Archives Scrapbooks

The image shows two pages of a typewritten document, which appears to be an inventory or catalog of various sculptures from different regions and periods. The document is titled "African Sculpture" at the top of the right page.

Here is a detailed summary of the contents:

Left Page:

1. Darriau, Jean-Paul (1929- )

   • The Astronaut, 1963
     • Medium: Bronze, unique
     • Dimensions: H. 14 1/2", W. 16 1/2"
     • Lender: Obelisk Gallery, Boston, Massachusetts
     • Description: The piece was inspired by space flight, with the artist intending its "literary" meaning to be equated to a "sculptural" fusion of opposites—internal vs. external forces, mechanical vs. organic.

2. Giacometti, Alberto (1901-1965)

   • Standing Figure, 1956
     • Medium: Bronze
     • Dimensions: H. 56 1/2"
     • Lender: Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
     • Description: Made for the Venice Biennale, the void around the figure is as important as the presence of the figure itself. Giacometti suggests presence by nearly defining the space.

3. Boehmer, Arthur (1929- )

   • Figure, 1965
     • Medium: Acrylic and wood
     • Lender: M. Knoedler & Co., Inc., New York
     • Description: Boehmer notes that this object became a "figure" of its own accord, having been conceived initially as a different piece. A hieratic frontality arrests the eye with a wild, staring directness.

Right Page:

1. African Sculpture

   • 9. Forest Spirit, Liberia

     • Medium: Wood
     • Dimensions: H. 12 3/4"
     • Lender: Mrs. Genevieve McMillan, Cambridge, Massachusetts
     • Description: This mask represents a devil and was worn by men in dances to frighten evil forest spirits.

   • 10. Mask, Congo, Leopoldville Province, Bayaka

     • Medium: Wood and raffia
     • Dimensions: H. 21"
     • Lender: The Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
     • Description: Worn during boys' initiation rites which express and celebrate the entrance of a vital power or spirit which will perpetuate the tribe and its traditions. The mask is being reaffirmed as a symbol of the tribe's survival.

   • 11. Mask, Congo, Saliba

     • Medium: Wood and raffia
     • Dimensions: H. 24"
     • Lender: The Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
     • Description: A dance mask of the helmet type.

2. American Sculpture

   • 12. Mask with Inlaid Eyes, Mexico, Teotihuacan Culture, c. 500 A.D.
     • Medium: Stone (probably basalt), eyes originally inlaid
     • Dimensions: H. 7 1/2"
     • Lender: The Fogg Art Museum, Harvard University, Gift of Mr. and Mrs. T. Jefferson Coolidge III
     • Description: This type of mask was used as part of a funerary ritual; the holes in the ear-flanges allowed the mask to be hung on the outside of mummy bundles.

The document provides detailed descriptions of each piece, including the medium, dimensions, lender information, and cultural or historical context.

The image shows a page from a catalog or an art collection listing various artworks. The page is divided into sections detailing different sculptures and their descriptions, including the artist, the year of creation, materials, dimensions, and provenance.

1. Jean-Paul Darriau, 1929 - The Astronaut, 1963

   • Material: Bronze, unique
   • Dimensions: H: 14 1/3", W: 16 1/2"
   • Location: Lent by Obelisk Gallery, Boston, Massachusetts
   • Description: The piece was inspired by a space flight and symbolizes a fusion of opposites, both internal and external forces, mechanical vs. organic.

2. Alberto Giacometti, 1991-1965 - Standing Figure

   • Material: Bronze
   • Dimensions: H: 56 1/2"
   • Location: Lent by Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
   • Description: The figure is a representation from the Venice Biennale, where Giacometti's work explores the void around the figure, emphasizing the presence of the figure itself.

3. Arthur Hoener, 1929 - Figure, 1965

   • Material: Acrylic and wood
   • Location: Lent by Belisk Gallery, Boston, Massachusetts
   • Description: This piece is noted as a figure of its own, with a frontality that arrests the eye, creating a dramatic and striking effect.

African Sculpture:

4. Female Idol, Cycladic, ca. 2600-2000 B.C.

   • Material: Marble
   • Dimensions: H: 13 1/2"
   • Location: Lent by Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
   • Description: This Cycladic figurine represents a fertility goddess, symbolizing a belief in a Great Goddess who governed life and fertility.

5. Forest Spirit, Liberia

   • Material: Wood
   • Dimensions: H: 12", W: 9"
   • Location: Lent by Mrs. Genevieve McMillan, Cambridge, Massachusetts
   • Description: This mask depicts a devil and was used in dances to frighten evil forest spirits.

