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The image shows a program for a "Promenade Concert" titled "A Sequence of Early Music" by E. Power Biggs, held at the Busch-Reisinger Museum, Harvard University, on April 27, 1966, at 12:15 p.m. The program lists various musical works from different periods, starting from the 11th century to the 18th century. The pieces include:

1. Musica enchiriadis (c. 850)
   a) Sit gloria Domini
   b) Rex coeli Domine

2. Free Organum Cunctipotens genitor (11th century)

3. Hymn to St. Magnus (12th century)

4. Leoninus: Organum - Hec Dies (12th century)

5. Perotinus: Motets (c. 1160 - c. 1220)
   a) Hec Dies
   b) Deo confitemini

6. Anonymous: Organ Estampie (Robertsbridge Codex, c. 1325)

7. John Dunstable (d. 1453)
   a) Composition on a Plainsong
   b) Agincourt Hymn (1415)

8. Conrad Paumann: Fundamentum Organisandi (1452)
   Mit ganczem willen

9. Hans Kotter: Tablature (c. 1520)
   Praeambulum

10. Thomas Tallis (1505 - 1585)
    Gloria Titi Trinitas (Two parts on a Rownd Tyme)

11. Giovanni Gabrieli (1557 - 1612)
    Intonatione Nono Tono

12. Anonymous: Verses from the Te Deum (published d'Attaingnant, Paris, 1531)
    Tu Patris - Tu Devicto - Judex Crederis

13. Antonio Vivaldi: Concerto in A minor (arranged for organ by J. S. Bach)
    Allegro - Adagio - Allegro

The program appears to be carefully archived, as indicated by the tape marks around the edges of the page.

The image shows a page from a program for a Promenade Concert at Harvard University, titled "A Sequence of Early Music" by E. Power Biggs, scheduled for April 27, 1966, at 12:15 p.m. The program lists various pieces of early music with their composers and approximate dates or sources.

Here's a detailed breakdown of the concert program:

1. Musica enchiriadis

   • a) Sit gloria Domini
   • b) Rex coeli Domine
     (c. 850)

2. Free Organum

   • Cunctipotens genitor (11th century)

3. Hymn to St. Magnus (12th century)

   • Leoninus
     • Organum: Hec Dies (12th century)

4. Perotinus

   • Motets
     • a) Hec Dies
     • b) Deo confitemini (c. 1160 - c. 1220)

5. Anonymous

   • Organ Estampie (Robertsbridge Codex, c. 1325)

6. John Dunstable

   • a) Composition on a Plainsong
   • b) Agincourt Hymn (1415) (d. 1453)

7. Conrad Paumann

   • Fundamentum Organisandi Mit ganczem Willen (1452)

8. Hans Kotter

   • Tablature Praeambulum (c. 1520)

9. Thomas Tallis

   • Gloria Titi Trinitas (Two parts on a Round Tyme) (1505 - 1585)

10. Giovanni Gabrieli

    • Intonazione Nono Tono (1557 - 1612)

11. Anonymous

    • Verses from the Te Deum
      • Tu Patris - Tu Devicto - Judex Crederis (published d’Attaignant, Paris, 1531)

12. Antonio Vivaldi

    • Concerto in A minor (arranged for organ by J.S. Bach)
      • Allegro, Adagio, Allegro

The concert appears to be a historical and musical exploration through various periods, from the early medieval to Renaissance times.

The image depicts a page from a program for a "Promenade Concert" titled "A Sequence of Early Music," held at the Busch-Reisinger Museum at Harvard University. The concert was curated by E. Power Biggs and took place on April 27, 1966, at 12:15 p.m.

The program lists the following pieces and composers, along with their approximate dates or periods:

1. Musica enchiriadis

   • a) "Sit gloria Domini" (c. 850)
   • b) "Rex coeli Domine" (c. 850)

2. Free Organum

   • "Cunctipotens genitor" (11th century)

3. Hymn to St. Magnus (12th century)

4. Leoninus

   • Organum: "Hec Dies" (12th century)

5. Perotinus

   • a) "Hec Dies" (c. 1160 - c. 1220)
   • b) "Deo confitemini" (c. 1160 - c. 1220)

6. Anonymous

   • Organ Estampie (Robertsbridge Codex, c. 1325)

7. John Dunstable

   • a) Composition on a Plainsong (d. 1453)
   • b) Agincourt Hymn (1415)

8. Conrad Paumann

   • Fundamentum Organisandi "Mit ganczem Willen" (1452)

9. Hans Kotter

   • Tablature Praeambulum (c. 1520)

10. Thomas Tallis

    • "Gloria Titi Trinitas" (Two parts on a Rownd Tyme) (1505 - 1585)

11. Giovanni Gabrieli

    • Intonatione Nono Tono (1557 - 1612)

12. Anonymous

    • Verses from the Te Deum
    • Tu Patris - Tu Devicto - Judex Crederis (published d’Attaingnant, Paris, 1531)

13. Antonio Vivaldi

    • Concerto in A minor (arranged for organ by J.S. Bach)
      • Movements: Allegro, Adagio, Allegro

The image is a program from a "Promenade Concert: A Sequence of Early Music" held at the Busch-Reisinger Museum at Harvard University on April 27, 1966, at 12:15 p.m. The concert was curated by E. Power Biggs.

