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The image shows an open page from a catalog of contemporary sculpture. The left page features a black-and-white photograph of a sculpture titled "Lady Mask with Movable Parts" by Mirko Basaldella, created in 1965. The sculpture appears to be a chiseled outdoor garden piece with a haunting and enigmatic quality.

The right page lists details of several sculptures, including:

1. Lady Mask with Movable Parts by Mirko Basaldella (1910-):

   • Created in 1965.
   • Made of iron, measuring 4' x 2'.
   • On loan from the artist, Cambridge, Massachusetts.
   • Described as having a quality of archaic, ageless antiquity and disguised significance.

2. Death of a Princess by Leonard Baskin (1922-):

   • Created in 1964.
   • Made of bronze and nails, measuring 4' x 3'.
   • On loan from Mrs. Leonard Baskin, Cambridge, Massachusetts.
   • Described as a vengeance fetish with materials of contradictory, une-decorative jewels and murderous nails, expressing strange ambivalence toward the subject.

3. The Oracle by Wolfgang Behl (1918-):

   • Created in 1965.
   • Made of wood, measuring 46" x 36".
   • Acquired through the courtesy of the Bertha Schaefer Gallery, New York.
   • Described as often reinterpreting classical subjects, with the detachment of the classical head from the body symbolically suggesting the nature of inspiration.

4. Contemplation of Violence by John Bergschneider (1920-):

   • Created in 1965.
   • Made of stone composition, measuring 28" x 18".
   • On loan from the artist, Cambridge, Massachusetts.
   • Described as a confrontation of terror within and without oneself, a terror before the forces both within and without himself over which he has no control.

The catalog appears to be well-organized, providing detailed descriptions and dimensions of each sculpture along with the artists' names and loan information.

The image shows a page from a catalogue of contemporary sculpture. The page features a black-and-white photograph of a large, intricate mask with movable parts on the left side. The mask appears to be stylistically inspired by an ancient or mythological figure, with long, flowing hair and a detailed facial structure.

On the right side of the page, there is a description of four different sculptures by various artists, each with a brief explanation of the work:

1. Mirko Basaldella (1910-)

   • Large Mask with Movable Parts, 1965
     • Material: Iron, height 4 feet.
     • Description: The piece is described as a chiseled outdoor garden sculpture suggesting a divinity of both ageless strength and disguised significance.

2. Leonard Baskin (1922-)

   • Death of a Fascist, 1965
     • Materials: Wood, glass, nails, height 3 feet.
     • Description: Baskin's work uses a decorative fetish with contradictory uses of materials to express a complex ambivalence towards fascism.

3. Wolfgang Behl (1918-)

   • The Oracle, 1965
     • Material: Wood, height 60 inches.
     • Description: Behl reinterprets classical subjects, depicting a mask-like head detached from its body, symbolizing the detachment of inspiration and its cryptic nature.

4. John Bergschneider (1920-)

   • Contemplation of Violence, 1965
     • Material: Stone composition, height 28 inches.
     • Description: The sculpture depicts a head that suggests the terror of man before forces both within and without himself over which he has no control.

The page appears to be part of an organized catalogue, likely intended for exhibition or sale, providing detailed information on each piece of contemporary sculpture.

The image depicts an open catalogue for an exhibition of contemporary sculpture. On the left-hand page, there is a black and white photograph of a large mask with movable parts, which appears to be an exhibit. The mask has striking features, including long, flowing hair, and an expressive face. The photograph is labeled "No. 16" in the bottom left corner.

The right-hand page contains text, starting with the title "CATALOGUE CONTEMPORARY SCULPTURE." It lists several sculptures along with their details:

1. Large Mask with Movable Parts (1965) by Mirko Basaldella - Made of iron, dimensions 8' 4" high. Lent by Mirko Basaldella, Cambridge, Massachusetts. The description notes its design as a chiming outdoor garden sculpture, suggesting a divinity of both ageless beauty and disguised significance.

