Archives Scrapbooks

The image shows an open book displaying two pages of text from the annual report of the Busch-Reisinger Museum. Here is a detailed summary of the content:

Left Page:

BUSCH-REISINGER MUSEUM

• Exhibitions:
  • Borrowed material from the Fogg Museum and the Museum of Fine Arts, Boston, for an exhibition.
  • Christmas season showcased acquisitions from the 16th to the 18th century, followed by 20th-century art.
  • Major exhibition: "War and Aftermath" (March 4 to April 6), featuring borrowed material illustrating the theme of World War I and German art.
  • Cambridge Art Association's annual spring exhibition for local artists.
  • Exhibition on the literature of Slavic Folk Art.
  • Final exhibition: Modern German Painting and Sculpture from the museum's collection.

LECTURES

• Sponsored a public lecture by Professor Liselotte Dieckmann on "Renaissance Hieroglyphs."

PUBLICATIONS

• A publication fund was realized to produce a catalog of modern German art at Harvard.
• The manuscript was prepared by the curator and accepted by the Harvard University Press under the title "German Expressionism and Abstract Art — the Harvard Collection."
• The curator published an article, "The Busch-Reisinger Museum: Three Years of Collecting," in The American-German Review.

Right Page:

BUSCH-REISINGER MUSEUM

• Continuation from the left page about the article published by the curator.

MUSIC

• Weekly organ music broadcasts were discontinued by the Columbia Broadcasting Company.
• Summer School recitals of recorded music were held in the garden during lunch hours.

PERSONNEL

• The curator was on sabbatical leave during the spring term.
• Mrs. Reginald Phelps managed the museum's administration in the curator's absence.

CONCLUSION

• The year was successful in terms of collection growth, activities, and public interest.
• The museum needs additional personnel, including a full-time curator, a half-time secretary for the Department of Fine Arts, a building attendant, and a part-time student guard.
• Staff increase includes a full-time secretary and a second full-time secretary.

The text provides a comprehensive overview of the museum's activities, exhibitions, lectures, publications, music events, personnel changes, and future needs for the year.

The document is a report summarizing activities and events at the Busch-Reisinger Museum. Key points include various exhibitions such as a show of recent acquisitions from the 16th to 18th centuries, an exhibition on the effects of World War I on German art, and an exhibition of Modern German Painting and Sculpture. The museum also hosted lectures, including one by Professor Liselotte Dieckmann on Renaissance Hieroglyphs. A publication fund was established for a catalogue of modern German art. The museum's weekly organ music broadcasts were discontinued, and recorded music recitals were held during the summer. Staffing included a curator on sabbatical, with administration managed by an assistant. The report concludes that the year was successful, highlighting growth in collections and public interest, but notes the need for additional personnel, particularly a full-time secretary.

The image shows a segment of an annual report from the Busch-Reisinger Museum, detailing various activities, exhibitions, lectures, publications, music events, personnel, and conclusions for a specific period.

Busch-Reisinger Museum Activities:

1. Exhibitions:

   • Borrowed material from the Elder and the Fogg Museum.
   • Exhibited recent acquisitions from the 17th to the 18th century during the Christmas season.
   • Showcased an exhibition on 20th-century art titled "War and Aftermath" (March 4 to April 6), illustrating the effects of World War I on German art.
   • Organized by Mrs. Reginald Phelps with the Cambridge Art Association.
   • Held an exhibition on Slavic folk art and a final exhibition of the year featuring modern German painting and sculpture.

2. Lectures:

   • Sponsored a public lecture by Professor Liselotte Dieckmann from Washington University and Visiting Professor at Yale University, titled "Renaissance Hieroglyphs."

3. Publications:

   • The museum prepared a manuscript for a catalog of modern German art at Harvard, accepted by Harvard University Press for publication under the title "German Expressionism and Abstract Art—the Harvard Collections."
   • Published an article by the curator titled "The Busch-Reisinger Museum: Three Years of Collecting" in The American-German Review.

4. Music:

   • Discontinued weekly organ music broadcasts, which were a major event for many years.
   • During the 1957 Summer School, recitals of recorded music were held in the garden during lunch hours.

