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The image shows a program for a concert held by the Cambridge Society for Early Music on Monday, May 9, 1966, at the Busch-Reisinger Museum. The concert, which began at 8:30 PM, featured social music from the 16th and 17th centuries.

The program is divided into four sections:

1. Von Englische Art

   • Songs by Peter Schöffer's Liederbuch (1513)
   • Includes pieces like "Es komen nacht" and "Die Lieb mein sin"

2. Herbemer (1624)

   • Includes pieces like "Je suis déshérité" and "Je suis amoureux"

3. Thomas Campion (1567-1620)

   • Includes pieces like "Faire, Sweet, Cruel" and "Je ne veux plus"

4. Giovanni Giacomo Gastoldi (1556-1622)

   • Includes pieces like "Amorosi" and "Quel Sguardo Sdegnosetto"

The Cambridge Consort, which performed the concert, consisted of:

• Sandra Stuart Robinson (soprano)
• Anneliese Schmidt (soprano)
• Gunn Enner Svenson (alto)
• Friedrich von Huene (tenor and recorder)

The program notes that the Cambridge Consort specializes in Renaissance and Baroque music. The document appears to be part of a larger collection, as it is placed within a binder or book. There is also a handwritten note at the top of the document that seems to be a reference or cataloging note.

The image shows a program from a concert titled "Spring Concert" organized by the Cambridge Society for Early Music. The concert took place on Monday, May 9, 1966, at 8:30 p.m. at the Busch-Reisinger Museum.

The program is divided into several sections, each featuring different musical works from the 16th and 17th centuries. Here are the sections listed:

1. Five Songs from Peter Schöffer’s Liederbuch (1513)

   • Works by:
     • Von Eitel Aret
     • Schönhinlein
     • Was mich nicht wohin
     • Sebastian Friden
     • Die hefft ein hupperken (Hofheimer, 1547)

2. Section II

   • Heinrich Isaac (1452-1517)
     • Je suis déshéritée (for ensemble)
     • Quand ma souvenance (for recorder and gambas)

3. Section III

   • Thomas Crellin (c. 1526-1580)
     • Quis dabat me (for recorder, harpsichord, and gambas)
   • Thomas Morley (c. 1557-1603)
     • Nightly Gales (Orlando Gibbons, 1583-1626, but attributed to Morley)
   • John Dowland (1563-1626)
     • Woodcock (for recorder)

4. Section IV

   • Giovanni Gabrieli (1557-1612)
     • A Shepheard in a Shade (for continuo, violins, and violas da gamba)
   • Girolamo Frescobaldi (1583-1643)
     • Dolce Albreta (for continuo)
   • Claudio Monteverdi (1567-1643)
     • Sonatas in D minor

The performers and ensembles listed at the bottom include:

• The Cambridge Society, under the direction of Sandra Stuart Robbins (soprano), with Gian Lyman (harpsichord), and Friedrich von Huene (recorders and Renaissance flute).

The concert appears to be a celebration of early music, showcasing various pieces from notable composers of the Renaissance and early Baroque periods.

The image shows an open book or program with a document pinned to its page. The document is titled "Cambridge Society for Early Music Spring Concert," and it details an event that took place on Monday, May 9, 1966, at 8:30 p.m. at the Busch-Reisinger Museum. The program includes information about the performance, which featured social music from the 16th and 17th centuries. Several pieces are listed, including works by Heinrich Isaac, Thomas Crecquillon, John Dowland, and others. The performance was carried out by various ensembles and soloists, including the Cambridge Stuart Consort, with specific musicians listed at the bottom, such as Alexander Storrer, Ian Lumsden, and others. The document appears to be an original program or a detailed description of the event.

The image shows a concert program from the Cambridge Society for Early Music. The event is titled "Spring Concert" and took place on Monday, May 9, 1966, at 8:30 p.m. in the Busch-Reisinger Museum.

