Archives Scrapbooks

The image shows a page from a scrapbook or a collection of newspaper and magazine clippings related to art exhibitions. There are three main clippings pasted onto the page:

1. Top Left Clipping:

   • Source: Panorama Vol. 16, No. 19 (dated May 2 and May 9, 1966).
   • Title: "Art".
   • Content: The article discusses an exhibition titled "The Embodiment of the Awesome" at the Busch-Reisinger Museum, featuring contemporary German sculptors such as Beuys, Kassim, Kirkland, and others. The exhibition includes primitive sculptures and idols from various cultures and aims to explore the spiritual and emotional aspects of art. The show highlights the contrast between modern fears and the majesty of ancient art forms.

2. Top Right Clipping:

   • Source: The Christian Science Monitor (dated Wednesday, April 27, 1966).
   • Content: Only a small portion of this clipping is visible, and the text is not fully legible. It appears to be a continuation from page 10.

3. Bottom Clipping:

   • Source: Unknown (likely a newspaper or magazine).
   • Title: "Arts Entertainment".
   • Content: The article discusses a nouvelle attitude in art, focusing on the Busch-Reisinger Museum's promotion of eight young German artists. The exhibition showcases a variety of art forms, including sculptures, paintings, and drawings. The article highlights the innovative and experimental nature of the artwork, mentioning specific pieces such as a dried figure by Beuys and a sculpture by Dahmen. The exhibition is noted for its bold and unconventional approach.

Overall, the clippings provide information about art exhibitions featuring contemporary German artists and explore themes of spirituality and innovation in art.

The image depicts a collection of newspaper clippings and magazine articles related to art exhibitions.

1. Top Left Clipping (Panorama Magazine, Vol. 16, No. 19, May 2 and May 9, 1966):

   • The article is titled "ART" and discusses an exhibition called "Spirit as Form: The Embodiment of the Awareness in Primitive and Contemporary Sculpture."
   • The exhibition is held at the Busch-Reisinger Museum, Harvard University, from May 21 to June 14, 1966.
   • The exhibition showcases masks and idols from Africa, the Americas, and the Mediterranean, along with sculptures by contemporary artists such as Bahl, Behl, Bergschneider, Betti, Gompertz, Mirko, and others.
   • The article emphasizes the stylistic influences and the common theme of the spirit through various forms, highlighting the spiritual essence of the sculptures.

2. Bottom Left Clipping (The Christian Science Monitor, Wednesday, April 27, 1986):

   • This clipping is about an art review titled "ARTS ENTERTAINMENT."
   • The article is about a Munich exhibition, specifically mentioning "Eight Young German Artists" at the Reisinger Museum.
   • It describes the work of a contemporary artist and includes a description of a specific artwork, possibly focusing on the concept of "compositing" and the representation of complex scenes with an awareness of spiritual and cultural elements.

3. Top Right Clipping (Newspaper clipping):

   • The text is partially visible and seems to be discussing a different aspect of contemporary art or an artist’s work, but the main details are cut off.

The combination of these clippings indicates a focus on art exhibitions and their themes, exploring the intersection of traditional and contemporary artistic expressions, particularly concerning spiritual and cultural elements.

The image shows an open book or scrapbook with two newspaper clippings pasted on the right-hand page. The clippings are both related to art and were published in 1966.

1. The first clipping is from "The Christian Science Monitor," dated Wednesday, April 27, 1966, under the section "Arts Entertainment." The article discusses a new attitude towards art, describing it as complex and minutely detailed, with scenes that convey a sense of the unknown. It mentions an exhibition at the Busch-Reisinger Museum in Cambridge, which features works that embody a spirit of the unknown, including pieces by artists like Behn, Bergschneider, Giacometti, Mirko, and others. The exhibition aims to show how different cultures represent the unknowable aspects of life and the universe.

