Archives Scrapbooks

The image shows an open page from a concert program dated November 20, 1961. The page contains several sections:

1. Notes on the Third Program:

   • This section discusses the structure and characteristics of the Baroque trio texture in music, which typically consists of two melodic lines and a basso continuo. The text explains how this texture was used in various musical forms such as the Froben Sonata in E and the Gamba Sonata in D. It also mentions the evolution of this texture into more complex forms in later works by composers like Mozart.

2. Advertisement for Bolt Beranek & Newman, Inc.:

   • Located at the bottom left, this advertisement promotes the company's services in research and consultation in acoustics, physics, and chemistry.

3. Performers in These Concerts:

   • This section lists the performers involved in the concert series, including Adele Addison (soprano), Robert Brink (harpsichord), and other musicians and ensembles such as the New England Conservatory Orchestra and the Boston Symphony Orchestra.

4. Notes on Mozart's Trio:

   • This section, written by G.W.W., discusses the rarity of hearing Mozart's E major trio in the concert world and its significance as a transitional piece between Baroque and modern music.

5. Advertisement for London Records:

   • This advertisement promotes a record album featuring Gilbert and Sullivan operas performed by the D'Oyly Carte Opera Company, including titles like "The Mikado" and "The Pirates of Penzance."

6. Handwritten Notes:

   • There are handwritten notes at the top and bottom of the page. The note at the top indicates the date "November 20, 1961." The note at the bottom reads "[After-concert reception held at Museum]."

The overall layout of the page suggests it is part of a formal concert program, providing both educational content about the music being performed and information about the performers and related events.

The image shows a page from a booklet or program, specifically from a concert or musical event. Here are the details:

1. Main Content:

   • Program Notes: The left page contains detailed notes on the third program, focusing on the trio texture in Baroque music. It explains how trios in Baroque music typically consist of two concerting parts (often instrumental) and an obligato part, which is usually performed by the left hand of a keyboard player. It mentions the Violin Sonata in E and the Gamba Sonata in D, describing how the continuo and the solo parts interact. The notes also discuss the contrapuntal role of the bass in these pieces.
   • Mozart’s Trios: The notes highlight that Mozart's trios, while similar in style to Bach’s, are characterized by a different approach to form and character. They are described as having "voices" and a harmonic texture that is fundamentally different from the classical piano sonatas.

2. Compliments Section:

   • Bolt Beranek & Newman, Inc. is mentioned, which provides research and consultation in acoustics, physics, and chemistry.

3. Performers:

   • Performers in the Concerts: The right page lists performers for the concerts:
     • Adele Addison, a violinist who has been a member of several prestigious orchestras.
     • Other musicians include David Barnett, Daniel Barenboim, Alfred Krips, James Pappoutis, Roger Voisin, and Alfred Zigareh.
   • Henry C. Fenderson is noted for his past contributions to the society.

4. Special Event Information:

   • London Records Presents: Gilbert and Sullivan with the D'Oyly Carte Opera Company performing a special album of their works:
     • H.M.S. Pinafore
     • The Pirates of Penzance
     • Princess Ida
     • Yeomen of the Guard
     • Gondoliers
     • Special: $7.78 ea. 2 Record Album
     • Including The Coop, The Mikado, and The Sorcerer.

5. Additional Handwritten Notes:

   • There is a handwritten note at the bottom right corner mentioning "after concert reception help at Museum."

The date November 20, 1961, is also noted on the top right page.

The image shows an open book or program from a concert event. The left page features a section titled "NOTES ON THE THIRD PROGRAM," which discusses the stylistic features of Baroque music, mentioning the trio texture, the use of instruments like the harpsichord, and the differences between Bach's and Mozart's compositions. There is also an advertisement for "BOLT BERANEK & NEWMAN, INC." specializing in research and consultation in acoustics, physics, and chemistry.

