Archives Scrapbooks

The image shows two pages from a book or catalog related to the Busch-Reisinger Museum. The pages list various artworks and their details, including their origins, materials, dates, and how they were acquired by the museum. Here is a detailed summary of the content on each page:

Left Page (Page 8):

• Title: BUSCH-REISINGER MUSEUM
• List of Artworks:
  1. Auerian, c. 1720-1725: Gift from W. R. Ogilby Field, transferred from Fogg Art Museum.
  2. German, early XVIII Century: St. John as a Child, polychromed limewood, gift from Seward W. Eris, transferred from Fogg Art Museum.
  3. German, c. 1490-1500: Christ and Fox, boxwood, Upper Rhineland, gift from Miss Jose Elder Straus in memory of her husband, transferred from Fogg Art Museum.
  4. German, c. 1560-75: Lapette, gilded bronze relief, South German, gift from Harry G. Friedman in memory of Frances L. Friedman, transferred from Fogg Art Museum.
  5. German, XVIII Century: Madonna Immaculata, wood and gilded bronze, c. 1760, gift from H. A. R. Gibson.
  6. German, XVIII Century: Group of Four Michael and Sarah, bronze group on stone base, South German, c. 1790-1710, purchase, Association Fund.
  7. German, XIX Century: Portrait medallion of Johann Lehle (forgery), gift from Charles L. Kuhn.
  8. Netherlandish, c. 1500-1510: Madonna and Child, oak relief, Brabant, gift from Mrs. Mark A. Lawson, transferred from Fogg Art Museum.
  9. Netherlandish, c. 1575-1600: Saint John Evangelist, bronze, gift from Association Fund.
  10. Netherlandish, XVI Century: Standing Warrior, nutwood, gift from Dudley L. Pickman.
  11. South German or Austrian, XVIII Century: Leuchterweibchen, polychromed lindenwood, c. 1765-1775, gift from Milton L. D. Erasmus Graser, School of Mile Saint, lindenwood, c. 1700, partial gift from Fogg Art Museum.
  12. Ignaz Günther, after: Sorrowing Madonna, painted plaster, c. 1760, purchase, Association Fund.
  13. Franz Xaver Feuchtmayer, c. 1705-1764: Saint John, lindenwood, gift from Mrs. Charles L. Kuhn.
  14. Hans Krumper (?), Augsburg, c. 1610: Angel, lindenwood, gift from Richard L. Feigen.
  15. Franz Xaver Feuchtmayer, c. 1705-1764: Pair of Putti, lindenwood, Greenville L. Winthrop Bequest, transferred from Fogg Art Museum.
  16. Franz Xaver Feuchtmayer, c. 1705-1764: Pair representing Magdalen, pearwood, c. 1730s, purchase, Association Fund.

Right Page (Page 9):

• Title: BUSCH-REISINGER MUSEUM

• Subtitle: Institutions to Which Works of Art Were Lent

• List of Institutions:

  1. Baltimore, Museum of Art
  2. Berlin, Akademie der Künste
  3. Berlin, Staatliche Museen
  4. Boston, Station WGBH
  5. Cambridge, Massachusetts, Harvard University, Carpenter Center
  6. Cambridge, Massachusetts, Harvard University, Fogg Art Museum
  7. Chicago, Art Institute
  8. Columbus, Ohio, State University
  9. Cortland, New York, State University College
  10. Darmstadt, Hessisches Landesmuseum
  11. Elmira, New York, Elmira College, Watson Art Gallery
  12. Essen, Museum Folkwang
  13. Frankfurt a. M., Kunstverein
  14. Frankfurt a. M., Städtische Galerie
  15. Greenbelt, University of Maryland, College Park
  16. Hamburg, Kunstverein
  17. Kassel, Documenta III
  18. Marquette, Michigan, Northern Michigan University
  19. New York, Columbia University, College Art Gallery
  20. New York, Gallery of Modern Art
  21. New York, Metropolitan Museum of Art
  22. New York, Solomon R. Guggenheim Museum
  23. Northampton, Massachusetts, Smith College Art Gallery
  24. Oberlin, Ohio, Allen Memorial Art Museum
  25. Raleigh, University of North Carolina, Endahl-Gloyd Union
  26. Wellesley, Wellesley College, Jewett Arts Center

• Special Guided Tours:
  Guided tours of the Museum were conducted on special request by:

  1. Akademische Reise, Heidelberg
  2. Belmont Hill School
  3. Boston, High School
  4. Carnegie Institute, Boston
  5. Harvard University
  6. Harvard Graduate School of Design
  7. Holyoake Community College
  8. Hill High School

The pages provide a comprehensive list of artworks and their provenance, as well as a list of institutions to which the museum has lent its works, along with institutions that have requested special guided tours.