6. Mask, Congo, Leopoldville Province, Bayaka

   • Material: Wood and rafia
   • Dimensions: H: 21"
   • Location: From the Eliot Ilisofon Collection of Primitive Art in the Peabody Museum, Harvard University
   • Description: Worn during rites expressing and celebrating the entry of a vital power or spirit, this mask signifies the importance of the tribe's rites.

7. Mask, Congo, Saliba

   • Material: Wood and rafia
   • Dimensions: H: 24"
   • Location: From the Eliot Ilisofon Collection of Primitive Art in the Peabody Museum, Harvard University
   • Description: This is a dance mask of the helmet type.

American Sculpture:

8. Mask with Idols Eyes, Mexican, Teotihuacan Culture, 0 - 700 A.D.
   • Material: Stone (possibly obsidian)
   • Dimensions: H: 7 1/2"
   • Location: Lent by the Fox Art Museum, Harvard University, Cambridge
   • Description: This mask was used in a funerary ritual, with holes in the ear-flanges allowing it to be hung on bundles.

The descriptions provide a detailed context for each piece, highlighting their cultural significance and artistic characteristics.

The image depicts a handwritten or typed document, likely a catalog or informational sheet, detailing various pieces of art and artifacts. The document is divided into several sections, each describing a specific artwork or artifact, including its title, creator (where applicable), medium, dimensions, provenance, and a brief description.

Here's a detailed summary of each section:

1. The Astronaut, 1963

   • Artist: Jean-Paul Darriau (1929-)
   • Medium: Bronze, unique
   • Dimensions: H. 14 1/32", W. 16 1/16"
   • Location: Lent by Obelisk Gallery, Boston, Massachusetts
   • Description: Inspired by a space flight, the piece is described as a fusion of opposites—internal vs. external forces, mechanical vs. organic.

2. Standing Figure, 1956

   • Artist: Alberto Giacometti (1901-1965)
   • Medium: Bronze
   • Dimensions: H. 56 1/2"
   • Location: Lent by Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
   • Description: This figure from the Venice Biennale is noted for its voids and the nearly consuming presence of the figure.

3. Figure, 1965

   • Artist: Arthur Hoerner (1929-)
   • Medium: Acrylic and wood
   • Location: Lent by Bellisk Gallery, Boston, Massachusetts
   • Description: The piece is described as a "figure" of its own accord, with a frontal stare and a wild, staring demeanor.

4. African Sculpture

   • Title: Female Idol, Cycladic, ca. 2600-2000 B.C.
   • Medium: Marble
   • Dimensions: H. 13 1/2"
   • Location: Lent by Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
   • Description: Cycladic figurines are connected with fertility beliefs and early Bronze Age practices.

5. Forest Spirit, Liberia

   • Medium: Wood, H. 12"
   • Location: Lent by Mrs. Genevieve McMillan, Cambridge, Massachusetts
   • Description: This mask represents a devil and was used in dances to frighten evil forest spirits.

6. Mask, Congo, Leopoldville Province, Bayaka

   • Medium: Wood and raffia, H. 21"
   • Location: From the Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
   • Description: Worn during boys' initiation rites, it expresses and celebrates the power of spirits.

7. Mask, Congo, Salia

   • Medium: Wood and raffia, H. 24"
   • Location: From the Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
   • Description: A dance mask of the helmet type.

8. American Sculpture

   • Title: Mask with Idoll Eyes, Mexican, Teotihuacan Culture, 0-700 A.D.
   • Medium: Stone (possibly coral), H. 7 1/2"
   • Location: Lent by the Fog Art Museum, Harvard University, Cambridge, Massachusetts
   • Description: Used in a funerary ritual, the mask's holes allowed it to be hung on bundles.

The document appears to be a part of a larger exhibition or collection, providing detailed descriptions and historical context for each piece.

The image shows a page from what appears to be a catalog or exhibition guide, detailing various sculptures. The entries are organized by artist and include descriptions of the pieces, their materials, dimensions, and the institutions or individuals who lent them.

1. Jean-Paul Darriau (1929-)

   • The Astronaut, 1963
     • Material: Bronze
     • Dimensions: 14 1/2" x 16 1/2"
     • Lender: Obelisk Gallery, Boston, Massachusetts
     • Description: This piece is inspired by a space flight and represents a fusion of opposites—internal vs. external forces, mechanical vs. organic.

2. Alberto Giacometti (1901-1965)

   • Standing Figure, 1956
     • Material: Bronze
     • Dimensions: 56 1/2"
     • Lender: Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
     • Description: This piece from the Venice Biennale emphasizes the presence of the figure by refining the void around it.

