUSEUM" and discusses several events and acquisitions, including references to exhibitions such as "Works of Art by Bauhaus Faculty" and a publication titled "Abstract Art: The Harward Collections," and mentions a gift of a large sum of money from an anonymous donor. The right page continues to discuss the Busch-Reissinger Museum, specifically mentioning its collections, the growth in the number of visiting groups, public concerts, and an increase in general funds supported by donations. It concludes with a signature from Charles L. Kuhn, identified as the curator.

The pages are slightly tilted to the right, and there is a shadow across both pages, perhaps from the way they were photographed or scanned. The document is likely giving a historical account or reporting on events that occurred around or before 1967, hinted by a mention of events planned for the fall of that year.

The image shows two pages from a document or publication related to the Busch-Reisinger Museum. The text is formatted in a professional, academic style, with headings, paragraphs, and a structured layout. Here is a detailed description:

Left Page:

• Header: The page is labeled with "BUSCH-REISINGER MUSEUM" at the top.
• Content: The text discusses the museum's activities, collections, and programs. Key points include:
  • Gift of Colored Lantern Slides: The museum received a significant gift of 193 volumes of colored lantern slides from Mr. H. Wade White, in memory of Lottie Helen Lenn. This gift is acknowledged as a pleasure and a valuable resource for the museum.
  • Exhibitions: The page mentions two major loan exhibitions:
    1. "Works of Art by Bauhaus Faculty": This exhibition ran from November 1 to December 10 and featured works from Bauhaus faculty, including paintings, sculpture, graphic art, and industrial art borrowed from museums, private collections, and the Busch-Reisinger Museum's own collections. It was described as one of the best-attended exhibitions ever held by the museum.
    2. "Art of the Northern Renaissance": This exhibition ran from February 11 to April 1 and featured German and Netherlandish paintings, drawings, and prints from the fifteenth and sixteenth centuries, generously lent by several New England museums and private collectors.
  • Catalogues: A catalogue of the Bauhaus exhibition was written by the Curator and published by the Museum. A second publication, German Expressionism and Abstract Art: The Harvard Collegeions, a Supplement to the Catalogue of 1957, is also mentioned. This supplement is being prepared for publication and is expected to appear in the fall of 1967.
  • Public Education Program: The program of public education, conducted by Mrs. Hugh Matthews, included Sunday openings, special gallery talks, and tours for outside groups. Forty-six such groups visited the museum during the year.

Right Page:

• Header: The page is also labeled with "BUSCH-REISINGER MUSEUM" at the top.
• Content: The text continues to discuss the museum's activities, funding, and membership:
  • Visiting Groups: The increase in the number of visiting groups (from schools, colleges, universities, and state museums) indicates growing recognition of the museum's importance.
  • Public Concerts: During the year, six public concerts were held under the sponsorship of the Busch-Reisinger Museum. These included the Harvard University Summer School, the Cambridge Society for Early Music, and the Longy School of Music.
  • Museum Membership: Due to inadequate endowment, most of the museum's activities were financed by current gifts. The chief source of such gifts was from the membership of the Busch-Reisinger Museum Association. The Association had a student membership category, which was discontinued in 1966–67 as an economy measure. In 1965–66, there were 106 student members and 224 regular members, totaling 430. In 1966–67, the total of regular members increased to 280, showing an increase of 56.
  • Gift from The Selma H. Sobin Fund: The Selma H. Sobin Fund provided a generous gift for the purchase of works of art, increasing the museum's collection.
  • Care of Collections Fund: In 1965, a new endowment called the Care of Collections Fund was established. This fund, with an initial gift of $10,000 from an anonymous donor, is intended to provide ongoing financial support for the museum's collection care. As of the time of writing, the fund totaled $20,780, but the museum still faces the challenge of adequate funding for this goal.

Footer:

• The pages are numbered 2 and 3, respectively.
• The text is attributed to Charles L. Kuhn, identified as the Curator of the Busch-Reisinger Museum.

Overall Impression:

The document appears to be an annual report or a detailed account of the Busch-Reisinger Museum's activities, collections, and financial status for a specific year. It highlights the museum's educational programs, exhibitions, membership growth, and funding initiatives, providing a comprehensive overview of its operations and challenges. The formal tone and structured layout suggest it is intended for an academic or professional audience.

The image shows a double-page spread from a book or report, featuring a section titled "BUSCH-REISINGER MUSEUM." The left page contains a narrative discussing the museum's activities and achievements during a specific period. It highlights the usefulness of the museum's curatorial library, which was enhanced by a significant donation of 193 volumes from Mr. H. H. Wade White in memory of Lottie Helen Lem. The text also mentions the museum's loan exhibitions, including "Works of Art by Bauhaus Faculty" and "Art of the Northern Renaissance," which were well-attended and showcased works from various collections.

The right page continues with details about the museum's public engagement programs, such as Sunday openings, special gallery talks, and guided tours for outside groups. It also mentions the increasing number of visitors from schools, colleges, and universities, emphasizing the importance of the museum's collection and the realization of its value throughout the country.

The narrative includes information about the museum's financial challenges, particularly the discontinuation of the student membership category and the need for adequate financing. It also mentions the establishment of the Care of Collections Fund, which received a generous endowment, and acknowledges the ongoing need for adequate financing.

The text concludes with a mention of Charles L. Kuhn, the Curator, and references the publication of a handbook on the museum's collections, which was published in 1929 and is currently being updated. The pages are part of a larger document, likely an annual report or a historical account of the museum's activities and achievements.