Archives Scrapbooks

The image shows an open book or document detailing information about the Busch-Reisinger Museum. The text is divided into two columns on each page.

Left Column:

• The museum acquired significant works by artists Kasimir Malevich, Alexander Archipenko, and Willi Baumeister as indefinite loans, following the wishes of the late Dr. Alexander Dorner.
• The chief source of current gifts to the museum is the Busch-Reisinger Museum Association, which has seen an increase in contributions and membership. A total of 264 members contributed $11,343.00.
• Notable gifts include $1,000 from Dr. Matthew T. Mellon, an anonymous gift of $1,500 in memory of Curt Valentin, and a group of prints from past members of the Visiting Committee.
• The Curator expresses gratitude to several individuals and Professor John P. Coolidge for their contributions.
• The Rockefeller Foundation funded the appointment of Mr. Hans Maria Wingler as a Research Associate to study the history of the Bauhaus.

Right Column:

• A catalogue of the University's holdings in German art of the twentieth century was published in 1957, with contributions from the Curator and Professor Jakob Rosenberg.
• The catalogue was made possible by a publication fund raised in 1955-56, largely due to the efforts of Mr. Neil McElroy and the Visiting Committee.
• The year began with an exhibition of modern German art, featuring works from the museum's collection.
• Two exhibitions were held in late November and December, showcasing the University's collections of twentieth-century German art.
• In January and February, a special exhibition of prints was held, highlighting the richness of the University's print collection, although space limitations prevented full representation of the graphic arts.

The text provides a comprehensive overview of the museum's activities, acquisitions, and exhibitions during a specific period, emphasizing the contributions of various individuals and organizations.

The image shows two pages from a document related to the Busch-Reisinger Museum. Here is a detailed summary of each page:

Left Page:

• Busch-Reisinger Museum:
  • The museum is noted for its significant collection of early twentieth-century art.
  • Important works by Kasimir Malevitch, Alexander Archipenko, and Willi Baumeister were placed in the museum on indefinite loans, fulfilling the wishes of the late Dr. Alexander Dorner.
• Current Gifts:
  • The primary source of current gifts has been the Busch-Reisinger Museum Association, which saw an increase in membership contributions.
  • The membership increased from 264 members to 74 new members, raising a total of $11,345.
  • Several notable gifts were received:
    • Dr. Matthew T. Mellon gave $1,000.
    • An anonymous gift of $3,500 was made in memory of Curt Valentin.
    • A group of present and past members of the Visiting Committee presented a fund for purchasing works of art to celebrate the 25th anniversary of the Curator's tenure.
  • The Curator expressed gratitude to numerous individuals, including Ralph G. Albrecht, Arthur J. Anderson, Alfred J. Baldwin, F.F. Beer, Otto Fuhrbringer, Naboth Hedin, Hans V. Kaltenborn, G. Hilmer Lundbeck, Just Lunning, Neil H. McElroy, Henry P. McIlhenny, Matthew T. Mellon, L.A. Petersen, Gustav von Reis, Curt H. Reisinger, and Frederic B. Whitman.
  • The Rockefeller Foundation funded the appointment of Mr. Hans Maria Wingler from Frankfurt a.M., Germany, as a Research Associate for ten weeks to study the history of the Bauhaus and use the museum's Bauhaus materials.

Right Page:

• Publications:
  • A comprehensive catalog of the University's holdings in the field of German art from the twentieth century was published by Harvard University Press in 1957, titled German Expressionism and Abstract Art: The Harvard Collections. The catalog includes an introduction and an essay on modern German graphic art by Professor Jakob Rosenberg. The publication was made possible by a fund raised from 1955-56, primarily through the efforts of Mr. Neil McElroy and other members of the Visiting Committee.
• Exhibitions:
  • The year started with an exhibition of "Modern German Art" held during the summer, showcasing materials from the museum’s own collection.
  • An exhibition titled "Twelve Scandinavian Designers" was circulated by the Smithsonian Institution.
  • Two exhibitions were held in late November and December, connected to the newly published catalog. These exhibitions highlighted the University's collections of twentieth-century German art from 1900-1915 and were titled "Modern German Art at Harvard, Part I" and "Modern German Art at Harvard, Part II".
  • A special exhibition of prints was held in January and February, demonstrating the breadth of the University's collection in graphic arts.

The image shows a page from a document related to the Busch-Reisinger Museum. The page contains two main sections, each detailing different aspects of the museum's activities.

