Archives Scrapbooks

The image shows a page from a report, specifically the "Report of the President of Harvard College and Reports of Departments, 1918-19." The section displayed is titled "Busch-Reisinger Museum" and is addressed "To the Dean of the Faculty of Arts and Sciences."

The text begins with a note from the author stating that they have the honor of making the report on the work of the Busch-Reisinger Museum of Germanic Culture for the academic year 1918-19.

Key Points from the Report:

1. Reinstallation of Collections:

   • The reinstallation of the permanent collection was a major event of the year.
   • This involved rearranging the collection to make necessary additions, particularly of original works of art.

2. Plaster Casts:

   • Only the most significant plaster casts were kept on view.
   • All casts were removed from the gallery and some were placed elsewhere in the galleries.
   • Others were relegated to the basement.

3. Chapel Arrangement:

   • The new arrangement allowed for a concentration of medieval German originals in the chapel, displayed in an architectural setting reminiscent of a small Gothic church.
   • Thanks to a loan by the Benedictine Priory of Portsmouth, Rhode Island, a group of 15th-century glass panels were installed in the windows of the chapel.

4. Kuno Francke Memorial Gallery:

   • This gallery was also rearranged.
   • It now contains representative examples of German art from Germany, the Low Countries, and Scandinavia.
   • The gallery's arrangement aims to show the continuity of Germanic art and its influence on aesthetically satisfying interiors, meeting the special teaching needs of the Museum.

The report emphasizes the museum's efforts to enhance its collection and improve the presentation of its exhibits for educational purposes.

The image shows a page from an annual report of the Busch-Reisinger Museum, dated 1958-59. The report is addressed to the Dean of the Faculty of Arts and Sciences at Harvard College.

Here are the key points detailed in the report:

1. Reinstallation of Collections:

   • The permanent collection of the museum was reinstalled during the academic year 1958-59. This was primarily driven by the significant increase in the number and variety of original works of art acquired.

2. Changes to Plaster Casts:

   • Most of the plaster casts that were part of the museum's collection were either kept out of view or removed entirely. All casts previously located in the "chapel" were removed, and some were placed in other gallery spaces.

3. Medieval German Originals:

   • The arrangement allowed for a concentration and effective display of medieval German originals in a setting resembling the apse of a Late Gothic church.

4. Stained Glass Panels:

   • Thanks to a loan from the Benedictine Priory of Portsmouth, Rhode Island, a group of stained glass panels was installed in the windows of the Charles Kuhn Memorial Gallery.

5. Gallery Reorganization:

   • The ground level of the museum was mainly reorganized to showcase the decorative arts of Germany, the Low Countries, and Scandinavia.
   • The balcony of this gallery still features art from the current century.

6. Aesthetic and Educational Goals:

   • The new arrangement aims to balance the aesthetic appeal of the museum's interior with its educational purposes, striving to meet the specific teaching needs of the museum.

This report highlights the efforts to modernize and better organize the museum's collections to enhance both their visual appeal and educational value.

The image shows a page from a printed report titled "Busch-Reisinger Museum," which appears to be part of the Report of the President of Harvard College and Reports of Departments from the academic year 1958-59.

The report is addressed to the Dean of the Faculty of Arts and Sciences. It details the activities and changes within the Busch-Reisinger Museum of Germanic Culture for that year.

Key points from the report include:

1. Reinstallation of Permanent Collection:

   • The major event of the year was the reinstallation of the museum's permanent collection.

2. Plaster Casts:

   • Many plaster casts were removed from the gallery known as the "chapel."
   • Some casts were placed elsewhere in the galleries, while others were stored in accessible areas in the basement.
   • The most significant casts were kept on view.

3. Medieval Art:

   • The collection of medieval German originals was rearranged and displayed in a setting that mimics the apse of a Late Gothic church.

4. Stained Glass:

   • An interesting group of stained glass panels was installed in the windows of the chapel, thanks to a loan from the Benedictine Priory of Portsmouth, Rhode Island.

5. Kuno Francke Memorial Gallery:

   • This gallery was also rearranged.
   • The ground level now focuses on the decorative arts of Germany, the Low Countries, and Scandinavia.
   • The balcony level is dedicated to the art of the 20th century.

