Archives Scrapbooks

The image shows an open book with a list of literary works on the left page and a black-and-white illustration on the right page. Here is a detailed summary of each part:

Left Page:

The left page contains a list of titles, authors, publishers, and publication dates for various literary works. The list appears to be organized chronologically. Each entry includes:

1. A number (presumably the order in the list).
2. The title of the work.
3. The author's name.
4. The publisher's name.
5. The publication year.
6. Additional details such as the format (e.g., hardcover, paperback) and whether the work is signed by the author.

Some of the titles listed include:

• "The Ebbing II"
• "The King of Thule I"
• "The King of Thule II"
• "Drunk With Flashing Emotion"
• "Millions, Join The Loving Cult!"
• "To The Hill Of Your Clinging"
• "Self Portrait I"
• "Self Portrait II"
• "Moons On The Sea"
• "Poetic Structure"
• "The Doorman"
• "Adam And Eve"

The entries are signed by "L.E. Butach."

Right Page:

The right page features a black-and-white illustration of a skeletal figure leaning on a cane or staff, with a somewhat distressed or contemplative posture. The figure appears to be in a barren or desolate landscape. Below the illustration, there is a caption that reads:

"Wassersucht, Lithograph, 1922
signed by the Philadelphia Museum of Art"

Additional Notes:

• The book seems to be a catalog or bibliography of works, possibly by a specific author or artist.
• The illustration on the right page adds a visual element to the textual information on the left page.
• The overall layout is clean and organized, with clear typography and spacing.

This detailed summary provides an overview of the content and structure of the image.

The image shows an open book, likely a catalog or a book of artworks, with detailed entries listing various pieces of artwork by an artist, presumably E. L. (Ernst Ludwig) Kirchner, a prominent member of the Die Brücke group. Here is a detailed summary of the visible content:

Left Page:

1. 155 The Erlking II / Erlkönig II

   • Signed: L.E. Barchal, 6 1/4 x 8"
   • Location: Private Collection

2. 156 The Sorcerer's Apprentice II / Der Zauberlehrling II

   • Signed: L.E. Barchal, 10 3/4 x 14 3/4"
   • Location: Private Collection

3. 160 Jumping Through the Hare in Winter II / Hase im Winter II

   • Signed: L.E. Barchal, 6 1/4 x 8"
   • Location: Frank M. Hall Collection, University of Nebraska

4. 161 The King of Thule I / Der König in Thule I (DAK)

   • Signed: L.E. Barchal, 19" x 14 1/4"
   • Location: Private Collection

5. 162 The King of Thule I / Der König in Thule I (DAK)

   • Signed: L.E. Barchal, 19" x 14 1/4"
   • Location: Private Collection, Mr. Erich Cohen

6. 163 Schiller: ODE TO JOY / Schiller: An die Freude

   • Published by Paul Cassirer, Berlin, 1917. Illustrated with one of the artist's lithographs.
   • Signed: L.E. Barchal, 14 1/4 x 10 1/4"
   • Location: Private Collection

7. 164 Irradiation / An die Freude

   • Signed: L.E. Barchal, 14 1/4 x 10 1/4"
   • Location: Private Collection

8. 165 Drunk With Flaming Exaltation / Wir betreten feurig-trunken

   • Signed: L.E. Barchal, 14 3/4 x 11 1/2"
   • Location: Private Collection

9. 166 Millions Join The Leaving Circle / Sind umschlungen

   • Signed: L.E. Barchal, 10 1/4 x 7 1/4"
   • Location: Private Collection

10. 167 To The Hell Of Virtue Climbing / Zu der Tugend steigen

    • Signed: L.E. Barchal, 10 1/4 x 14 3/4"
    • Location: Private Collection

11. 168 Self Portrait (DAK)

    • Signed: L.E. Barchal, 17 1/4 x 12 1/4"
    • Location: Private Collection

12. 169 Self Portrait II (DAK)

    • Signed: L.E. Barchal, 17 1/4 x 12 1/4"
    • Location: Private Collection

Right Page:

