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The image shows a double-page spread from a report or catalog from the Busch-Reisinger Museum. The text provides detailed information about the museum's recent acquisitions and donations.

Left Page:

• Polychromed Late Gothic Sculptures:

  • Two significant pieces were added to the collection, both from around 1515 but differing in style.
  • "St. John with the Lamb" is a southern German sculpture influenced by Hans Leinberger.
  • "St. Thomas" is in the style of Claus Berg, a northern German artist.
  • These sculptures highlight the influence of graphic arts on German sculpture of the period.

• Meissen Porcelain:

  • A gift of fourteen pieces of Meissen and two pieces of Frankenthal porcelain from Miss Ilse Bischoff.
  • Includes a portrait by Anton von Maron, gifted by Mr. Robert Rantoul Endicott.

• German Prints:

  • The museum acquired a large collection of nineteenth-century prints from Mr. J. B. Neumann.
  • Works by leading painters of the time.

• German Art of the Twenties:

  • A collection of German art from the 1920s was donated by Wassily Kandinsky.
  • An early work by Kandinsky was purchased in memory of Curt Valentin.

Right Page:

• Contemporary Sculpture:

  • Acquisitions include a plastic construction by Naum Gabo and a bronze sculpture "Seated Youth" by Hans Arp.
  • A large bronze gasoline figure by Doris Caesar.

• Bauhaus Research Collection:

  • Over one hundred items were added, thanks to the generosity of Mrs. Lydia Dorner.

• Gifts and Purchases:

  • A total of 290 objects were acquired through gifts and purchases.
  • Notable donors include Miss Ilse Bischoff, Mr. Louis W. Black, Mr. and Mrs. Bernard Borstein, and others.

• Loans:

  • A number of objects were lent to the museum for an indefinite period.
  • Notable loans include a pair of fifteenth-century angels and an oil painting "Forest Idyll" by Hans von Marées.

The report acknowledges the kindness and generosity of various individuals who contributed to the museum's collection.

The image displays a page from a document related to the Busch-Reisinger Museum. The text discusses the museum's acquisitions and highlights several significant additions to its collection.

Left Page:

• Polychromed Late Gothic Sculptures:

  • Two important pieces were added to the collection, both produced around 1515 but differing significantly.
  • "St. John with the Lamb," carved in soft wood, is influenced by the work of Hans Leinberger, a Bavarian sculptor of the early sixteenth century.
  • A fragment of a "Jesse Tree," carved in oak and similar to the work of Claus Berg, demonstrates the influence of the graphic arts on German sculpture of the period.

• German Art and European Contributions:

  • The development of fine-paste porcelain in Germany was illustrated by a gift from Miss Ilse Bischoff, consisting of fourteen Meissen and two Frankenthal porcelain table-ware pieces.

• Eighteenth-Century Paintings:

  • A portrait by Anton von Maron, gifted by Mr. Robert Rantoul Endicott, was added to the collection, enhancing the eighteenth-century painting collection.

• German Figure Arts:

  • German figure arts of the nineteenth century are noted for their literary character and illustrative quality, reflecting social, political, poetic, and philosophical concepts of the time.

Right Page:

• Contemporary Sculpture:

  • Notable contemporary sculptures include a "Construction" of plastic by Naum Gabo, a bronze of "Seated Youth" by Hermann Blumenthal, and a garden figure by Doris Caesar.

• Donations:

  • The museum received a significant donation from Mrs. Lydia Dorner, including works by Dr. Alexander Dorner and other valuable items.

• Acquisitions:

  • The museum acquired 290 objects, 239 by gift and 51 by purchase. The administrative officers expressed gratitude to several individuals for their generosity.

• Loans:

  • Several artworks were lent to the museum, including late fifteenth-century angels by Hans von Marées and an oil painting by Hans von Marées, believed to be the only work in America by this artist.

The document reflects the museum's dedication to expanding its collection with significant historical and artistic pieces, supported by generous donations and acquisitions.