The program lists the following musical pieces in the order they were performed, along with their composers and approximate dates:

1. Musica enchiriadis

   • Sit gloria Domini (c. 850)
   • Rex coeli Domine

2. Free Organum

   • Cunctipotens genitor (11th century)

3. Hymn to St. Magnus (12th century)

4. Leoninus

   • Organum: Hec Dies (12th century)

5. Perotin

   • Motets
     • a) Hec Dies (c. 1160 - c. 1220)
     • b) Deo confitemini

6. Anonymous

   • Organ Estampie (Robertsbridge Codex, c. 1325)

7. John Dunstable

   • Composition on a Plainsong
   • Agincourt Hymn (1415)

8. Conrad Paumann

   • Fundamentum Organisandi: Mit ganzem Willen (1452)

9. Hans Kotter

   • Tablature Praeambulum (c. 1520)

10. Thomas Tallis

    • Gloria Titi Trinitas (Two parts on a Round Type) (1505 - 1585)

11. Giovanni Gabrieli

    • Intonatione Nono Tono (1557 - 1612)

12. Anonymous

    • Verses from the Te Deum: Tu Patris - Tu Devicto - Judex Crederis (published by d'Attaingnant, Paris, 1531)

13. Antonio Vivaldi

    • Concerto in A minor (arranged for organ by J.S. Bach)
      • Allegro
      • Adagio
      • Allegro

This program showcases a wide range of early music, from the 9th century up to the early 18th century, highlighting the development of organum, hymns, motets, and concertos.

The image is a program from a concert held at the Busch-Reisinger Museum at Harvard University. The concert is titled "Promenade Concert: A Sequence of Early Music," performed by E. Power Biggs on April 27, 1966, at 12:15 p.m.

The program features a selection of early music pieces spanning from around the 9th to the early 18th century. Here is a detailed list of the pieces performed:

1. Musica enchiriadis (c. 850)

   • a) Sit gloria Domini
   • b) Rex coeli Domine

2. Free Organum

   • Cunctipotens genitor (11th century)

3. Hymn to St. Magnus (12th century)

4. Leoninus (12th century)

   • Organum: Hec Dies

5. Perotinus (c. 1160 - c. 1220)

   • Motets:
     • a) Hec Dies
     • b) Deo confitemini

6. Anonymous

   • Organ Estampie (Robertsbridge Codex, c. 1325)

7. John Dunstable (d. 1453)

   • a) Composition on a Plainsong
   • b) Agincourt Hymn (1415)

8. Conrad Paumann (Mit ganzem Willen, from Fundamentum Organisandi, 1452)

9. Hans Kotter (Praeludium, Tabulature, c. 1520)

10. Thomas Tallis (1505 - 1585)

    • Gloria Tibi Trinitas (Two parts on a Round Tune)

11. Giovanni Gabrieli (1557 - 1612)

    • Intonatione Nono Tono

12. Anonymous (published by Pierre Attaingnant, Paris, 1531)

    • Verses from the Te Deum:
      • Tu Patris
      • Tu Devicto
      • Judex Crederis

13. Antonio Vivaldi (arranged for organ by J.S. Bach)

    • Concerto in A minor:
      • Allegro
      • Adagio
      • Allegro

The image shows a program for a "Promenade Concert" titled "A Sequence of Early Music," which was performed by E. Power Biggs at the Busch-Reisinger Museum at Harvard University on April 27, 1966, at 12:15 p.m. The concert featured a variety of early music pieces, listed as follows:

1. Musica enchiriadis (c. 850)

   • a) Sit gloria Domini
   • b) Rex coeli Domine

2. Free Organum

   • Cunctipotens genitor (11th century)

3. Hymn to St. Magnus (12th century)

4. Leoninus (12th century)

   • Organum: Hec Dies

5. Perotinus (c. 1160 - c. 1220)

   • Motets
     • a) Hec Dies
     • b) Deo confitemini

6. Anonymous

   • Organ Estampie (Robertsbridge Codex, c. 1325)

7. John Dunstaple (d. 1453)

   • a) Composition on a Plainsong
   • b) Agincourt Hymn (1415)