1. 170 Men On The Mountain / Männer am Berg

   • Signed: L.E. Barchal, 19 1/4 x 13 1/2"
   • Location: Private Collection

2. 171 Panic Stricken / Panischer Schrecken

   • Lithograph, 12 1/4 x 10 1/2"
   • Location: Private Collection

3. 172 The Drowned / Die Ertrunkenen

   • Lithograph, 17 1/2 x 12 1/4"
   • Location: Private Collection

4. 173 Adam And Eve / Adam und Eva

   • Signed: L.E. Barchal, 12 1/4 x 10 1/2"
   • Location: Private Collection

5. 174 Hope And Despair II / Der Erlösnis und Verzweiflung II (DAK)

   • Lithograph, 18 1/4 x 13 1/2"
   • Location: Private Collection

6. 175 The Star Gazer III / Der Sterngucker III (DAK)

   • Signed: L.E. Barchal, 18 1/2 x 13 1/4"
   • Location: Private Collection

7. 176 The New Day / Der neue Tag

   • Lithograph, 13 1/4 x 17"
   • Location: Private Collection

8. 1923

   • An image of a figure, likely a lithograph, titled "Wassermelone, nach: Kirchner, 1923"
   • Location: Private Collection, Dr. Hans-Joachim Jacobi

The entries provide details on the titles, signatures, dimensions, publication details, and current locations of the artworks. The image on the right page appears to be a lithograph titled "Wassermelone" from 1923.

The image depicts an open book, specifically a catalog or a book listing various artworks, likely lithographs or prints. Here's a detailed summary:

1. Layout and Sections:

   • The book is divided into two main columns, each listing works of art.
   • Each entry includes the artwork title, artist, year, medium, dimensions, and sometimes additional information about the provenance (e.g., signed by the artist).

2. Artworks Listed:

   • The titles and some of the entries are:

     • "The Finkling II" (1958)
     • "The Sorcerer's Apprentice II" (1959)
     • "Joy Through the Hare in Winter I" (1957)
     • "Through the Hare in Winter II" (1957)
     • "The King of Thule I" (1959)
     • "To the Hell of Virtue Climbing" (1965)
     • "Hope and Despair II" (1961)
     • "Sill Portrait I" (1928)
     • "The New Day" (1942)
     • "The Dreamer" (1930)
     • "Panik Stricken" (1928)
     • "Adam and Eve" (1930)

   • The works are signed by Le E. Barlich in most cases, with some entries indicating that they are lithographs.

3. Specifics of Artworks:

   • Each artwork has dimensions noted, such as "10 5/8" x 8" or "14 1/2" x 11 3/4".
   • Some entries include notes about the condition, such as "in very fine condition" or "signed by the artist".
   • A few entries mention the provenance, like "owned by Mr. Erich Cohen".

4. Image Insert:

   • In the right-hand side of the book, there is a prominent black-and-white lithographic artwork of a figure, labeled as "wassmann, mono, lithograph, 1923".
   • The lithograph appears to be detailed and expressive, showcasing a dramatic pose of a human figure.

5. Other Details:

   • The bottom right corner of the page indicates that the book is a part of the collection of the Philadelphia Museum of Art.

Overall, the book seems to be a detailed catalog of significant artworks by Le E. Barlich, highlighting their historical and artistic value.

The image shows an open book, with the left page (page 158) starting with the entry for "The Erlking II / 'Erlkönig II,'" signed by E. Bartl, measuring 6 7/8 inches. The text appears to be a catalog or a list of artworks, providing details such as titles, artists, dimensions, and sometimes additional information like the medium or the collection where the piece can be found. Each entry is numbered sequentially, and the text is presented in a clear, readable font.

On the right page (page 174), the listed entries continue, starting with "Hope And Despair II / 'Das Erlebnis des Hoffnungs und Verzweiflung II' (DAK)," also signed by E. Bartl, measuring 13 7/8 inches by 17 1/2 inches. This page includes entries from the years 1931 and 1932, with the artworks titled in both English and German, and some pieces specified as lithographs.

