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The image shows a typed letter on a piece of paper that appears to be part of a larger document or book. The letter is from Charles L. Kuhn, who is identified as the Curator. The content of the letter discusses recent acquisitions of religious sculptures from Vienna, specifically polychromed wood life-size figures from around 1740. These figures include the Church Fathers, a Crucifixion group, the Virgin Mary, and St. John the Evangelist. The letter mentions that although some figures are missing, the completeness and power of the group will be impressive once installed.

The letter also informs the recipient that postcards of some of these objects will be sent as they are printed and that an exhibition is planned for January. The writer expresses hope that many recipients will visit the museum in Cambridge to see the preview and mentions that it would give him great pleasure to welcome them. The letter concludes with "Cordially yours," followed by the signature of Charles L. Kuhn, Curator.

The image shows a typewritten letter from a museum curator. Here are the details:

1. Sender and Role:

   • The letter is signed by Charles L. Kuhn, who is the Curator.

2. Content of the Letter:

   • The letter discusses recent acquisitions made by the museum in Vienna.
   • The acquisitions include several large eighteenth-century religious sculptures.
   • Specifically mentioned are two polychromed wood life-size figures of Church Fathers, dating from around 1740. These figures are noted for their excellent execution.
   • Another piece mentioned is a Crucifixion group, also life-size, slightly later in date and less easily localized. This group consists of Christ on the Cross, the Virgin Mary, and St. John the Evangelist.
   • The letter notes that while much of the polychromy (painted decoration) of these figures has been lost, their completeness and scale will make a significant impression once installed.

3. Future Plans:

   • The curator plans to send postcards of some of these objects once they are printed.
   • An exhibition of these and other new acquisitions is planned for January.
   • The recipient of the letter will receive an invitation to the preview.
   • The curator expresses hope that many recipients will visit the museum and welcomes them to do so.

4. Closing:

   • The letter ends cordially with "Cordially yours," followed by the signature of Charles L. Kuhn, Curator.

The image shows a page from a letter written by Charles L. Kuhn, who identifies himself as a Curator. The letter is discussing recent acquisitions of eighteenth-century religious sculptures from Vienna.

Key points from the letter include:

• The author acquired several large eighteenth-century religious sculptures while in Vienna.
• Among these acquisitions are two polychromed wood life-size figures of Church Fathers, which are excellent examples of Viennese work from about 1740.
• There is also a Crucifixion group from around the same period, featuring Christ on the Cross, the Virgin Mary, and St. John the Evangelist.
• Although the polychromy of these figures has been lost, their completeness, scale, and power make them impressive.
• The author mentions plans to send postcards of these objects and to organize an exhibition of these and other new acquisitions in January.
• The author expresses hope that the recipient will be able to visit the museum during the exhibition and welcomes them to Cambridge.

The letter concludes with a cordial closing and the signature of Charles L. Kuhn, Curator.

The image shows a page from a book or a document that appears to be a letter or note written by Charles L. Kuhn, who is identified as a curator. The content of the page is as follows:

In Vienna, still in quest of the water tank, I acquired several large eighteenth-century religious sculptures. Among them were two polychromed wood life-size figures of Church Fathers, excellent examples of Viennese work of about 1740. Perhaps a little later in date and less easily localized is a Crucifixion group, also life-size. It consists of Christ on the Cross, the Virgin Mary, and St. John the Evangelist. Much of the polychromy of these figures has been lost, but the completeness of the theme, its scale, and its power will make it truly impressive when it is installed.

We expect to send you postcards of some of these objects as soon as they are printed. We are also planning an exhibition of these and other new acquisitions in January. You will receive notice of the preview, and we very much hope that many of you will be able to come to Cambridge at that time and to visit the Museum. It would give me great pleasure to welcome you here.

Cordially yours,

Charles L. Kuhn
Curator

The image shows a page from a letter written by Charles L. Kuhn, a curator. The letter appears to be discussing some acquisitions he made in Vienna. Here are the details:

1. Content Overview:

   • Charles L. Kuhn mentions that he was in Vienna looking for a water tank and acquired several large eighteenth-century religious sculptures.
   • Two notable acquisitions are described: life-sized poly-chromed (multi-colored) wooden figures of Church Fathers, which are excellent examples of Viennese work from around 1740.
   • Additionally, there is a Crucifixion group, also life-sized, dated around the same time. This group includes figures of Christ on the Cross, the Virgin Mary, and St. John the Evangelist. Although the polychromy (original colors) of these figures has been lost, the completeness of the theme and its scale make the installation impressive when it is installed.