Left Section:

• This section discusses the museum's collection of important works by artists such as Kasimir Malewitsch, Alexander Archipenko, and Willi Baumeister, which were placed on indefinite loans in accordance with the wishes of Dr. Alexander Dorner.
• It mentions the current gifts to the museum, highlighting contributions from the Busch-Reisinger Museum Association. The association had 264 members contributing a total of $11,345.00. Specific gifts include a $3,500 donation in memory of Curt Valentin, and a fund established for the purchase of art in recognition of the curator's 25th anniversary.
• The curator expresses gratitude to various individuals, including Ralph G. Albrecht, Arthur J. Anderson, Alfred J. Baldwin, and others.
• The Rockefeller Foundation supported the appointment of Hans Maria Wingler, who was engaged in research on the Bauhaus.

Right Section:

• This section covers the museum's publications and exhibitions.
• It notes the publication of a complete catalogue of the University's holdings in German art from the twentieth century, titled German Expressionism and Abstract Art - The Harvard Collections, published by Harvard University Press in 1957.
• The catalog was funded significantly by contributions from Mr. Neil McElroy and other members of the Visiting Committee.
• The year opened with an exhibition titled "Modern German Art," featuring works from the museum's collection.
• Two exhibitions were held in late November and December, titled "Modern German Art at Harvard, Part I, 1900-1915" and "Modern German Art at Harvard, Part II, 1916 to 1957," showcasing the museum's extensive collection of German art.
• Additionally, a special exhibition of prints was scheduled for January and February.

Overall, the document highlights the museum's efforts in acquiring and displaying significant works of modern German art, as well as its role in educational and cultural enrichment through publications and exhibitions.

The document is a report from the Busch-Reisinger Museum, detailing various activities and developments. Key points include the placement of significant artworks by Kasimir Malewitsch, Alexander Archipenko, and Willi Baumeister as indefinite loans, and the growth of the Busch-Reisinger Museum Association with 74 new members joining. Notable gifts and donations are mentioned, such as Dr. Matthew T. Mellon's donation of $1,000 and an anonymous gift of $3,500 in memory of Curt Valentin. The Rockefeller Foundation provided funds for the appointment of Mr. Hans Maria Wingler as Research Associate. The museum published a catalogue titled 'German Expressionism and Abstract Art - The Harvard Collections' and held several exhibitions, including 'Modern German Art,' 'Twelve Scandinavian Designers,' and two parts of 'Modern German Art at Harvard,' showcasing the university's extensive collection of twentieth-century German art. The report highlights the richness of the university's print collection, despite space constraints.

The image shows two pages from an annual report of the Busch-Reisinger Museum, detailing several aspects of its operations, collections, and activities during a specific period.

Left Page (Page 4):

Precursor of 20th Century Art:

• The museum holds important works from precursors of 20th-century art, including pieces by artists like Kasimir Malevich, Alexander Archipenko, and Willi Baumeister. These works are on indefinite loan, following the wishes of the late Dr. Alexander Dorner.

Current Gifts:

• The Busch-Reisinger Museum Association was the primary source of contributions, although it saw a decline in membership renewals. Only 274 members renewed, down from a previous count of 300, contributing $11,345.00.
• Additional donations were made by Dr. Matthew T. Mellon ($1,000), an anonymous gift in memory of Curt Valentin ($3,200), and funds from present and past members of the Visiting Committee for purchasing artworks.
• The Curator expressed gratitude to several individuals, including Ralph G. Albrecht, Arthur J. Anderson, Alfred J. Baldwin, F. F. Beer, Otto Fuerbringer, and others, for their contributions and support.
• The Rockefeller Foundation provided funding for the research appointment of Mrs. Hans Maria Wingler from Frankfurt am Main, Germany, to study the Bauhaus history over ten weeks.

Right Page (Page 5):

Publications:

• A comprehensive catalog of the University’s holdings in German art of the 20th century was published by Harvard University Press in 1957 under the title "German Expressionism and Abstract Art—The Harvard Collections."
• This catalog included a historic introduction by the Curator and an essay on modern German graphic art by Professor Jakob Rosenberg. The book was funded and promoted through the efforts of Mr. Neil McElroy and other members of the Visiting Committee.