5. Personnel:

   • The curator was on sabbatical leave during the spring term.
   • The administration was managed by the curator’s assistant, Mrs. Reginald Phelps.

6. Conclusion:

   • The year was successful in terms of collection growth, program activities, and increased public interest.
   • The museum needs more resources and personnel to meet various demands, including a full-time secretary, an additional full-time building attendant, and a second full-time student guard.

Overall, the report highlights a productive year with significant achievements and a clear need for additional resources to continue and expand the museum's activities.

The image contains two pages from a report or publication related to the Busch-Reisinger Museum. Here is a detailed summary of each page:

Left Page:

Busch-Reisinger Museum:

• Exhibitions:
  • An exhibition featuring Pieter Brueghel the Elder's work was borrowed from the Fogg Museum and the Museum of Fine Arts, Boston.
  • A Christmas exhibition showcased recent acquisitions spanning from the sixteenth to the eighteenth century.
  • Another exhibition displayed recent acquisitions of twentieth-century art.
  • The major exhibition of the season was titled "War and Aftermath" (March 4 to April 6), focusing on the effects of World War I on German art. This exhibition was curated by Mrs. Reginald Phelps.
  • The Cambridge Art Association held its annual spring members' exhibition at the Museum.
  • An exhibition of Slavic Folk Art was held in conjunction with the Department of Slavic Languages and Literatures.
  • The final exhibition of the year featured Modern German Painting and Sculpture.

Lectures:

• The Museum sponsored a public lecture by Professor Liselotte Dieckmann from Washington University and Visiting Professor at Yale University. The lecture was titled "Renaissance Hieroglyphs."

Publications:

• The museum published a catalog of modern German art at Harvard, titled "German Expressionism and Abstract Art – the Harvard Collections," by the Harvard University Press.

Right Page:

Publications:

• The curator published an article titled "The Busch-Reisinger Museum; Three Years of Collecting" in The American-German Review, vol. XXII, No. 6, pages 19-23.

Music:

• Weekly organ music broadcasts, previously the main musical event at the Museum, have been discontinued. These broadcasts were recorded by the Columbia Broadcasting Company and are no longer produced at the Museum.

Personnel:

• During the spring term, the curator was on sabbatical leave, and the administration was managed by Mrs. Reginald Phelps.

Conclusion:

• The year was successful in terms of the growth of collections, program activities, and increased public interest and support.
• The report highlights that the Museum needs more personnel for both building administration and for general administration.
• The current staff consists of a curator who is also a half-time teacher in the Department of Fine Arts, one building attendant, a half-time secretary, and a part-time student guard.
• The report suggests an urgent need for additional staff, including a full-time secretary and a second full-time employee.

This summary provides a comprehensive overview of the activities, personnel changes, and future needs highlighted in the report.

The image shows two pages from a report or catalog related to the Busch-Reisinger Museum. Here is a detailed summary of each page:

Left Page:

Busch-Reisinger Museum:

• The museum borrowed materials for an exhibition from the Fogg Museum and the Museum of Fine Arts, Boston.
• During the Christmas season, they showcased recent acquisitions from the 16th through the 18th century.
• An exhibition of 20th-century art followed, with the major exhibition of the season being titled "War and Aftermath" (March 4 to April 6). This exhibition illustrated the effects of World War I on German art and was organized by Reginald Phelps.
• The Cambridge Art Association held an annual spring members' exhibition in the museum.
• An exhibition of Slavic Folk Art was held as a service to the Department of Slavic Languages and Literatures.
• The final exhibition of the year was Modern German Painting and Sculpture.

Lectures:

• The museum sponsored a public lecture by Professor Liselotte Dieckmann from Washington University and Visiting Professor at Yale University, titled "Renaissance Hieroglyphs."

Publications:

• A publication fund was realized to produce a catalog of modern German art at Harvard. The manuscript was prepared by the curator and accepted by the Harvard University Press for publication under the title: German Expressionism and Abstract Art – the Harvard Collections.

Right Page:

Busch-Reisinger Museum (Continued):

• The curator published an article titled "The Busch-Reisinger Museum: Three Years of Collecting" in the American-German Review, Vol. XXII, No. 6, pp. 19-23.