2. Death of a Fascist (1922) by Leonard Baskin - Made of wood, glass, and nails, dimensions 8' 10" high. Lent by Mr. Robert G. Gardner, Cambridge, Massachusetts. The description mentions Baskin presenting a kind of vengeance fetish, with contradictory uses of materials that suggest both violence and decorousness, evoking a strange ambivalence towards the subject.

3. The Oracle (1965) by Wolfgang Behl - Made of wood, dimensions 6' 8" high. Lent by the Hartford Arts Foundation through the courtesy of Bertha Schaefer Gallery, New York, New York. The description notes Behl’s reinterpreting of classical subjects, with the detached head suggesting a cryptic, mask-like countenance that somberly suggests the nature of inspiration.

4. Contemplation of Violence (1965) by John Bergschneider - Made of stone, dimensions 6' 2" high. Lent by Mr. Robert G. Gardner, Cambridge, Massachusetts. The description notes the configuration of the head suggesting man's terror before the forces both within and without himself, which he has no control over.

The image displays a page from a catalog of contemporary sculpture, featuring four artworks by different artists. Here's a detailed description:

Left Side:

• The image on the left side is a black-and-white photograph of a sculpture labeled "No. 16."
• The sculpture appears to be a mask or head with long, flowing hair, seemingly made of fibrous or stringy material.

Right Side:

The right side contains descriptions of four different sculptures, listed as follows:

1. Mirko Basaldella (1910-)

   • Title: Large Mask with Movable Parts
   • Year: 1965
   • Dimensions: Height 41 inches
   • Lender: Mirko Basaldella, Cambridge, Massachusetts
   • Description: This piece is designed as a chaining outdoor garden sculpture. It suggests a divinity that combines antiquity and disguised significance.

2. Leonard Baskin (1922-)

   • Title: Death of a Fascist
   • Year: Not specified
   • Materials: Wood, glass, nails
   • Dimensions: Height 39 inches
   • Lender: Mr. Robert C. Gardner, Cambridge, Massachusetts
   • Description: Baskin’s work often deals with themes of violence. This sculpture uses contradictory decorative levels, employing materials that evoke a strange ambivalence towards the subject.

3. Wolfgang Behl (1918-)

   • Title: The Oracle
   • Year: 1965
   • Material: Wood
   • Dimensions: Height 60 inches
   • Lender: The Hartford Arts Foundation through the courtesy of Bertha Schaefer Gallery, New York, New York
   • Description: Behl often reinterprets classical subjects. Here, the detached head of the mythical oracle, mask-like and emerging from the body, hints at the nature of inspiration.

4. Johannes Bergschneider (1920-)

   • Title: Extermination of Violence
   • Year: Not specified
   • Material: Stone Composition
   • Dimensions: Height 28 inches
   • Lender: Mr. Robert C. Gardner, Cambridge, Massachusetts
   • Description: The configuration of this head suggests a man's terror, both within and without himself, over forces he cannot control.

This catalog page provides a snapshot of the diverse styles and thematic explorations of these contemporary sculptors.

The image shows a page from a catalog titled "Contemporary Sculpture." The page features a black-and-white photograph of a sculpture on the left side and descriptive text on the right side.

The sculpture is titled "Large Mask with Movable Parts," created in 1965 by Mirko Basaldella. The medium is iron, and the sculpture measures 4 feet in height. It was lent by Mirko Basaldella from Cambridge, Massachusetts. The description suggests that the piece, designed as an outdoor garden sculpture, conveys a sense of both ancient antiquity and modern significance.

Below the description of Basaldella's work are entries for three other sculptures:

1. Death of a Fascist (1922) by Leonard Baskin:

   • Medium: Wood, glass, nails
   • Dimensions: 12 inches in height
   • Lent by Mr. Robert C. Gardner, Cambridge, Massachusetts
   • Description: This piece is a decorative yet sinister fetish that juxtaposes materials to express a strange sense of abhorrence toward its subject.