Exhibitions:

• The year began with an exhibition titled "Modern German Art," featuring materials largely from the museum's own collection.
• The first major exhibition included industrial art designs by Scandinavian artists, winning the Frederick Lunning prize, and was circulated by the Smithsonian Institution.
• Two exhibitions were held later in the year:
  1. "Modern German Art at Harvard, Part I, 1900-1915," showcasing the University’s collections.
  2. "Modern German Art at Harvard, Part II," covering the period from late April to 1957, demonstrating the breadth of the University’s holdings in this field.
• Due to space constraints, the exhibitions were limited to prints, focusing on the richness of the University’s print collection, particularly from the early modern movement.
• In January and February, a special exhibition of prints by Lovis Corinth was displayed.

This detailed summary captures the essence of the museum's activities, contributions, and exhibitions as described in the report.

The image shows two pages from a document related to the Busch-Reisinger Museum, which focuses on German art of the twentieth century.

Left Page:

1. Historical Context:

   • The Busch-Reisinger Museum is noted for housing an important precursor to twentieth-century art.
   • A group of significant works by Kasimir Malewitsch, Alexander Archipenko, and Willi Baumeister were placed in the museum's collection through indefinite loans in accordance with the wishes of Dr. Alexander Dorner.

2. Current Gifts:

   • The Busch-Reisinger Museum Association is the main source of current gifts.
   • The Association grew significantly in membership contributions, with 264 members contributing a total of $11,345.
   • Specific gifts included:
     • Dr. Matthew T. Mellon gave $1,000.
     • An anonymous gift of $3,500 in memory of Curt Valentin.
     • A group of present and past members of the Visiting Committee contributed funds for the purchase of works of art in recognition of the twenty-fifth anniversary of the museum's Curator.
   • The Curator expresses gratitude to many individuals, including Ralph G. Albrecht, Arthur J. Anderson, Alfred J. Baldwin, F. F. Beer, Otto F. Bringer, Hans V. Kaltenborn, G. Hilmer Lundbeck, Just Lunning, Neil H. McElroy, Henry P. McIlhenny, Matthew T. Mellon, L. A. Petersen, Gustav von Reis, Curt H. Reisinger, and Frederick B. Whitman.
   • Special thanks to Professor John P. Coolidge for raising funds.
   • The Rockefeller Foundation provided funds for Mr. Hans Maria Wingler, a Research Associate from Frankfurt, Germany, to study the history of the Bauhaus and use the museum’s Bauhaus materials.

Right Page:

1. Publications:

   • A complete catalog of the University's holdings in the field of German art of the twentieth century was published in 1957 by the Harvard University Press, titled "German Expressionism and Abstract Art — The Harvard Collections."
   • The publication includes a historical introduction by the Curator and an essay on modern German graphic art by Professor Jakob Rosenberg.
   • The publication was made possible by a fund raised from 1955-1956, largely through the efforts of Mr. Neil McElroy and other members of the Visiting Committee.

2. Exhibitions:

   • The year began with an exhibition titled "Modern German Art," held during the summer months and consisting of materials from the museum's own collection.
   • The first fall exhibition showcased works of industrial art designed by twelve Scandinavian designers, including those who had won the Frederick Lunning prize.
   • In late November and December, two exhibitions were held in connection with the newly published catalog of the University's collections of twentieth-century German art:
     • The first exhibition was titled "Modern German Art at Harvard, Part I, 1900-1915."
     • The second part was planned for the following year.
   • Both exhibitions highlighted the rich collection of the university's print collection.
   • January and February featured a special exhibition of prints.

The document provides a comprehensive overview of the museum's activities, including acquisitions, publications, and exhibitions related to German art of the twentieth century.

The image shows two facing pages (pages 4 and 5) of a printed publication from the Busch-Reisinger Museum. The left page discusses the "Current Gifts," highlighting contributions and donations to the museum, including monetary gifts and the support of various individuals and foundations like the Rockefeller Foundation. It also mentions the appointment of Mr. Hans Maria Wingler as a Research Associate for research on Bauhaus history.

The right page focuses on "Publications" and "Exhibitions." It describes a complete catalogue of the University's German art holdings published by Harvard University Press in 1957 titled "German Expressionism and Abstract Art — The Harvard Collections." It also reviews exhibitions held by the museum in the summer and late fall of the same year, especially highlighting "Modern German Art" and a show named "Twelve Scandinavian Designers." The text emphasizes challenges in exhibition space and the significance of the museum's graphic arts collection.

Both pages are cleanly formatted with headings in small caps, and the text is fully justified. There is also a small paper envelope or packet attached on the left page. Some marginal handwritten notes are visible on the left side of the left page.

