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The image shows a program booklet for an organ recital by E. Power Biggs at the Harvard Summer School. The event took place at the Busch-Reisinger Museum, Harvard University, on Tuesday, August 10, 1965, at 8:30 P.M. and on Wednesday, August 11, 1965, at 8:30 P.M.

The program includes the following pieces:

1. Balletto del Granduca by Jan Pieterszoon Sweelinck (1562-1621)
2. A Westminster Suite by Henry Purcell (c. 1659-1695):
   • Fairest Isle
   • Trumpet Tune ("Round")
   • Hornpipe in G Minor ("Round")
   • Chaconne in F Major
3. Concerto No. 3 in G Major by Antonio Soler (1729-1783):
   • Allegro Vivace
   • Minuet with Variations
4. Prelude and Fugue in C minor by Wolfgang Amadeus Mozart (1756-1791)

There is an intermission after the Mozart piece.

The second half of the program includes:

1. Processional Entry for Festival Occasions by Richard Strauss (1864-1949)
2. Seven Chorale Preludes by Ernst Pepping (1901-1981):
   • O Lamm Gottes, unschuldig
   • Praise to God in Highest Throne
   • O Sacred Head, Now Wounded
   • Die Thüre auf, ihr Thore
   • Thou Spirit Righteousness
   • O God, Thou Holy God
   • All Christian Men Rejoice
3. Variations on "America" (1891) by Charles Ives (1874-1954):
   • Introduction
   • Chorale
   • Five Variations
4. Pieces from the Little Notebook of Anna Magdalena Bach by J.S. Bach (1685-1750):
   • Minuet I
   • Minuet II
   • Minuet III
   • Chorale Prelude: "Wer nur den lieben Gott lässt walten"
5. Toccata and Fugue in D minor by J.S. Bach (1685-1750)

Additionally, there is a newspaper clipping attached to the program booklet. The clipping is a review titled "The Music Beat" by Ruth C. Tuttleman, discussing E. Power Biggs' performance and the highlights of his program choices. The review mentions the audience's reactions and the precision of Biggs' performance, noting his ability to engage with the audience and his skill in playing the organ.

The image displays an open book, specifically a program from an organ recital event. The pages include both a newspaper clipping and a concert program.

1. Top Section (Newspaper Clipping):

   • The newspaper article is titled "E. Power Biggs" and is from the "The Music Box" section of an unidentified newspaper.
   • The article discusses the organist E. Power Biggs. It highlights his performances and mentions his use of the organ in the Busch-Reisinger Museum. The text notes that he had a significant impact on the program, with his selection of pieces being well-received by the audience. The article also touches on the emotional and rhythmic qualities of his performance and his ability to captivate the audience.

2. Middle Section (Concert Program):

   • The concert program lists the schedule and pieces for the organ recital. The recital is titled "Harvard Summer School" and includes specific dates and times for E. Power Biggs’ organ recitals on August 10 and 11, 1965, at 8:30 PM in the Busch-Reisinger Museum, Harvard University.
   • The program includes several musical works:
     • Balletto del Granduca by Jan Pieterszoon Sweelinck.
     • A Westminster Suite by Henry Purcell, including pieces such as the Fantasia and Trumpet Tune ("Bondora"), Ayre - Trumpet Tune ("Cebell"), and Chaconne in F Major.
     • Concerto No. 3 in G Major by Antonio Vivaldi, including Allegro Vivace and Minuet with Variations.
     • Prelude and Fugue in C minor by Wolfgang Amadeus Mozart.
     • An intermission followed by:
       • Processional Entry for Festival Occasions by Richard Strauss.
       • Seven Chorale Preludes by Ernst Pepping, including a Ladie Ship Comes Sailing in.
       • Variations on "America" by Charles Ives.
       • Pieces from the Little Book of Bach, including a Chorale Prelude ("Wer nur den lieben Gott lässt walten") and Toccata and Fugue in D minor.

3. Bottom Section (Event Flyers):

   • There are two flyers for the same organ recital, detailing the same event dates and times as the concert program.