In the bottom right corner of the right page, there is an illustration of a dynamic figure, possibly a dancer or athlete, captured in a dramatic pose, suggesting movement. The artwork is signed and dated 1923, with the name "Wassily, artist. Lithograph, 1923" partially visible, indicating the artist and the type of work. The illustration is detailed, with clear lines and shading that gives it a sense of depth and texture.

The image displays a collection of hand-signed postcards, primarily by the illustrator L. E. Bartha. These postcards feature various scenes and characters from popular children's stories, fairy tales, and nursery rhymes. Here's a detailed description of each postcard listed:

158. "The Fishing II" / "Fischzug II"

- Signed by L. E. Bartha, 10½" x 8¾".

159. "The Secret's Appetite II" / "Der Zauberteichling II"

- Signed by L. E. Bartha.

160. "Journey Through the Night: The Hare in Winter I" / "Hare im Winter I"

- Jointly signed by L. E. Bartha, 9½" x 14¾".

161. "Journey Through The Hare in Winter II" / "Hare im Winter II"

- Signed by L. E. Bartha, 9½" x 14¾".

162. "The Hare and Hedgehog Going on Thale I" (DAK)

- Signed by L. E. Bartha, 9½" x 14¾".
- Note by Mrs. and Mrs. C. Cole.

167. "To The Hill Of Virtue Climbing" / "Zu der Tugend steilem Hügel"

- Signed by L. E. Bartha, 10¾" x 14¾".
- Part of a set titled "Der gute Ton".

195. "The Secret's Appetite I" / "Der Zauberteichling I"

- Signed by L. E. Bartha, with the same dimensions.

196. "The Hare and Hedgehog, and the Grey Goose"

- Signed by L. E. Bartha, 1917.

1928. "Self Portrait I" (DAK)

- Signed by L. E. Bartha.

169. "The Hare and the Hedgehog"

- Love from the Front by Dali Collection, University of Kentucky.
- Signed by L. E. Bartha.

102. "Self Portrait II" (DAK)

- Signed by L. E. Bartha.

192. "A Picture for the Children's Calendar"

- Signed by L. E. Bartha.

179. "Momo On Sea, Maysa on Sonja"

- Signed by L. E. Bartha, 10¾" x 8¾".
- Illustration of a work by Joachim Ringelnatz.

190 & 191. "Hope and Despair II" / "Die Eichbärn or Hoffnung und Verzweiflung II" (DAK)
- Signed by L. E. Bartha, 10¾" x 17".
- Illustration from a book.

178. "The Star Gazers III" / "Die Sternengucker III" (DAK)

- Signed by L. E. Bartha.

1912-176. "The New Day" / "Der neue Tag" or "Der singende Teig"
- Signed by L. E. Bartha, 11¾" x 17".
- Illustration from a book by Rudolf Binding.

170 & 171. "Panic Stricken" / "Panischer Schrecken"
- Signed by L. E. Bartha, 10¾" x 16¾".
- Illustration from a book.

1929-172. "The Devoted Dog" / "Der Vasallentreue"
- Signed by L. E. Bartha.

1930. "Adam and Eve Garden Eden and Eve"

- Signed by L. E. Bartha.

122. "Schlüssel-Ode TO JOY" / "Schlüssel-An die Freude"

- Published by Paul Cassirer, Berlin, 1917.
- Illustrated work from a poem by Schiller.

161. "Drama With Flaming Execution" / "Wir betreten Feuerwerk"

- Signed by L. E. Bartha, 9½" x 14¾".

165. "Millions Join The Loving Circle" / "Sind umschlungen Millionen"

- Signed by L. E. Bartha, 10¾" x 14¾".

166. "Joy, The Fine-Moving Manuring" / "Freude trinken alle Wesen"

- Signed by L. E. Bartha, 10¾" x 14¾".

Each postcard captures a unique illustration, often reflecting themes of whimsy, adventure, and classic storytelling, all enhanced by L. E. Bartha's signature style.

The image shows an open book, likely an art catalog or a collection of lithographs, featuring works by an artist named L.E. Bartsch. Each page lists detailed information about various lithographs, including their titles, dates, and other relevant details such as signatures, dimensions, and the names of the people involved in their creation or publication.