3. Arthur Hoener (1929-)

   • Figure, 1965
     • Material: Acrylic and wood
     • Lender: Obelisk Gallery, Boston, Massachusetts
     • Description: This piece is noted for its "figure" form, with a hieratic frontality and a wild, staring expression.

African Sculpture:

4. Female Idol, Cycladic, ca. 2600-2000 B.C.

   • Material: Marble
   • Dimensions: 13 1/2"
   • Lender: Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
   • Description: Cycladic figurines were linked with fertility beliefs and were placed in tombs to accompany the deceased.

5. Forest Spirit, Liberia

   • Material: Wood
   • Dimensions: 11 1/2"
   • Lender: Mrs. Genevieve McMillan, Cambridge, Massachusetts
   • Description: This mask represents a devil and was worn by men to frighten evil forest spirits.

6. Mask, Congo, Leopoldville Province, Bayaka

   • Material: Wood and raffia
   • Dimensions: 12 1/2"
   • Lender: Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
   • Description: Worn during boys' puberty rites, these masks express and celebrate the entry of a vital power or spirit.

7. Mask, Congo, Saliba

   • Material: Wood and raffia
   • Dimensions: 11 1/2"
   • Lender: Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
   • Description: A dance mask of the helmet type.

American Sculpture:

8. Mask with Idle Eyes, Mexican, Teotihuacan Culture, 0 - 700 A.D.
   • Material: Stone (probably basalt)
   • Dimensions: 8 1/2"
   • Lender: The Fog Art Museum, Harvard University, Grenville L. Winthrop Request
   • Description: This mask was part of a funerary ritual, with holes in the ear-flanges allowing it to be hung on the outside of mummy bundles.

The image displays an exhibition catalog page for a collection of sculptures. The page lists descriptions of various artworks, categorized under African, African Cycladic, and American sculpture. Here's a detailed summary of each piece:

AFRICAN SCULPTURE

5. Title: The Astronaut

   • Artist: Jean-Paul Darriau
   • Year: 1929-
   • Medium: Bronze, unique
   • Dimensions: Height 14 1/4", Width 16 1/8"
   • Lender: Obelisk Gallery, Boston, Massachusetts
   • Description: The sculpture's calm demeanor is juxtaposed with its implied flight. It is meant to embody a "culturalist" fusion of opposites: internal vs. external forces, mechanical vs. organic.

6. Title: Standing Figure

   • Year: 1991-1965
   • Medium: Bronze
   • Dimensions: Height 56"
   • Lenders: Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
   • Description: Created for the Venice Biennale, this figure's void suggests a presence that nearly consumes the space around it, implying an internal struggle.

7. Title: Figure

   • Year: 1920s-
   • Medium: Acrylic and wood
   • Dimensions: Height 38"
   • Lender: Lee Pollitt Gallery, Boston, Massachusetts
   • Description: The object's human-like appearance and frontal stance arrest the viewer's attention with its wild, direct stare.

8. Title: Female Idole

   • Origin: Cycladic, ca. 2600-2000 B.C.
   • Medium: Marble
   • Dimensions: Height 13 1/8"
   • Lenders: Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
   • Description: Cycladic figures, often linked to fertility goddesses, were placed in tombs. They may have served as magical instruments or representations of femininity.

9. Title: Forest Spirit

   • Origin: Liberia
   • Medium: Wood
   • Dimensions: Height 12"
   • Lender: Mrs. Genevieve McMillan, Cambridge, Massachusetts
   • Description: This sculpture represents a devil spirit worn during dances to frighten off evil forest spirits.

10. Title: Mask, Congo, Leleopoldsville Province, Basakwa

    • Medium: Wood and raffia
    • Dimensions: Height 21"
    • Lender: From the Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
    • Description: Used in rituals to celebrate a vital power or spirit, this mask links the tribe to their ancestors and new generations.

11. Title: Mask, Congo, Saluba

    • Medium: Wood and raffia
    • Dimensions: Height 24"
    • Lender: From the Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
    • Description: This mask, used in currently practiced Basakwa rituals, is a dance mask of the helmet type.

AMERICAN SCULPTURE

12. Title: Mask with Hollow Eyes
    • Culture: Teotihuacan Culture, 0 - 700 A.D.
    • Medium: Stone (probably basalt)
    • Dimensions: Height 13 1/2"
    • Lender: Fogg Art Museum, Harvard University; Grenville L. Winthrop Bequest
    • Description: Used in a funerary context, this mask type has holes in the ear flanges for hanging outside of burial bundles.