The right page is titled "THE PERFORMERS IN THESE CONCERTS," listing the performers for the event, including their names, roles, and affiliations. The page also includes a note about an individual who passed away, Henry C. Fenderson, who was an officer of the society. Additionally, there is an advertisement for a London Records presentation of Gilbert and Sullivan operas featuring the D'Oyly Carte Opera Company, with a list of operas and a special album offer.

At the bottom of the right page, there is a handwritten note that reads: "[After - concert reception help at Museum?]". The date "November 20, 1961" is written at the top of the right page.

The image is of a concert program with several distinct sections. Here's a detailed summary of each part:

Top Section: Notes on the Third Program

• Content: The text discusses the baroque trio texture, a foundational stylistic feature of baroque music, which typically involves two concerting or obbligato parts and a continuo.
• Instruments: The trio sonatas usually involved a keyboard player (harpsichord or organ) and other instruments like cello or viola da gamba.
• Performance Practice: The note explains that in performances of works like the Violin Sonata in E and the Gamba Sonata in D by Bach, the continuo is often played by the left hand of the keyboard player and a bass instrument. This practice is clarified to emphasize the trio texture.
• Comparison with Mozart: It mentions that Mozart's trios differ from Bach's in style and texture, focusing more on the interplay between the violin, piano, and cello.

Middle Section: Advertisements and Tributes

• Left Advertisement:

  • Company: Bolt Beranek & Newman, Inc.
  • Services: Research and consultation in acoustics, physics, and chemistry.

• Right Advertisement:

  • Recording: London Records presents Gilbert and Sullivan with the D'Oyly Carte Opera Company.
  • Operas Listed: H.M.S. Pinafore, The Pirates of Penzance, Princess Ida, The Mikado, The Sorcerer, Patience, Iolanthe, Yeomen of the Guard, Gondoliers, Ruddigore.
  • Special Offer: A 2-record album available at a special price.

• In Memoriam:

  • Person: Henry C. Fenderson, who passed away on October 27, 1961.
  • Role: Longtime officer of the Society, remembered for his valued service.

Performers in These Concerts

• Musicians:
  • Adele Addison (soprano)
  • Walter Carringer (tenor)
  • Mac Morgan (baritone)
  • Fernando Valenti (harpsichord)
  • David Glazer (clarinet)
  • Alfred Krips (conductor, Boston Symphony Orchestra)
  • Members of the Boston Symphony Orchestra, including Alfred Genovese, Jules Eskin, Roger Voisin, and others.

Bottom Section: Handwritten Note

• Content: A handwritten note at the bottom mentions a "concert reception help at Museum".

Additional Details:

• The date on the program reads "November 20, 1961".
• The program is part of a series, as indicated by the numbering at the bottom (44 and 15).

The image shows two pages from a program booklet or concert notes, dated November 20, 1961.

Left Page:

1. Notes on the Third Program:

   • The text discusses the trio texture in Baroque music, which typically consists of two concerting or obbligato parts and a continuo part. The continuo part is usually performed by a keyboard player and a cello or viola da gamba.
   • The notes explain that the continuo part can be realized with a "realization" or "figured bass," which involves improvisation by the keyboard player.
   • Specific examples mentioned include the Violin Sonata in E and the Gamba Sonata in D by Bach, where the continuo part plays a crucial role.
   • The text also mentions Mozart's trios, which are noted for their harmonic texture and full maturity compared to Bach’s works, despite their stylistic differences.

2. Compliments of:

   • Bolt Beranek & Newman, Inc.
   • Description: Research and Consultation in Acoustics, Physics, and Chemistry.

Right Page:

1. The Performers in These Concerts:

   • Lists performers and their roles:
     • Adele Addison: Pianist, recently retired from the Westminster Choir College and active in the New England Conservatory.
     • Harvard Glee Club and Eliot Forbes: Last performed the Des Prez Missa Sine Nomine.
     • Members of the Boston Symphony Orchestra: David Barnet, Alfred Krips, James Pappoutsakis, Roger Voisin, and Alfred Ziegler.
     • Daniel Chappell: Teaching Fellow at Harvard, performs on a harpsichord.
     • Robert Brisk: Organist at the New England Conservatory.