The image shows a page from a catalog or a museum collection guide for the Busch-Reisinger Museum. The page lists various artworks along with their origins, dates, and the methods of acquisition or donation.

On the left side of the page:

• The artworks are listed with their country of origin, century, and medium.
• Examples include:
  • An Austrian work from the 17th century, gifted by W.B. Osgood Field and transferred from the Fogg Art Museum.
  • A German piece from the 14th century, a Madonna and Child, gifted by Seward W. Eric.
  • A German work from the 16th century, a Way to Calvary plaque, gifted by various individuals and transferred from the Fogg Art Museum.
  • Various other artworks from different periods and countries, including pieces from Germany, Netherlands, and others, with different mediums such as bronze, relief, and wood.

On the right side of the page:

• It lists institutions to which works of art were lent.
• Examples include:
  • Baltimore Museum of Art
  • Berlin Akademie der Künste
  • Boston Old South Church, among others, with the institutions spread across various states like Massachusetts, New York, Ohio, Pennsylvania, and others.

At the bottom right:

• It mentions special guided tours conducted at the museum by various schools:
  • Academische Reise, Heidelberg
  • Belmont Hill School, Boston
  • Carnegie Institute, Boston
  • Various other schools including Danvers High School, Holyoke Community College, and Hull High School.

Overall, the page provides detailed information on the collection of the Busch-Reisinger Museum, highlighting its acquisitions and the institutions that have borrowed pieces from it.

The image shows an open book, likely a catalog or documentation from the Busch-Reisinger Museum. The left page lists various artworks along with their details such as origin, century, type, and donors or previous owners. The artworks include pieces from the Austrian, German, and Netherlandish regions, created between the 13th and 18th centuries. The right page lists institutions to which works of art were lent, including museums and universities from various states like Massachusetts, New York, and North Carolina, as well as international locations like Berlin and Hamburg. Additionally, there is a section mentioning special guided tours conducted for different schools and groups. The text is typewritten, and the pages are numbered, indicating a systematic cataloging of the museum’s collections and activities.

The image shows two pages from a catalog or inventory list of the Busch-Reisinger Museum, which details various artworks in its collection.

Left Page:

The left page lists artworks primarily from the German-speaking regions and the Netherlands, spanning from the 14th to the 18th centuries. Here are some of the items mentioned:

1. Austrian, c. 1700-1725: Gift of W. B. Osgood Field (transferred from Fogg Art Museum).
2. German, XIV Century: "Madonna and Child," polychromed lindenwood, transferred from Fogg Art Museum.
3. German, Gothic period (c. 1490-1500): "Adam and Eve," boxwood, transferred in memory of her husband from Fogg Art Museum.
4. German, XVI Century: "Way to Calvary," a guided bronze relief by South German artist, transferred from Fogg Art Museum.
5. German, c. 1700: "Madonna Immaculata," wood, gift from the Association Fund.
6. German, XVII Century: Various items including a group of South German scientific instruments, and a portrait medallion of Johann Lebe.
7. Netherlandish, XVI Century: "Saint John Evangelist," bronze, and other works.
8. South German or Austrian, XVII Century: "Leuchterweibchen," polychromed lindenwood.
9. European, XVIII Century: Various items such as a transfer from Fogg Art Museum and a bequest.

Right Page:

The right page continues with more artworks, exhibitions, and loans:

1. Inspirations to Which Works of Art Were Lent:

   • Various institutions like the Baltimore Museum of Art, Berlin, Akademie der Künste, Boston, Carnegie Institute, and more.

2. Special Guided Tours:

   • Tours were conducted on special guided tours of the Museum.

Artworks Continued:

1. German, Gothic period: Various sculptures and artifacts.
2. German, c. 1500: "Epitaphios," silk and gold embroidery.
3. German, c. 1700: "Sorrowing Madonna," painted plaster.

The list includes details about the medium, the donors, and the acquisition method (gift, purchase, bequest, or transfer) for each item. The page also mentions various institutions to which the works of art were lent.

The image shows two pages from a document related to the Busch-Reisinger Museum, which appears to be an inventory or catalog of artworks and their provenance.