Music:

• Weekly organ music broadcasts, previously the main musical event, were discontinued. The broadcasts were recorded by the Columbia Broadcasting Company, but the recitals no longer took place in the building.
• During the 1957 Summer School, recitals of recorded music were held in the garden during lunch hours.

Personnel:

• During the spring term, the curator was on sabbatical leave, and Mrs. Reginald Phelps managed the museum administration.

Conclusion:

• The year was noted as successful due to the growth of collections, program activities, and increased public interest and support.
• The museum faced challenges due to various needs and was making the best use of its resources.
• The staff consisted of a curator (also a half-time teacher in the Department of Fine Arts), one building attendant, a half-time secretary, and a part-time student guard. The need for additional personnel, including a full-time secretary and a second full-time staff member, was highlighted.

The image displays a page from a report detailing the activities of the Busch-Reisinger Museum for a particular year.

Busch-Reisinger Museum:

• The museum borrowed materials from the Fogg Museum and the Museum of Fine Arts, Boston, for exhibitions.
• During the Christmas season, there was a display of recent acquisitions from the 16th through the 18th century.
• The major exhibition of the year was "War and Aftermath" (March 4 to April 6), featuring art from the World War I era.
• This exhibition was organized by Mrs. Reginald Phelps, and the Cambridge Art Association held a spring members' exhibition.
• The museum also hosted an exhibition of Slavic Folk Art and a show of Modern German Painting and Sculpture.
• Lectures included a public lecture by Professor Liselotto Dieckmann from Washington University and Yale University on Renaissance hieroglyphs.

Publications:

• The report mentions a publication fund established for producing a catalog of modern German art at Harvard, with the manuscript prepared by the curator and accepted for publication by the Harvard University Press as "German Expressionism and Abstract Art: The Harvard Collections."

Music:

• Weekly organ music broadcasts, a significant part of the museum's activities, were discontinued, although recorded recitals were still held in the summer.

Personnel:

• During the spring term, the curator was on sabbatical leave, and the administration was handled by Mrs. Reginald Phelps, his assistant.

Conclusion:

• The year was deemed successful in terms of collection growth, activities, and public interest.
• The report suggests that the museum could benefit from additional personnel, including a full-time secretary and more building and administrative staff.

Overall, the document highlights the museum’s efforts in exhibitions, lectures, publications, and the management of its collections and staff.

The image shows two pages from a document, most likely from a report or a newsletter, pertaining to an institution called the BUSCH-REISINGER MUSEUM. The left page's text is partially visible at the top, discussing exhibitions that include "War and Aftermath" and mentions loans of material from the Fogg Museum and the Museum of Fine Arts, Boston. Mentioned also is Mrs. Reginald Phelps, who is responsible for the organization of an exhibition. The bottom of the left page discusses lectures and publications, indicating that the museum was involved in educating the public and contributing to academic discourse.

The right page continues discussing the Busch-Reisinger Museum, mentioning a publication under the title: "German Expressionism and Abstract Art — The Harvard Collections." Further down, a section labeled "MUSIC" describes what seems to be a tradition of musical events associated with the museum. Under "PERSONNEL," it mentions that during the spring term, the curator was on sabbatical leave and the administration was handled by an assistant named Mr. Reginald Phelps.

The final section on the right page is titled "CONCLUSION," summarizing that the year was successful from several perspectives, including the growth of collections, program of activities, and general increase in public interest and support. There's mention of the need for more staffing to accommodate various needs.

The text finishes with "5" at the bottom right corner, indicating this is likely page 5 of the document.

The image shows an open book with two pages titled "BUSCH-REISINGER MUSEUM." The text is divided into different sections with headings such as:

• Exhibitions: Details about the material for an exhibition borrowed from the Fogg Museum and the Museum of Fine Arts, Boston, focusing on German art across centuries, with a major exhibition titled "War and Aftermath."
• Lectures: The museum supported a public lecture by Professor Liselotto Dieckmann titled "Renaissance Hieroglyphs."
• Publications: Mentions a publication fund for producing a catalog of modern German art at Harvard, with the manuscript prepared by the curator.
• Music: Discusses the discontinuation of weekly organ music broadcasts by Columbia Broadcasting Company, with recitals recorded at the museum and summer school garden recitals held.
• Personnel: Notes the curator was on sabbatical leave during the spring term, with Mrs. Reginald Phelps administering the museum.
• Conclusion: Reflects on the successful year regarding collection growth, activities, and public interest but indicates the museum needs additional personnel for optimal resource use, including a full-time secretary and more staff.