The overall content indicates a detailed schedule and appreciation for classical organ music, with a focus on the works performed by E. Power Biggs during the recital.

The image shows an open program booklet for a musical event. On the right-hand page, the program lists several musical pieces along with their composers and some performance details. The pieces include:

1. Balletto del Granduca by Jan Pieterszoon Sweelinck (1562-1621)
2. A Westminster Suite by Henry Purcell (c. 1659-1695), which includes:
   • Fantasia – Trumpet Tune ("Bourree")
   • Air – Trumpet Tune ("Cebell")
   • Chaconne in F Major
3. Concerto No. 3 in G Major by Antonio Vivaldi (1678-1741), arranged for organ
4. Prelude and Fugue in C minor by Johann Sebastian Bach (1685-1750)

There is an intermission, after which the program resumes with:

5. Processional Entry for Festival Occasions by Richard Strauss (1864-1949)
6. Seven Chorale Preludes by Ernst Pepping (1901)
7. Variations on "America" (1891) by Charles Ives (1874-1954)
8. Pieces from The Little Notebook of Anna Magdalena Bach by J.S. Bach (1685-1750), including:
   • Musette in D major
   • Minuets I, II, and III
   • Chorale Prelude: "Wer nur den lieben Gott lasst walten"
9. Toccata and Fugue in D minor by J.S. Bach

On the left-hand page, there is an article from "The Harvard Crimson" titled "The Music Box," dated August 11, 1955. The article discusses a recital by E. Power Biggs, focusing on his performance and the program, which includes works by Bach, Handel, and other composers.

Additionally, two green flyers at the bottom of the left page advertise E. Power Biggs' organ recitals at the Harvard Summer School. The first recital is on Tuesday, August 9, 1955, at 8:30 P.M. at the Busch-Reisinger Museum, Harvard University, featuring works by Bach, Handel, and others. The second recital is on Wednesday, August 10, 1955, at 8:30 P.M. at the same location, with a similar program. Both events are open to the public without charge, and seats are reserved for ticket holders until 8:20 P.M.

The image depicts a concert program and a related newspaper review from Harvard University, focusing on performances by E. Power Biggs, a renowned organist.

Newspaper Review (Left Side)

• Title and Author: The article is titled "E. Power Biggs" and is written by B. W.
• Content:
  • The review discusses a concert by E. Power Biggs, highlighting the varied program choices from the second half of the 18th century.
  • Biggs' performance is praised for its melodic approach and idiosyncratic style, though it is noted that the use of the organ sometimes overshadowed the music of composers like Mozart.
  • The reviewer mentions that the Mormon Tabernacle organ's next performance, featuring works by Charles Ives, could offer a more fitting selection.
  • The reviewer suggests that Biggs' choice of an overpowering chorale prelude by Ernst Pepping might have been better suited for a recording rather than a live performance.
  • The article concludes by mentioning the rhythmic sensitivity and humor in Biggs' interpretation, but notes that the final piece, though well-played, was not as enjoyable for the audience.

Concert Program (Right Side)

• Event Details:

  • The program lists two recitals by E. Power Biggs, scheduled for Tuesday, August 10, 1965, at 8:30 P.M. and Wednesday, August 11, 1965, at the same time.
  • The venue is the Busch-Reisinger Museum at Harvard University, and the event is open to the public without charge, with seats reserved for ticket holders until 8:20 P.M.