2. The Oracle (1965) by Wolfgang Behl:

   • Medium: Wood
   • Dimensions: 60 inches in height
   • Lent by the Hartford Arts Foundation through the courtesy of Bertha Schaefer Gallery, New York, New York
   • Description: Behl often reinterprets classical subjects; here, the detached, mask-like head suggests the nature of inspiration.

3. Contemplation of Violence (1920) by John Bergschneider:

   • Medium: Stone Composition
   • Dimensions: 28 inches in height
   • Lent by Mr. Robert C. Gardner, Cambridge, Massachusetts
   • Description: The configuration of this head suggests man’s terror before the forces both within and without himself over which he has no control.

The page is numbered "No. 16" in the bottom left corner and appears to be part of a larger catalog, possibly from an exhibition. The layout includes some additional notes and a partially visible section on the left side, suggesting the catalog has more pages and entries.

The image depicts a page from a catalog of contemporary sculpture. The page appears to be from an exhibition or publication featuring works by several artists.

On the left side of the page, there is a black-and-white photograph of a sculpture titled "Large Mask with Movable Parts" by Mirko Basaldella, dated 1965. The mask is intricately detailed, with a long, flowing hair-like texture and a face that has a somewhat ethereal and ageless quality.

The right side of the page contains text detailing four sculptures:

1. Mirko Basaldella (1910-)

   • Title: Large Mask with Movable Parts, 1965
   • Material: Iron, 47 inches high
   • Lender: Mirko Basaldella, Cambridge, Massachusetts
   • Description: Designed as a chiming outdoor garden sculpture, the piece suggests a divinity of both agelessness and disguised significance.

2. Leonard Baskin (1922-)

   • Title: Death of a Fascist, 1965
   • Material: Wood, glass, nails, 30 inches high
   • Lender: Mr. Robert G. Gardner, Cambridge, Massachusetts
   • Description: Baskin presents a kind of vengeance fetish in which materials of contradictory use-decorative fetish are employed to express a strange ambivalence towards the subject.

3. Wolfgang Behl (1918-)

   • Title: The Oracle, 1965
   • Material: Wood, 60 inches high
   • Lender: The Hartford Arts Foundation through the courtesy of Bertha Schaefer Gallery, New York, New York
   • Description: Behl often reinterpreted classical subjects, here the detachment of the cryptic, mask-like head from the body subtly suggests the nature of inspiration.

4. John Bergschneider (1920-)

   • Title: Contemplation of Violence
   • Material: Stone Composition, 28 inches high
   • Lender: Mr. Robert G. Gardner, Cambridge, Massachusetts
   • Description: The configuration of this head suggests man's terror before the forces both within and without himself over which he has no control.

The page is labeled with "No. 16" in the bottom left corner, and the top right corner mentions "Catalogue Contemporary Sculpture." The page itself is a part of a larger document, likely an exhibition catalog or a booklet.

The image shows an open book, possibly a catalog of contemporary sculptures.

• The left page features a black-and-white photograph of a mask or sculpture labeled "No. 16." The mask has an elongated face with exaggerated features and long white hair.
• The right page contains a typed catalog list titled "CATALOGUE CONTEMPORARY SCULPTURE," with the name "Basaldella, Mirko 1910-" at the top.
• Four sculptures are listed with brief descriptions, materials, dimensions, and lending details:

1. LARGE MASK WITH MOVABLE PARTS, 1965
   Iron, H. 4' 5"
   Lent by Mirko Basaldella, Cambridge, Massachusetts
   Description: Designed as a chiming outdoor garden sculpture, this piece suggests a divinity of both ageless antiquity and disguised significance.

2. DEATH OF A FASCIST
   Wood, glass, nails, H. 30"
   Lent by Mr. Robert G. Gardner, Cambridge, Massachusetts
   Description: Presents a kind of vengeance fetish with contradictory materials like decorative jewels and murderous nails, expressing strange ambivalence.

3. THE ORACLE, 1965
   Wood, H. 60"
   Lent by the Hartford Arts Foundation through the courtesy of Bertha Schaefer Gallery, New York, New York
   Description: Reinterprets classical subjects, with the detachment of a cryptic, mask-like head suggesting inspiration.