The image displays two pages from a document related to the Busch-Reisinger Museum. Here are the detailed observations:

1. Page Content and Sections:

   • Left Page (Top to Bottom):

     • The text discusses the acquisition of significant pieces of polychromed Late Gothic sculpture, dated around 1515. Two pieces, "St. John with the Lamb" and a fragment of a "Jesse Tree," are highlighted for their unique styles and artistic influence.
     • The document mentions the importance of German fine-paste porcelain, particularly a set of Meissen pieces and Frankenthal porcelain, adding to the museum’s collection.
     • It also notes the acquisition of a portrait by Anton von Maron and a collection of nineteenth-century prints by J. B. Neumann.
     • The page details the acquisition of a painting by Wassily Kandinsky and other notable German artworks from the twentieth century.

   • Right Page (Top to Bottom):

     • The text highlights contemporary sculpture acquisitions, including a plastic sculpture by Naum Gabo and a bronze figure by Dr. Alexander Dorner.
     • It mentions additional materials added for research, primarily donated by Mrs. Lydia Dorner.
     • The acquisitions made during the year total 290 objects, with a significant number of these acquired through gifts and purchases.
     • The document lists numerous donors who contributed artworks, including individuals such as Miss Ilse Bischoff, Mr. Robert Rantoul Endicott, and Mr. J. B. Neumann.
     • It also mentions that certain objects were lent to the museum by specific donors for an indefinite period.

2. General Observations:

   • The document is focused on the Busch-Reisinger Museum's efforts to expand its collections with significant and historically important artworks.
   • It shows appreciation for the generosity of donors and the efforts to preserve and study art history.
   • There is a mix of both traditional and modern art acquisitions, indicating the museum's broad and evolving interests in art.

The overall tone is informative and celebratory of the museum’s growth and the contributions from various donors.

BUSCH-REISINGER MUSEUM

Two important pieces of polychromed Late Gothic sculpture were added to the collection. Although they were both produced about 1515, they differ widely from one another. The seated "St. John with the Lamb" is carved in soft wood, typical of southern Germany. It is strongly influenced by the work of Hans Leinberger, one of the leading Bavarian sculptors of the early sixteenth century. The second example is a fragment of a "Jesse Tree" carved in oak and close in style to the work of Claus Berg, who was active in several of the Hanseatic ports of northern Germany. The close relation of figures to ornament clearly demonstrates the influence of the graphic arts on German sculpture of this period. It is therefore a teaching work of unusual interest as well as being of high artistic merit.

One of Germany's most important contributions to European art, the development of fine-paste porcelain was illustrated at Harvard by only a handful of small figures. Hence the gift of Miss Ilse Bischoff of fourteen pieces of Meissen and two of Frankenthal porcelain table-ware was very welcome and will prove of great use in demonstrating this courtly aspect of German culture. These works are all of high quality, none dating later than c. 1760. The acquisition of a portrait typical of the painter Anton von Maron, a gift of Mr. Robert Rantoul Endicott, adds strength to the eighteenth-century collection of painting.

The figure arts of Germany in the nineteenth century are especially important to the teaching of German culture because of their being so strongly literary in character. They have an illustrative quality that frequently reflects the social and political as well as the poetic and philosophic concepts of the time. The Museum therefore was especially glad to acquire as gifts from Mr. J. B. Neumann a large collection of nineteenth-century prints. Many of them are by the leading painters of the time.

A number of works of high merit were added to the extensive collection of German art of the twentieth century. A very early picture, "Festival," by Wassily Kandinsky (who later became one of the founders of abstract painting) was purchased in memory of Curt Valentin. The work reflects the Russian background of the artist as well as the artistic currents that he found in Munich at the turn of the century.

The most important works of contemporary sculpture acquired during the past year were a fine "Construction" of plastic by Naum Gabo, presented by Mrs. Lydia Dorner in memory of Dr. Alexander Dorner; a powerful bronze of a "Seated Youth," an early work by the sculptor Hermann Blumenthal, purchased in memory of Curt Valentin; and a large bronze garden figure by Doris Caesar, presented by Mr. E. Weyhe.

In addition to the works mentioned above, the Museum added much material for study and research. Due in large measure to the generosity of Mrs. Lydia Dorner, who deposited all of the files of her late husband, Dr. Alexander Dorner, at the Museum, over one hundred useful items were acquired for the Bauhaus Research Collection.