2. The second clipping is from "PANORAMA," Vol. 16, No. 19, dated May 2 and May 9, 1966. The article is titled "Art" and discusses an exhibition titled "The Embodiment of the Awesome in Primitive and Contemporary Sculpture," which was also held at the Busch-Reisinger Museum in Cambridge from May 21 to June 14. The exhibition features about fifty-five works, including masks and idols from Africa, the Americas, the Mediterranean, and contemporary sculptures by artists such as Behn, Bergschneider, Giacometti, Mirko, and others. The exhibition emphasizes the theme of the awesome and the unknowable, represented through various forms and media, and aims to reveal the basic theme of the embodiment of the spirit in art.

Both clippings are carefully pasted, with the "Christian Science Monitor" clipping positioned to the right and the "PANORAMA" clipping to the left. The book appears to be used for collecting articles related to art exhibitions and themes.

The image contains a collage of three different articles from two publications: "PANORAMA" and "The Christian Science Monitor."

1. Top Left - PANORAMA (May 2 and May 9, 1966 Issues)

   • The header indicates that this excerpt is from Volume 16, Numbers 19 of the PANORAMA publication, dated May 2 and May 9, 1966.
   • The section is titled "ART" and features an article about an exhibition titled "Spirit as Form: The Embodiment of the Awesome in Primitive and Contemporary Sculpture."
   • The exhibition is scheduled to open at the Busch-Reisinger Museum, Quincy Street, Cambridge, on May 21 and continue through June 14.
   • The exhibition will showcase around fifteen pieces, including masks and idols from Africa, the Americas, the Mediterranean, Oceania, and works by modern artists such as Constantin Brancusi, Henry Moore, and others.
   • The objective is to explore the theme of the spiritual in art, tracing the variety of forms that symbolize and embody the idea of the spirit across different cultures.

2. Right - The Christian Science Monitor (Wednesday, April 27, 1988)

   • The article is from the "ARTS ENTERTAINMENT" section of The Christian Science Monitor, dated April 27, 1988.
   • The article discusses a new attitude toward the human figure in contemporary art, particularly in Munich.
   • It mentions the "Eight Young German Artists" exhibition at the Stadtische Galerie im Lenbachhaus.
   • The article highlights various artworks, noting their intricate details and themes:
     • Horst Antes' "Gehockte Figur" (Crouching Figure) with a three-eyed, abstract human form.
     • Karl Bohrmann's "Mann im Gehäuse" (Man in a Cage) depicting a figure in a glass case.
     • Martin Disler’s "Bembe" showing a large, colorful, and unstructured form.
     • Reiner Ruters' work featuring a self-portrait of the artist in a lyrical, suggestive pose.

Overall, both articles focus on art exhibitions and the themes and styles explored in the showcased artworks.

The image shows a page from a book or scrapbook with several newspaper clippings attached. Here is a detailed summary of each clipping:

1. Top Left Clipping (PANORAMA, Vol. 16, No. 19, May 2 and May 9, 1966):

   • The headline is "ART."
   • The article discusses an exhibition titled "Spirit as Form: The Embodiment of the Awesome in Primitive and Contemporary Sculpture," which opened at the Busch-Reisinger Museum, Harvard University, Quincy Streets, Cambridge, on May 21 and continued through June 14.
   • The exhibition features sculptures from various cultures, including Africa, the Americas, the Mediterranean, and the Pacific, among others.
   • The theme of the exhibition is the representation of the spirit and the awesome, focusing on how these concepts are embodied in artworks.
   • The article mentions that the exhibition aims to explore the commonalities and differences in how different cultures use art to represent spiritual themes.

2. Top Right Clipping (The Christian Science Monitor, Wednesday, April 27, 1966):

   • The article is titled under the "Arts" section.
   • The text is partially obscured, but it seems to discuss contemporary art trends and exhibitions, potentially focusing on how art reflects or critiques societal issues.

3. Bottom Clipping (Arts Entertainment Section, Date not fully visible):

   • The headline is "Munich exports."
   • The article discusses an exhibition at the Neue Galerie in Munich featuring works by German artists like Karl Borromäus.
   • The exhibition, titled "Eight Young German Artists," includes a mix of styles, with artists using various media to create a sense of "cosmopolitanism."
   • The article highlights the work of Karl Borromäus, who uses watercolor and ink to depict figures and scenes, often with a surreal and striking composition.
   • The article mentions that the works are part of a broader trend in contemporary German art, with an international orientation.