8. Conrad Paumann

   • Fundamentum Organisandi Mit ganczem Willen (1452)

9. Hans Kotter

   • Tablature Preambulum (c. 1520)

10. Thomas Tallis (1505 - 1585)

    • Gloria Tibi Trinitas (Two parts on a Rownd Tyme)

11. Giovanni Gabrieli (1557 - 1612)

    • Intonazione Nono Tono

12. Anonymous

    • Verses from the Te Deum
    • Tu Patris - Tu Devicto - Judex Crederis (published d'Attaignant, Paris, 1531)

13. Antonio Vivaldi

    • Concerto in A minor (arranged by W.A. Byrd, S. Bach)
      • Allegro
      • Adagio
      • Allegro

The program reflects a diverse selection of early music compositions, spanning from the 9th century to the Baroque period, and includes works by both known and anonymous composers.

The image is a photograph of a printed page from what appears to be a concert program. The header at the top indicates it is from the "Busch-Reisinger Museum" of "Harvard University" for a "PROMENADE CONCERT." Below that is the title "A SEQUENCE OF EARLY MUSIC by E. POWER BIGGS" with the date of the concert listed as "April 27, 1966, at 12:15 p.m." The page lists various musical works along with their approximate dates of composition, ranging from approximately 850 to the 18th century.

Here is a list of the pieces and composers as they are listed on the program:

1. Musica enchiriadis
   a) Sit gloria Domini (c. 850)
   b) Rex coeli Domine

2. Free Organum (11th century)

3. Hymn to St. Magnus (12th century)

4. Leoninus
   Organum: Hec Dies (12th century)

5. Perotinus
   Motets:
   a) Hec Dies
   b) Deo confitemini (c. 1160 – c. 1220)

6. Anonymous
   Organ Estampie (Robertsbridge Codex c. 1325)

7. John Dunstable
   a) Composition on a Plainsong
   b) Agincourt Hymn (1415) (d. 1453)

8. Conrad Paumann Fundamentum Organisandi
   Mit ganczem Willen (1452)

9. Hans Kotter
   Tablature Praeambulum (c. 1520)

10. Thomas Tallis
    Gloria tibi Trinitas (Gloria parts on a Rownd Tyme) (1505 – 1585)

11. Giovanni Gabrieli
    Intonatione Nono Tono (1557 – 1612)

12. Anonymous - Verses from the Te Deum
    Tu Patris – Tu Devicto – Judex Crederis (published d'Attaingnant, Paris, 1531)

13. Antonio Vivaldi
    Concerto in A minor
    (arranged for organ by J.S. Bach)
    Allegro Adagio Allegro

The page itself is well-preserved but shows slight signs of age and wear, such as a few minor creases and some yellowing. There are also two pieces of tape at the top, suggesting that the page may have been affixed to another surface at one point.

The image shows a typed concert program taped onto a page. The header indicates affiliations with the Busch-Reisinger Museum and Harvard University. The program is titled "PROMENADE CONCERT A SEQUENCE OF EARLY MUSIC" by E. Power Biggs, dated April 27, 1966, at 12:15 p.m.

The program lists various pieces of early music along with composers and approximate dates:

• Musica enchiriadis (circa 850)
  a) Sit gloria Domini
  b) Rex coeli Domine

• Free Organum (11th century)
  Cunctipotens genitor

• Hymn to St. Magnus (12th century)

• Leoninus (12th century)
  Organum: Hec Dies

• Perotinus (circa 1160 - circa 1220)
  Motets:
  a) Hec Dies
  b) Deo confitemini

• Anonymous
  Organ Estampie (Robertsbridge Codex, circa 1325)

• John Dunstable (died 1453)
  a) Composition on a Plainsong
  b) Agincourt Hymn (1415)

• Conrad Paumann: Fundamentum Organisandi (1452)
  Mit ganczem Willen

• Hans Kotter: Tablature (circa 1520)
  Praeambulum

• Thomas Tallis (1505 - 1585)
  Gloria Titi Trinitas
  (Two parts on a Rownd Tyme)

• Giovanni Gabrieli (1557 - 1612)
  Intonatione Nono Tono

• Anonymous - Verses from the Te Deum
  Tu Patris - Tu Devicto - Judex Crederis
  Published d'Attaingnant, Paris, 1531

• Antonio Vivaldi
  Concerto in A minor (arranged for organ by J.S. Bach)
  Movements: Allegro, Adagio, Allegro

The program is neatly typed and is affixed to the page with tape at the corners.