During the course of the year a total of 290 objects was acquired, 239 by gift and 51 by purchase. The administrative officers of the Museum wish to thank the following individuals for their kindness and generosity in presenting works of art to the Museum: Miss Ilse Bischoff, Mr. Louis W. Block, Mr. and Mrs. Bernard Bornstein, Mr. Howard Dearstyne, Mrs. Lydia Dorner, Mr. Robert Rantoul Endicott, Mrs. Julia Feininger, Mr. and Mrs. Ivan Fischer, Mr. Alfred J. Friedlander, Mrs. Roy J. Friedman, Professor Sheldon Glueck, Mr. Philip Hofer, Mr. and Mrs. Charles Kuhn, Mr. John McAndrew, Mr. J. B. Neumann, Mr. Theodore Racosin, Mr. and Mrs. Irving Sobin, and Mr. E. Weyhe.

A number of objects of art were lent to the Museum for an indefinite period and while not, strictly speaking, accessions, deserve special mention in this report. A pair of charming late fifteenth-century angels, possibly Swabian in origin, were kindly lent by Mrs. Jane K. Ransohoff in memory of Dr. Louis K. Ransohoff. Mr. J. B. Neumann lent an oil, "Forest Idyl," by Hans von Marées, believed to be the only work in America by

† Deceased.

The image displays two pages from a document detailing the Busch-Reisinger Museum's collection and acquisitions.

Left Page:

The Busch-Reisinger Museum has added two significant pieces of Late Gothic polychromed sculpture from around 1515:

1. "St. John with the Lamb" - A soft wood carving typical of southern Germany, influenced by Hans Leinberger.
2. Fragment of a " Jesse Tree" - Carved in oak, this piece reflects the style of the Hanseatic ports of northern Germany.

These pieces demonstrate the influence of graphic arts on German sculpture and are noted for their high artistic merit and educational value regarding the period's cultural aspects.

The museum also highlights Germany's contribution to European art through the development of fine-paste porcelain, exemplified by:

• Miss Bischoff Collection: Includes fourteen pieces of Meissen and two of Frankenthal porcelain tableware, showcasing the courtly aspect of German culture.

Additionally, the museum has acquired:

• Portrait of Anton von Maron: A painting from the 18th century, adding to the collection of high-quality works from this period.
• German art from the nineteenth century: Works by notable artists such as Wassily Kandinsky, who later became a pioneer of abstract painting.

Right Page:

The museum has significantly expanded its contemporary sculpture collection:

• Works by Mrs. Lydia Dorner: Includes a plaster "Construction" by Naum Gabo and a bronze "Seated Youth" by Alexander Dorner.
• Sculptures by Hermann Blumenthal, Doris Caesar, Gustav Cauer: These pieces add to the breadth of the museum's modern sculpture collection.

The museum has also received numerous gifts and purchases:

• Administrative Officers' Contributions: Various artworks donated by individuals like Miss Ilse Bischoff, Mr. Louis W. Black, Mrs. Lydia Dorner, and others, ranging from prints, paintings, to sculptures.

The acquisitions include:

• 19th-century prints by Max J.B. Neumann.
• Early twentieth-century German art by Wassily Kandinsky, reflecting the Russian background.
• Late fifteenth-century angels: Possibly of Swabian origin, donated by Mrs. Jane K. Ransohoff.

The document notes the generosity of donors and highlights specific contributions, such as a painting believed to be the only work in America by Hans von Marées, donated by Mr. J.B. Neumann.

The image contains two pages from a document detailing the Busch-Reisinger Museum's acquisitions and activities.

Left Page:

• Title: Busch-Reisinger Museum
• Content:
  • Two significant pieces of polychromed Late Gothic sculpture were added to the collection, both created around 1515.
  • "St. John with the Lamb" is carved from soft wood, influenced by Hans Leinberger, a leading Bavarian sculptor of the early sixteenth century.
  • A "Jesse Tree" fragment, carved in oak and close in style to the work of Claus Berg, active in northern Germany's Hanseatic ports, demonstrates the influence of graphic arts on German sculpture.
  • The museum's acquisition of a portrait by Anton von Maron strengthens its eighteenth-century painting collection.
  • German figure arts of the nineteenth century are highlighted for their literary and illustrative quality, reflecting social, political, and philosophical concepts.
  • A significant addition is a large collection of nineteenth-century prints, many by leading painters, gifted by Mr. J. B. Neumann.
  • An early work by Wassily Kandinsky, "Festival," was purchased in memory of Curt Valentin, reflecting the Russian background of the artist and the artistic currents found in Munich.

