Archives Scrapbooks

The image shows a page from the Annual Report of the Busch-Reisinger Museum for the year 1959-60. The page details acquisitions and loans for the museum during that period.

Acquisitions:

1. 18th Century:

   • The Virgin: A polychromed wood, Assumption parish church gift.

2. 19th Century:

   • Red Metal Relief on White Ground (1958): Anonymous gift.
   • A Förster: The Hula-Hoop Girl, bronze (1959); gift from Charles L. Kuhn.
   • 19th Century (unspecified):
     • St. Catherine: Oak by Henry P. Bennu.

3. 20th Century:

   • Large Daphne: Bronze gift from Meta and Charles L. Kuhn.
   • German XVI Century: Pietà, polychromed wood; Museum use in memory of Eda K. Loeb.
   • German XVI Century: Standing Christ Child, polychromed wood; gift of Ralph Harman Booth in memory of his wife, Mary Booth.
   • School of Fontainebleau (circa 1540): Pair of Angels, lindenwood; gift from Jane Q. Rosanoff in memory of Dr. J. Louis Ransohoff.
   • 18th Century (ca. 1750): St. Ambrose, polychromed wood; Associate gift.

Loans:

• Library:
  • Black (from Harvard Uni)
  • W. Gärtner (unspecified)

The page also includes some handwritten notes related to the entries, indicating further details or follow-up actions. The header on the right side mentions "Fogg Art Museum" and "Busch-Reisinger Museum."

The image shows a page from the "Annual Report 1959-60" of the Busch-Reisinger Museum. The page lists various artworks acquired by the museum during that period, along with details about each piece. Here is a summary of the information presented:

Busch-Reisinger Museum Acquisitions:

1. XVIII Century:

   • The Virgin: Polychromed wood, anonymous Japanese. Gift.

2. 1918:

   • Red Metal Relief on White Ground: Anonymous gift.

3. 1939:

   • The Hula-Hoop Girls: Bronze, Charles Umlauf. Gift.

4. XIX Century (?):

   • St. Catherine: Oak, gift, Henry P. Kraus.

5. 1960:

   • Large Daphne: Bronze, gift, Mrs. Charles L. Kuhn in memory of Edith K. Loch.

6. 1939:

   • Standing Christ Child: Polychromed wood, anonymous gift.

7. 1930:

   • Painting: Paper, watercolor, gift, Jane Randall.

8. ca. 1730:

   • St. Ambrose: Polychromed wood, anonymous gift.

9. ca. 1730:

   • St. Augustine: Polychromed wood, anonymous gift.

Loans:

• Japanese Prints: Loaned by Harvard University, W. Garstin, and E. Gradmann to Munich.

The page also includes some handwritten annotations, specifically the title "Annual Report 1959-60" at the top and a note about loans in the bottom right corner. The document appears to be a formal record of the museum's acquisitions and loans for the specified period.

The image shows a page from an annual report of the Busch-Reisinger Museum for the period 1959-60. The page is typed with a list of acquisitions and loans. Here are the details:

Acquisitions:

1. XVIII Century: The Virgin, polychromed wood; Association purchase.
2. Forrer: Red Metal Relief on White Ground, 1958; anonymous gift.
3. Förster: The Hula-Hoop Girl, bronze, 1959; gift of Charles and Mary Camp.
4. XIX Century (?) St. Catherine, oak; gift of Henry P. Benson.
5. Italian, Large Duplino, bronze; gift of Mrs. Charles L. Kuhn in memory of Dr. Eda K. Loeb.
6. German, XVI Century: Pietà, polychromed wood; Museum purchase.
7. German, XVI Century: Standing Christ Child, polychromed wood; Museum purchase.
8. School of Jan van Eyck (1390-1440): Pair of Angels, lindenwood; gift of Jane Ransohoff in memory of Dr. Louis Ransohoff.
9. XX Century: St. Ambrose, polychromed wood; Association purchase.
10. XVIII Century: St. Augustine, polychromed wood; Association purchase.

Loans:

1. Fogg Art Museum, Harvard University: W. G. Constable, on loan.

There is also a faint stamp on the right side of the page that reads "Fogg - Graduate Institute of Massachusetts."

The document appears to be well-preserved, with only a few minor marks and creases. The text is clear and legible.