The program features "Social Music of the 16th and 17th century" and includes several pieces from various composers of that era:

First Half:

1. Five Songs from "Peer Schöffer’s Liederbuch" (1513)

   • Von erst an vert (Ensemble)
   • Es wonet ain Weib (Schoen Müllin)
   • Schmackhafte Zart (Ensemble)
   • Was mich betrübt (Johannes Schenk with Das Karethum?)
   • Die Brünnlein (Ensemble)
   • Mit Lieb bin ich umfangen (Sekund Virtuoso)
   • Mein Herz in hohen Freuden (Das Hüpflein)
   • Ein Uppiger (Ensemble)

2. Heinrich Isaac (ca.1450-1517)

   • Innsbruck, ich muss dich lassen (Ensemble)

3. Anonymous (16th Century)

   • Je suis désirée (Quatuor, soprano, gambas, crumhorns)

4. Tielman Susato (c. 1520 - c. 1564)

   • Tant que vivray (Ensemble)
   • Ronde and Reprise (Ensemble)

5. Juan del Encina (1468-1529)

   • Fata la parte (Soprano, harpsichord)

6. Luis de Narváez (fl. 1526-1549)

   • Je ne puis vivre (Ensemble)

7. Fantasia

   • Gascoigne (Guitars, viols, recorders)

8. John Dowland (1563-1626)

   • III: Can She Excuse (Lute, tenor, gambas)
   • Flow My Tears (Lute, bass viol, soprano)
   • Go Crystal Tears (Consort ensemble)

Second Half:

1. Andrea Gabrieli (1510-1586)

   • Quatuor: Canzon à 4 (Viols, recorders)

2. Giovanni Giacomo Gastoldi (1556-1622)

   • Amor Vittorioso (Ensemble)
   • Il Tedesco (Ensemble)

3. Gregorio Lambranzi (fl. 1700)

   • Sonata a 3 (Violin, harpsichord, gamba)

4. Diego Ortiz (c. 1510-c. 1570)

   • Recercada Segunda (Violin, viols, harpsichord)

5. Giovanni Bassano (c. 1558-1617)

   • Motet: O Rex gloriae (Ensemble)

6. Giovanni Giacomo Gastoldi

   • A lieta vita (Ensemble)

The Cambridge Consort, led by various musicians, performed this concert with instruments such as viols, recorders, gambas, and Renaissance flutes. The ensemble includes Sandra, Stefan Robbins, Alexander Rudajev, and others. Friedrich von Huene is noted for playing recorders and Renaissance flute.

The image shows a historical program for a concert hosted by the Cambridge Society for Early Music. The concert took place on Monday, May 9, 1966, at 8:30 p.m. in the Busch-Reisinger Museum. The program is titled "Spring Concert."

The concert featured "Social Music of the 16th and 17th Century" and included the following pieces:

1. Five Songs from Peter Schöffer's Liederbuch (1513)

   • "Von Edel Art" by ensemble Schöffer's Liederbuch
   • "Ich steh an einem Morgen" by ensemble Schöffer's Liederbuch
   • "Es kam ein Schiff geladen" by ensemble Schöffer's Liederbuch
   • "Die hefft ein lipperken" by ensemble Schöffer's Liederbuch

2. Heinrich Isaac (c. 1450-1517)

   • "Quand je vous voy" by ensemble Isaac

3. Thomas Creighton (c. 1520) recorder, gambas

   • "Que suis je bien" by Thomas Creighton ensemble

4. Guillaume Morlaye (c. 1510-1558) recorder, gambas

   • "Fantasia" by ensemble Morlaye

5. Orlando Gibbons (1583-1625) consort ensemble

   • "Night Piece" by ensemble Gibbons
   • "If my complaints could passions move" by ensemble Gibbons
   • "Woodstock" by ensemble Gibbons

6. Giovanni Girolamo Kapsberger (1580-1651) ensemble

   • "Amarilli mia" by ensemble Kapsberger

7. Giulio Caccini (1551-1618) soprano, continuo

   • "Amore dolce" by ensemble Caccini

8. Alessandro Striggio (1537-1592) soprano, continuo

   • "Sonetto" by ensemble Striggio

The Cambridge Consort, led by Alexander Silvester, performed on harpsichord and recorders, with assistance from Frederick von Hune on recorders and Renaissance flute. The program is neatly printed with detailed information on the composers, pieces, and performers. The document is placed inside an old book, suggesting it might be preserved or archived.

The image shows a program for a concert by the Cambridge Society for Early Music. The concert is titled "Spring Concert" and took place on Monday, May 9, 1966, at 8:30 PM in the Busch-Reisinger Museum.

The program details the pieces and performers for the evening, divided into five sections, each with different musical works from the 16th and 17th centuries:

1. Five Songs from Peter Schöffer's Liederbuch (1513):

   • "Von einem Aert" by Ensemble
   • "Ich schmatz ich wol" by Sebastian Virdung
   • "Das ist mein liebstes Käsertum" by Hans Neusiss
   • "Die hefft ein Ipperecken" by Hans Neusiss

2. Musical Works by Heinrich Isaac:

   • "Quand me souveniro" performed by an ensemble including a lute, recorder, and viola da gamba.