Here is a detailed summary of the contents visible in the image:

Left Page:

• The entries include various lithographs with their respective titles in both English and German.
  • #158: "The Erlking II / Erlkönig II" signed L.E. Bartsch, dimensions 6 7/8" x 8".
  • #159: "The Sorcerer's Apprentice II / Der Zauberlehrling II" signed L.E. Bartsch, dimensions 10 1/4" x 14 1/2".
  • #160: "Joy Through the Hare in Winter II / Harzreise im Winter II" signed L.E. Bartsch, dimensions 9 1/2" x 12 1/2".
  • #161: "The King of Thule I / Der König von Thule I (DAK)" signed L.E. Bartsch and Mr. Erich Cohen, dimensions 10 1/2" x 14 1/4".
  • #162: "Schiller: Ode to Joy / Schiller: An die Freude" published by Paul Cassirer, Berlin, 1917, illustrated with a woodcut by the artist.
  • #163: "Irrational Joy / Irrational Freude" signed L.E. Bartsch, dimensions 10 1/4" x 14 1/2".
  • #164: "Drunk With Flaming Exultation / Betrunken vor jubelnder Entzückung" signed L.E. Bartsch, dimensions 10 1/4" x 14 1/2".
  • #165: "Millions Join the Leaving Circle / Millionen schliessen sich dem Abzug an" signed L.E. Bartsch, dimensions 10 1/2" x 14 1/4".
  • #166: "Joy, the Vision-Moving Mime / Freude heisst die stark bewegende Feder" signed L.E. Bartsch, dimensions 10 1/4" x 14 1/2".

Right Page:

• The entries continue with additional lithographs:
  • #167: "To The Hell of Virtue Climbing / Zu den Tugendshöllen" signed L.E. Bartsch, dimensions 10 1/4" x 14 1/2".
  • #168: "Self Portrait (DAK)" signed L.E. Bartsch, dimensions 9 1/2" x 12 1/2".
  • #169: "Self Portrait II (DAK)" signed L.E. Bartsch, dimensions 10 1/2" x 14 1/4".
  • #170: "Mona Lisa in the Mirror / Mona Lisa im Spiegel" signed L.E. Bartsch, dimensions 10 1/2" x 14 1/4".
  • #171: "Panic Stricken / Panischer Schrecken" lithograph, dimensions 12 1/4" x 16 1/2".
  • #172: "The Drowned / Die Ertrunkene" signed L.E. Bartsch, dimensions 12 1/2" x 16 1/2".
  • #173: "Adam and Eve / Adam und Eva" signed L.E. Bartsch, dimensions 12 1/4" x 16 1/2".
  • #174: "Hope and Despair II / Die Erlösung als Hoffnung und Verzweiflung II (DAK)" lithograph, dimensions 10 1/2" x 14 1/4".
  • #175: "The Star Gazer III / Der Sternengucker III (DAK)" signed L.E. Bartsch, dimensions 10 1/2" x 14 1/4".

The right page also features an illustration of a lithograph titled "Wasmanns, Marco, Litzmannstadt, 1923," signed by the artist and dated 1923, with the lithograph held by the Philadelphia Museum of Art.

The text includes annotations about the provenance, signature, and other significant details for each work, making it clear that this is a comprehensive catalog or collection of Bartsch's lithographs.

This image shows an open book featuring a list of artworks along with their details, such as titles, dates, sizes, and signatures. The left page includes entries numbered from 158 to 176, listing works primarily by E. Barlach, with titles in English and German, along with measurements and sometimes lending or collection information.

On the right page, at the bottom right corner, there is a black-and-white illustration titled "Wandering Death," a lithograph from 1923. The illustration depicts a skeletal, cloaked figure hunched over and walking with the aid of a staff. The figure's face is skull-like, and the overall tone of the image is haunting and evocative.

The list of artworks appears to be from a catalog or reference book documenting Barlach's works, with notes on provenance and lending institutions. The text is cleanly typeset, and the pages are in good condition.