The image is a page from an annual report for the Busch-Reisinger Museum covering the period 1959-60. The page lists acquisitions made by the museum during this time. Here is a detailed summary of the entries:

1. XVIII Century: The Virgin, polychromed wood; Association purchase.
2. 1958: Red Metal Relief on White Ground, anonymous gift.
3. 1959: The Hula-Hoop Girls, bronze, gift, Charles A. Förster.
4. Nineteenth Century (?): St. Catherine, oak; gift, Henry P. Benny.
5. Large Daphnis, bronze, gift, Mrs. Charles L. Kuhn.
6. Sixteenth Century: Pietà, polychromed wood, Museum purchase in memory of Edna K. Loeb.
7. German, XVI Century: Standing Christ Child, polychromed wood, gift, Mrs. Charles L. Kuhn.
8. School of Jan van Eyck (?) ca. 1490: Pair of Angels, lindenwood, gift, Jane Ransohoff in memory of Dr. J. Louis Ransohoff.
9. ca. 1750: St. Ambrose, polychromed wood; Association purchase.
10. ca. 1750: St. Augustine, polychromed wood; Association purchase.

Additionally, the page includes a section titled "Loans," listing the following institutions:

• Museum
• Black Library
• Harvard University
• W. Garstin

There are also some annotations in the margin, including "Fogg-Gerstacker Institute Massachusetts."

The page appears to be from a formal document, likely part of a museum's annual report detailing acquisitions and loans for that year.

The image shows a page from an annual report of the Busch-Reisinger Museum for the years 1959-60. The page is titled "Annual Report 1959-60" at the top in blue handwriting. The page details various acquisitions made by the museum during this period:

1. The Virgin, polychromed wood, Association purchase, XVI Century
2. Red Metal Relief on White Ground, 1958, anonymous gift
3. The Hula-Hoop Girls, bronze, 1959, gift, Charles Forrest
4. St. Catherine, oak, gift, Henry P. Bennett, XIX Century (?)
5. Large Daphne, bronze, gift, Mrs. Charles L. Kuhn
6. Pieta, polychromed wood, Museum purchase in memory of Eda K. Loeb, XV Century
7. Standing Christ Child, polychromed wood, German, XVI Century
8. Pair of Angels, lindenwood, gift, Jane Ransohoff in memory of Dr. J. Louis Ransohoff, ca. 1490
9. St. Ambrose, polychromed wood, Association purchase, ca. 1750
10. St. Augustine, polychromed wood, Association purchase, ca. 1750

Below the acquisitions, there is a section titled "Loans," which lists the following institutions:

• Black Museum, Harvard University
• W. Garstin
• Fogg Art Museum (with a note indicating a loan from the Graduate Institute, Massachusetts)

The page also includes some handwritten annotations and corrections, indicating the document is a detailed record of the museum's activities during the specified period.

The image shows a page from an Annual Report for the years 1959-1960 of the Busch-Reisinger Museum. The page lists various acquisitions and loans made by the museum during that period.

Acquisitions:

1. XVIII Century: "The Virgin, polychromed wood" - Assoc. purchase.
2. 1958: "Red Metal Relief on White Ground" - Anonymous gift.
3. 1959: "The Hula-Hoop Girls, bronze" - Gift from Charles H. Förster.
4. XIX Century (?): "St. Catherine, oak" - Gift from Henry P. Bennett.
5. Large Dupline, bronze - Gift from Mrs. Charles L. Kuhn.
6. XV Century: "Pieta, polychromed wood" - Museum use in memory of Eda K. Loeb.
7. XVI Century: "Standing Christ Child, polychromed wood" - German, School (?) - ca. 1490: Gift from Dr. Jane Ranshoff in memory of Dr. J. Louis Ranshoff.
8. ca. 1750: "St. Ambrose, polychromed wood" - Association gift.
9. ca. 1750: "St. Augustine, polychromed wood" - Anonymous gift.

Loans:

1. Museum Black Library
2. Harvard University
3. W. Garstin
4. Fogg Museum (specifically noted as the Fogg Art Museum)

The page also contains some handwritten notes, including the title "Annual Report 1959-60" at the top.