2. Exhibition Plans:

   • The curator mentions plans to send postcards of some of these objects once they are printed.
   • An exhibition of these and other new acquisitions is planned for January.
   • He expects that many recipients of the letter will be able to visit the museum in Cambridge at that time to see the exhibition.

3. Closing:

   • Charles L. Kuhn concludes the letter by expressing his pleasure at the prospect of welcoming visitors to the museum and signing off with "Cordially yours."

The letter is written in a formal, legible handwriting style, and the page is from what appears to be an old book or a letterbook.

The image shows a page from a letter or document. The content of the page discusses the acquisition of several large eighteenth-century religious sculptures in Vienna, including two polychromed wood life-size figures of Church Fathers from around 1740 and a Crucifixion group dating to around 1750. The letter mentions that the polychromy of these figures has been lost but emphasizes their completeness, scale, and power, which will make them impressive once installed. The author, Charles L. Kuhn, Curator, also mentions plans to send postcards of these objects and other new acquisitions, and an exhibition planned for January. He expresses hope that the recipient will be able to visit the Museum in Cambridge at that time and extends a warm welcome. The letter is signed off with "Cordially yours," followed by the name and title of the author.

The image shows an open book with a typed letter on one of the pages. The letter is from Charles L. Kuhn, who identifies himself as a curator. In the letter, Charles L. Kuhn writes about acquiring several large eighteenth-century religious sculptures in Vienna. He mentions figures of Church Fathers and a Crucifixion group consisting of Christ on the Cross, the Virgin Mary, and St. John the Evangelist, dating from around 1740. The letter discusses the quality and impact of these sculptures, despite some loss of their original polychromy. Charles L. Kuhn also mentions plans to send postcards of some of the objects and to hold an exhibition, inviting recipients to Cambridge to visit the museum. The letter is typed with single spacing on a white sheet with no letterhead, and it is affixed or printed on a page within the book. The book's cover is partially visible, showing a greenish fabric material.

The image shows an open book or a binder with typed pages. The page facing us contains the end of a letter. We can see the text is written in a formal tone and refers to the acquisition of eighteenth-century religious sculptures and the planning of an exhibition including these sculptures. The letter ends with a polite closing, "Cordially yours," followed by the name "Charles L. Kuhn, Curator." The top and bottom of the other page are visible, but the text is not legible due to the angle and overlap. The book or binder lies on a flat surface, and it has a greenish cover only visible at the edges. The pages are off-white, indicating it may be of some age or not made of bright white paper.

The image shows an open book with a page visible, featuring a formal letter or correspondence. The text is typed in a serif font and appears to be from a curator, Charles L. Kuhn, discussing recent acquisitions of religious sculptures. The content mentions large, chromed wood life-size figures of Church Fathers, two poly-chromed wood life-size figures of Viennese work from around 1740, and a Crucifixion group dating from the same period. The letter also references plans for an exhibition of these and other new acquisitions in January, with post cards to be sent as soon as the objects are printed. The curator expresses hope that recipients will attend a preview in Cambridge and welcomes them to visit the museum. The letter is signed "Cordially yours, Charles L. Kuhn, Curator." The book's spine and edges are visible, with a green binding and cream-colored pages, suggesting a formal or archival document. The overall tone is professional and informative, aimed at museum patrons or stakeholders.

The image shows an open book on a gray surface. The book appears to be a hardcover book with a green spine and white pages. The book is opened to a page that contains a handwritten letter. The letter is written in black ink on white paper and appears to be a personal correspondence. The letter is addressed to an individual and contains information about the acquisition of several large eighteenth-century religious sculptures in Vienna. The letter also mentions plans for an exhibition of these sculptures and other new acquisitions in January. The letter is signed by Charles L. Kuhn, who is identified as the curator.