2. London Records Presents:

   • Gilbert and Sullivan with the D'Oyly Carte Opera Company.
   • Lists the opera "The Pirates of Penzance" with roles and performers:
     • H.M.S. Pinafore: The Mikado, The Sorcerer, Patience, Iolanthe, Ruddigore.
     • Special: $7.78 each, 2 Record Album.

3. Memorial Notice:

   • Henry C. Fenderson, who died on October 27, 1961, is remembered for his service as an officer and member of the board.

4. Handwritten Note:

   • "After concert reception help at Museum."

The pages appear to be from a concert program booklet, providing both detailed notes on the music being performed and information about the performers and related events.

The image shows a page from what appears to be a concert program or a booklet containing notes and information related to a classical music concert. Here's a detailed summary:

1. Left Page:

   • Notes on the Third Program: The text discusses the stylistic features of Baroque music, particularly the trio texture which involves two instruments or voices performing equal parts with a third part often filled by a continuo group. It specifically mentions the Violin Sonata in D and Gamba Sonata in D, and how they are performed by the continuo and the gamba or keyboard player.
   • Compliments of Bolt Beranek & Newman, Inc. This page includes an advertisement for Bolt Beranek & Newman, Inc., a firm specializing in research and consultation in acoustics, physics, and chemistry.

2. Right Page:

   • Program Notes on Mozart’s Trios: The notes discuss Mozart’s trios for piano and strings, highlighting their elegance and the historical context of their composition. It mentions that these trios are less frequently performed in concert halls but are considered among Mozart’s most elegant works.
   • Performers in These Concerts: A list of performers is provided, including:
     • Adela Addison as the violinist, with her background and recent performances noted.
     • Harvard Glee Club with Elliot Forbes and Alfred Krips, along with other members.
     • Daniel Druckman and Robert Brink performing on harpsichord and organ, respectively.
   • Miscellaneous Notes: There's a handwritten note dated November 20, 1961, and another note indicating a post-concert reception at the Museum.
   • Record Presentation: Information about a London Records presentation featuring Gilbert and Sullivan’s D'Oyly Carte Opera Company performing in several roles. The record album includes songs like "The Mikado," "The Pirates of Penzance," and "The Sorcerer," among others.

3. Additional Details:

   • Death Notice: There is a brief mention of Henry C. Fenderson, who died on October 27, 1961, and was an officer of the Cambridge Society for Early Music.

The booklet appears to be from a classical music concert program, providing detailed notes on the music to be performed, along with information about the performers and additional cultural or historical context.

The image displays an open printed program or booklet resting on a flat surface. The left page contains text with the heading "NOTES ON THE THIRD PROGRAM." Below the heading is a paragraph discussing musical topics, particularly related to baroque music, accompanied by analytical commentary on compositions. There's a portion that appears to be an advertisement at the bottom stating "COMPLIMENTS OF BOLT BERANEK & NEWMAN, INC." and mentions their research consultation in acoustics, physics, and chemistry.

The right page contains more text with a portion discussing rarely heard music in concert and specifically mentions pieces by Mozart. The header at the top of this page is not completely visible due to the angle of the photograph, but it suggests a historical context to the content discussed. Below this, there is a section subtitled "THE PERFORMERS IN THESE CONCERTS" followed by information about various artists and performances. A handwritten note in blue ink at the top of this page reads "November 20, 1961".

On the bottom part of the right page is a separate section with a header stating "London Records presents GILBERT and SULLIVAN with the D'OYLY CARTE OPERA COMPANY," and there's a list of several Gilbert and Sullivan operas. This section suggests an advertisement for a record album.

In the bottom right corner, across the two pages, another handwritten note in blue ink reads "1st post concert reception held at Museum", indicating a potential event related to this program.