The image shows an open book page, with the left side mostly blank apart from a handwritten note at the top that says "Annual Report 1959-60." The right side of the page features a list of items under the heading "BUSCH-REISINGER MUSEUM." The list includes various art pieces and artifacts, such as "XVIII Century: The Virgin, polychromed wood" and "The Hula-Hoop Girls, bronze, 1959." Each item is attributed to a donor or a collection.

The list also mentions loans from the "Black Library, Harvard Uni..." among others, but the text is cut off at the bottom of the page. Some words and lines appear faded or smudged, and there are minor signs of wear on the page. The background of the image includes the book's binding on the right edge, indicating that this is a photograph of an open publication lying flat.

The image shows a page from a book or a report with the handwritten text "Annual Report 1959-60" at the top in blue ink. The page contains a small, roughly cut-out and pasted piece of a typed document. The cut-out section is fragmented and only parts of words and sentences are visible. It references the "Busch-Reisinger Museum" and mentions various art pieces, including descriptions like "The Virgin, polychromed wood," "The Hula-Hoop Girls, bronze," and "St. Catherine, oak." The text appears to summarize acquisitions or loans of artworks to the museum. The rest of the page is blank.

The image shows a page from an Annual Report dated 1959-60, specifically from the Busch-Reisinger Museum. The page appears to be part of a formal document, likely a catalog or inventory, detailing acquisitions and loans for the museum during that period.

Key Observations:

1. Title and Date:

   • The top of the page prominently displays "Annual Report 1959-60" in handwritten text, indicating the document's purpose and timeframe.

2. Content:

   • The page is structured into sections, with the primary focus on acquisitions and loans.
   • The acquisitions section lists various artworks with detailed descriptions, including:
     • Title
     • Artist or Creator
     • Material and Medium (e.g., wood, bronze, etc.)
     • Date or Period
     • Source of Acquisition (e.g., gift, purchase, association, etc.)
     • Donor or Source (if applicable)

3. Acquisitions Section:

   • The acquisitions are numbered (e.g., "XVIII Century," "XIX Century") and include:
     • XVIII Century: "The Virgin, polychromed wood; Association purchase for Bednar."
     • Red Metal Relief on White Ground, 1936; anonymous gift to Foster.
     • The Hula-Hoop Girls, bronze, 1939; gift, Charles Henry.
     • XIX Century (2): "St. Catherine, oak; gift, Henry P. Henry."
     • Large Daphne, bronze; gift, Mrs. Charles L. Kuhn.
     • Pietà, polychromed wood, Museum use in memory of Edna Loeb.
     • Standing Christ Child, polychromed wood, Museum purchase.
     • Pair of Angels, lindenwood; gift, Jane Ranofsky, ca. 1490; Dr. J. Louis Ranofsky School (1), ca. 1490; St. Ambrose, polychromed wood, Association, ca. 1750.
     • St. Augustine, polychromed wood, Association, ca. 1750.

4. Loans Section:

   • The loans section is labeled "LOANS" and lists:
     • Black Library, Harvard University, W. Garvin and E. nerfe.

5. Handwritten Notes:

   • There are handwritten notes and markings on the page, including:
     • A vertical column on the right side with the words "Fogg Graduate Institute Museum," suggesting a possible affiliation or reference.
     • Some underlining and annotations, indicating areas of interest or emphasis.

6. Layout and Formatting:

   • The text is typed, with clear headings and organized entries.
   • The page has a clean, formal appearance typical of archival or institutional reports.

Summary:

The image depicts a page from the 1959-60 Annual Report of the Busch-Reisinger Museum, detailing acquisitions and loans for that year. The acquisitions section lists various artworks with detailed descriptions, including titles, materials, dates, and sources of acquisition. The loans section mentions a specific loan to the Black Library at Harvard University. Handwritten notes and markings suggest active engagement with the document, possibly for cataloging or reference purposes. The overall presentation is formal and structured, consistent with institutional reporting standards.

The image shows an open book titled "Annual Report 1959-60" from the Busch-Reisinger Museum, Harvard University. The page displays a list of artworks and their details, including descriptions, dates, and donors. The artworks listed include sculptures and reliefs, such as "The Virgin" by Ivo Bodmer, "The Hula-Hoop Girls" by Charles Uhn, and "St. Catherine" by St. Catherine. The report also mentions loans from other institutions, such as the Fogg Art Museum and the Harvard University Library. The page has a white background with black text, and the edges of the pages are slightly curled.