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ARCH.2013.5.9, Rendition: 797100
The image shows an open book or program from the Cambridge Musical Club, dated November 10, 1961. The program lists a variety of musical pieces and performers for the event. Here is a detailed summary of the contents:
The program is neatly organized, indicating a structured musical event with a mix of vocal and instrumental performances, including solo and ensemble pieces. The event appears to have a focus on classical and traditional music, with a particular emphasis on Christmas-themed compositions.
The image is a program from a concert performed by the Caulfield Musical Club on November 10, 1961. Below is a detailed description of the pieces and performers listed in the program:
"Stay, time" - John Dowland
"Say, love" - John Dowland
"At her faire hands" - Martin Peerson
"Sing, love is blind" - Martin Peerson
"Alleluia" - Arrangement by Ruth Krauss
"Upon my lap" - Martin Peerson
Sonata in D minor - Anne Danican-Philidor
"All praise be Thine" - Johann Hermann Schein
"Lobet, Christien" - euren Heiland Dietrich Buxtehude
Mass in G (Ninth Mass) - Wolfgang Amadeus Mozart
"O Magnum Mysterium" - Tomas Luis de Victoria
"O great mystery and wondrous sacrament" - Tomas Luis de Victoria
"O, Blessed Virgin" - Arrangement for recorder consort
"Alleluia" - Anonymous
"Noël Suisse" - Esprit Philippe Chédeville
"Pastores" - Michael Praetorius
"Born of a Virgin Maid" - Southern folk-hymn
"Poor wayfaring stranger" - Southern folk-hymn
"Madrigal" - Daniel Pinkham
"The twelve days of Christmas" - English carol
The program features a mix of vocal and instrumental pieces, including works for soloists, choir, recorder, harpsichord, and organ. The compositions range from sacred choral music to folk songs and madrigals, showcasing a variety of musical styles from different historical periods.
The image shows a program booklet from a Cambridge Musical Club event held on November 10, 1961. The booklet lists the pieces performed during the concert along with their composers, performers, and some lyrics or titles of the pieces.
Here is a detailed summary of the program:
John Dowland:
Martin Peerson:
Anne Danican-Philidor:
Sonata in d minor: Lamentement, Fugue, Courante, Graciuleusement, Fugue
Instruments: Arthur Loeb, recorder; Edward Low, harpsichord
Johann Hermann Schein:
Lobet, Christen, euren Heiland Dietrich Buxtehude
Soloists: Aliche Horth, Ruth Krauss, Ray Fennell
Recorders: Laura Pollock, Arthur Loeb
Wolfgang Amadeus Mozart:
Intermission
Tomas Luis de Victoria:
Esprit Philippe Chédeville:
Guillaume Costeley:
Michael Praetorius:
Southern folk-hymn:
Anne Soussa, soloist:
Daniel Pinkham:
The program includes both instrumental and vocal pieces, with a mix of classical and folk music, and features notable composers and performers from the time.
The image shows an open booklet or program from a concert event titled "Cambridge Musical Club," held on November 10, 1961. The program lists the pieces that were performed during the concert along with the composers, performers, and sometimes the lyrics or a brief description of each piece.
Here's a detailed summary of the concert program:
First Section:
Instrumentalists:
Second Section:
All praise be Thine by Thine-Johann Hermann Schein
Mass in G (Ninth Mass) by Wolfgang Amadeus Mozart
Intermission
Third Section:
O Magnum Mysterium by Tomas Luis de Victoria
O Blessed Virgin by Tomas Luis de Victoria
Noël Suisse by Esprit Philippe Chédeville
Allons, gay bergères by Guillaume Costeley
Noul nouvellet by Esprit Philippe Chédeville
Psallite by Michael Praetorius
Born of a Virgin Maid by Southern folk hymn
Poor wayfaring stranger by Southern folk hymn
Madrigal by Daniel Pinkham
The twelve days of Christmas by English carol
The program gives a glimpse into the classical and folk music performed at this event, showcasing a mix of vocal and instrumental pieces.
The image depicts a page from a program booklet of a performance by the Cambridge Musical Club held on November 10, 1961. The page lists the musical items and their respective composers, performers, and instruments.
Here is a detailed breakdown of the program:
John Dowland
Martin Peerson
Anne Danican-Philidor
Arthur Loeb, recorder
Thine-Johann Hermann Schein
Wolfgang Amadeus Mozart
Intermission
Tomas Luis de Vittoria
Esprit Philippe Chédeville
Various Traditional Carol Performers
The program appears to be well-organized, covering a variety of musical styles and genres, from Renaissance to Baroque and traditional carols. The performers include soloists, instrumentalists, and choirs.
The image shows an open program booklet for an event held by the "Cambridge Musical Club" on November 20, 1961. The program details various musical pieces that will be performed, along with the names of the composers and performers.
Left Page:
Right Page:
The program indicates an intermission before resuming with additional performances. The booklet is placed on an open book or similar backing.
The image is a photograph of an open booklet or program, lying on a surface that appears to be a table or a desk. The booklet has a typewritten program for a musical event, including various classical and traditional pieces organized by composer and title along with the names of the performers. The event seems to be associated with the "Cambridge Musical Club" and is dated November 10, 1961, as handwritten across the top of the right-hand page in blue ink.
The left page lists works by John Dowland, Martin Peerson, Guillaume Costeley, Antoine Dornel, Johann Hermann Schein, Bernd Dietrich, Henry Purcell, and Wolfgang Amadeus Mozart, including their specific compositions like "Stay time" and "Mass in C (Missa Solemnis)." It also specifies the names of the soloists and the instruments they play, such as a harpsichord and recorders.
The right page lists works by Tomas Luis de Victoria, Esprit Phillipe, Michael Praetorius, and others, with titles like "O Magnum Mysterium" and "Noel nouvelet." It appears to include traditional folk songs and finishes with a "Madrigal" called "The twelve days of Christmas" arranged by Ruth Abbott. One can observe that the performance includes both instrumental and vocal pieces, suggesting a varied classical music concert program. It's worth noting that the booklet appears to be aged, with slight yellowing of the paper, which is consistent with its vintage from 1961.
The image shows an open book with a program for a musical event titled "Cambridge Musical Club", dated November 10, 1961. The program is neatly typed and laid out on a single page, listing the musical pieces to be performed, along with the performers and composers. Here is a detailed description:
The program is divided into two columns, with the left column labeled "PROGRAM" and the right column listing the pieces and their composers. Below is a breakdown of the content:
This program provides a snapshot of a musical event from 1961, showcasing a variety of compositions and performers, reflecting the cultural and artistic interests of the time.
The image is a spread of an open book, showing two pages. The top page has a blue handwritten note that reads "Cambridge Musical Club, November 10, 1961." Below the note, there is a program for a musical event. The program includes a list of musical pieces, composers, performers, and soloists, along with brief descriptions of the pieces. The bottom page of the spread is blank, except for a small arrow pointing to the right, indicating that there are more pages to follow. The book is open to a specific section, likely the program for a concert or event.
A book with a green cover is opened to a page with the text "Cambridge Musical Club, November 10, 1961." The page is divided into two columns. The left column contains the word "PROGRAM" at the top, followed by a list of names and titles. The right column contains the words "No.1 nouvelet" and "Psalmite" at the top, followed by a list of names and titles.