Left Page:
The left page lists various artworks along with their origins, dates, descriptions, and acquisition details. The entries include:

1. Austrian, c. 1700-1725; Gift of W. B. Osgood Field (transferred from Fogg Art Museum)
2. German, XV Century; Polychromed lindenwood Madonna and Child (transferred from Fogg Art Museum)
3. German, XV Century; Relief (transferred from Fogg Art Museum)
4. German, XVI Century; Way to Calvary (transferred from Fogg Art Museum)
5. German, XVI Century; Saint Michael and Satan (transferred from Fogg Art Museum)
6. German, XVII Century; Madonna Immaculata (transferred from Fogg Art Museum)
7. German, XVI Century; Portrait of Johann Leble (transferred from Fogg Art Museum)
8. German, XVI Century; Saint John Evangelist (transferred from Fogg Art Museum)
9. German, XVI Century; Standing Warrior (transferred from Fogg Art Museum)
10. German, XVI Century; Saint Christopher (transferred from Fogg Art Museum)
11. German, XVII Century; Angel (transferred from Fogg Art Museum)
12. German, XVI Century; Standing Warrior (transferred from Fogg Art Museum)
13. German, XVI Century; Male Saint (transferred from Fogg Art Museum)
14. Erasmus Grasser, School of; Male Saint (transferred from Fogg Art Museum)
15. Ignaz Günther; Sorrowing Madonna (purchased, Association Fund)
16. F. Koenig; Pietà (gift, Mrs. Charles L. Kuhn)
17. Hans Krumpper; Angel (purchased, Association Fund)
18. Peter Flötner; Saint Barbara (purchased, Association Fund)
19. Gottfried Schadow; Pair of Busts (gift, Richard L. Feigen)
20. L. Winthrop Boquest; Kneeling Magdalene (purchased, Association Fund)

Right Page:
The right page lists institutions to which works of art were lent, including:

1. Baltimore, Museum of Art
2. Boston, Old South Church
3. Boston, Station WGBH
4. Cambridge, Massachusetts, Harvard University, Carpenter Center
5. Cambridge, Massachusetts, Fogg Art Museum
6. Chicago, Art Institute
7. Columbus, Ohio State University
8. Cortland, New York, State University College
9. Elmira, New York, Elmira College, Watson Art Gallery
10. Essen, Museum Folkwang
11. Fargo, North Dakota State University
12. Geneva, New York, State University College
13. Greensboro, University of North Carolina
14. Hamburg, Kunstverein
15. Hanover, Kunstverein
16. Knoxville, University of Tennessee
17. Marquette, Michigan, Northern Michigan University
18. Meadville, Pennsylvania, Allegheny College
19. New York, Gallery of Modern Art
20. New York, Solomon R. Guggenheim Museum
21. Northampton, Massachusetts, Smith College Art Gallery
22. Oberlin, Ohio, Oberlin College, Allen Memorial Art Museum
23. Pittsburgh, University of Pittsburgh, Endahl-Clayton Union
24. Wellesley, Wellesley College, Jewett Arts Center

Additionally, the page lists special guided tours conducted at the museum for several schools and institutions, including:

1. Akademische Reise, Heidelberg
2. Belmont Hill School
3. Brockton High School
4. Carnegie Institute, Boston
5. Danvers High School
6. Holyoke Community College
7. Hull High School

The pages are part of a detailed record of the museum's artworks and their circulation to various institutions and educational tours.

The image shows a page from a catalog or document related to the Busch-Reisinger Museum. The left page lists various artworks in the collection, detailing their origins, artists, mediums, dates, and the circumstances of acquisition.