3. Works by Thomas Crécquillon:

   • "Je suis bien" performed by a recorder and viola da gamba ensemble.
   • "La que je ray" by Claudin de Sermisy, performed by a lute and recorder ensemble.
   • "Je ne puis sans vous" performed by a lute ensemble.

4. Works by Orlando Gibbons:

   • "Nightly Calls" performed by a recorder ensemble.
   • "If Wooden Wings" performed by a recorder ensemble.

5. Works by Claudio Monteverdi and others:

   • "Amarilli" by Giulio Caccini, performed by a continuo group.
   • "Arianna" by Claudio Monteverdi, performed by a soprano and continuo group.
   • "Dolce Albetta" by Alessandro Grandi, performed by a soprano and continuo group.
   • "Sonata in D" by Giovanni Battista Granata, performed by a continuo group.
   • "Arioso" by Alessandro Grandi, performed by a soprano and recorder ensemble.

The performers listed include the Cambridge Consort, with members such as Sandra Robbins (soprano), Alexander Robbins (harpsichord and recorder), and others. The concert is noted to be a performance of Renaissance music.

The image shows an open scrapbook or album page with a program or flyer attached to it. The document is a program for a concert titled "Cambridge Society for Early Music Spring Concert" dated Monday, May 9, 1966, at 8:30 p.m., scheduled to be held at the Busch-Reisinger Museum.

The program lists a set of musical performances, organized into four parts, with music from the 16th and 17th centuries. Some of the composers mentioned are Peter Schickele, Johann Walter, Valentin Haussmann, Thomas Morley, and Orlande de Lassus.

Also mentioned are the performers in "THE CAMBRIDGE CONSORT," which include names like Sandra Stuart, Allen Barker, and Judith Davidoff. A special mention is given for "Fenwick Smith, Recorder and Renaissance Flute.”

The image shows an open book or folder containing a printed program for a concert titled "Cambridge Society for Early Music: Spring Concert", held on Monday, May 9, 1966, at 8:30 p.m. The concert took place at the Busch-Reisinger Museum.

The program lists a series of musical pieces to be performed, including works from the 16th and 17th centuries. The pieces are organized into four sections (I, II, III, IV), and each section includes details such as the composer, title, and sometimes additional notes about instruments or performance style. The composers and works listed include:

• Section I:

  • Five songs from Peter Schöffer's Liederbuch (1513).
  • Works by composers such as Johann Sebastian Virdung, Heinrich Isaac, and Thomas Crequillon.

• Section II:

  • Pieces by composers like Orlando Gibbons, John Dowland, and others, including works such as "Fantasia," "Woodstock," and "A Shepherd in a Shade."

• Section III:

  • Works by composers such as Claudio Monteverdi, Alessandro Scarlatti, and others, including vocal pieces and instrumental music.

• Section IV:

  • Pieces by composers such as Antonio Vivaldi, Alessandro Scarlatti, and others, including vocal and instrumental works.

The program also includes annotations and handwritten notes in the margins, such as "150" and "to be thought of in ball... Indeed, a music," suggesting that the document may have been used for planning or reference purposes. The overall presentation indicates that this is a historical or archival document related to a classical music concert.

The image shows an open book with a program for a concert by the Cambridge Society for Early Music. The program is for a Spring Concert on May 9, 1966, at 3:30 p.m. in the Busch-Reisinger Museum. The program includes five songs from Peter Schoffer's Liederbuch, which is a collection of songs from the 16th and 17th centuries. The program lists the names of the songs, the composers, and the performers. The program also includes information about the instruments used in the performance. The book appears to be a collection of programs for various concerts, and the image shows a close-up of the program for the Cambridge Society for Early Music concert.

The image shows a book that is open to a page with a program for a concert. The program is titled "Cambridge Society for Early Music Spring Concert," which took place on Monday, May 9, 1966, at 3:30 p.m. at the Busch-Reisinger Museum. The program includes five songs from Peter Schaffer's "The Lion in Love" and music from the 16th and 17th centuries. The program lists the performers and their instruments, including a recorder, gamba, harpsichord, and guitar. The program also includes a note about the performance, which says, "150 in attendance." The program is printed on white paper and has a gray border on the left side.