• Program Pieces:

  • First Half:

    • Balletto del Granduca by Jan Pieterszoon Sweelinck (1562-1621)
    • A Westminster Suite by Henry Purcell (c. 1659-1695), including:
      • Prelude
      • Trumpet Tune ("Bond")
      • Ayre
      • Trumpet Tune ("Cebell")
      • Chaconne in F Major

  • Concerto No. 3 in G Major by Antonio Vivaldi (1720-1771), arranged for organ:

    • Allegro Vivace
    • Minuet with Variations

  • Prelude and Fugue in C Minor by Wolfgang Amadeus Mozart (1756-1791)

  • Intermission

  • Second Half:

    • Processional Entry for Festival Occasions by Richard Strauss (1864-1949)

    • Seven Chorale Preludes by Ernst Pepping (1901- ):

      • A Laden Ship Comes Sailing In
      • Praise to God in Highest Throne
      • Rejoice, Now, Redeemed Christians
      • The Lord is My Shepherd
      • Thou Sun of Righteousness
      • Jesu Christ Reigns as King
      • All Christians Men Rejoice

    • Variations on "America" by Charles Ives (1874-1954), including:

      • Introduction - Chorale - Five Variations

    • Pieces from the Little Notebook of Anna Magdalena Bach by J. S. Bach (1685-1750):

      • March
      • Musette in D, II, and III
      • Chorale Prelude: "Wer nur den lieben Gott lässt walten"

    • Toccata and Fugue in D Minor by J. S. Bach (1685-1750)

This combination of program and review provides a detailed insight into the musical selections and critical reception of E. Power Biggs' organ recitals.

The image shows a collection of documents related to an organ recital by E. Power Biggs, a renowned organist and harpsichordist.

1. Newspaper Clipping:

   • The article is titled "The Music Box" and is from page three of the newspaper.
   • The article discusses E. Power Biggs' program choices for an upcoming concert. It highlights his ability to captivate audiences with both popular melodies and excellent idiomatic pieces.
   • The article mentions his performance of "Variations on America" by Charles Ives, which was well-received despite its initial challenging nature.
   • The review notes Biggs' skill in balancing rhythm and humor in his performance of Ernst Pepping's choral preludes.

2. Program Booklet:

   • The program lists the pieces to be performed in the recital:
     • "Balletto del Granduca" by Jan Pieterszoon Sweelinck (1562-1621)
     • "A Westminster Suite" by Henry Purcell (1659-1695), including "Fanfare - Trumpet Tune ('Bondue')," "Ayres - Trumpet Tune ('Cebell')," and "Chaconne in F Major"
     • "Concerto No. 3 in G Major" by Antonio Soler (1729-1783), with "Allegro Vivace" and "Minuet with Variations"
     • "Prelude and Fugue in C minor" by Wolfgang Amadeus Mozart (1756-1791)
   • The second half of the program includes:
     • "Processional Entry for Festival Occasions" by Richard Strauss (1864-1949)
     • "Seven Chorale Preludes" by Ernst Pepping (1901-1981), including:
       • "A Lenten Ship Comes Sailing In"
       • "Praise to God Immanuel"
       • "Rejoice Now, Beloved Christians"
       • "Thou Son of Righteousness"
       • "Jesus Christ Is Risen Today"
       • "All Christian Men Rejoice"
     • "Variations on 'America'" by Charles Ives (1874-1954)
     • Pieces from "The Little Notebook of Anna Magdalena Bach" by J.S. Bach (1685-1750), including:
       • "Minuet in G Major"
       • "Minuet in G Minor"
       • "Minuet in C Major"
       • "Chorale Prelude: 'Wer nur den lieben Gott läßt walten'"
     • "Toccata and Fugue in D minor" by J.S. Bach (1685-1750)

3. Event Announcements:

   • Two green tickets or announcements for E. Power Biggs' organ recitals at the Busch-Reisinger Museum, Harvard University:
     • The first recital is on Tuesday, August 10, 1965, at 8:30 PM.
     • The second recital is on Wednesday, August 11, 1965, at 8:30 PM.
   • Both events are open to the public without charge, with seats reserved for ticket-holders until 8:20 PM.

The documents collectively provide a detailed overview of the recital's program and the critical reception of E. Power Biggs' performances.

The image appears to be an open book or program with several notable details:

1. Newspaper Clipping:

   • On the left side, there is a section of a newspaper article titled "The Music Box" with the headline "E. Power Biggs." The article discusses E. Power Biggs' performance and mentions his talent and popularity, particularly highlighting his organ playing and a concert at the Busch-Reisinger Museum. The article is dated and clipped from the "Harvard Summer School" section.