6. Aesthetic and Teaching Needs:

   • The new arrangement aims to balance aesthetic satisfaction with the special teaching needs of the museum.

The document is printed on a light-colored paper and is part of a larger book, as indicated by the visible binding and page numbers.

The image depicts an open page from a report prepared from the Report of the President of Harvard College and Reports of Departments for the year 1958-59. The page specifically discusses the Busch-Reisinger Museum.

The report is addressed to the Dean of the Faculty of Arts and Sciences. It outlines the major activities and changes within the Busch-Reisinger Museum of Germanic Culture for the academic year 1958-59.

Key points from the text include:

1. Reinstallation of Collections: The reinstallation of the museum's permanent collection was a significant event during this period. This reinstallation was necessitated by the acquisition of numerous original works of art.
2. Plaster Casts: The most significant plaster casts were kept on view, while others were removed from the gallery known as the "chapel" and relocated to accessible storage areas in the basement.
3. New Installations: The chapel was repurposed to display medieval German originals, arranged to resemble the apse of a Late Gothic church. Thanks to a loan from the Benedictine Priory of Portsmouth, Rhode Island, stained glass panels were also installed in the chapel windows.
4. Kuno Francke Memorial Gallery: This gallery was rearranged to focus on the decorative arts of Germany, the Low Countries, and Scandinavia. The balcony of the gallery continues to showcase the art of the 20th century.
5. Overall Aims: The new arrangement aims to balance aesthetic appeal with the educational and teaching needs of the museum.

The page appears to be from an official document, likely a printed report, and is open to a specific section detailing these museum updates.

The image shows a page from a document titled "Busch-Reisinger Museum," specifically part of a report from the Report of the President of Harvard College and Reports of Departments for the academic year 1958-59. The page is addressed to the Dean of the Faculty of Arts and Sciences.

The text discusses the reinstallation of the permanent collection at the Busch-Reisinger Museum during the academic year 1958-59. Key points include:

1. The reinstallation was a significant event due to the acquisition of numerous original artworks.
2. Many plaster casts were removed from the gallery known as the "chapels." Some were relocated to other galleries, while others were stored in accessible areas in the basement.
3. The museum's new arrangement featured medieval German originals displayed in an architectural setting resembling a Late Gothic church.
4. Stained glass panels from the Benedictine Priory of Portsmouth, Rhode Island, were installed in the windows of the chapel.
5. The Kuno Francke Memorial Gallery was rearranged, with the ground level dedicated to decorative arts from Germany, the Low Countries, and Scandinavia, while the upper level still held contemporary art.

The overall aim was to create an aesthetically pleasing interior and meet the special teaching needs of the museum.

The image shows a page from a report, specifically from the "Report of the President of Harvard College and Reports of Departments, 1958-59." The section displayed is about the Busch-Reisinger Museum. The text is a report addressed to the Dean of the Faculty of Arts and Sciences, detailing the work done by the museum during the academic year 1958-59.

Key points mentioned in the report include:

1. The Collections: The reinstallation of the permanent collection was a significant event. This was driven by the acquisition of numerous and varied original works of art.

2. Plaster Casts: Only the most significant plaster casts were retained on view, with some moved to other galleries and some transferred to accessible storage areas. The removal of these casts revealed the medieval German originals, which were then displayed in a setting resembling a Late Gothic church.

3. Stained Glass: Thanks to a loan from the Benedictine Priory of Portsmouth, Rhode Island, a group of stained glass panels was installed in the windows of the chapel.

4. Rearrangement: The Kuno Francke Memorial Gallery was rearranged. The ground level now focuses on the decorative arts of Germany, the Low Countries, and Scandinavia, while the balcony still displays 20th-century art.

5. New Arrangement: The new arrangement aims to balance aesthetic satisfaction and the special teaching needs of the museum.

The text is neatly organized, with a clear title and subheadings, and it provides specific details about the changes and improvements made in the museum during that academic year.

This is an image showing an open book or a publication on a white surface. The right-hand page is visible and contains a block of typewritten text. At the top, in smaller print and italicized, there is a note indicating that the text is reprinted from a report related to Harvard College and its departments for the year 1958-1959.