The image shows an open book with a printed program or booklet titled "PROMENADE CONCERT: A SEQUENCE OF EARLY MUSIC" by E. POWER BIGGS, dated April 27, 1966, at 12:15 p.m. The booklet is associated with the BUSCH-REISINGER MUSEUM and HARVARD UNIVERSITY.

Key Details from the Image:

Header Information:

• Title: "PROMENADE CONCERT: A SEQUENCE OF EARLY MUSIC"
• Composer/Organist: E. Power Biggs
• Date and Time: April 27, 1966, at 12:15 p.m.
• Affiliations: Busch-Reisinger Museum and Harvard University

Program Listing:

The booklet lists a sequence of early musical works, including compositions, hymns, motets, and other pieces, along with their approximate dates and sources. Here is a breakdown of the listed works:

1. Musica enchiriadis

   • a) Sit gloria Domini (c. 850)
   • b) Rex coeli Domine

2. Free Organum

   • Cunctipotens genitor (11th century)

3. Hymn to St. Magnus (12th century)

4. Leoninus

   • Organum: Hec Dies (12th century)

5. Perotin

   • Motets:
     • a) Hec Dies
     • b) Deo confitemini (c. 1160 – c. 1220)

6. Anonymous

   • Organ Estampie (Robertsbridge Codex, c. 1325)

7. John Dunstable

   • a) Composition on a Plainsong
   • b) Agincourt Hymn (1415) (d. 1453)

8. Conrad Paumann

   • Fundamentum Organisandi Mit ganczem Willen (1452)

9. Hans Kotter

   • Tablature Praeambulum (c. 1520)

10. Thomas Tallis

    • Gloria Titi Trinitas (Two parts on a Round Tyme) (1505 – 1585)

11. Giovanni Gabrieli

    • Intonazione Nono Tono (1557 – 1612)

12. Anonymous

    • Verses from the Te Deum
      • Tu Patris – Tu Devicto – Judex Credelis (published d’Attaignnant, Paris, 1531)

13. Antonio Vivaldi

    • Concerto in A minor (arranged for organ by S. Bach)
      • Movements: Allegro, Adagio, Allegro

Visual Characteristics:

• The booklet appears to be a printed program, likely for a concert or performance.
• The text is neatly typed or printed in a formal, serif font.
• The pages are clean and well-preserved, suggesting it may be part of an archival or museum collection.
• The edges of the pages show slight wear, indicating age or handling.

Contextual Notes:

• The program highlights a diverse range of early music spanning several centuries, from the 9th century to the 18th century.
• The inclusion of works by notable composers such as Perotin, Dunstable, Paumann, Tallis, Gabrieli, and Vivaldi indicates a focus on significant historical pieces.
• The mention of arrangements (e.g., Vivaldi’s concerto arranged by Bach) suggests an emphasis on historical performance practices and adaptations.

This image captures a well-organized and historically significant musical program, likely intended for an academic or museum concert setting.

The image appears to be a page from a program booklet or a music sheet for a concert. The page is titled "PROMENADE CONCERT" and it contains a sequence of early music pieces that were performed during the concert. The concert took place on April 27, 1966, at 12:15 p.m. at Harvard University.

The program includes a variety of pieces from different composers and time periods, ranging from the 11th century to the 16th century. Some of the notable pieces mentioned in the program are:

• "Musica enchiriadis" by an anonymous composer, dated around 850
• "Sit gloria Domini" and "Rex coeli Domine" by an anonymous composer, also dated around 850
• "Free Organum" and "Cunctpotentis genitor" by an anonymous composer, dated around the 11th century
• "Hymn to St. Magnus" by an anonymous composer, dated around the 12th century
• "Leoninus: Hec Dies" and "Perotinus: Motets" by Leoninus and Perotinus, respectively, dated around 1160-1220
• "Anonymous Organ Estampie" from the Robertsbridge Codex, dated around 1325
• "John Dunstable: Composition on a Plainsong" and "Agincourt Hymn" by John Dunstable, dated around 1453
• "Conrad Paumann: Fundamentum Organisandi" by Conrad Paumann, dated around 1452
• "Hans Kotter: Praeambulum" by Hans Kotter, dated around 1520
• "Thomas Tallis: Gloria Titi Trinitas" by Thomas Tallis, dated around 1505-1585
• "Giovanni Gabrieli: Intonazione Nono Tono" by Giovanni Gabrieli, dated around 1557-1612
• "Anonymous: Verses from the Te Deum" by an anonymous composer, published in Paris in 1531
• "Antonio Vivaldi: Concerto in A minor" by Antonio Vivaldi, arranged for organ by J. S. Bach

The program also includes details about the concert, such as the date, time, and location. It provides a glimpse into the repertoire and musical styles of the early music period, showcasing a diverse range of compositions from various composers and time periods.