Right Page:

• Title: Busch-Reisinger Museum

• Content:

  • Important works of contemporary sculpture acquired include a "Construction" of plastic by Naum Gabo, presented by Mrs. Lydia Dorner in memory of Dr. Alexander Dorner.
  • Other notable works include a powerful bronze by Hermann Blumenthal, a "Seated Youth," in memory of Curt Valentin, and a large bronze garden figure by Doris Caesar, presented by Mr. E. Weyhe.
  • The museum added significant material for study and research, thanks to Mrs. Lydia Dorner's generosity.
  • During the year, 290 objects were acquired: 239 by gift and 51 by purchase.
  • The museum expresses gratitude to numerous individuals for their generosity in presenting works of art.
  • A number of art objects were lent to the museum, including late fifteenth-century angels and an oil painting, "Forest Idyll," by Hans von Marées.

• Notes:

  • The page includes acknowledgments to various donors and lenders, such as Mrs. Jane K. Ransohoff, Mr. J. B. Neumann, and others.
  • There is a notation indicating that Mr. Bernard Bornstein is deceased.

The image shows two pages from a booklet or catalog for the Busch-Reisinger Museum. The text on these pages details information about the museum’s collection and acquisitions.

The left page (page 2) discusses two important pieces of polychromed Late Gothic sculpture added around 1515, and highlights works influenced by German artists such as Hans Leinberger and Claus Berg. It also mentions the museum's acquisition of fine-paste porcelain, notably pieces of Meissen and Frankenthal porcelain, along with 18th and 19th-century paintings. The figure of Germany in the 19th century is noted for its literary character and social-political reflection. A work by Wassily Kandinsky titled "Festival" is also mentioned.

The right page (page 3) talks about contemporary sculpture acquired over the past year, including works by Naum Gabo, Hermann Blumenthal, and Doris Caesar. It emphasizes the generosity of Mrs. Lydia Dorner, who donated numerous items in memory of her late husband, Dr. Alexander Dorner. The report thanks various individuals for their donations and mentions loaned objects for indefinite or specific periods. It notes two late 15th-century angels lent by Mrs. Jane K. Ransohoff and a painting "Forest Idyll" lent by Mr. J. B. Neumann, thought to be the only work in America by Hans von Marées.

Overall, the text provides an overview of notable acquisitions, donors, and the artistic focus of the Busch-Reisinger Museum’s collection.

The image shows two pages of a printed document. The text appears to be from a museum report, specifically related to acquisitions at the "Busch-Reisinger Museum." The text discusses various art pieces and donations from a particular year, though the year itself is not visible in the image.

The document lists several artworks and their donors. The text mentions acquisitions such as "polychromed Late Gothic sculpture," a "‘Jesse Tree’ carved in oak," and various pieces of porcelain. Furthermore, it refers to contemporary artworks, including a sculpture by Naum Gabo, artworks by Hermann Blumenthal, and a bronze piece by an artist mentioned as being in memory of Curt Valentin. Additionally, there's a mention of a "Festival" painting by Wassily Kandinsky.

There are several handwritten annotations on the top and the side of the left page, suggesting that someone may have been reviewing or studying the document. The handwriting appears to contain names and possibly reference notes, but the image resolution doesn't allow for the full deciphering of these annotations.

The document is fairly formal and seems to be an excerpt from a larger publication, which could have been an annual report or an acquisition catalog for the museum. The text provides insights into the acquisitions' cultural and historic significance, as well as their value for teaching and exhibition purposes.

The image shows two pages from a book or report titled "BUSCH-REISINGER MUSEUM". The pages are numbered 2 and 3, and they contain detailed text describing acquisitions and contributions to the museum's collection. Here is a summary of the content visible in the image:

Page 2 (Left Side)

• Focus: Two important pieces of polychromed Late Gothic sculpture added to the collection.

  • Both pieces were produced around 1515 but differ significantly in style:
    1. "St. John with the Lamb": Carved in soft wood, typical of southern Germany, influenced by Hans Leininger. It reflects the style of early sixteenth-century Bavarian sculptors.
    2. "Jesse Tree": Carved in oak, in the style of Clauss Berg, active in northern Germany. This piece demonstrates the influence of graphic arts on German sculpture of the period.
  • These sculptures are noted for their artistic merit and teaching value, illustrating the evolution of German art during the late Gothic period.