2. Program Sheet:

   • The right side shows a concert program for an organ recital by E. Power Biggs. The program lists several pieces to be performed:
     • Balletto del Granduca by Jan Pieterszoon Sweelinck.
     • A Westminster Suite by Henry Purcell, including "Fantasia" and "Chaconne in F Major."
     • Concerto No. 3 in G Major by Antonio Soler.
     • Prelude and Fugue in C minor by Wolfgang Amadeus Mozart.
     • Processional Entry for Festival Occasions by Richard Strauss.
     • Seven Chorale Preludes by Ernst Pepping.
     • Variations on "America" by Charles Ives.
     • Pieces from the Little Notebook of Anna Magdalena Bach by J.S. Bach, including various chorales and preludes.
     • Toccata and Fugue in D minor by J.S. Bach.

3. Recital Announcements:

   • There are two green tickets or announcements for organ recitals by E. Power Biggs at the Busch-Reisinger Museum, Harvard University, during the Harvard Summer School.
     • The first recital is on Tuesday, August 10, 1965, at 8:30 P.M.
     • The second recital is on Wednesday, August 11, 1965, at 8:30 P.M.
   • Both announcements mention that the recitals are open to the public without charge, but seats will be reserved for ticket-holders until 8:20 P.M.

The overall content highlights E. Power Biggs' performances and the detailed program of his organ recitals at Harvard University in the summer of 1965.

The image shows an open book or album with several items attached to the right page.

1. At the top left, there is an orange newspaper clipping dated "Aug. 11th, 1965" from the "Harvard Summer News," titled "The Music Box" featuring a review or article about "E. Power Biggs." The text discusses Biggs' performance and his skill in playing music, mentioning his interpretation of Seven Chorale Preludes by Ernst Pepping, as well as his attention to dynamic and rhythmic nuances.

2. To the right of the clipping is a printed program titled "PROGRAM" for a concert or recital. The program includes multiple sections:

   • Balletto del Granduca by Jan Pieterszoon Sweelinck.
   • A Westminster Suite by Henry Purcell which includes multiple movements.
   • Concerto No. 3 in G Major by Antonio Soler.
   • Prelude and Fugue in C Minor by Wolfgang Amadeus Mozart.
   • INTERMISSION
   • Processional Entry for Festival Occasions by Richard Strauss.
   • Seven Chorale Preludes by Ernst Pepping, listing the titles of the individual preludes.
   • Variations on "America" (1891) by Charles Ives.
   • Pieces from the Little Notebook of Anna Magdalena Bach by J.S. Bach.
   • Toccata and Fugue in D Minor by J.S. Bach.

3. At the bottom left and right of the page are two printed cards with details of upcoming "E. Power Biggs Organ Recital" events at the Harvard Summer School held at Busch-Reisinger Museum, Harvard University. One card advertises a recital on Tuesday, August 10, 1965, and the other one for Wednesday, August 11, 1965, both at 8:30 P.M. They specify that the events are open to the public without charge and that seats will be reserved for ticket-holders until 8:20 P.M.

Overall, the page presents archival material related to organist E. Power Biggs, including a review, concert program, and recital announcements from 1965.

The image displays an open program brochure with additional loose papers inserted between its pages. The brochure has information on both the left and right pages.

On the left page, there is an article with the title "The Music Box" which features a biography or a discussion about someone named "E. Power Biggs." The page seems aged and there is handwriting in blue ink at the top of this page, which appears to be a signature or an inscription, although it's not clear.

On the right page, the header "PROGRAM" is visible, followed by a list of musical works and composers, performing artists, or relevant information about a concert or recital. The top item under "PROGRAM" reads "BALLETTO DI GRANUCCA...Jean Pierronne Sonnleitner (Spinettina)." This is followed by various other musical works by composers like Henry Purcell, Antonio Soler, Wolfgang Amadeus Mozart, and others. The page also indicates that there will be an intermission.