4. CONTEMPLATION OF VIOLENCE
   Stone Composition, H. 28"
   Lent by Mr. Robert G. Gardner, Cambridge, Massachusetts
   Description: Suggests man's terror before uncontrollable forces both internal and external.

The text is typed in a typewriter-style font, and some titles of sculptures are underlined or typed in uppercase letters. The book is placed on a brown surface.

This image depicts an open book or exhibition catalog with a black and white artwork on the left-hand page and descriptive text on the right-hand page. The artwork illustrates what appears to be a long-haired figure from behind, with the hair covering most of the back and head, leaving only darkened facial features visible, creating a somewhat eerie and mysterious impression.

The right-hand page lists items from a "CONTEMPORARY SCULPTURE" catalog under the heading "CATALOGUE." Four pieces are detailed, presumably including the artwork on the opposite page:

1. "LARGE MASK WITH MOVABLE PARTS, 1965" by Mirko Basaldella, described as an iron piece suggesting divinity and ageless antiquity.
2. "DEATH OF A FASCIST" by Leonard Baskin, made of wood, glass, and nails, expressing ambivalence toward the subject using contradictory materials.
3. "THE ORACLE, 1965" by Wolfgang Behl, made of wood, and part of the Hartford Arts Foundation collection.
4. "CONTEMPLATION OF VIOLENCE" by John Bergschneider, a stone composition reflecting man's inner terror and lack of control.

The item numbers likely correspond to the artworks, with "No. 16" referring to the entry number of the piece shown in the image. A small part of the left-hand page shows graphic design elements, but the image is cropped so that not much detail is visible. The background behind the catalog is neutral, featuring what looks like a cardboard or craft paper surface.

The image shows an open book or catalogue page featuring a detailed description of contemporary sculptures. The left side of the page displays a black-and-white illustration of a sculptural piece titled "LARGE MASK WITH MOVABLE PARTS" by Mirko Basaldella, created in 1965. The sculpture is described as an iron piece measuring H. 4' 5", lent by Mirko Basaldella from Cambridge, Massachusetts. The accompanying text explains that the piece was designed as a "chiming outdoor garden sculpture" and suggests a "divinity of both ageless antiquity and disguised significance."

On the right side of the page, there is a list of other sculptures included in the catalogue, each accompanied by brief descriptions. The listed works are:

1. "LARGE MASK WITH MOVABLE PARTS" by Mirko Basaldella (1965).
2. "DEATH OF A FASCIST" by Leonard Baskin (1922), a wood, glass, nails sculpture lent by Mr. Robert G. Gardner from Cambridge, Massachusetts. The description highlights the use of "contradictory use-decorative jewels and murderous nails" to express a "strange ambivalence toward the subject."
3. "THE ORACLE" by Wolfgang Behl (1918), a wood sculpture lent by the Hartford Arts Foundation through the Bertha Schaefer Gallery, New York. The description notes that Behl often reinterprets classical subjects, with this piece suggesting "the nature of inspiration."
4. "CONTEMPLATION OF VIOLENCE" by Bergschedler, John (1920), a stone composition lent by Mr. Robert G. Gardner from Cambridge, Massachusetts. The description interprets the sculpture as reflecting "man's terror before the forces both within and without himself over which he has no control."

The page is part of a "CATALOGUE" titled "CONTEMPORARY SCULPTURE", and the overall design is clean and formal, typical of an art catalogue or exhibition guide. The layout includes a numbered reference ("No. 16") at the bottom left of the illustration, indicating its place within the larger collection. The book appears to be bound in a simple, sturdy cover, suggesting it may be part of an archive or institutional collection.

The image shows an open book with a black and white photograph of a mask on the left page and text on the right page. The mask has long, flowing hair and a face with a serious expression. The text on the right page includes a title, "Contemporary Sculpture," and a list of sculptures, along with descriptions and the names of the artists. The book is placed on a brown cardboard cover with a white border.