The image shows an open page from a book or catalog that lists various artworks, including details such as titles, artists, dates, dimensions, materials, and descriptions. The entries are categorized into different sections, likely based on the type or origin of the artwork. Here is a detailed summary of the visible entries:

Modern Artworks:

1. Barrian, Jean-Paul - 1929-

   • Title: THE ASTRONAUT, 1963
   • Materials and Dimensions: Bronze, unique, H. 14 1/2", W. 16 1/2"
   • Location: Lent by Mr. and Mrs. Max Wasserman, Boston, Massachusetts
   • Description: The artist intended his "literary" astronaut to be accompanied by a space flight, symbolizing the opposition of opposites—internal vs. external forces, emotional vs. intellectual.

2. Giacometti, Alberto - 1901-1966

   • Title: STANDING BUST, 1956
   • Materials and Dimensions: Bronze, H. 56 1/2"
   • Location: Lent by Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts
   • Description: This figure, made for the tomb of the artist's mother, is a presence of its own that nearly refines it away.

3. Loeser, Arthur - 1929-

   • Title: FIGURE, 1965
   • Materials and Dimensions: Acrylic on canvas, H. 56 1/2", W. 42"
   • Location: Lent by the Barbara Lekish Gallery, Boston, Massachusetts
   • Description: Loeser notes that this object became a "figure" of its own accord, having begun as an abstract piece. A hieratic frontality arrests the eye in a wild, staring directness.

African Sculpture:

4. ISAACI SPIRIT, Liberia

   • Materials and Dimensions: Wood, H. 12", W. 4"
   • Location: Lent by Mr. Gouverneur McMillan, Cambridge, Massachusetts
   • Description: This mask, worn by men in dances to frighten the evil forest spirits.

5. MSS, Congo, Lomoldville Province, Bakuba

   • Materials and Dimensions: Wood and raffia, H. 21"
   • Location: Lent by the Collection of Primitive Art in the Peabody Museum, Harvard University
   • Description: Horn during boys' puberty rites which express and celebrate the transition from boyhood to manhood. The masks are worn during these rites and in which the link between the new generation and the old is emphasized. The masks are also used in currently practiced Bakuba ritual.

6. MSS, Congo, Baluba

   • Materials and Dimensions: Wood, H. 10", W. 9"
   • Location: From the Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University
   • Description: A dance mask of the helmet type.

American Sculpture:

7. MASK WITH EAR-FLAPS, Mexico, Teotihuacan Culture, 6 - 700 A.D.
   • Materials and Dimensions: Stone (probably burnt), overall originally inlaid, H. 7 1/2"
   • Location: Lent by the Peabody Museum, Harvard University, Grenville L. Winthrop Request
   • Description: This type of mask was used as part of a funerary ritual; the holes in the ear-flanges allowed such masks to be hung on the walls of a tomb chamber.

The text provides a detailed look into the diverse range of artworks, their cultural significance, and the materials used in their creation.

The image shows a page of text, likely from a catalog or book, discussing various sculptures. On the left side of the open book, we can see entries for sculptures numbered 5 through 8, while on the right side, the numbering continues with 9 through 12. Each entry includes the title of the sculpture, its origin (or the artist's name and lifespan), material, dimensions, and a brief description. The descriptions provide insights into the inspiration, cultural significance, and intended meanings behind the works.

Here is a summary of the cataloged sculptures:

5. "The Astronaut, 1963" by Jean-Paul Darriau. It's a bronze sculpture, described as being inspired by space flight, showing a dialectic of 'internal vs. external' forces.
6. "Standing Figure, 1956" by Alberto Giacometti, another bronze piece described as emanating an aura of lonely refinement.
7. "Figure, 1965" by Arthur Hoener, made from acrylic and wood, noted for its hieratic frontality and directness.
8. "Female Idol, Cycladic, ca. 2600-2000 B.C." is a marble sculpture from the Cycladic period, mentioned for its connection to fertility and protection from demonic influences.

On the right-side page:

9. "Forest Spirit, Liberia" is made of wood and represents a devil's mask used in dances.
10. "Mask, Congo, Loonoville Province, Bayaka" made of wood and raffia, used in puberty rites.
11. "Mask, Congo, Ibalha" also made of wood and raffia, described as a dance mask of the helmet type.
12. "Mask with Hollow Eyes, Mexican" from the Teotihuacan Culture, made of stone (probably burnt) and was used in funerary rituals.

The entries provide not only the museums or galleries where they are housed but also acknowledge the individuals or entities that lent these works, indicating the provenance and custody of the artworks. This spread is typical of literature that accompanies an exhibition, providing visitors with context and information about the pieces on display.