The text appears to be a formal report or institutional summary related to the museum's activities and administration.

The image shows an open book displaying two adjacent pages from a document titled "BUSCH-REISINGER MUSEUM." The content is formatted in a professional, academic style, with structured sections and clear headings. Here is a detailed description:

Left Page (Page 4):

• Header: The page is labeled with the museum's name, "BUSCH-REISINGER MUSEUM," at the top.
• Content:
  • Exhibitions: The text discusses various exhibitions held at the museum, including:
    • A Christmas season exhibition showcasing recent acquisitions from the 16th to the 18th centuries.
    • An exhibition titled "War and Aftermath" (March 4 to April 6), illustrating the effects of World War I on German art.
    • An annual spring members' exhibition organized by the Cambridge Art Association.
    • Exhibitions of Slavic Languages and Literatures, including Slavic Folk Art.
    • A final exhibition of Modern German Painting and Sculpture, drawn from the museum's collection.
  • Lectures: The museum sponsored a public lecture by Professor Leslie Dieckmann of Washington University and Visiting Professor at Yale University. The lecture was titled "Renaissance Hieroglyphs."
  • Publications: The museum established a publication fund in 1955-56 to produce a catalogue of modern German art for Harvard. The manuscript of the book was prepared by the curator and accepted by the Harvard University Press for publication under the title "German Expressionism and Abstract Art — the Harvard Collections."

Right Page (Page 5):

• Header: The same museum name, "BUSCH-REISINGER MUSEUM," is displayed at the top.
• Content:
  • Music: The weekly organ music broadcasts, once a major musical event at the museum, have been discontinued. Recitals are still recorded by the Columbia Broadcasting Company but no longer originate from the building. During the 1957 Summer School, recitals of recorded music were held in the garden during lunch hours.
  • Personnel: During the spring term, the curator was on sabbatical leave, and Mrs. Reginald Phelps served as the assistant.
  • Conclusion: The year is described as successful, marked by growth in collections, program activities, and public interest and support. The museum is increasingly urged to expand its administrative personnel due to its growing needs. The current staff includes:
    • A curator (also a half-time teacher in the Department of Fine Arts).
    • One building attendant.
    • A half-time secretary.
    • A part-time student guard.
    • The conclusion suggests the need for additional staff, including a full-time secretary and a second full-time building attendant.

General Observations:

• Layout: The text is typed in a clean, formal font, typical of academic or institutional reports. The pages are numbered (4 and 5) at the bottom.
• Structure: The content is organized into clear sections with headings such as Exhibitions, Lectures, Publications, Music, Personnel, and Conclusion.
• Context: The document appears to be an annual report or summary of activities, likely intended for stakeholders, donors, or the public, detailing the museum's achievements, challenges, and future needs.

This image depicts a formal, structured report summarizing the activities, achievements, and administrative needs of the Busch-Reisinger Museum for a specific year.

The image depicts an open book with white pages. The left page has a section titled "BUSCH-REISING MUSEUM" with text discussing the museum's activities, exhibitions, and acquisitions. It mentions exhibitions on artists like Pieter Bruegel the Elder, and acquisitions from the sixteenth to the twentieth century. It also discusses the annual spring members' exhibition and various lectures and publications associated with the museum.

The right page has a section titled "BUSCH-REISING MUSEUM" as well, with text about the museum's publications and the annual report. It mentions the publication of a book on modern German art at Harvard and the realization of a publication fund for this purpose.

The text on both pages is in a formal, academic style, typical of annual reports or summaries of museum activities. The layout is organized with headings and paragraphs, and the content focuses on the museum's operations, exhibitions, and contributions to academic and cultural activities.