Below the open brochure are two green flyers, both indicating events from the "Harvard Summer School." The upper flyer announces an "E. Power Biggs Organ Recital" on "Tuesday, August 10, 1965 at 8:30 P.M." The lower flyer similarly announces another "E. Power Biggs" event on "Wednesday, August 11, 1965 at 8:30 P.M." Both events were scheduled to take place in the "Busch-Reisinger Museum, Harvard University." The papers and the brochure are all on a background that looks like a flat, clean surface.

The image depicts an open book, likely a program or booklet, showcasing a concert or recital by E. Power Biggs, an organist. The visible pages contain detailed information about the event, including:

Left Page:

• Header: The page is labeled "PAGE THREE" and includes handwritten notes at the top, such as "EWS Harvard Summer School" and "Aug. 11, 1965."
• Title: The main heading is "E. Power Biggs," indicating the performer.
• Content: The text discusses E. Power Biggs' performance, describing it as a highlight of the program. It highlights his skill as an organist and his interpretation of Charles Ives' "Variations on 'America' (1891)." The passage emphasizes the unique qualities of Biggs' performance, noting his sensitivity to rhythm, humor, and the audience's positive reaction. It also mentions his contemporary status as a musician.

Right Page:

• Header: The page is titled "PROGRAM," listing the musical pieces to be performed.
• Performances Listed:
  • BALLETTO DEL GRANDUCA: By Jan Pietersoon Sweelinck (1562–1621).
  • A WESTMINSTER SUITE: By Henry Purcell (1659–1695), including movements such as "Trumpet Tune ('Rondeau')," "Ayre – Trumpet Tune ('Cebell')," and "Chaconne in F Major."
  • CONCERTO No. 3 IN G MAJOR: By Antonio Vivaldi (1678–1741), featuring "Allegro Vivace" and "Minuet with Variations."
  • PRELUDE AND FUGE IN C MINOR: By Wolfgang Amadeus Mozart (1756–1791).
  • INTERMISSION.
  • PROCESSIONAL ENTRY FOR FESTIVAL OCCASIONS: By Richard Strauss (1864–1949).
  • SEVEN LOREN PRELUDES: By Ernst Pepping (1901–), including movements such as "A L aden Ship Comes Sailing in," "Praise to God, in Highest Throne," and "Rejoice Now, Beloved Christian."
  • VARIATIONS ON 'AMERICA' (1891): By Charles Ives (1874–1954), with an introduction and five variations.
  • PIECES FROM THE LITTLE NOTEBOOK OF ANNA MAGDALENA BACH: By J. S. Bach (1685–1750), including "March," "Minuet I, II, and III," and "Chorale Prelude: 'Wir den lieben Gott lass walten.'"
  • TOCCATA AND FUGE IN D MINOR: By J. S. Bach (1685–1750).

Bottom Section:

• Event Details:
  • The bottom of the right page includes two green tickets or program inserts for the Harvard Summer School events:
    • Tuesday, August 10, 1965, at 8:30 P.M.: E. Power Biggs Organ Recital at the Busch-Reisinger Museum, Harvard University.
    • Wednesday, August 11, 1965, at 8:30 P.M.: Another E. Power Biggs Organ Recital at the same location.
  • Both events are noted as being open to the public without charge, with seats reserved for ticket-holders until 8:20 P.M.

Overall Context:

The image captures a historical concert program from the Harvard Summer School in 1965, featuring a recital by the renowned organist E. Power Biggs. The program lists a diverse repertoire spanning classical and contemporary works, reflecting Biggs' versatility and the rich musical tradition of the event. The handwritten notes and tickets suggest this was part of an organized series of performances.

The image shows an open book with two pages visible. The left page features an article titled "The Music Box" with a photograph of E. Power Biggs. The article discusses E. Power Biggs' performance at Harvard Summer School. The right page contains a program for a concert, including a list of pieces to be performed, composers, and dates. There are also two green cards attached to the right page, advertising an organ recital by E. Power Biggs at Harvard Summer School on August 10, 1965, and August 11, 1965.