The image shows two pages from a printed document or a book. The content on the pages pertains to the Busch-Reisinger Museum, and it covers topics such as "Current Gifts," "Publications," and "Exhibitions." The text on the left page details various gifts and contributions made to the museum, mentions several names of individuals, and donation amounts. There is also mention of the Rockefeller Foundation's involvement. The right page discusses a complete catalogue of the University's holdings in the field of German art of the twentieth century, and it provides an overview of exhibitions held, including one called "Modern German Art" and exhibitions related to the catalogue of the University’s collections of twentieth-century German art.

Additionally, there are handwritten notes and underlinings on both pages, indicating that someone has interacted with this text for note-taking or highlighting purposes. The handwriting appears to be in blue ink and makes reference to budget items and tagging specific sections possibly for further reference. It seems like a scholarly or administrative document, possibly from an annual report or an archival record.

The image shows an open book with two visible pages, labeled as pages 4 and 5, from a publication titled "BUSCH-REISINGER MUSEUM". The content appears to be a formal document or report, likely detailing the activities, collections, and contributions related to the Busch-Reisinger Museum, which is known for its focus on German art of the 20th century.

Page 4:

• Title: "BUSCH-REISINGER MUSEUM"
• Section: "CURRENT GIFTS"
• Content:
  • Discusses the Busch-Reisinger Museum Association, which serves as the primary source of current gifts.
  • Mentions the growth of the Association, with 264 members contributing a total of $11,345.00.
  • Highlights several additional gifts, including:
    • Generous contributions to the Museum.
    • A gift of $3,500 in memory of Curt Valentin by an anonymous donor.
    • A group of present and past members of the Visiting Committee presenting a fund for the purchase of works of art in recognition of the Curator's twenty-fifth anniversary.
  • The Curator expresses gratitude to Ralph G. Albrecht and others for their support.
  • Notes the Rockefeller Foundation provided funds for appointing Mr. Hans Maria Wingler as a Research Associate for ten weeks, focusing on research into the history of the Bauhaus.

Page 5:

• Title: "BUSCH-REISINGER MUSEUM"
• Section: "PUBLICATIONS" and "EXHIBITIONS"
• Content:
  • Publications:
    • Describes a complete catalogue of the University's holdings in German art of the 20th century, published by the Harvard University Press in 1957 under the title German Expressionism and Abstract Art.
    • The catalogue includes an introduction by the Curator and an essay on modern German graphic art by Professor Jakob Rosenberg.
    • The publication was made possible by a fund raised in 1955–56, largely through the efforts of Mr. Neil McElroy and other members of the Visiting Committee.
  • Exhibitions:
    • The year began with an exhibition titled "Modern German Art", held during the summer months. It featured works of industrial art designed by twelve Scandinavian designers who had won the Frederik Lunning prize. The exhibition was circulated by the Smithsonian Institution.
    • In late November and December, two exhibitions were held in connection with the newly published catalogue of the University's collections of 20th-century German art. The exhibitions were titled:
      1. "Modern German Art at Harvard, Part I, 1900–1915", held from late April through Commencement.
      2. "Modern German Art at Harvard, Part II, late 1915", held in the second semester.
    • The text notes challenges in planning exhibitions due to limited space, particularly for showcasing the University's print collection, which was rich in early modern public justice but lacked space for graphic arts.
    • A special exhibition of prints was held in January and February.

Visual Elements:

• The pages are clean and well-formatted, with clear headings and structured paragraphs.
• The text is typed, suggesting a formal publication or report.
• The left margin of the left page includes faint handwritten notes or markings, possibly annotations or cataloging information, such as "Beg. 8-14" and "Beg. 8-14."

Overall Impression:

The image depicts a scholarly and detailed account of the Busch-Reisinger Museum's activities, focusing on its collections, publications, and exhibitions. The content highlights the museum's role in preserving and showcasing German art of the 20th century, supported by contributions, publications, and exhibitions. The document reflects the museum's engagement with academic and artistic communities.

The image is of an open book with two pages visible. The text on the left page reads "BUSCH-REISINGGER MUSEUM" and "CURRENT GIFTS," with a paragraph discussing the sources of current gifts to the museum. The paragraph mentions the Busch-Reisinger Museum Association as the chief source of gifts in the past and details contributions from various individuals and groups. The right page reads "BUSCH-REISINGGER MUSEUM" and "PUBLICATIONS," with a paragraph discussing the publication of a complete catalogue of the University's holdings in the field of German art of the twentieth century. The paragraph mentions the efforts of Mr. Neil McElroy and other members of the Visiting Committee in raising funds for the publication. The image also shows the page numbers "4" and "5" in the bottom corners of the left and right pages, respectively.