The clippings provide a snapshot of art exhibitions and trends from the mid-1960s, focusing on both contemporary and primitive art forms and their spiritual and cultural implications.

The image shows a scrapbook page containing clippings from various newspapers and magazines, focusing on art exhibitions and reviews.

1. Top Left Clipping (PANORAMA Vol. 16, No. 19, May 2 and May 9, 1966):

   • Title: "Spirit as Form: The Embodiment of the Awesome in Primitive and Contemporary Sculpture"
   • The exhibition was held at the Busch-Reisinger Museum at Harvard University, Cambridge, from May 21 to June 14, 1966.
   • The exhibition explored the theme of the spirit across different cultures, including African, American, Mediterranean, and Asian sculptures.
   • Artists mentioned include Baskin, Behl, Bergschneider, Bonetti, Mirko, and others.
   • The exhibition aimed to show the influence of spiritual themes across diverse cultures and historical periods, emphasizing the universal and timeless nature of spiritual expression through art.

2. Top Right Clipping (The Christian Science Monitor, April 27, 1968):

   • The clipping is partially visible but appears to discuss a specific art exhibition or event, though the details are not fully legible.

3. Bottom Clipping (Arts/Entertainment Section):

   • Title: "Munich exports"
   • The article discusses eight young German artists from the Kunstverein München (Munich Art Association), whose works were showcased at the Busch-Reisinger Museum.
   • The exhibition, titled "cosmopolitans," included a variety of artistic styles and themes, reflecting a broad spectrum of modern art.
   • Specific works and artists mentioned include Karl Borromann, who created a watercolor with ink lines, and a figure by Reuter, which is noted for its striking composition and juxtaposition of elements.
   • The article also notes the influence of post-World War II art on these artists, emphasizing a new attitude towards art and its complexities.

Overall, the clippings detail art exhibitions and their thematic focus on spirituality and contemporary art from various regions and periods. The articles provide insight into the cultural and artistic movements of the late 1960s and early 1970s.

This image shows two newspaper clippings related to art held open on the left side of a book or binder. The newspaper clipping on the left is from "PANORAMA Vol. 16, No.19 May 2 and May 9, 1966 issues" and has a title that reads "ART." This article seems to focus on an exhibition titled "Spirit as Form: The Primitive and the Abstract" with further information about the content, which mentions the display of fifteen pieces of primitive sculpture from areas such as Africa, the Americas, and the Mediterranean, and mentions other details about the exhibition. It looks like the article continues onto a subsequent page that isn't visible in this image.

The newspaper clipping on the right appears to be from "THE CHRISTIAN SCIENCE MONITOR" dating back to Wednesday, April 27, 1966. It contains a section with a heading "ARTS & ENTERTAINMENT." The visible article seems to be discussing Munich exports of art and references "Eight Young German Artists" at the Munich 'Städtische Galerie im Lenbachhaus.'

Both clippings have yellowed with age, and the one on the right is attached to the page with what appears to be aged adhesive tape. The pages themselves appear to be part of a collection or a scrapbook, suggesting that the collector may have had a special interest in art exhibitions and events from the 1960s.

The image shows a page from a scrapbook or album with three newspaper or magazine clippings attached to it. The clippings are related to art and exhibitions.

• The clipping on the left, titled "ART," is from PANORAMA Vol. 16, No. 19, dated May 2 and May 9, 1966. It describes an exhibition called "Spirit as Form: The Embodiment of the Awesome in Primitive and Contemporary Sculpture," which was being held at the Busch-Reisinger Museum in Cambridge. The exhibition featured about fifteen pieces of primitive sculpture, including masks and idols from various continents, alongside modern sculptures by artists such as Baskin, Behl, Bergschneider, Giacometti, Mirko, and others. The text discusses the theme of the exhibition, focusing on the spirit and its representation across different cultures and forms.