The image shows an open catalog or book displaying a list of art pieces with titles, details, and contributors on the left page, and an illustration on the right page. The left page lists various works by an artist, including titles in English and presumably in German, along with the size specifications and credit for the entity currently possessing the artwork. For example, there are references to "The Erlking II," "The Sorcerer's Apprentice II," and "Self Portrait I." The dates next to these listings range from 1927 to 1932, indicating the year of creation or publication.

The right page features a single, expressive lithograph titled "Wandering Death" from 1923. The illustration depicts a skeletal figure, cloaked and wielding a large scythe, striding forward. The figure's head is turned back over its shoulder, and its cloak billows dramatically, suggesting movement and haste. This lithograph is credited as being lent by the Art Institute of Zanesville.

The content of the catalog and the detailed style of the lithograph suggest that this is part of an exhibition or a collection of works by the artist L. E. Barlach. The overall tone of the images and titles evoke themes of mortality, spirituality, and introspection.

The image shows an open book, likely a catalog or inventory of artworks, featuring a detailed list of entries on the left page and an illustration on the right page. Here's a breakdown of the visual elements:

Left Page:

• Layout: The left page contains a structured list of numbered entries, each describing a specific artwork or item.
• Content:
  • Each entry includes:
    • A number (e.g., 127, 128, 129, etc.).
    • A title of the artwork (e.g., "Schlüssel ODE TO JOY / Schließer, An die Freude").
    • Details such as dimensions, signatures, publication information, and other relevant notes.
    • Some entries include signatures or provenance (e.g., "signed L.E. Barlach").
    • Dates and locations are also mentioned (e.g., "Berlin, 1927").
    • Mediums such as "lithograph" or "woodcut" are noted.
    • Sizes are provided in centimeters (e.g., "14 x 9 cm").
• Entries: The entries cover a variety of works, including:
  • Prints, lithographs, and woodcuts.
  • Works by artists such as L.E. Barlach, E. Barlach, and others.
  • Some entries reference well-known titles or themes, such as "The Fooling of Harlequin II" or "To the Hill of Venus: Climbing."

Right Page:

• Illustration: The right page features a detailed black-and-white illustration of a mythological or allegorical figure.
  • The figure appears to be a male with wings, suggesting a cherubic or angelic form.
  • The figure is dressed in classical or Renaissance-style clothing, including a tunic and collar.
  • The figure is holding a staff or rod in one hand and appears to be gesturing or interacting with something in the other hand.
  • The illustration is detailed, with careful attention to the figure's anatomy, clothing, and posture.
  • Below the illustration, there is text that provides additional information about the artwork:
    • The text reads:

      WANSCHING, BRATZ. LITHOGRAPH, 1923.
      50x 36.5cm. EDITION OF 50.
      

    • This indicates that the illustration is a lithograph created by Wansching, Bratz in 1923, with dimensions of 50 x 36.5 cm, and it is part of an edition of 50.

Overall Context:

• The book appears to be a catalog or inventory of artworks, likely from an art collection, auction, or exhibition.
• The left page provides descriptive entries for various artworks, while the right page showcases a specific piece with its illustration and accompanying details.
• The style and format suggest this could be from an art gallery, museum, or private collection catalog.

Key Observations:

1. Structured Entries: The left page is meticulously organized, indicating a professional or academic context.
2. Artwork Details: Each entry includes dimensions, signatures, and other relevant information, which is typical for art catalogs.
3. Illustration: The right page highlights a specific artwork with a clear, detailed illustration and descriptive text, emphasizing its significance.
4. Edition Information: The note about the edition size ("50x 36.5cm. EDITION OF 50") suggests this is a limited or valuable piece.

This image effectively combines textual and visual elements to provide a comprehensive overview of artworks in a catalog format.

The image shows an open book with a table of contents or index. The book appears to be a catalog or reference book, with a list of entries on the left side of the page and a corresponding illustration or image on the right side. The entries are numbered and include titles, dates, and other relevant information. The image on the right side of the page is a black-and-white drawing of a skeleton holding a staff, which appears to be related to one of the entries. The book is placed on a beige background, and the pages are slightly curled, indicating that it is an older book.