1. Austrian, c. 1700-1725: Gift from W. B. Ogdo Field (transferred from Fogg Art Museum).
2. German, XIV Century: Madonna and Child, polychromed lindenwood, Rhinish, c. 1325-50; gift, Seward W. Eric (transferred from Fogg Art Museum).
3. German, XVI Century: Pietà, boxwood, Upper Rhenish, c. 1490-1500; gift, Mrs. Jesse Isidor Straus in memory of her husband (transferred from Fogg Art Museum).
4. German, XVI Century: Way to Calvary, plaque, gilded bronze relief, South German (?), c. 1500-75; gift, Harry G. Klein (transferred from Fogg Art Museum).
5. German, XVI Century: Madonna Immaculata, wood and gilded bronze, Bavarian, c. 1600; purchase, Association Fund.
6. German, XVII Century: Saint Michael and Satan, bronze group, South German, c. 1700-1710; purchase, Association Fund.
7. German, XIX Century: Portrait medal of Johann Leble (horologist); gift, Charles L. Kuhn.
8. Netherlandish, XVI Century: Pietà, oak relief, Breslau, c. 1525-50; gift, Mrs. Mark A. Lawton (transferred from Fogg Art Museum).
9. Netherlandish, XVI Century: Saint John Evangelist, bronze, c. 1575-1600; purchase, Association Fund.
10. Netherlandish, XVI Century: Standing Warrior, nutwood (?), c. 1575-1600; purchase, Association Fund.
11. South German or Austrian, XVII Century: Leuchterweiberchen, polychromed lindenwood, c. 1675-1700; gift, Milton I. D. Einstein (transferred from Fogg Art Museum).
12. Erasmus Grasser, School of: Male Saint, lindenwood, c. 1500; gift, Charles L. Kuhn.
13. Ignaz Günther, after: Sorrowing Madonna, painted plaster, c. 1760; purchase, Association Fund.
14. F. Koenig: Pietorial Writing, bronze; gift, Mrs. Charles L. Kuhn.
15. Hans Krümpper (?): Angel, polychromed lindenwood, c. 1600-1650; purchase, Association Fund.
16. Erasmus Grasser, School of: Pair of Busts, terracotta, c. 1797; gift, Richard L. Feigen.
17. L. Winthrop Bequest: Kneeling Magdalene, pearwood, c. 1730; purchase, Association Fund.
18. Franz Schwantaler the Elder: Kneeling Magdalene, pearwood, c. 1730; purchase, Association Fund.

The right page lists the institutions to which works of art were lent, including:

• Baltimore, Museum of Art
• Berlin, Akademie der Künste
• Boston, Old South Church
• Boston, Station WGBH
• Cambridge, Massachusetts, Harvard University, Carpenter Center for the Visual Arts
• Chicago, Art Institute
• Columbus, Ohio State University
• Cortland, New York State University College
• Elmira, New York, Elmira College, Watson Art Gallery
• Essen, Museum Folkwang
• Fargo, North Dakota State University
• Geneva, New York State University College
• Greensboro, University of North Carolina
• Hamburg, Kunstverein
• Kansas City, Kansas City Art Institute
• Milwaukee, Milwaukee Art Center
• New York, Gallery of Modern Art
• New York, Solomon R. Guggenheim Museum
• Northampton, Massachusetts, Smith College Art Gallery
• Oberlin, Ohio, Oberlin College, Allen Memorial Art Museum
• Raleigh, University of North Carolina, Endahl-Claydon Union
• Wellesley, Wellesley College, Jewett Art Center

Additionally, it lists institutions that conducted special guided tours at the museum:

• Akademische Reise, Heidelberg
• Belmont Hill School
• Brockton High School
• Carnegie Institute, Boston
• Danvers High School
• Harvard School of Design
• Holyoke Community College
• Hull High School

The page numbers are 8 and 9, indicating it is part of a larger catalog or document.

The image shows an open book displaying two pages from a catalog or museum guide related to the Busch-Reisinger Museum.

The left page lists artworks under various categories such as Austrian, German (XV Century and XVII Century), Netherlandish (XVI Century), Ignaz Günther, and others, providing details like the artist's name, the work's title, date, medium, and acquisition information such as gifts or purchases.

The right page lists "Institutions to Which Works or Art Were Lent," including notable museums, universities, and galleries across the United States and Europe. It also mentions "Special Guided Tours," listing various institutions whose groups have been conducted on special guided tours of the museum.

The text is organized in a formal and structured manner, presumably for academic, curatorial, or archival purposes.

This image shows two pages of a printed document or a book open side by side. The left page is numbered '8', and the right page is numbered '9'. Both pages are headed with the title "BUSCH-REISINGER MUSEUM".

The left page lists various art pieces in a categorized manner, including their origin (e.g., Austrian, German XIV Century), medium or styles (e.g., painted wood, stained glass), and often an associated name or identifying feature. There are references to donations, transfers, and loans from individuals and institutions, indicating provenance and custody history.

The right page continues the description of items associated with the Busch-Reisinger Museum. It also lists schools, colleges, and universities such as Harvard University, Wellesley College, and Yale University under a section that mentions tours, suggesting these institutions may have participated in tours or had groups visit the museum.

Both pages exhibit typical signs of an aged document, such as slight discoloration, indicating they are from an older publication. The bound edge of the pages suggests this is taken from a bound book, possibly a catalogue or inventory of the museum's collection. The physical condition seems to be good for its apparent age, although there's a noticeable crease on the bottom of the right page. The text is in English and is typeset in a straightforward, academic style, which is common for catalogues and reference materials in museums and archives.