The booklet appears somewhat aged, with yellowing pages and a sense of historical value. Additionally, the photographer's shadow can be seen vaguely over the booklet, indicating overhead lighting and the position of the person taking the photo.

The image depicts an open book, showing two facing pages with text and design elements. Here is a detailed description:

Left Page:

• Header: The page begins with the heading "NOTES ON THE THIRD PROGRAM" in bold, capitalized text.
• Main Text: The text discusses musical concepts, focusing on the structure and performance of baroque music. It mentions:
  • The use of two concertizing parts (violin and keyboard) alongside a cello or bass.
  • The role of the left hand in playing continuo, often in the form of a "realized" figured bass.
  • Comparisons between works by Bach and Mozart, highlighting differences in texture and style.
  • A description of the violin sonata and gamba sonata, emphasizing the interplay between solo and continuo parts.
• Design Elements:
  • At the bottom of the page, there is a compliments section with the text:
    "COMPLIMENTS OF BOLT BERANEK & NEWMAN, INC."
  • Below this, there is a smaller section titled "Research and Consultation in Acoustics, Physics, and Chemistry."
  • A simple, stylized logo or design element is present, resembling a smiling face or a similar abstract shape.

Right Page:

• Header: The page begins with a handwritten note at the top: "November 20, 1961", indicating a date.
• Main Text: The text discusses a musical performance or concert, specifically mentioning:
  • The Cambridge Society for Early Music, which opened its tenth season with instrumental music by the French composer Jean-Philippe Rameau.
  • A performance by the Mozart Trio, consisting of Josephine and Gervase Brindle and G. W. W. The text highlights the elegance and rarity of the trio's music in the E major key.
  • A section titled "THE PERFORMERS IN THESE CONCERTS", listing various musicians and their roles, including:
    • Adele Addison (soprano, associated with the New England Conservatory).
    • Henry C. Fenderson (a former officer of the Cambridge Society for Early Music, who passed away on October 27, 1961).
• Footer:
  • The bottom of the page includes an advertisement or promotional text for London Records, featuring Gilbert and Sullivan and the D'Oyly Carte Opera Company.
  • The advertisement lists several Gilbert and Sullivan operas, including:
    • The Mikado
    • The Pirates of Penzance
    • The Sorcerer
    • Princess Ida
    • Patience
    • Yeomen of the Guard
    • Ruddigore
  • The advertisement also mentions a Special Record Album priced at $7.78.
  • The footer includes the text "THE COOP", likely indicating the source or distributor of the record.

Additional Observations:

• Handwritten Notes: There are handwritten notes on both pages:
  • On the left page, there is no visible handwritten text.
  • On the right page, the date "November 20, 1961" is handwritten at the top.
  • At the bottom of the right page, there is a handwritten note that reads: "after concert reception held at Museum", suggesting a post-concert event.
• Page Numbers: The left page is labeled (14), and the right page is labeled (15), indicating these are consecutive pages from a larger document or book.

Overall Context:

The image appears to be from a program, booklet, or publication related to a musical event or concert series. It combines analytical notes about baroque and classical music with promotional content for a record album and details about performers and their contributions. The handwritten notes suggest personal annotations or event details added by someone reviewing the document.

The image shows an open book with a page on the left side and a page on the right side. The left page has a text that reads "NOTES ON THE THIRD PROGRAM" and a logo that reads "BOLT BERANEK & NEWMAN, INC." The right page has a text that reads "THE PERFORMERS IN THESE CONCERTS" and a logo that reads "London Records presents." The text on the left page seems to be a note on the third program, while the text on the right page seems to be a note on the performers in the concerts.

An open book is placed on a gray surface. The book is opened to two pages, with the left page containing a handwritten note that reads "November 20, 1961" and "after-concert reception held at Museum." The right page contains text that reads "Notes on the Third Program," followed by other text. Below the text, there is a list of names of performers in the concerts.