• The clipping at the top right is a small strip from "The Christian Science Monitor" dated Wednesday, April 27, 1966. It shows just a fragment with publication details and no readable content.

• The clipping at the bottom right is titled "ARTS ENTERTAINMENT." It discusses a "Nouveau attitude toward the use of many patterns" and gives a brief overview of "Munich exports," referring to eight young German artists exhibiting at the Busch-Reisinger Museum. The text mentions several artists and describes their styles and works, noting their modern influences and unique approaches to art.

All clippings are mounted on brown backing paper and affixed to a blank white page. The page is part of a bound book or album.

The image shows an open book or magazine with two distinct sections visible on the left and right pages.

Left Page:

• Title and Header: The top of the left page displays the title "PANORAMA Vol. 16, No. 19 May 2 and May 9, 1966 issues."
• Main Article: The main article is titled "ART" and discusses an exhibition titled "Spirit as Form: The Exhibition of the Awesome in Primitive and Contemporary Sculpture."
  • The exhibition is held at the Busch-Reisinger Museum, located at Kirkland and Quincy Streets, Cambridge, and runs from May 21 to June 14.
  • The article describes the exhibition, which features about fifteen pieces of primitive sculpture from Africa, the Americas, the Mediterranean, and Oceania, alongside modern artists such as Baskin, Bohl, Bergschneider, Giacometti, Mirko, and others.
  • The theme of the exhibition is the "Spirit," focusing on the universal and awe-inspiring qualities of art across cultures. The article emphasizes that the exhibition does not show stylistic influences but instead traces the thread of "Spirit" through various forms, highlighting the relevance of this theme to the exhibition.
  • A catalogue of the exhibition is noted to be available at the Busch-Reisinger Museum.

Right Page:

• Header: The top of the right page shows the date "Wednesday, April 27, 1966" and the title "THE CHRISTIAN SCIENCE MONITOR."
• Article Title: The main article is titled "ARTS ENTERTAINMENT."
  • The article discusses a new attitude toward the use of many patterns in art, referencing a collection of articles in off-beat, strikingly composed juxtapositions.
  • It also mentions "Munich Youngs," referring to eight young German artists at the Busch-Reisinger Museum, who promote thoughts on "museumopolitanism." The article highlights the collection's loan and circulation by a commercial art gallery in Munich, which presents post-World War II artists off their centerpieces.
  • Specific artists mentioned include Karl Böhmer, who deploys watercolors with their contemporary whites; Horst Anthes, who creates a three-eyed figure across his sheet; Hemfried Prenzl, who poses a similar airy figure in the front seat of an automobile; K. F. Dahlmann, whose sculptural units form into glass cases; Michel, whose colorful collages can only be seen in montage; and Bende, who makes competent but unimpressive abstractions. The article also references Reuter, who shows herself positively in a lyric, suggestive approach.

Overall Layout:

• The left page is formatted with a clean, structured article about an art exhibition, while the right page features a more eclectic mix of art commentary and artist profiles.
• Both pages are part of a publication from 1966, indicating a focus on contemporary art and cultural commentary of that era.

This image captures a snapshot of mid-20th-century art criticism and exhibition coverage, reflecting the era's interest in both traditional and modern artistic expressions.

The image shows a book that is open to a page with the title "ART" at the top. The text on the page appears to be from an article about an art exhibition. The exhibition is called "The Embodiment of the Spirit as Form: The Exhibition of Primitive and Contemporary Sculpture" and will be held at the Busch-Reisinger Museum in Cambridge, Massachusetts. The exhibition will feature fifteen pieces of primitive sculpture from Africa, the Americas, and Oceania, along with modern sculptures by artists such as Robert Rauschenberg, Giacomo Mirko, and others. The theme of the exhibition is the Spirit, which is a symbol and an embodiment of what a particular society least fears. The exhibition will be available at the museum from May 2 to May 9, 1966.