The image shows an open book or catalog page displaying detailed descriptions of various sculptures and masks. The page is divided into two columns, with entries numbered sequentially from 5 to 12. Each entry includes the following information:

Left Column (Items 5–8)

1. Item 5: "The Astronaut," 1965

   • Material: Bronze, unique.
   • Dimensions: H. 14 1/4", W. 16 1/2".
   • Lent by: Odelak Gallery, Boston, Massachusetts.
   • Description: The artist intended the piece to equate the "sculptural fusion" of tones with "external forces, mechanical vs. organic." It is inspired by a space flight.

2. Item 6: "Standing Figure," 1956

   • Material: Bronze.
   • Dimensions: H. 56 1/2".
   • Lent by: Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts.
   • Description: The void around the figure represents the presence of its own spirit, which nearly consumes the figure. The artist suggests that the void refines the figure.

3. Item 7: "Figure," 1965

   • Material: Acrylic and wood.
   • Lent by: Odelak Gallery, Boston, Massachusetts.
   • Description: The artist notes that this object became a "figure" of its own accord, beginning as an abstract piece. The frontal arrest of the eye with a wild, staring directness is highlighted.

4. Item 8: "Female Idol," Cycladic, ca. 2600–2000 B.C.

   • Material: Marble.
   • Dimensions: H. 13 1/2".
   • Lent by: Mr. and Mrs. Max Wasserman, Chestnut Hill, Massachusetts.
   • Description: Cycladic figurines were connected with fertility and early life rites. They were placed in tombs to govern the dead and protect them from demonic influences. These figures also served as magical instruments to encourage fertility.

Right Column (Items 9–12)

1. Item 9: "Forest Spirit," Liberia

   • Material: Wood.
   • Dimensions: H. 12", W. 6".
   • Lent by: Genevieve McMillan, Cambridge, Massachusetts.
   • Description: This mask represents a devil spirit and was worn by men in dances to frighten evil spirits.

2. Item 10: "Mask," Congo, Leomondville Province, Bayaka

   • Material: Wood and raffia.
   • Dimensions: H. 21".
   • Lent by: The Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University.
   • Description: Worn during boys' puberty rites, this mask expresses and celebrates the entrance of a vital power. It perpetuates the still-active spirits of dead ancestors, which are reaffirmed and tribe links between the new generation and the spirits are reinforced. Such masks are used in currently practiced Bayaka rituals.

3. Item 11: "Mask," Congo, Baiba

   • Material: Wood and raffia.
   • Dimensions: H. 24".
   • Lent by: The Eliot Elisofon Collection of Primitive Art in the Peabody Museum, Harvard University.
   • Description: A dance mask of the helmet type.

4. Item 12: "Mask with Hollow Eyes," Mexican, Teotihuacan Culture, 0–700 A.D.

   • Material: Stone (probably burnt), eyes originally inlaid.
   • Dimensions: H. 7 1/2".
   • Lent by: The Fogg Art Museum, Harvard University, Grenville L. Winthrop Bequest.
   • Description: This type of mask was used as part of a funerary ritual. The hollow eyes allowed such masks to be hung on the outside of many bundles.

General Observations

• The page appears to be part of a catalog or exhibition guide, likely from an art museum or gallery.
• Each entry provides the artist's name, year of creation, material, dimensions, lender information, and a descriptive note about the piece's significance or cultural context.
• The items range from modern sculptures (e.g., "The Astronaut") to ancient artifacts (e.g., the Cycladic "Female Idol" and the Teotihuacan mask).
• The layout is clean and organized, with clear headings and structured descriptions.

The overall design suggests a formal and academic presentation, typical of museum catalogs or exhibition guides.

The image shows a page from a catalog or exhibition booklet, featuring a list of sculptures with descriptions. The page is divided into two sections, "African Sculpture" and "American Sculpture." The first section lists sculptures with titles such as "The Astronaut," "Standing Figure," "Figure," and "Female Idol." The descriptions provide information about the materials, dimensions, and origins of the sculptures. The second section, "American Sculpture," lists a "Mask with Hollow Eyes" from the Teotihuacan Culture. The page has a brown background and white text, with the sculptures' names and descriptions in bold.

An open book with two pages is placed on a brown surface. The pages have black borders. The text is written in a typewriter font. The left page has seven points, and the right page has five points. Each point has a number, the name of the sculpture, the artist's name, and the sculpture's dimensions. The right page has the words "African Sculpture" and "American Sculpture" written on it.