The text starts with a heading that reads "Busch-Reisinger Museum" in bold. Below that is a subheading, "To the Dean of the Faculty of Arts and Sciences:", followed by the salutation, "Sir—". The paragraph below the salutation appears to be the beginning of a report about the activities and status of the Busch-Reisinger Museum of Germanic Culture over the academic year 1958-59. The page continues with a section titled "THE COLLECTIONS," describing the reinstallation of the museum's permanent collection as a major event of the year and providing details on the changes and arrangements made.

The text is presented in a formal and academic style, typical of administrative or scholarly reporting. It appears to be a page from an institutional report or published work, intended for an audience interested in the museum's operations or academic affairs related to arts and sciences.

The image shows an open book with a smaller printed page attached to the right page. The attached page is titled "Busch-Reisinger Museum" and appears to be a report or formal document addressed to the Dean of the Faculty of Arts and Sciences. It discusses the work of the Busch-Reisinger Museum of Germanic Culture for the academic year 1958-59.

The text highlights the reinstallation of the permanent collection of the museum as the major event of the year, mentioning the removal and relocation of plaster casts from the gallery known as the chapel. The document also notes a rearrangement of the Kuno Francke Memorial Gallery and mentions decorative arts from Germany, the Low Countries, and Scandinavia. It emphasizes balancing an aesthetically satisfying interior with the special teaching needs of the museum. The report format includes sections like "THE COLLECTIONS."

The image shows an open book, specifically a page from a formal report or document. The page is titled "Busch-Reisinger Museum" and is part of a report prepared for the Dean of the Faculty of Arts and Sciences. The document appears to be an official report detailing the activities and developments of the Busch-Reisinger Museum of Germanic Culture for the academic year 1958–59.

Key Features of the Page:

1. Header Information:

   • The page is labeled as being "Preprinted from the Report of the President of Harvard College and Reports of Departments, 1958–59."
   • The title, "Busch-Reisinger Museum," is prominently displayed at the top.

2. Addressed To:

   • The report is addressed to the "Dean of the Faculty of Arts and Sciences" with a formal salutation: "Sir,— I have the honor to make the report on the work of the Busch-Reisinger Museum of Germanic Culture for the academic year 1958–59."

3. Content:

   • The section titled "THE COLLECTIONS" discusses the major event of the year: the reinstallation of the permanent collection of the Museum.
   • Key points mentioned include:
     • The reinstallation was necessary due to the number and variety of original works of art acquired.
     • The most significant plaster casts were kept on view, while others were removed to accessible storage areas in the basement.
     • The gallery previously known as the "chapel" was redesigned to resemble the interior of a Late Gothic church, inspired by the architectural style of a Late Gothic church in Portsmouth, Rhode Island.
     • Stained glass panels were installed in the windows of the chapel, thanks to a generous loan by the Benedictine Priory of St. John's.
     • The Kuno Francke Memorial Gallery was also rearranged, with the ground level now largely devoted to the decorative arts of Germany, the Low Countries, and Scandinavia. The balcony of this gallery is still occupied by the art of the 20th century.
     • The new arrangement aims to balance aesthetic satisfaction with the special teaching needs of the Museum.

4. Layout and Design:

   • The page has a clean, formal layout typical of academic or institutional reports.
   • The text is typed in a serif font, and the page is numbered at the bottom (though the number is not fully visible in the image).
   • The book itself has a dark green spine and edges, suggesting it is part of an official or archival collection.

Overall Impression:

The image depicts a formal, academic report detailing the activities and changes at the Busch-Reisinger Museum during the academic year 1958–59. The content focuses on the reinstallation of the museum's collections, highlighting efforts to enhance the display of artworks and create an aesthetically pleasing and educationally effective environment. The document reflects a structured and professional approach to museum management and curation.

The image shows a book open to a page with a title "Busch-Reisinger Museum." The text is printed in black font on a white background. The page has a green border on the right side, and the left side is blank. The text on the page reads, "To the Dean of the Faculty of Arts and Sciences: Sir, I have the honor to make the report on the work of the Busch-Reisinger Museum of Germanic Culture for the academic year 1958-59." The text below the title reads, "The Collections." The text provides information about the museum's collection and its arrangement.