The image shows two pages from a catalog or publication related to the Busch-Reisinger Museum. The left page is labeled "BUSCH-REISINGER MUSEUM" and lists various artworks, their origins, materials, dates, and acquisition details. The entries include sculptures, reliefs, and other art pieces, with descriptions such as:

• Austrian, c. 1700-1735: Gift by W. B. Osgood Field (transferred from Fogg Art Museum).
• German, XIV Century: Madonna and Child, polychromed limestone, from Fogg Art Museum.
• German, XV Century: Adam and Eve, boxwood, Upper Rhenish, from Fogg Art Museum.
• German, XVI Century: Madonna and Child, wood and gilded bronze relief, South German, from Fogg Art Museum.
• German, XVII Century: Way to Calvary, plaquette, gilded bronze relief, South German, from Fogg Art Museum.
• German, XVIII Century: Madonna Immaculata, wood and gilded bronze, Bavarian, from Fogg Art Museum.
• German, XVIII Century: Portrait medallion of Johann Leble, Netherlandish, XVI Century, from Fogg Art Museum.
• Netherlands, XVI Century: Saint John Evangelist, bronze, from Fogg Art Museum.
• Netherlands, XVI Century: Standing Warrior, nutwood, from Fogg Art Museum.
• South German or Austrian, c. 1675-1700: Leichterweiden, polychromed lindenwood, from Fogg Art Museum.
• Erasmus Grasser, School of: Male Saint, lindenwood, from Fogg Art Museum.
• Ignaz Günther: Sorrowing Madonna, painted plaster, from Fogg Art Museum.
• F. Koenig: Angel, bronze, from Fogg Art Museum.
• Hans Krumper: Winged Warrior, polychromed lindenwood, from Fogg Art Museum.
• Ewald Matte: Maria, terracotta, from Fogg Art Museum.
• Gottfried Schadow: Pair of Busts, Richard L. Feigen, L. Winthrop Bequest (transferred from Fogg Art Museum).
• Franz Schwanthaler the Elder: Kneeling Magdalen, pearwood, from Fogg Art Museum.

Each entry provides details about the artist, date, material, origin, and acquisition method, such as gifts, purchases, or transfers from the Fogg Art Museum.

The right page is titled "INSTITUTIONS TO WHICH WORKS OF ART WERE LENT" and lists various institutions that have borrowed artworks from the Busch-Reisinger Museum. These include:

• Baltimore Museum of Art
• Berlin, Akademie der Künste
• Boston, Art South Church
• Boston, Old SGHB
• Cambridge, Massachusetts, Harvard University, Carpenter Center for the Visual Arts
• Cambridge, Massachusetts, Harvard University, Fogg Art Museum
• Chicago, Art Institute
• Columbus Ohio State University
• Cortland, New York, State University College
• Detroit, Institute of Arts
• Elmira, New York, Elmira College, Watson Art Gallery
• Essen, Museum Folkwang
• Fargo, North Dakota State University
• Frankfurt a.M., Kunstverein
• Greensboro, University of North Carolina
• Greensboro, New York, State University College
• Hamburg, Kunstverein
• Kassel, Documenta III
• Marquette, Michigan, Northern Michigan University
• Meadeville, Pennsylvania, Allegheny College
• New York, Gallery of Modern Art
• New York, Museum of Modern Art
• New York, Solomon R. Guggenheim Museum
• Northampton, Massachusetts, Smith College Art Gallery
• Oberlin, Ohio, Oberlin College, Allen Memorial Art Museum
• Raleigh, University of North Carolina, Endahl-Clayton Union
• Wellesley, Wellesley College, Jewett Arts Center

Additionally, the right page includes a section titled "SPECIAL GUIDED TOURS," listing guided tours of the museum and groups from various institutions, such as:

• Akademische Reise, Heidelberg
• Belmont High School
• Brookline High School
• Carnegie Institute, Boston
• Darvers High School
• Harvard Graduate School of Design
• Holyoke Community College
• Hull High School

The pages are numbered "8" and "9" at the bottom, indicating they are part of a larger catalog or publication. The text is formatted in a structured, academic style, typical of museum catalogs or art historical references.

The image shows an open book with two pages visible. The left page has a title "BUSCH-REISINGGER MUSEUM" and lists artworks with details such as the artist, origin, century, material, and acquisition method. The artworks are listed in chronological order, starting with an Austrian piece from the 1700-1725 period and ending with a German piece from the 1730s. The right page has a title "INSTITUTIONS TO WHICH WORKS OF ART WERE LENT" and lists various institutions that have borrowed artworks from the museum. The list includes museums, universities, and art galleries from different locations in the United States and Europe. The page also mentions special guided tours conducted for specific institutions.