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ARCH.2013.5.9, Rendition: 797033
The image is a page from a program for a series of concerts titled "Three Noonday Concerts" held at Harvard University Memorial Church. The concerts took place on Fridays at 12:10 PM. The program lists three specific dates and their corresponding performances:
January 6
January 13
January 20
The program is neatly organized, with each concert's details clearly listed, including the performers, composers, and specific pieces to be performed. The Harvard University shield is prominently displayed at the top of the page.
The image shows a program or schedule for three noonday concerts held at Harvard University Memorial Church. The concerts are scheduled for Fridays at 12:10 PM.
January 6:
Conducted by Lois Pardue, Organist at the Appleton Chapel.
Works:
Pieces performed:
January 13:
January 20:
The schedule indicates the names of composers and performers, along with specific pieces to be played during each concert.
The image shows a program for "Three Noonday Concerts" held at the Harvard University Memorial Church, taking place on three consecutive Fridays at 12:10 P.M. The dates and details of the performances are as follows:
January 6
January 13
January 20
The program features classical and sacred music, highlighting the talents of organists Lois Pardue and John Ferris, as well as the Harvard University Choir with soprano Anita TeHennepe. The performances include works by renowned composers such as Bach, Telemann, Purcell, Gibbons, Tye, Byrd, Britten, and Stanley.
The image is a program from a series of three noonday concerts held at the Harvard University Memorial Church on Fridays at 12:10 P.M.
Here are the details of each concert:
January 6
Organist: Lois Pardee from Appleton Chapel
Performance:
January 13
Organist: John Ferris from Appleton Chapel
Performance:
January 20
Performers: Harvard University Choir with the Busch-Reisinger Museum Flenтроп Organ (1958)
Program:
The image is a program for "Three Noonday Concerts" held at Harvard University Memorial Church. The concerts were scheduled for Fridays at 12:10 PM on three different dates in January.
January 6
January 13
January 20
This program provides a detailed listing of the pieces to be performed during each concert, along with the composers and performers involved.
The image shows a program for "Three Noonday Concerts" held at Harvard University Memorial Church. The concerts were scheduled on three Fridays at 12:10 PM.
January 6:
January 13:
January 20:
Each concert features a mix of classical organ music and choral works, showcasing a variety of composers and musical styles.
The image shows an open booklet displaying a program for "Three Noonday Concerts" at the Harvard University Memorial Church. The page lists concert dates, times, performer names, and music pieces to be played at three different events.
For January 6, the organist listed is Lois Pardue, performing in Appleton Chapel works by Julius Reubke titled "Sonata on the Ninety-Fourth Psalm" with movements Grave, Larghetto—Allegro con fuoco, Adagio, and Allegro—Allegro assai.
The January 13 concert features John Ferris, also an organist at Appleton Chapel, playing a "Concerto in G Major" (Allegro—Grave—Presto) by G.P. Telemann (arranged by J.S. Bach) and "Three Chorale Preludes" by J.S. Bach, along with a "Prelude and Fugue in A minor" also by Bach.
For January 20, the Harvard University Choir and Busch-Reisinger Museum present music using the Flentrop Organ (1958) with pieces including "Voluntary on Old Hundredth" by Henry Purcell, "Fantasia, a Comet Voluntary" by Orlando Gibbons, a motet and anthem by Christopher Tye, "Iustorum Animae" by William Byrd, "Festal Te Deum" by Benjamin Britten, and "Voluntary X" by John Stanley. Anita Tedehnpee, a soprano, is listed as a performer for this date, although "Tedehnpee" might be a typographical error in the name.
The concerts are scheduled for Fridays at 12:10 PM, as noted at the top of the page. The Harvard University shield is featured at the top with the Latin motto "VERITAS." The physical condition of the booklet suggests it may be older or well-handled. The left-hand side of the page is bound within the booklet, and there's a visible green cover with some wear marks. The right side of the page shows a slight curl, indicating it has been turned or held open.
The image shows the inside pages of a program or booklet for "Three Noonday Concerts" held at Harvard University Memorial Church. The program is neatly organized and formatted, listing details for three concerts scheduled on Fridays at 12:10 P.M. in January.
Title and Location:
Dates and Performers:
Design and Layout:
Additional Notes:
This program provides a clear and organized overview of the musical events, highlighting the performers, composers, and repertoire for each concert.
The image features a page from a program booklet for the Harvard University Memorial Church. The page is titled "THREE NOONDAY CONCERTS" and lists the schedule for three concerts taking place on consecutive Fridays at 12:10 PM. The concerts are scheduled for January 6, January 13, and January 20. The page includes details about the organists, the music pieces to be performed, and the composers. The Harvard University Memorial Church logo is prominently displayed at the top of the page. The page has a formal and elegant design, reflecting the academic and cultural significance of the events.
The image depicts a page from a program booklet or flyer for a series of concerts held at Harvard University Memorial Church. The text is arranged in a structured format, with headings and subheadings, and it is printed in black ink on white paper. The page features the title "THREE NOONDAY CONCERTS" at the top, followed by the date and time of the concerts, which are scheduled for Fridays at 12:10 PM. The concerts are organized by Lois Pardue and John Ferris, and they will be held at Appleton Chapel. The program includes a variety of musical pieces, such as sonatas, concertos, and choral preludes, performed by different organists and choirs. The names of the composers and arrangers are also mentioned, along with the titles of the pieces. The page has a green border on the left side, and the edges of the paper are slightly curled, indicating that it may have been folded or handled frequently. Overall, the image provides a glimpse into the musical events and cultural activities that took place at Harvard University during that time.