• Other Contributions:

  • Porcelain: A gift of Miss Ilse Bischoff included fourteen pieces of Meissen and two of Frankenthal porcelain from the late eighteenth century. These pieces are significant for showcasing the quality of German porcelain.
  • Painting: A portrait by Anton von Maro, gifted by Mr. Robert Rantoul Endicott, adds strength to the museum's eighteenth-century painting collection.

• Nineteenth-Century Art:

  • The museum acquired a large collection of nineteenth-century prints by J.B. Neumann, a leading painter of the time.
  • A painting titled "Festival" by Wassily Kandinsky was purchased in memory of Curt Valentin. Kandinsky was one of the founders of abstract painting, and this work reflects his Russian background.

Page 3 (Right Side)

• Contemporary Sculpture:

  • The museum acquired significant contemporary sculptures, including:
    • "Construction in Space" by Naum Gabo, presented by Mrs. Lydia Dorner in memory of Dr. Alexander Dorner.
    • "Seated Youth", an early work by the sculptor Hermann Blumenthal, purchased in memory of Curt Valentin.
    • A large bronze garden figure by Doris Caesar, presented by Mr. E. Weyhe.

• Generosity of Mrs. Lydia Dorner:

  • Mrs. Lydia Dorner deposited over one hundred items acquired at the Bauhaus Research Collection, including files of her late husband, Dr. Alexander Dorner.

• Acquisitions During the Year:

  • A total of 290 objects were acquired during the year, with 239 gifted and 51 purchased.
  • The museum acknowledges the kindness of several individuals for their contributions, including:
    • Miss Ilse Bischoff
    • Mr. Louis W. Black
    • Mr. and Mrs. Bernard Bornstein
    • Mr. Howard Dearestyne
    • Mrs. Lydia Dorner
    • Mr. Ivan Fischer Rantoul Endicott
    • Mrs. Julia Feininger
    • Mr. Robert Fischer
    • Mr. Alfred J. Friedlander
    • Mrs. Roy J. Friedman
    • Professor Sheldon Gluck
    • Mr. Philip J. Hofter
    • Mrs. Charles Kuhn
    • Mr. John McAndrew
    • Mr. J. B. Neumann
    • Mr. Theodore Racosin
    • Mr. and Mrs. Irving Sobin
    • Mr. E. Weyhe

• Lent Objects:

  • Several objects were lent to the museum for an indefinite period, including:
    • A pair of late fifteenth-century angel panels, possibly Swabian in origin, lent by Mrs. Jane K. Ranshoff in memory of Dr. Louis K. Ranshoff.
    • An oil painting titled "Forest Idyll" by Hans von Marées, believed to be the only work by him in America, lent by Mr. J. B. Neumann.

Overall Context

The text provides a comprehensive overview of the museum's acquisitions, highlighting significant additions to its collection of Gothic sculpture, porcelain, painting, prints, and contemporary art. It also emphasizes the generosity of donors and lenders, underscoring the museum's role in preserving and showcasing European and modern art. The report is formal and detailed, typical of institutional records or annual reports.

The pages are clean, with clear, typed text, and the layout is structured for readability, with headings and paragraphs organizing the information logically. The museum's name, BUSCH-REISINGER MUSEUM, is prominently displayed at the top of each page.

The image appears to be a page from a book or report discussing the Busch-Reisinger Museum. The page contains two columns of text discussing the acquisitions and exhibitions of the museum during a certain period. Some key details from the text include:

• Two important pieces of polychromed Late Gothic sculpture from around 1515 were added to the collection.

• The seated "St. John with the Lamb" sculpture demonstrates the influence of southern German sculpture from the early sixteenth century.

• The "Jesse Tree" sculpture shows the influence of northern German sculptor Claus Berg.

• The development of fine-paste porcelain was illustrated with a gift of fourteen pieces of Meissen porcelain.

• The figure arts of Germany in the nineteenth century were acquired as gifts, including a large collection of nineteenth-century prints by Mr. J.B. Neumann.

• A number of works by the leading painter of the time, Wassily Kandinsky, were added to the collection.

• A number of objects were lent to the museum for an indefinite period, including a pair of late fifteenth-century Swabian angels.

So in summary, the text discusses the acquisitions of sculptures, porcelain, prints and paintings that illustrate the development of German art from the Gothic period through the nineteenth century. It also mentions some objects that were lent to the museum.